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Sarah E. Worth [20]Sarah Worth [11]Sarah Elizabeth Worth [1]
  1.  5
    In Defense of Reading.Sarah Worth - 2017 - Rowman & Littlefield International.
    In this fascinating book, Sarah Worth addresses from a philosophical perspective the many ways in which reading benefits us morally, socially and cognitively.
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  2. Feminist Aesthetics.Sarah Worth - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge. pp. 436--446.
  3.  96
    Storytelling and Narrative Knowing: An Examination of the Epistemic Benefits of Well-Told Stories.Sarah E. Worth - 2008 - Journal of Aesthetic Education 42 (3):pp. 42-56.
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  4. Wittgenstein's Musical Understanding.Sarah E. Worth - 1997 - British Journal of Aesthetics 37 (2):158-167.
  5.  41
    Aristotle, Thought, and Mimesis: Our Responses to Fiction.Sarah E. Worth - 2000 - Journal of Aesthetics and Art Criticism 58 (4):333-339.
  6.  7
    Epicurus, Pleasure, and the Twenty-First-Century Diet.Sarah Worth & Ben Davids - 2021 - Journal of Aesthetic Education 55 (3):59-70.
  7.  45
    Philosophy of Mass Art.Sarah E. Worth - 2000 - Teaching Philosophy 23 (1):91-93.
  8.  38
    Susan L. Feagin: Reading with Feeling: The Aesthetics of Appreciation.Sarah E. Worth & Jennifer McMahon Railey - 1998 - Journal of Value Inquiry 32 (4):579-581.
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  9.  59
    Jerrold Levinson, Aesthetics and Ethics: Essays at the Intersection. [REVIEW]Sarah E. Worth - 2001 - Journal of Value Inquiry 35 (4):565-570.
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  10.  39
    The Dangers of da Vinci, or the Power of Popular Fiction.Sarah E. Worth - 2007 - Philosophy in the Contemporary World 14 (1):134-143.
    Philosophers of literature direct their studies to the moral, cognitive, and emotional aspects of our involvement with fiction. In spite of this, they rarely engage works of popular fiction. In this paper I use The Da Vinci Code as a case study of the impact of popular fiction on readers in terms of these three areas. Although this book will never be considered good literature, its impact is far reaching. l address concerns dealing with the fiction/non-fiction distinction as weIl as (...)
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  11.  28
    The Aesthetics of Mimesis: Ancient Texts and Modern ProblemsStephen Halliwell Princeton, NJ: Princeton University Press, 2002, Ix + 424 Pp., $24.95 Paper. [REVIEW]Sarah E. Worth - 2004 - Dialogue 43 (1):194-196.
    Steven Halliwell’s book has set a new standard in the scholarship on the philosophical aspects of mimesis. The book is clearly written, extensively researched, and, most importantly, it is a comprehensive analysis of the history and development of the complex, but often oversimplified, notion of mimesis. This is the kind of book scholars are lucky to come across in doing their own research, and a book of this level of achievement is something that we can all use as a model (...)
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  12.  11
    MCGREGOR, RAFE. Narrative Justice. Rowman and Littlefield International, 2018, 196 Pp., $120 Cloth. [REVIEW]Sarah E. Worth - 2019 - Journal of Aesthetics and Art Criticism 77 (2):210-212.
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  13.  20
    Alperson, Phil, Ed. Musical Worlds: New Directions in the Philosophy of Music.Sarah Worth - 1999 - Review of Metaphysics 53 (2):425-426.
  14.  16
    Wi1tgenstein’s Musical Understanding.Sarah E. Worth - 1997 - Southwest Philosophy Review 13 (2):101-111.
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  15.  27
    The Ethics of Exhibitions: On the Presentation of Religious Art.Sarah E. Worth - 2004 - Journal of Aesthetics and Art Criticism 62 (3):277–284.
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  16.  16
    The Aesthetics of Music.Sarah Worth - 1999 - Review of Metaphysics 52 (4):981-983.
    Roger Scruton has taken on a monumental task in his most recent book, The Aesthetics of Music. As one can see from the title, he has not attempted to work on one aspect of musical aesthetics, but takes it on all at once. Although he breaks the subject matter down into 15 separate sections, through these he attempts to get at the most fundamental questions in musical aesthetics. These are: the relation between sound and tone, the analysis of musical meaning, (...)
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  17.  24
    Shaped by Stories: The Ethical Power of Narratives by Gregory, Marshall.Sarah Worth - 2010 - Journal of Aesthetics and Art Criticism 68 (4):427-428.
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  18.  9
    Thomas Munro Vs. The All American Blue Dishwasher.Sarah E. Worth - 2002 - Journal of Aesthetic Education 36 (1):68.
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  19.  15
    Narrative Understanding and Understanding Narrative.Sarah E. Worth - 2004 - Contemporary Aesthetics 2.
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  20. Art and Epistemology.Sarah E. Worth - 2003 - Internet Encyclopedia of Philosophy.
  21.  17
    Fact, Fiction, or Fraud; Faked Memoirs From Frey to Wilkomirski.Sarah E. Worth - 2010 - Southwest Philosophy Review 26 (1):27-33.
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  22.  4
    Music, Emotion and Language.Sarah E. Worth - 1998 - The Paideia Archive: Twentieth World Congress of Philosophy 1:188-193.
    There has yet to be a culture discovered which lacks music. Music is a part of our existence, but we do not fully understand it. In this paper, working in the tradition of Aristotle, Wittgenstein and Langer, I elucidate some of the connections between music and the emotions. Using contemporary philosophy of mind theories of emotion, I explain how we can have a better understanding of our emotive responses to music. I follow the pattern through representational painting and abstract painting (...)
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  23.  7
    Understanding the Objects of Music.Sarah E. Worth - 2000 - Journal of Aesthetic Education 34 (1):102.
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  24.  48
    Fictional Spaces.Sarah E. Worth - 2004 - Philosophical Forum 35 (4):439–455.
  25.  10
    Matravers, Derek. Fiction and Narrative. Oxford University Press, 2014, Vii + 157 Pp., $55.00 Cloth. [REVIEW]Sarah Worth - 2015 - Journal of Aesthetics and Art Criticism 73 (3):351-353.
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  26.  12
    The Interpretation of Music: Philosophical Essays.Sarah E. Worth - 1998 - Review of Metaphysics 51 (4):942-942.
  27.  16
    Review of William Irwin, Jorge J. E. Gracia (Eds.), Philosophy and the Interpretation of Pop Culture[REVIEW]Sarah Worth - 2007 - Notre Dame Philosophical Reviews 2007 (11).
  28.  12
    Review of Alan Paskow, The Paradoxes of Art: A Phenomenological Investigation[REVIEW]Sarah Worth - 2005 - Notre Dame Philosophical Reviews 2005 (11).
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  29.  3
    Musical Worlds: New Directions in the Philosophy of Music. [REVIEW]Sarah Worth - 1999 - Review of Metaphysics 53 (2):425-425.
    In Philip Alperson’s most recently edited collection, he skillfully puts together fifteen new articles on varying aspects of the philosophy of music. For the last two-hundred years the central philosophical question concerning music has been where its meaning lies. Alperson discusses this question in his introductory essay giving a historical introduction primarily through the views of Eduard Hanslick, who denies that the arousal of emotion in the listener or the expression of emotion in the music is the purpose of music. (...)
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  30.  4
    Plato, Imitation, and Narration: A Look Into the Narrative Effects of Literature.Sarah E. Worth - 2008 - Norsk Filosofisk Tidsskrift 43 (2):162-173.
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  31.  4
    Wittgenstein's Musical Understanding.Sarah Worth - 1997 - British Journal of Aesthetics 37 (2):158-167.
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