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  1. Nietzsche's on the Genealogy of Morals: Critical Essays.Keith Ansell Pearson, Babette Babich, Eric Blondel, Daniel Conway, Ken Gemes, Jürgen Habermas, Salim Kemal, Paul S. Loeb, Mark Migotti, Wolfgang Müller-Lauter, Alexander Nehamas, David Owen, Robert Pippin, Aaron Ridley, Gary Shapiro, Alan Schrift, Tracy Strong, Christine Swanton & Yirmiyahu Yovel - 2006 - Rowman & Littlefield Publishers.
    In this astonishingly rich volume, experts in ethics, epistemology, philosophy of mind, political theory, aesthetics, history, critical theory, and hermeneutics bring to light the best philosophical scholarship on what is arguably Nietzsche's most rewarding but most challenging text. Including essays that were commissioned specifically for the volume as well as essays revised and edited by their authors, this collection showcases definitive works that have shaped Nietzsche studies alongside new works of interest to students and experts alike. A lengthy introduction, annotated (...)
     
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  2. Kant and Fine Art: An Essay on Kant and the Philosophy of Fine Art and Culture.Kemal Salim - 1986 - Oxford University Press.
    Integrating Kant's ideas on aesthetics and morality, Dr. Kemal explains how Kant's theories emphasize that art is critical to the development of culture and community goals. He clarifies Kant's often obscure efforts to justify artistic judgements and demonstrates Kant's claim that they have their own necessity. Containing explanations of many difficult terms present in Kant's Critique of Judgment, this study is a valuable guide to understanding Kant's association of beauty and morality.
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  3. Performance and Authenticity in the Arts.Salim Kemal & Ivan Gaskell (eds.) - 1999 - Cambridge University Press.
    This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. (...)
     
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  4.  66
    Arabic Poetics and Aristotle's Poetics.Salim Kemal - 1986 - British Journal of Aesthetics 26 (2):112-123.
  5. The Philosophical Poetics of Alfarabi, Avicenna and Averroës the Aristotelian Reception.Salim Kemal - 2003 - Routledge.
    This book examines the studies of Aristotle's Poetics and its related texts in which three Medieval philosophers - Alfarabi, Avicenna and Averroes - proposed a conception of poetic validity, and a just relation between subjects in a community. The work considers the relation of the Poetics to other Aristotelian texts, the transmission of these works to the commentators' context, and the motivations driving the commentators' reception of the texts. The book focuses on issues central to the classical relation of beauty (...)
     
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  6.  62
    Systematic Ideas in Aesthetics: (II) (Expression and Idealism in Kant's Aesthetics).Salim Kemal - 1976 - British Journal of Aesthetics 16 (1):68-80.
  7.  3
    Medieval Arabic Poetics.Salim Kemal - 1988 - Philosophy Research Archives 14:20-122.
    The paper concerns the Commentary on Aristotle's Poetics written by Avicenna. The paper is divided into two parts, the first of which examines Avicenna's account of poetic imagination and the use he makes of this concept in justifying a 'poetic syllogism' that accounts for aesthetic validity. The second part develops this account of the poetic syllogism to show that the completeness of the syllogistic requires us to consider the kind of commurlty and moral validity sustained by poetic validity. To explain (...)
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  8.  35
    Kant's Aesthetic Theory: An Introduction.Salim Kemal - 1992 - St. Martin's Press.
    Salim Kemal clarifies the nature of aesthetic judgements and their epistemological status, and examines the scope of Kant's justification of their validity.
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  9.  49
    Systematic Ideas in Aesthetics: (I) Presentation and Expression in Kant's Aesthetics.Salim Kemal - 1975 - British Journal of Aesthetics 15 (2):144-158.
  10.  37
    Aesthetic Licence: Foucault's Modernism and Kant's Post-Modernism.Salim Kemal - 1999 - International Journal of Philosophical Studies 7 (3):281 – 303.
    Recently criticism and theory have maintained that Kant's aesthetic theory is central to modernism, and have used Foucault's archaeology to interrogate that modernism. This paper suggests that archaeology ultimately cannot escape Kant's hold because it depends on Kantian theses. The first section will consider how a recent exponent of an 'archaeological' viewpoint characterizes Kant's theory and will set out the critical role Kant ascribes to art. The second section compares Kant and Foucault to argue that despite appearances their projects turn (...)
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  11.  32
    The Significance of Natural Beauty.Salim Kemal - 1979 - British Journal of Aesthetics 19 (2):147-166.
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  12.  7
    Aesthetic Necessity, Culture and Epistemology.Salim Kemal - 1983 - Kant-Studien 74 (2):176-205.
  13.  32
    Aristotle's Poetics, the Poetic Syllogism, and Philosophical Truth in Averroës Commentary.Salim Kemal - 2001 - Journal of Value Inquiry 35 (3):391-412.
  14.  2
    Kant and the Production of Fine Art.Salim Kemal - 1989 - Proceedings of the Sixth International Kant Congress 2 (2):333-343.
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  15.  2
    Feeling and Judgment.Salim Kemal - 1995 - Proceedings of the Eighth International Kant Congress 1:803-809.
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  16.  10
    Arabic Philosophy and the West. Continuity and Interaction.Salim Kemal - 1990 - Review of Metaphysics 44 (1):137-139.
  17.  10
    Michael Baxandall, Patterns of Intention, 1985.Ivan Gaskell & Salim Kemal - forthcoming - British Journal of Aesthetics 27.
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  18.  9
    The Kantian Sublime: From Morality to Art.Salim Kemal - 1991 - Journal of the History of Philosophy 29 (3):500-502.
  19.  6
    Lectures on Logic.Salim Kemal - 1994 - Review of Metaphysics 47 (3):624-625.
  20.  6
    The Genesis of Kant's "Critique of Judgment".Salim Kemal - 1994 - Journal of the History of Philosophy 32 (3):504-505.
  21.  8
    Kant, Morality and Society.Salim Kemal - 1998 - Kantian Review 2 (1):14-50.
    One usual understanding of Kant's moral theory identifies agents as solitary individuals who reflect on the moral quality of actions ‘in the loneliness of their souls’. Their reflection is autonomous, independent and ‘monological’, with the result that ‘by presupposing autonomy’ Kant ‘expels moral action from the very domain of morality itself’. Instead of an ‘interplay of an intersubjectivity’ in which moral issues arise and are resolved, the autonomous solitary individual seems to derive rules for action from a categorical imperative. Yet (...)
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  22.  1
    John H. Zammito, "The Genesis of Kant's "Critique of Judgment"". [REVIEW]Salim Kemal - 1994 - Journal of the History of Philosophy 32 (3):504.
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  23.  2
    The Poetics of Alfarabi and Avicenna.Salim KEMAL - 1993 - Journal of the American Oriental Society 113 (2):301.
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  24.  4
    The Language of Art History.Salim Kemal & Ivan Gaskell - 1994 - Journal of Aesthetics and Art Criticism 52 (2):249-250.
    The first volume in the series Cambridge Studies in Philosophy and the Arts offers a range of responses by distinguished philosophers and art historians to some crucial issues generated by the relationship between the art object and language in art history. Each of the chapters in this volume is a searching response to theoretical and practical questions in terms accessible to readers of all human science disciplines. The editors, one a philosopher and one an art historian, provide an introductory chapter (...)
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  25.  5
    The Importance of Artistic Beauty.Salim Kemal - 1980 - Kant-Studien 71 (1-4):488-507.
  26.  7
    Book Reviews. [REVIEW]Salim Kemal - 1975 - British Journal of Aesthetics 15 (2):183-184.
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  27.  5
    The Need for Plans, Projects and Reasoning About Ends: Kant and Williams.Salim Kemal - 1997 - International Journal of Philosophical Studies 5 (2):187 – 215.
    Critics deny that Kant's moral theory has the resources it needs to guide our actual actions. They reject the power of reason to establish moral rules and they propose alternative notions of person and project. This paper first develops aspects of Kant's moral theory, setting out briefly his notions of personality and the primacy of moral reason. Second it considers an alternative account that has been influential in recent Anglo-American philosophy to show that its understanding of persons and projects fails (...)
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  28.  1
    AL-AZMEH, A.(1990) Ibn Khaldun, London, Routledge. ALON, ILAI (1991) Socrates in Mediaeval Arabic Literature, Leiden, EJ Brill. BENN, CHARLES D.(1991) The Cavern Mystery Transmission, Hawaii, University of Hawaii Press. BHARADWAJA, VK (1990) Form and Validity in Indian Logic, Shimla, Indian Institute of Advanced Study. BLACK, DEBORAH L.(1990) Logic and Aristotle's Rhetoric and Poetics in Mediaeval Arabic Philosophy. [REVIEW]E. J. Leiden, Michael Fuss, Har Gibb, Jh Kramers, Salim Kemal, Richard Kieckehefer, George D. Bond, Bk Matilal, Oxford Oxford & W. Montgomery Watt - 1992 - Asian Philosophy 2 (1):117.
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  29.  1
    Book Reviews. [REVIEW]Salim Kemal & Ivan Gaskell - 1987 - British Journal of Aesthetics 27 (2):183-184.
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  30. Aristotle's "Poetics" in Avicenna's Commentary.Salim Kemal - 1990 - Oxford Studies in Ancient Philosophy 8:173.
  31. "Aristotle's Poetics": Stephen Halliwell. [REVIEW]Salim Kemal - 1987 - British Journal of Aesthetics 27 (3):284.
     
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  32. Expression and Idealism in Kant's Aesthetics.Salim Kemal - 1976 - British Journal of Aesthetics 16 (1):68.
     
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  33.  16
    Explanation and Value in the Arts.Salim Kemal & Ivan Gaskell (eds.) - 1993 - Cambridge University Press.
    Explanation and Value in the Arts offers penetrating studies by art historians, literary theorists and philosophers, of issues central to explaining works of literature and painting. The first chapters look at the sources of interest in the fine arts and point to the intimate relation between aesthetic and other values. The following contributions develop the interaction between value and explanation by examining the construction of value in the study of the arts, including considerations of the nature of creativity and the (...)
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  34. Explanation and Value in the Arts.Salim Kemal & Ivan Gaskell - 1995 - Journal of Aesthetics and Art Criticism 53 (3):338-339.
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  35. Interests, Values and Explanations.Salim Kemal & Ivan Gaskell - 1993 - In Salim Kemal & Ivan Gaskell (eds.), Explanation and Value in the Arts. Cambridge University Press. pp. 1--42.
     
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  36. Kant and Fine Art: An Essay on Kant and the Philosophy of Fine Art and Culture.Salim Kemal - 1989 - Journal of Aesthetics and Art Criticism 47 (2):179-180.
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  37. "Kant's Aesthetic Theory": Donald W. Crawford. [REVIEW]Salim Kemal - 1975 - British Journal of Aesthetics 15 (2):183.
     
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  38. Kant's Aesthetic Theory: An Introduction.Salim Kemal - 1994 - Journal of Aesthetics and Art Criticism 52 (3):358-360.
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  39. Kant, Community and the Evil Poem.Salim Kemal - 1991 - Revue Internationale de Philosophie 45 (176):24-38.
  40.  49
    Landscape, Natural Beauty, and the Arts.Salim Kemal & Ivan Gaskell (eds.) - 1993 - Cambridge University Press.
    In Landscape, Natural Beauty, and the Arts, a distinguished group of scholars probes the complex structure of aesthetic responses to nature. Each of the chapters refines and expands the terms of discussion, and together they enrich the debate with insights from art history, literary criticism, geography and philosophy. To explore the interrelation between our conceptions of nature, beauty and art, the contributors consider the social construction of nature, the determination of our appreciation by artistic media, and the duality of nature's (...)
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  41. Landscape, Natural Beauty and the Arts.Salim Kemal & Ivan Gaskell (eds.) - 1995 - Cambridge University Press.
    Landscape, Natural Beauty and the Arts offers probing studies of the complex structure of aesthetic responses to nature. Each chapter refines and expands the terms of discussion, and together they enrich the debate with insights from art history, literary criticism, geography and philosophy. To explore the interrelation between our conceptions of nature, beauty and art, the contributors consider the social construction of nature, the determination of our appreciation by artistic media, and the duality of nature's determining in gardening. Showing that (...)
     
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  42. Landscape, Natural Beauty and the Arts.Salim Kemal & Ivan Gaskell - 1995 - Environmental Values 4 (1):88-89.
     
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  43. Landscape, Natural Beauty, and the Arts.Salim Kemal & Ivan Gaskell - 1995 - Journal of Aesthetics and Art Criticism 53 (1):91-93.
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  44.  10
    Nietzsche, Philosophy and the Arts.Salim Kemal, Ivan Gaskell & Daniel W. Conway (eds.) - 1998 - Cambridge University Press.
    Nietzsche's writings have shaped much contemporary reflection on the relation between philosophy and art. This book brings together a number of distinguished contributors to examine his aesthetic account of the origins and ends of philosophy. They discuss the transformative power which Nietzsche ascribes to aesthetic activity, including his aesthetic justification of existence and its fusion of social and personal existence, and they investigate his experiments with an 'aesthetic politics' and a politicisation of aesthetics. Together their essays set out the ground (...)
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  45. Nietzsche, Philosophy and the Arts.Salim Kemal, Ivan Gaskell & Daniel W. Conway (eds.) - 2002 - Cambridge University Press.
    Nietzsche's writings have shaped much contemporary reflection on the relation between philosophy and art. This book brings together a number of distinguished contributors to examine his aesthetic account of the origins and ends of philosophy. They discuss the transformative power which Nietzsche ascribes to aesthetic activity, including his aesthetic justification of existence and its fusion of social and personal existence, and they investigate his experiments with an 'aesthetic politics' and a politicisation of aesthetics. Together their essays set out the ground (...)
     
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  46. Nietzsche, Philosophy and the Arts.Salim Kemal, Ivan Gaskell, Daniel W. Conway, Alexandre Kostka & Ivan Wohlfarth - 2002 - Journal of Aesthetics and Art Criticism 60 (1):101-103.
     
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  47. Nietzsche, Philosophy and the Arts.Salim Kemal, Ivan Gaskell, Daniel W. Conway, Alexandre Kostka & Ivan Wohlearth - 2001 - Journal of Aesthetics and Art Criticism 59 (1):106-108.
     
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  48.  18
    Politics and Aesthetics in the Arts.Salim Kemal & Ivan Gaskell (eds.) - 2000 - Cambridge University Press.
    This volume brings together essays from distinguished scholars in a variety of disciplines - philosophy, history, literary studies, art history - to explore various ways in which aesthetics, politics and the arts interact with one another. Politics is an elastic concept, covering an oceanic breadth of mechanisms for conducting relations between empowered groups, and these essays offer a range of perspectives, including nations, classes, and gendered subjects, which examine the imbrication of politics with arts. Together they demonstrate the need to (...)
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  49. Paul Crowther, "The Kantian Sublime: From Morality to Art". [REVIEW]Salim Kemal - 1991 - Journal of the History of Philosophy 29 (3):500.
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  50. "Patterns of Intention: On the Historical Explanation of Pictures": Michael Baxandall. [REVIEW]Salim Kemal - 1987 - British Journal of Aesthetics 27 (2):188.
     
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