Evoking the contemporary Zeitgeist of looming ecological, political and economic disaster, a distinguished group of thinkers invite a compelling reconsideration of the ways we, as representing subjects, might be more deeply implicated in catastrophic events than we ordinarily imagine"--Provided by publisher.

_A comprehensive examination of Lacan’s seminar on ethics._.

_A comprehensive examination of Lacan’s seminar on ethics._.

First Love: A Phenomenology of the One explodes two great myths that remain unquestioned in psychoanalysis and contemporary philosophy: that first love is a love of the mother and, in French philosopher Alain Badiou’s phrasing, ‘the One is not.’ The bold, central argument of the book claims that, with its unprejudiced acceptance of first love as mother love, psychoanalysis is at risk of missing the full potential of its own thought: the existence of an uncounted One as named and held (...) faithful to in the literary tradition. In detailed, sensitive readings of the First Love of Samuel Beckett, Ivan Turgenev, Eudora Welty, John Clare and Søren Kierkegaard, Jöttkandt considers the ways love is conceptually ‘first’ for these writers. With this groundbreaking work, Jöttkandt suspends the contemporary philosophical stricture against every idea of an ‘all’ to unmask the shadowy figure concealed behind the traditional psychoanalytic myth of first love: One that - or perhaps who - is not purely an effect of structure. (shrink)

For Badiou, love must be regarded in terms of an exceptional logic that simultaneously confirms the philosophical counting operation, while generating another number that is not a product of ordination.

Introduction to the life and work of Sam Gillespie.

V najnovejšem zborniku spisov o sodobni globalni krizi, Against the Double Blackmail, Slavoj Žižek trdi, da potrebujemo Wiederholung Evrope. Tako, denimo, zapiše: »na podlagi kritičnega soočanja s celotno evropsko tradicijo moramo ponoviti vprašanje 'kaj je Evropa?' ali, raje, 'kaj za nas pomeni biti evropejci?' in na tej podlagi zgraditi novo vizijo«. V danem prispevku raziskujem, kako se takšno ponovno prisvajanje »Evrope« skozi ponavljanje že dogaja, kot to nakazuje niz potez, znamenj in drugih sledi, izdolbenih s stopinjami beguncev in prosilcev za (...) azil med njihovo potjo od juga proti severu. Če je v Žižkovi knjigi »evropska tradicija« sinekdohalno predstavljena kot dvojna figura Edgarja Allana Poeja in Mary Shelley, je to zato, ker sta pisatelja z vnaprejšnjo izključitvijo vseh možnosti izhoda, uprizorila izvirno fantazmo severa, na podlagi katere se današnji begunci sklicujejo svoje pravice. Izkazalo se je, da je bila »sanjska dežela« ali Ultima Thule, od samega začetka logika vpisa. Iz te perspektive bi bilo dejanje iskanja zatočišča način »mišljenja s stopali«, kot je nekoč škandalozno zatrdil Lacan, pri čemer bi bilo besedilo, stkano kot »Evropa«, nezavedno te misli. (shrink)

As philosophers from Jacques Derrida, to Gilles Deleuze and Félix Guattari, to Alain Badiou have shown, the concept of border entails a logic of exclusion that sustains itself on an empty place. In the absence of this empty place, what does the contemporary experience of being ‘without boundaries’ imply mathematically? This paper suggests that if the Anthropocene confirms Deleuze and Guattari's insight that the older, ‘castrative’ logic of the border-cut is extinct, this does not require us to abandon the categories (...) that traditionally inscribed us as subjects altogether. Rather, it helps us to understand how the Symbolic Law is being logically inscribed. One often talks loosely about the ‘perversity’ of the Law, but this analysis of three parables of climate change enables us to pinpoint more precisely the structure of how the Law presents today. It suggests that to try to ‘diagnose’ the contemporary experience of the Law, we should look not to perversion but to the ‘prime zero’ of a specifically ‘feminine’ psychosis. (shrink)

This paper addresses an apparent shift in Alain Badiou’s thinking on sex and the universal. Previously Badiou had maintained that sex was a particularity that requires subtraction from the universal, together with the other predicative descriptions of identity such as nation, race, and class. However in a recent paper, “Figures of Femininity in the Contemporary World,” Badiou contends that the sexuation of philosophical and symbolic thought is “inevitable.” Taking Badiou’s readings of Samuel Beckett as its guide, and addressing Badiou’s discussions (...) of change in Logics of Worlds and Subject of Change, this paper works through the implications of this new claim. It asks whether Badiou’s thought allows the possibility of a real change in his philosophy, including thereby the potential to change one’s sex. (shrink)

This paper addresses an apparent shift in Alain Badiou’s thinking on sex and the universal. Previously Badiou had maintained that sex was a particularity that requires subtraction from the universal, together with the other predicative descriptions of identity such as nation, race, and class. However in a recent paper, “Figures of Femininity in the Contemporary World,” Badiou contends that the sexuation of philosophical and symbolic thought is “inevitable.” Taking Badiou’s readings of Samuel Beckett as its guide, and addressing Badiou’s discussions (...) of change in Logics of Worlds and Subject of Change, this paper works through the implications of this new claim. It asks whether Badiou’s thought allows the possibility of a real change in his philosophy, including thereby the potential to change one’s sex. (shrink)

Long recognised as a painting ‘about’ painting, Velázquez’s Las Meninas comes to Lacan’s aid as he explicates the object a in Seminar XIII, The Object of Psychoanalysis (1965–1966). The famous seventeenth century painting provides Lacan with a visual mapping of the ‘ghost story’ he discovers in the Cartesian cogito, insofar as it depicts the unravelling of the Cartesian representational project at the moment of its founding gesture. This article traces Lacan’s argument as he turns to art, linear perspective and topology (...) to model how the object a persistently eludes the grasp of scientific knowledge. Following a discussion of distance-point perspective in Renaissance Italy and the role this innovation played in enabling distorted depictions of objects in space, I propose Henry James’s ghost story, “The Jolly Corner,” as the sequel to Lacan’s reading of Las Meninas. In James’s tale, we obtain a narrative account of what the figures in Velasquez’s painting might ‘see’ as they return our gaze towards us. (shrink)