VOLUME V REASON IN SCIENCE CHAPTER 1 179 TYPES AND AIMS OF SCIENCE CHAPTER II 204 HISTORY CHAPTER III 225 MECHANISM ...

La peripecia vital de George Santayana, contada aquí con una profundidad reflexiva y una capacidad de observación admirables, nos proporciona, a través de su autobiografía, un recorrido perspicaz, sutil, por las impresiones que en el pensador dejaron todos aquellos momentos que más fuertemente marcaron su experiencia. El autor nos presenta esas impresiones intencionadamente ordenadas, hilvanadas y ribeteadas con el hilo conductor de sus reflexiones. Surge, así, el retrato vital del protagonista a través del minucioso mapa geográfico, familiar, social (...) y personal de su peripecia, interpretable además como un elaborado libro de sabiduría al que avala la privilegiada mente filosófica y poética de su autor. En la presente versión castellana de la edición crítica, íntegra y definitiva, que se publicó en inglés en 1986, el lector encontrará, entre otros, interesantes textos sobre arte y arquitectura, geografía e historia, política y sociología, literatura, filosofía y religión; podrá disfrutar, sin sentirse jamás adoctrinado, de las observaciones clarividentes del autor y de su inteligente comprensión de la realidad, que le ayudarán sin duda, como se dice en las líneas finales del libro, a convertir las virtudes y las tristezas pasajeras de la naturaleza en vislumbres de la verdad eterna. (shrink)

L'atteggiamento intellettuale dell'età presente.--Lo sfondo morale.--La tradizione della buona creanza nella filosofia americana.--William James.--Josiah Royce.--Altre speculazioni più recenti.--Materialismo e idealismo nella vita americana.--La filosofia di Henri Bergson.--La filosofia di Bertrand Russell.

The moral background.--The academic environment.--William James.--Josiah Royce.--Later speculations.--Materialism and idealism in American life.--English liberty in America.

v. 1. The background of my life.--v. 2. The middle span.--v. 3. My host the world.

[v. 1] Introduction, and Reason in common sense.--[v. 2] Reason in society.--[v. 3] Reason in religion.--[v. 4] Reason in art.--[v. 5] Reason in science.

Drawing on the art, literature, and social sciences involved, Santayana discusses the nature of beauty, form, and expression.

Drawing on the art, literature, and social sciences involved, Santayana discusses the nature of beauty, form, and expression.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This collection of essays by the prominent American philosopher George Santayana includes the famous The Birth of Reason, The Philosophy of Travel, Bertrand Russell's Searchlight, Appearance and Reality, and On the False Steps of Philosophy. Also included are essays on Hellenism, Goethe's Faust, the politics of religion, friendship, and Tom Sawyer as a latterday Don Quixote.

Detailed presentation of American philosopher's pragmatic concept of epistemology, isolation of realms of existents and subsistents.

v. 1. Reason in common sense.- v. 2. Reason in society.- v. 3. Reason in religion.- v. 4. Reason in art.- v. 5. Reason in science.

CHAPTER TITLE AND SUBJECT OF THIS BOOK The words Dominations and Powers, here taken for a title, are not meant to be synonymous and the reduplication ...

The moral background.--The academic environment.--William James.--Josiah Royce.--Later speculations.--Materialism and idealism in American life.--English liberty in America.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Interpretations of Poetry and Religion is the third volume in a new critical editionof the complete works of George Santayana that restores Santayana's original text and providesimportant new scholarly information.Published in the spring of 1900, Interpretations of Poetry andReligion was George Santayana's first book of critical prose. It developed his view that "poetry iscalled religion when it intervenes in life, and religion, when it merely supervenes upon life, isseen to be nothing but poetry." This statement (...) and the point of view it espoused contributedsignificantly to the debate between science and religion at the turn of the century, and itseloquence and clearsightedness continue to have an impact on current discussions about the nature ofreligion.Interpretations of Poetry and Religion affronted Santayana's peers with its assault onliterary and religious pieties of the cultivated classes. William James called its philosophy ofharmonious and integral ideal systems nothing less than "a perfection of rottenness."In hisinsightful introductory essay, Joel Porte observes that while Santayana's theory of correlativeobjects, his espousal of the "ideal" - the normal human affinity for abstraction - and exaltation ofthe imagination may have offended some at Harvard, these ideas had a significant influence on otherHarvard scholars T.S. Eliot and Santayana's "truest disciple," Wallace Stevens.Herman J. Saatkamp,Jr., heads the Department of Philosophy and Humanities at Texas A & M University. William G.Holzberger is a Professor of English at Bucknell University. Joel Porte is Whiton Professor ofAmerican Literature at Cornell University. (shrink)

In his essay "Imagination," George Santayana writes, "There are books in which the footnotes, or the comments scrawled by some reader's hand in the margins, may be more interesting than the text." Santayana himself was an inveterate maker of notes in the margins of his books, writing comments that illuminate, contest, or interestingly expand the author's thought. These volumes offer a selection of Santayana's marginalia, transcribed from books in his personal library. These notes give the reader (...) an unusual perspective on Santayana's life and work. He is by turns critical, approving, literary, slangy, frivolous, and even spiteful. The notes show his humor, his occasional outcry at a writer's folly, his concern for the niceties of English prose and the placing of Greek accent marks. These two volumes list alphabetically by author all the books extant that belonged to Santayana, reproducing a selection of his annotations intended to be of use to the reader or student of Santayana's thought, his art, and his life. Each entry includes a headnote with the author's name, the title of the work, brief publication information, and the library location of the book. Not all marginalia from a given text is included; the notes have been selected for content and style. [cut last sentence; cut entire paragraph if nec.] Santayana, often living in solitude, spent a great deal of his time talking to, and talking back to, a wonderful miscellany of writers, from Spinoza to Kant to J. S. Mill to Bertrand Russell. These notes document those conversations. (shrink)

In his essay "Imagination," George Santayana writes, "There are books in which the footnotes, or the comments scrawled by some reader's hand in the margins, may be more interesting than the text." Santayana himself was an inveterate maker of notes in the margins of his books, writing comments that illuminate, contest, or interestingly expand the author's thought. These volumes offer a selection of Santayana's marginalia, transcribed from books in his personal library. These notes give the reader (...) an unusual perspective on Santayana's life and work. He is by turns critical, approving, literary, slangy, frivolous, and even spiteful. The notes show his humor, his occasional outcry at a writer's folly, his concern for the niceties of English prose and the placing of Greek accent marks. These two volumes list alphabetically by author all the books extant that belonged to Santayana, reproducing a selection of his annotations intended to be of use to the reader or student of Santayana's thought, his art, and his life. Each entry includes a headnote with the author's name, the title of the work, brief publication information, and the library location of the book. Not all marginalia from a given text is included; the notes have been selected for content and style. [cut last sentence; cut entire paragraph if nec.] Santayana, often living in solitude, spent a great deal of his time talking to, and talking back to, a wonderful miscellany of writers, from Spinoza to Kant to J. S. Mill to Bertrand Russell. These notes document those conversations. (shrink)

Niniejszy esej stanowi piąty rozdział tomu The Realm of Spirit kończącego cykl The Realms of Being. Podstawą przekładu jest pierwsze wydanie dzieła: George Santayana, The Realms of Being (London: Constable and Co., Ltd., Toronto: The Macmillan Company, 1940), 67–89. -/- This essay is the fifth chapter of The Realm of Spirit volume concluding The Realms of Being series. The translation is based on the first edition of the work: George Santayana, The Realms of Being (London: Constable (...) and Co., Ltd., Toronto: The Macmillan Company, 1940), 67-89. (shrink)

The fifth of eight books of the correspondence of George Santayana. During the period covered by this book, George Santayana had settled permanently in Rome. His best-selling novel, The Last Puritan, was published in London in 1935 and in the United States in 1936, where it was chosen as a Book-of-the-Month Club selection. In 1936 Santayana became one of the few philosophers ever to appear on the front cover of Time magazine. His growing influence was (...) evidenced further by two other 1936 publications, Obiter Scripta: Lectures, Essays and Reviews and Philosophy of Santayana: Selections From the Works of George Santayana. Also during this year the first six volumes of the Triton Edition, a limited signed edition with significant new prefaces, was published by Scribner's. Santayana continued work on The Realm of Truth and The Realm of Spirit, as well as his autobiography, Persons and Places. (shrink)

Letters from the last years of Santayana's life, written as he completed Dominationsand Powers, the final volume of his autobiography, and the one-volume abridgement of his earlyfive-part masterwork, The Life of Reason.

Persons and Places inaugurates a new definitive edition of Santayana's works that aims to come as close to his final intentions as possible.

bk. 1. 1868-1909 -- bk. 2. 1910-1920 -- bk. 3. 1921-1927 -- bk. 4. 1928-1932 -- bk. 5. 1933-1936 -- bk. 6. 1937-1940 -- bk. 7. 1941-1947 -- v. 8. 1948-1952.