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  1.  20
    Compositional Homology and Creative Thinking.Salvatore Tedesco - 2015 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 8 (1):91-100.
    The concept of homology is the most solid theoretical basis elaborated by the morphological thinking during its history. The enucleation of some general criteria for the interpretation of homology is today a fundamental tool for life sciences, and for restoring their own opening to the question of qualitative innovation that arose so powerfully in the original Darwinian project. The aim of this paper is to verify the possible uses of the concept of compositional homology in order to provide of an (...)
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  2. Economia del desiderio: piacere e conoscenza nella prima estetica di Herder.Salvatore Tedesco - 2009 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 2 (1).
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  3. L'oscuro in Wolff, Baumgarten, Herder.Salvatore Tedesco - 2008 - In Piero Giordanetti, Giambattista Gori & Maddalena Mazzocut-Mis (eds.), Il Secolo Dei Lumi E L'Oscuro. Mimesis.
  4.  22
    Analogia e omologia: la questione della filogenesi delle emozioni.Salvatore Tedesco - 2013 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (2):257-269.
    Aim of this paper is to outline a new evolutionary interpretation of aesthetic emotions, in the light of the most recent developments in Evolutionary Biology, in particular the so-called “Extended Synthesis of Evolution” (Pigliucci-Müller 2010). Focussing on the biological concept of homology, the Author argues that, in order to effectively understand role and evolutionary value of aesthetic emotions, it should be asked not “what aesthetic emotions are for?”, rather “what kind of constraints and homologies influence the specific “shape” of human (...)
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  5.  17
    Presentazione.Maddalena Mazzocut-Mis, Rita Messori & Salvatore Tedesco - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (2):3-5.
    Nature doesn’t seem reducible to rigid systems and classifications. Although resorting to metaphors may give rise to contradictions, it allows the elaboration of explanatory models which help us to organize thought and to find orientation in the natural world. Giving form through metaphors stands for seeking the way by which mankind looks for both solutions and new configurations to face nature’s enigmas. The creation of morphological and/or evolutionary metaphors framed in a schematic way what Hugo called “man’s groping in the (...)
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  6.  14
    Funktionskreis e Gestaltkreis: la metafora del circolo nella biologia teoretica.Salvatore Tedesco - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (2):177-185.
    This paper aims to examine the use of the circle metaphor within the functionalist perspective by Jakob von Uexküll and the morphological perspective by Viktor von Weizsäcker. Whereas the functionalist theory dissolves the unity of the organism in the multiplicity of functional relationships, Weizsäcker’s morphology recognizes the fundamental unity of the biological act, leading to a new concept of the living organism.
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  7.  8
    La costruzione del concetto di omologia e i vincoli materiali della forma.Salvatore Tedesco - 2016 - Rivista di Estetica 62:27-39.
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  8.  6
    Herder e la questione dell'Einfuhlung. Estetica e teoria della conoscenza fra Mitfuhlen e Familiengefuhl.Salvatore Tedesco - 2011 - Rivista di Estetica 48:203-215.
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  9.  3
    «Evo-Devo meets the mind». La questione dell’esperienza estetica e l’evoluzionismo contemporaneo, dall’ipotesi degli adattamenti modulari all'interpretazione sistemica dell’omologia.Salvatore Tedesco - 2013 - Rivista di Estetica 54:157-179.
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  10. Herder and the Question of Einfuehlung. Aesthetics and Theory of Knowledge Between Mitfuehlen and Familiengefuehl.Salvatore Tedesco - 2011 - Rivista di Estetica 48:203-215.
     
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  11. Tempo e forma vivente: Viktor von Weizsäcker.Salvatore Tedesco - 2008 - Discipline Filosofiche 18 (2).
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