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Stephen Halliwell [87]S. Halliwell [8]
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Stephen Halliwell
University of St. Andrews
  1.  7
    The Aesthetics of Mimesis: Ancient Texts and Modern Problems.Stephen Halliwell - 2009 - Princeton University Press.
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  2.  26
    The Aesthetics of Mimesis. Ancients Texts and Modern Problems. [REVIEW]Dimitri El Murr & S. Halliwell - 2002 - Journal of Hellenic Studies 124 (215):219-220.
  3.  90
    Aristotle's Poetics.Stephen Halliwell - 1989 - Journal of Hellenic Studies 109:233.
    In this, the fullest, sustained interpretation of _Aristotle's Poetics_ available in English, Stephen Halliwell demonstrates that the _Poetics_, despite its laconic brevity, is a coherent statement of a challenging theory of poetic art, and it hints towards a theory of mimetic art in general. Assessing this theory against the background of earlier Greek views on poetry and art, particularly Plato's, Halliwell goes further than any previous author in setting Aristotle's ideas in the wider context of his philosophical system. The core (...)
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  4. Greek Laughter: A Study of Cultural Psychology From Homer to Early Christianity.Stephen Halliwell - 2008 - Cambridge University Press.
     
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  5.  24
    Comic Satire and Freedom of Speech in Classical Athens.Stephen Halliwell - 1991 - Journal of Hellenic Studies 111:48-70.
  6.  42
    The Uses of Laughter in Greek Culture.Stephen Halliwell - 1991 - Classical Quarterly 41 (02):279-.
    The proposition that man is the only animal capable of laughter is at least as old as Aristotle . In a strictly physical sense, this is probably false; but it is undoubtedly true that as a psychologically expressive and socially potent means of communication, laughter is a distinctively human phenomenon. Any attempt to study sets of cultural attitudes towards laughter, or the particular types of personal conduct which these attitudes shape and influence, must certainly adopt a wider perspective than a (...)
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  7.  13
    Aristophanes' Apprenticeship.Stephen Halliwell - 1980 - Classical Quarterly 30 (01):33-.
    The basis of this article is a reconsideration of some old and familiar problems about Aristophanes' early career. In the course of trying to supply firm solutions to these problems I hope also to present evidence for an early and inconspicuous stage in Aristophanes' development as a comic dramatist, and as a reflection on the resulting picture I shall make some general observations on ou understanding of the relationship between the various activities involved in the creation of a comic production (...)
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  8.  19
    Plato and Aristotle on Poetry. [REVIEW]S. Halliwell & G. F. Else - 1989 - Journal of Hellenic Studies 109:232-233.
  9.  36
    The Poetics of Greek Tragedy.Stephen Halliwell & M. Heath - 1989 - Journal of Hellenic Studies 109:231-231.
  10.  20
    Popular Morality, Philosophical Ethics and the Rhetoric.Stephen Halliwell - 2015 - In Alexander Nehamas & David J. Furley (eds.), Aristotle's. Princeton University Press. pp. 211-230.
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  11.  26
    Ancient Interpretations of Νομαστìκωμδєȋν in Aristophanes.Stephen Halliwell - 1984 - Classical Quarterly 34 (1):83-88.
    Interest in νομαστìκωμδєȋν began early. Even before the compilation of prosopo-graphical κωμδούμєνο in the second century B.C., Hellenistic study of Aristophanes had devoted attention to the interpretation of personal satire. The surviving scholia contain references to Alexandrian scholars such as Euphronius, Eratosthenes and Callistratus which show that in their commentaries and monographs these men had dealt with issues of νομαστì κωμδєȋν Much material from Hellenistic work on Old Comedy was transmitted by later scholars, particularly by Didymus and Symmachus in their (...)
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  12.  43
    Aristotelian Mimesis Reevaluated.Stephen Halliwell - 1990 - Journal of the History of Philosophy 28 (4):487-510.
  13.  11
    The Uses of Laughter in Greek Culture.Stephen Halliwell - 1991 - Classical Quarterly 41 (2):279-296.
    The proposition that man is the only animal capable of laughter is at least as old as Aristotle. In a strictly physical sense, this is probably false; but it is undoubtedly true that as a psychologically expressive and socially potent means of communication, laughter is a distinctively human phenomenon. Any attempt to study sets of cultural attitudes towards laughter, or the particular types of personal conduct which these attitudes shape and influence, must certainly adopt a wider perspective than a narrowly (...)
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  14.  96
    The Subjection of Muthos to Logos: Plato's Citations of the Poets.S. Halliwell - 2000 - Classical Quarterly 50 (01):94-.
    According to Aristotle, Metaphysics 2.3, 995a7–8, there are people who will take seriously the arguments of a speaker only if a poet can be cited as a ‘witness’ in support of them. Aristotle's passing observation sharply reminds us that Greek philosophy had developed within, and was surrounded by, a culture which extensively valued the authority of the poetic word and the poet's ‘voice’ from which it emanated. The currency of ideas, values, and images disseminated through familiarity with poetry had always (...)
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  15.  28
    The Art of Living: Socratic Reflections From Plato to Foucault. [REVIEW]Stephen Halliwell - 2000 - Ancient Philosophy 20 (2):492-500.
  16.  32
    15. The Republic’s Two Critiques of Poetry.Stephen Halliwell - 2011 - In Otfried Höffe (ed.), Platon: Politeia. Akademie Verlag. pp. 243-258.
  17.  14
    The Subjection of Muthos to Logos: Plato's Citations of the Poets.S. Halliwell - 2000 - Classical Quarterly 50 (1):94-112.
    According to Aristotle, Metaphysics 2.3, 995a7–8, there are people who will take seriously the arguments of a speaker only if a poet can be cited as a ‘witness’ in support of them. Aristotle's passing observation sharply reminds us that Greek philosophy had developed within, and was surrounded by, a culture which extensively valued the authority of the poetic word and the poet's ‘voice’ from which it emanated. The currency of ideas, values, and images disseminated through familiarity with poetry had always (...)
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  18.  22
    Where Three Roads Meet: A Neglected Detail in the Oedipus Tyrannus.Stephen Halliwell - 1986 - Journal of Hellenic Studies 106:187-190.
    ‘There is surely more than geography involved in the extraordinary stress laid in the play on the importance of the branching road.’ So writes the latest editor of Sophocles’ Oedipus Tyrannus, R. D. Dawe, who proceeds to mention the ‘sexual significance … ’ which ‘people tell us’ is to be discerned behind the references to the cross-roads where Oedipus met and killed his father. Dawe finds it difficult to make up his mind whether quasi-Freudian symbolism is properly to be attributed (...)
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  19. Plato and Aristotle on the Denial of Tragedy.Stephen Halliwell - 2006 - In Andrew Laird (ed.), Ancient Literary Criticism. Oxford University Press.
  20.  21
    Unity in Greek Poetics.Stephen Halliwell & M. Heath - 1991 - Journal of Hellenic Studies 111:230-231.
  21.  5
    A Neglected Detail in the "Oedipus Tyrannus": Where Three Roads Meet.Stephen Halliwell - 1986 - Journal of Hellenic Studies 106:187-190.
    ‘There is surely more than geography involved in the extraordinary stress laid in the play on the importance of the branching road.’ So writes the latest editor of Sophocles’ Oedipus Tyrannus, R. D. Dawe, who proceeds to mention the ‘sexual significance … ’ which ‘people tell us’ is to be discerned behind the references to the cross-roads where Oedipus met and killed his father. Dawe finds it difficult to make up his mind whether quasi-Freudian symbolism is properly to be attributed (...)
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  22.  9
    Colloquium 10.Stephen Halliwell - 1989 - Proceedings of the Boston Area Colloquium of Ancient Philosophy 5 (1):321-348.
  23. Whalley’s Translation of The Poetics.John Baxter & Stephen Halliwell - 2003 - Arion 10 (3).
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  24. Kann man heute noch etwas anfangen mit Aristoteles?Thomas Buchheim, Helmut Flashar, Richard A. King, Dorothea Frede & Stephen Halliwell - 2006 - Tijdschrift Voor Filosofie 68 (1):199-199.
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  25.  5
    Acknowledgments.Stephen Halliwell - 2009 - In The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton University Press.
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  26.  47
    A. D. Nuttall: Why Does Tragedy Give Pleasure? Pp. X + 110. Oxford: Clarendon Press, 1996. £20. ISBN: 0-19-818371-2.Stephen Halliwell - 1998 - The Classical Review 48 (1):205-205.
  27.  34
    ANDREIA IN PLATO A. Hobbs: Plato and the Hero: Courage, Manliness and the Impersonal Good . Pp. Xvii + 280. Cambridge: Cambridge University Press, 2000. Cased, £37.50, ISBN: 0-521-41733-. [REVIEW]Stephen Halliwell - 2003 - The Classical Review 53 (01):53-.
  28.  4
    Andreia In Plato. [REVIEW]Stephen Halliwell - 2003 - The Classical Review 53 (1):53-55.
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  29.  20
    A. L. Boegehold: When a Gesture Was Expected. A Selection of Examples From Archaic and Classical Greek Literature . Pp. Xvii + 154, Pls. Princeton: Princeton University Press, 1999. Cased, £20.50. ISBN:0-691-00263-. [REVIEW]Stephen Halliwell - 2002 - The Classical Review 52 (01):168-.
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  30.  9
    A. L. Boegehold: When a Gesture Was Expected. A Selection of Examples From Archaic and Classical Greek Literature. Pp. Xvii + 154, Pls. Princeton: Princeton University Press, 1999. Cased, £20.50. ISBN:0-691-00263-0. [REVIEW]Stephen Halliwell - 2002 - The Classical Review 52 (1):168-169.
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  31.  24
    Aesthetics Bychkov Aesthetic Revelation. Reading Ancient and Medieval Texts After Hans Urs von Balthasar. Pp. Xviii + 349. Washington, D.C.: The Catholic University of America Press, 2010. Cased, US$79.95. ISBN: 978-0-8132-1731-4. Bychkov, Sheppard Greek and Roman Aesthetics. Pp. Xlii + 249. Cambridge: Cambridge University Press, 2010. Paper, £17.99, US$30.99 . ISBN: 978-0-521-54792-5. [REVIEW]Stephen Halliwell - 2012 - The Classical Review 62 (2):428-431.
  32.  7
    Aristotle on the Function of Tragic Poetry. [REVIEW]Stephen Halliwell - 2003 - The Classical Review 53 (1):249-250.
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  33.  3
    Aristotle's Teleological Theory of Tragedy and Epic. [REVIEW]Stephen Halliwell - 1997 - The Classical Review 47 (1):198-199.
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  34.  1
    Bibliography.Stephen Halliwell - 2009 - In The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton University Press. pp. 383-418.
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  35.  33
    BEAUTY. D. Konstan Beauty. The Fortunes of an Ancient Greek Idea. Pp. Xiv + 262, Ills. New York: Oxford University Press, 2014. Cased, £19.99, US$29.95. ISBN: 978-0-19-992726-5. [REVIEW]Stephen Halliwell - 2016 - The Classical Review 66 (2):319-321.
  36. Between Ecstasy and Truth: Interpretations of Greek Poetics From Homer to Longinus.Stephen Halliwell - 2011 - Oxford University Press.
  37. Contents.Stephen Halliwell - 2009 - In The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton University Press.
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  38.  35
    Cynthia P. Gardiner: The Sophoclean Chorus. A Study of Character and Function. Pp. X + 205. Iowa City: University of Iowa Press, 1987. $22.50. [REVIEW]Stephen Halliwell - 1988 - The Classical Review 38 (01):140-.
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  39.  8
    Cynthia P. Gardiner: The Sophoclean Chorus. A Study of Character and Function. Pp. X + 205. Iowa City: University of Iowa Press, 1987. $22.50. [REVIEW]Stephen Halliwell - 1988 - The Classical Review 38 (1):140-140.
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  40. Die Literaturtheorie bei Platon und ihre anthropologische Begründung. [REVIEW]Stephen Halliwell - 2002 - Zeitschrift für Philosophische Forschung 56 (3).
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  41.  21
    D. Moraitou: Die Äuβerungen des Aristoteles über Dichter und Dichtung auβerhalb der Poetik.(Beiträge zur Altertumskunde, 49.) Pp. x+163. Stuttgart, Leipzig: B. G. Teubner, 1994. Cased, DM 58. [REVIEW]Stephen Halliwell - 1995 - The Classical Review 45 (02):438-.
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  42.  11
    D. Moraitou: Die Äuβerungen des Aristoteles über Dichter und Dichtung auβerhalb der Poetik. Pp. x+163. Stuttgart, Leipzig: B. G. Teubner, 1994. Cased, DM 58. [REVIEW]Stephen Halliwell - 1995 - The Classical Review 45 (2):438-438.
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  43.  31
    Der Mimesisbegriff in der Griechischen Antike: Neubetrachtung Eines Umstrittenen Begriffes Als Ansatz Zu Einer Neuen Interpretation der Platonischen Kunstauffassung. [REVIEW]Stephen Halliwell - 1995 - The Classical Review 45 (1):176-177.
  44.  3
    Evidentia. [REVIEW]Stephen Halliwell - 1999 - The Classical Review 49 (1):87-88.
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  45.  50
    Evidentia C. Lévy, L. Pernot (Edd.): Dire l'Évidence (Philosophie Et Rhétorique Antiques) . (Cahiers de Philosophie de l'Université de Paris XII, 2.) Pp. 448. Paris and Montreal: Harmattan, 1997. Paper. ISBN: 2-7384-5024-. [REVIEW]Stephen Halliwell - 1999 - The Classical Review 49 (01):87-.
  46. From Functionalism to Formalism: Or Did the Greeks Invent Literary Criticism?: Andrew Ford, The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. [REVIEW]Stephen Halliwell - 2003 - Arion 10 (3).
     
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  47.  8
    Frontiers of Pleasure: Models of Aesthetic Response in Archaic and Classical Greek Thought by Anastasia-Erasmia Peponi.Stephen Halliwell - 2014 - Classical World: A Quarterly Journal on Antiquity 107 (3):410-411.
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  48.  7
    German Idealism and Greek Tragedy. J. Billings Genealogy of the Tragic. Greek Tragedy and German Philosophy. Pp. XX + 258. Princeton and Oxford: Princeton University Press, 2014. Cased, £30.95, Us$45. Isbn: 978-0-691-15923-2. [REVIEW]Stephen Halliwell - 2016 - The Classical Review 66 (2):563-565.
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  49.  30
    Genres in Dialogue.Stephen Halliwell - 1997 - Ancient Philosophy 17 (2):452-457.
  50.  2
    Genres in Dialogue: Plato and the Construct of Philosophy. [REVIEW]Stephen Halliwell - 1997 - Ancient Philosophy 17 (2):452-457.
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