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    Dimensionen des Graphismus. Die drei Pole der Linie.Schwerzmann Katia - 2012 - In Christian Driesen, Rea Köppel, Benjamin Meyer-Kramer & Eike Wittrock (eds.), Über Kritzeln. Graphismen zwischen Schrift, Bild, Text und Zeichen. Zürich, Berlin: Diaphanes. pp. 39-57.
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  2. L’haptique et la question du fond. Réflexion autour du sens du fond dans les pratiques graphiques indiciaires à partir de Riegl et Maldiney.Schwerzmann Katia - 2015 - In François Félix (ed.), Xi Dong/Ouest-Est. Voies esthétiques. Lausanne: L'Âge d'Homme. pp. 50-75.
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  3. ›Une sorte de remontée vers le corps‹. Skizze einer Ästhetik der körperlichen Responsivität im Ausgang von Roland Barthes’ Überlegungen zur Pseudo-Schrift.Schwerzmann Katia - 2014 - Kodikas/Code. Ars Semeiotica 37 (3/4):249-260.
    The sensory dimension of writing, which is never fully neutralised in the process of semiosis, remains aporetic in Derrida’s philosophy. I show how Barthes’ observations on pseudo-writing lead to his understanding of writing as a gesture, opening up post-structuralism to the body as absolutely non-repeatable, as the opposite of semiosis. The examination of Barthes’ account of the relationship between writing and the body leads to an aesthetic of physical responsiveness, which challenges the distinction between work, creator and viewer. In this (...)
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