The essay reflects in an elegiac mode on a now largely forgotten (or effaced) body of literature from precolonial India regarding the art and business of politics. This body, known as nīti, has classical roots in Sanskrit but came in particular to be popular in peninsular India between the thirteenth and the eighteenth centuries in vernacular languages such as Telugu, Kannada, and Marathi. Secular and this-worldly in orientation, it can be broadly contrasted to the far better known body of texts (...) on dharma, which are concerned to preserve a normative, ritually and religiously sanctioned, order based on strict adherence to caste and gender roles. We first trace the classical roots of the tension between dharma and nīti and then set out how these two bodies of texts came to play distinct and evolving roles in medieval and early modern south India. We argue further that under the early phase of colonial rule, East India Company officials misunderstood the nature of nīti texts and that this has led to a persistently erroneous view of their role and content. We conclude by noting, however, that some astute modern observers of and participants in Indian politics, such as B. R. Ambedkar, have understood the part that nīti might play for the development of a secular language of politics in modern India. (shrink)

In the years since its twin publication in 2001 and 2003 , Textures of Time has attracted a great deal more attention outside the United States than in the American academy. This, we suggest, is because its ideas and approach are rather at odds with the dominant trends in the area of “postcolonial studies.” In this response to three critical essays that engage with the book—by Rama Mantena, Sheldon Pollock, and Christopher Chekuri—we begin by setting out our principal hypotheses as (...) well as the evidentiary structure of the book, which draws mostly on vernacular materials from South India in the seventeenth and eighteenth centuries. The former includes the claim that South India between roughly 1600 and 1800 possessed considerable and diverse historiographical traditions, though these histories came couched in a variety of genres, rendering them difficult for the uninitiated to recognize at first; the latter requires us to develop the significance of the concepts of “texture” as well as of “subgeneric markers” that help distinguish texts with a historical intention from those that are nonhistorical but have the same generic location. Our response then goes on to discuss why theoretical or sastric texts in India do not themselves explicitly theorize the distinctions we make. Here, we posit a contrast between “embedded” and “explicated” concepts in the “emic” sphere, suggesting that “texture” belongs to the first category. We explicitly distinguish our views from the poststructuralist language adopted by Pollock in his critique of Textures, and the more predictable postcolonial vision of Chekuri. We once more emphasize the need to take the vernacular historiography seriously, and to refine our reading practices, rather than overly depending on normative materials in Sanskrit, or on a prefabricated theoretical schema that derives from a stylized view of the nature of the transformations produced by colonial rule. (shrink)

In the years since its twin publication in 2001 and 2003, Textures of Time has attracted a great deal more attention outside the United States than in the American academy. This, we suggest, is because its ideas and approach are rather at odds with the dominant trends in the area of “postcolonial studies.” In this response to three critical essays that engage with the book—by Rama Mantena, Sheldon Pollock, and Christopher Chekuri—we begin by setting out our principal hypotheses as well (...) as the evidentiary structure of the book, which draws mostly on vernacular materials from South India in the seventeenth and eighteenth centuries. The former includes the claim that South India between roughly 1600 and 1800 possessed considerable and diverse historiographical traditions, though these histories came couched in a variety of genres, rendering them difficult for the uninitiated to recognize at first; the latter requires us to develop the significance of the concepts of “texture” as well as of “subgeneric markers” that help distinguish texts with a historical intention from those that are nonhistorical but have the same generic location. Our response then goes on to discuss why theoretical or sastric texts in India do not themselves explicitly theorize the distinctions we make. Here, we posit a contrast between “embedded” and “explicated” concepts in the “emic” sphere, suggesting that “texture” belongs to the first category. We explicitly distinguish our views from the poststructuralist language adopted by Pollock in his critique of Textures, and the more predictable postcolonial vision of Chekuri. We once more emphasize the need to take the vernacular historiography seriously, and to refine our reading practices, rather than overly depending on normative materials in Sanskrit, or on a prefabricated theoretical schema that derives from a stylized view of the nature of the transformations produced by colonial rule. (shrink)

This essay reflects on the future of world history by reflecting on its past. It looks to how Iberian historiography in the early modern period “rediscovered” Islamic historiography in the course of Portuguese expansion into the Indian Ocean region in the sixteenth century. However, since the Iberians had deliberately cultivated a form of amnesia regarding this historiography as a result of the so-called Reconquest, new modes and methods of appropriation had to be found. Further, whereas medieval contact had largely been (...) with materials in Arabic, the sixteenth-century world was far more centrally concerned with materials in Persian. The essay proposes that these materials and their perspective had a significant impact on humanist historians such as João de Barros as well as on their successors. Equally, access to European historical writings in Latin had some impact on Indo-Persian chroniclers at the Mughal court and elsewhere. However, it may be argued that an even greater impact on the Mughals was that of “Hindu” writings regarding the ancient past of India. All in all, the essay suggests that the past of such historical writing was crucially mediated by philological practice. Nor can philology be neglected for future projects in the writing of world history or global history. The essay thus questions the presumptions of both neoskeptics, who neglect how historians have worked in the past, and of scientistic historians, who oppose the central place of humanistic disciplines in the future writing of history. (shrink)

The essay discusses the presumption of one's singularity, the uniqueness of one's time, the picturesqueness of one actions, and the capacity of human beings, whether corporately or individually, to begin everything or indeed anything again from scratch. Such presumptions are indeed present in some varieties of contemporary fanaticism, but, more to the point, it is suggested that the feeling of doing something for the first time is the oldest feeling in the world.

Historical Teleologies in the Modern World tracks the fragmentation and proliferation of teleological understandings of history--the notion that history had to be explained as a goal-directed process--in Europe and beyond throughout the 19th and into the 20th century. Historical teleologies have profoundly informed a variety of other disciplines, including modern philosophy, natural history, literature, humanitarian and religious philanthropism, the political thought and practice of revolution, emancipation, imperialism, colonialism and anti-colonialism, the conceptualization of universal humankind, and the understanding of modernity in (...) general. By exploring the extension and plurality of historical teleology, the essays in this volume revise the history of historicity in the modern period. Historical Teleologies in the Modern World casts doubt on the idea that a single, if powerful, conception of time could function as the unifying principle of all modern historicity, instead pursuing an investigation of the plurality of modern historicities and its underlying structures. By bringing together Western and non-Western histories, this book provides the first extended treatment of the idea of historical teleology. It will be of great value to students and scholars of modern global and intellectual history"--From publisher's website. (shrink)