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Sarah E. Worth [22]Sarah Worth [10]Sarah Elizabeth Worth [2]
  1.  10
    In Defense of Reading.Sarah E. Worth - 2017 - Rowman & Littlefield International.
    In this fascinating book, Sarah Worth addresses from a philosophical perspective the many ways in which reading benefits us morally, socially and cognitively.
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  2. Feminist aesthetics.Sarah Worth - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge. pp. 436--446.
  3. Art and epistemology.Sarah E. Worth - 2003 - Internet Encyclopedia of Philosophy.
  4. Storytelling and narrative knowing: An examination of the epistemic benefits of well-told stories.Sarah E. Worth - 2008 - Journal of Aesthetic Education 42 (3):pp. 42-56.
    In lieu of an abstract, here is a brief excerpt of the content:Storytelling and Narrative Knowing:An Examination of the Epistemic Benefits of Well-Told StoriesSarah E. Worth (bio)IntroductionPeople love to tell stories. When something scary, or funny, or out of the ordinary happens, we cannot wait to tell others about it. If it was really funny, etc., we tell the story repeatedly, embellishing as we see fit, shortening or lengthening it as the circumstances prescribe. When people are bad storytellers we tend (...)
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  5.  49
    Aristotle, thought, and mimesis: Our responses to fiction.Sarah E. Worth - 2000 - Journal of Aesthetics and Art Criticism 58 (4):333-339.
  6.  63
    Fictional spaces.Sarah E. Worth - 2004 - Philosophical Forum 35 (4):439–455.
  7. Wittgenstein's musical understanding.Sarah E. Worth - 1997 - British Journal of Aesthetics 37 (2):158-167.
  8.  32
    Epicurus, Pleasure, and the Twenty-First-Century Diet.Sarah Worth & Ben Davids - 2021 - Journal of Aesthetic Education 55 (3):59-70.
    In this paper, we address the question of the ways in which pleasure, as associated specifically with eating food, can help us understand the philosophical complexities of pleasure and how it can be neither purely physical nor purely intellectual. Philosophers have argued for centuries that intellectual pleasure is superior to physical pleasure, but here we make it clear that they are inextricably linked and interdependent on one another. We appeal to Plato, Aristotle, and Augustine, but rely heavily on the ideals (...)
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  9.  45
    Susan L. Feagin: Reading with Feeling: The Aesthetics of Appreciation.Sarah E. Worth & Jennifer McMahon Railey - 1998 - Journal of Value Inquiry 32 (4):579-581.
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  10.  8
    Hell Is Other People's Tastes.Darren Hudson Hick & Sarah E. Worth - 2020-08-27 - In Kimberly S. Engels (ed.), The Good Place and Philosophy. Wiley. pp. 211–223.
    Much ink has been spilled in philosophy over the question of whether morality is an objective or subjective matter. In the world of The Good Place, the answer to the moral question seems fairly firmly determined: right and wrong are objective matters, and there is a fact about whether our actions are good or bad. The ancient Greek philosopher Pythagoras believed that beauty was a quantifiable principle of nature, and that we could find the source of beauty in the harmony, (...)
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  11.  22
    Fact, Fiction, or Fraud; Faked Memoirs from Frey to Wilkomirski.Sarah E. Worth - 2010 - Southwest Philosophy Review 26 (1):27-33.
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  12. Hannah Arendt on Thinking and Its Relation to Evil.Sarah Elizabeth Worth - 2014 - In G. John M. Abbarno (ed.), Inherent and Instrumental Values: Excursions in Value Inquiry. University Press of America.
     
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  13.  13
    Music, Emotion and Language.Sarah E. Worth - 1998 - The Paideia Archive: Twentieth World Congress of Philosophy 1:188-193.
    There has yet to be a culture discovered which lacks music. Music is a part of our existence, but we do not fully understand it. In this paper, working in the tradition of Aristotle, Wittgenstein and Langer, I elucidate some of the connections between music and the emotions. Using contemporary philosophy of mind theories of emotion, I explain how we can have a better understanding of our emotive responses to music. I follow the pattern through representational painting and abstract painting (...)
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  14.  21
    Narrative understanding and understanding narrative.Sarah E. Worth - 2004 - Contemporary Aesthetics 2.
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  15.  10
    Plato, Imitation, and Narration: a look into the narrative effects of literature.Sarah E. Worth - 2008 - Norsk Filosofisk Tidsskrift 43 (2):162-173.
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  16.  34
    Shaped by Stories: The Ethical Power of Narratives by gregory, marshall.Sarah Worth - 2010 - Journal of Aesthetics and Art Criticism 68 (4):427-428.
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  17.  49
    The Dangers of Da Vinci, or the Power of Popular Fiction.Sarah E. Worth - 2007 - Philosophy in the Contemporary World 14 (1):134-143.
    Philosophers of literature direct their studies to the moral, cognitive, and emotional aspects of our involvement with fiction. In spite of this, they rarely engage works of popular fiction. In this paper I use The Da Vinci Code as a case study of the impact of popular fiction on readers in terms of these three areas. Although this book will never be considered good literature, its impact is far reaching. l address concerns dealing with the fiction/non-fiction distinction as weIl as (...)
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  18.  32
    The ethics of exhibitions: On the presentation of religious art.Sarah E. Worth - 2004 - Journal of Aesthetics and Art Criticism 62 (3):277–284.
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  19.  16
    Thomas Munro vs. the All American Blue Dishwasher.Sarah E. Worth - 2002 - The Journal of Aesthetic Education 36 (1):68.
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  20.  16
    Understanding the Objects of Music.Sarah E. Worth - 2000 - The Journal of Aesthetic Education 34 (1):102.
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  21.  23
    Wi1tgenstein’s musical understanding.Sarah E. Worth - 1997 - Southwest Philosophy Review 13 (2):101-111.
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  22.  10
    Wittgenstein's Musical Understanding.Sarah Worth - 1997 - British Journal of Aesthetics 37 (2):158-167.
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  23.  23
    Alperson, Phil, ed. Musical Worlds: New Directions in the Philosophy of Music. [REVIEW]Sarah Worth - 1999 - Review of Metaphysics 53 (2):425-426.
  24.  63
    Jerrold Levinson, aesthetics and ethics: Essays at the intersection. [REVIEW]Sarah E. Worth - 2001 - Journal of Value Inquiry 35 (4):565-570.
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  25.  14
    Matravers, Derek. Fiction and Narrative. Oxford University Press, 2014, vii + 157 pp., $55.00 cloth. [REVIEW]Sarah Worth - 2015 - Journal of Aesthetics and Art Criticism 73 (3):351-353.
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  26.  23
    MCGREGOR, RAFE. Narrative Justice. Rowman and Littlefield International, 2018, 196 pp., $120 cloth. [REVIEW]Sarah E. Worth - 2019 - Journal of Aesthetics and Art Criticism 77 (2):210-212.
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  27.  5
    Musical Worlds: New Directions in the Philosophy of Music. [REVIEW]Sarah Worth - 1999 - Review of Metaphysics 53 (2):425-425.
    In Philip Alperson’s most recently edited collection, he skillfully puts together fifteen new articles on varying aspects of the philosophy of music. For the last two-hundred years the central philosophical question concerning music has been where its meaning lies. Alperson discusses this question in his introductory essay giving a historical introduction primarily through the views of Eduard Hanslick, who denies that the arousal of emotion in the listener or the expression of emotion in the music is the purpose of music. (...)
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  28.  57
    Philosophy of Mass Art. [REVIEW]Sarah E. Worth - 2000 - Teaching Philosophy 23 (1):91-93.
  29.  14
    Review of Alan Paskow, The Paradoxes of Art: A Phenomenological Investigation[REVIEW]Sarah Worth - 2005 - Notre Dame Philosophical Reviews 2005 (11).
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  30.  26
    Review of William Irwin, Jorge J. E. Gracia (eds.), Philosophy and the Interpretation of Pop Culture[REVIEW]Sarah Worth - 2007 - Notre Dame Philosophical Reviews 2007 (11).
  31.  19
    The Aesthetics of Music. [REVIEW]Sarah Worth - 1999 - Review of Metaphysics 52 (4):981-983.
    Roger Scruton has taken on a monumental task in his most recent book, The Aesthetics of Music. As one can see from the title, he has not attempted to work on one aspect of musical aesthetics, but takes it on all at once. Although he breaks the subject matter down into 15 separate sections, through these he attempts to get at the most fundamental questions in musical aesthetics. These are: the relation between sound and tone, the analysis of musical meaning, (...)
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  32.  34
    The Aesthetics of Mimesis Ancient Texts and Modern Problems. [REVIEW]Sarah E. Worth - 2004 - Dialogue 43 (1):194-194.
    Steven Halliwell’s book has set a new standard in the scholarship on the philosophical aspects of mimesis. The book is clearly written, extensively researched, and, most importantly, it is a comprehensive analysis of the history and development of the complex, but often oversimplified, notion of mimesis. This is the kind of book scholars are lucky to come across in doing their own research, and a book of this level of achievement is something that we can all use as a model (...)
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  33.  16
    The Interpretation of Music. [REVIEW]Sarah E. Worth - 1998 - Review of Metaphysics 51 (4):942-942.