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  1. The Philosophy of Creativity.Elliot Samuel Paul & Scott Barry Kaufman (eds.) - 2014 - New York: Oxford University Press.
    Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions. The Philosophy of Creativity takes up these questions and, in doing so, illustrates the value of interdisciplinary exchange.
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  2. Implicit learning as an ability.Scott Barry Kaufman, Colin G. DeYoung, Jeremy R. Gray, Luis Jiménez, Jamie Brown & Nicholas Mackintosh - 2010 - Cognition 116 (3):321-340.
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  3.  12
    The Light vs. Dark Triad of Personality: Contrasting Two Very Different Profiles of Human Nature.Scott Barry Kaufman, David Bryce Yaden, Elizabeth Hyde & Eli Tsukayama - 2019 - Frontiers in Psychology 10.
    While there is a growing literature on “dark traits” (i.e., socially aversive traits), there has been a lack of integration with the burgeoning research literature on positive traits and fulfilling and growth-oriented outcomes in life. To help move the field toward greater integration, we contrasted the nomological network of the Dark Triad (a well-studied cluster of socially aversive traits) with the nomological network of the Light Triad, measured by the 12-item Light Triad Scale (LTS). The LTS is a first draft (...)
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  4.  22
    Ode to positive constructive daydreaming.Rebecca L. McMillan, Scott Barry Kaufman & Jerome L. Singer - 2013 - Frontiers in Psychology 4.
  5. Introducing THE PHILOSOPHY OF CREATIVITY.Elliot Samuel Paul & Scott Barry Kaufman - 2014 - In Elliot Samuel Paul & Scott Barry Kaufman (eds.), The Philosophy of Creativity: New Essays. New York, NY, USA: pp. 3-14.
    Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions: What is the role of consciousness in the creative process? How does the audience for a work for art influence its creation? How can creativity emerge through childhood pretending? Do great works of literature give us insight into human nature? Can a computer program really be (...)
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  6.  8
    The Higher the Score, the Darker the Core: The Nonlinear Association Between Grandiose and Vulnerable Narcissism.Emanuel Jauk & Scott Barry Kaufman - 2018 - Frontiers in Psychology 9.
  7.  8
    Healthy Selfishness and Pathological Altruism: Measuring Two Paradoxical Forms of Selfishness.Scott Barry Kaufman & Emanuel Jauk - 2020 - Frontiers in Psychology 11.
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  8. Introducing.Scott Barry Kaufman & Elliot Samuel Paul - 2014 - In Elliot Samuel Paul & Scott Barry Kaufman (eds.), The Philosophy of Creativity. Oxford University Press.
    This is the opening chapter to The Philosophy of Creativity: New Essays. It argues that since creativity is such a significant aspect of the human experience, and since it raises a wealth of philosophical questions, it deserves much more attention than it currently receives in philosophy. It also argues for the fruitfulness of interdisciplinary exchange, integrating philosophical insights with research in experimental psychology. Providing an overview of the field and of the subsequent essays in the volume, this chapter surveys issues (...)
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  9.  40
    BENTON, MICHAEL. Literary Biography An Introduction.(London: Wiley-Blackwell). 2009. pp. 280.£ 60.00 (hbk). BERGMANN, SIGURD. In the Beginning is the Icon: A Liberative Theology of Images, Visual Arts and Culture.(London: Equinox Publishing Limited). 2009. pp. 256.£ 50.00 (hbk). [REVIEW]Michael Boylan, Denise Inge, Frederic Jameson, Scott Barry Kaufman, James C. Kaufman, Dominic Mciver Lopes, Jean-Francois Lyotard, Adrian Pabst, Angus Paddison & Fiona Price - 2010 - British Journal of Aesthetics 50 (1):119.
  10.  3
    A proposed integration of the expert performance and individual differences approaches to the study of elite performance.Scott Barry Kaufman - 2014 - Frontiers in Psychology 5.
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