6 found
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  1.  15
    Langage et Cultures Savantes.Joël Chandelier, Samuel Gessner, Gilles Palsky, Jochen Hoock, Catherine König-Pralong, Sylvie Benzoni-Gavage & Florence Brian-Jaisson - 2012 - Revue de Synthèse 133 (3):451-469.
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  2.  18
    Comptes Rendus.Caroline Ehrhardt, Alain Bernard, Grégory Chambon, Samuel Gessner, Frédéric Brechenmacher, HélÈne Gispert, Rossana Tazzioli, Éric Brian, Renaud D’Enfert, Karine Chemla, Dominique Weber, Isabelle Surun, Élodie Cassan, Jean-FranCcois Goubet, Pierre-Henri Castel & Vincent Bontems - 2010 - Revue de Synthèse 131 (4):613-659.
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  3.  6
    Bons Procédés Entre Érudits.Samuel Gessner - 2010 - Revue de Synthèse 131 (4):523-541.
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  4.  20
    The Conception of a Mathematical Instrument and its Distance From the Material World: The ‘Pantometra’ in Lisbon, 1638.Samuel Gessner - 2011 - Studium : Revue D’Histoire des Sciences Et des Universités 4 (4):210.
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  5.  27
    The Use of Printed Images for Instrument-Making at the Arsenius Workshop.Samuel Gessner - 2013 - Early Science and Medicine 18 (1-2):124-152.
  6.  15
    Andalò di Negro’s De Compositione Astrolabii: A Critical Edition with English Translation and Notes.Bernardo Mota, Samuel Gessner & Dominique Raynaud - 2019 - Archive for History of Exact Sciences 73 (6):551-617.
    In this article, we publish the critical edition of Andalò di Negro’s De compositione astrolabii, with English translation and commentary. The mathematician and astronomer Andalò di Negro presumably redacted this treatise on the astrolabe in the 1330s, while residing at the court of King Robert of Naples. The present edition has three purposes: first, to make available a text missing from the previous compilations of works by Andalò di Negro; second, to revise a privately circulated edition of the text; and (...)
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