16 found
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  1. The Supernatural in Neo-Baroque Hollywood.Sean Cubitt - 2009 - In Warren Buckland (ed.), Film Theory and Contemporary Hollywood Movies. Routledge.
     
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  2.  32
    Infernal Affairs and the Ethics of Complex Narrative.Allan Cameron & Sean Cubitt - 2009 - In Warren Buckland (ed.), Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley-Blackwell. pp. 151.
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  3.  18
    Reply to Palmer.Sean Cubitt - 1999 - Film-Philosophy 3 (1).
    Daniel Palmer A Future Aesthetic _Film-Philosophy_, vol. 3 no. 12, March 1999.
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  4.  18
    Flusser and the CCD.Sean Cubitt - 2010 - Flusser Studies 10.
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  5.  18
    Electric Light and Electricity.Sean Cubitt - 2013 - Theory, Culture and Society 30 (7-8):309-323.
    This paper argues that cultural analyses of electric light, including aspects of actor-network theory, may raise the spectre of complexity, but do not do it justice when they omit to provide analysis of the intertwined roles of culture and political economy in the formation of the provision and use of electric light. The essay looks at the marketization of electric power, at outages in the eastern and western US megacities, at the collapse of the public utility model and chaotic implementation (...)
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  6.  19
    Unnatural Reality.Sean Cubitt - 1999 - Film-Philosophy 3 (1):9.
    Paul Virilio _The Vision Machine_ Translated by Julie Rose London: British Film Institute, 1994 ISBN 0-253-32574-9 (hbk) 0-253-20901-3 pbk 81 pages.
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  7.  11
    Reply to Richard Misek.Sean Cubitt - 2005 - Film-Philosophy 9 (3).
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  8.  8
    Telecommunication Networks: Economy, Ecology, Rule.Sean Cubitt - 2014 - Theory, Culture and Society 31 (7-8):185-199.
  9.  8
    Enumerating Photography From Spot Meter to CCD.Sean Cubitt, Daniel Palmer & Les Walkling - 2015 - Theory, Culture and Society 32 (7-8):245-265.
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  10.  5
    Global Media and Archaeologies of Network Technologies.Sean Cubitt - 2013 - In Paul Graves-Brown, Rodney Harrison & Angela Piccini (eds.), The Oxford Handbook of the Archaeology of the Contemporary World. Oxford University Press. pp. 135.
    Analysis of the material properties of the Internet reveals its true weight: the mass of component routers, switches, cables, satellites, cellnet masts, and of course computers, and the vast network of resource extraction, manufacturing, energy generation, and waste in which its functioning is embedded. Equally important is understanding the massless but highly regulated system of software and legislation affecting the ostensibly free and open evolution of network media. The chapter traces some exemplary standards bodies responsible for the design of key (...)
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  11.  5
    Good Vibrations.Sean Cubitt - 2002 - Film-Philosophy 6 (1).
    James Lastra _Sound Technology and the American Cinema: Perception, Representation, Modernity_ New York: Columbia University Press, 2000 ISBN 0-231-11516-4 Hbk; 0-231-11517-2 Pbk 270 pp.
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  12.  5
    Integral Waste.Sean Cubitt - 2015 - Theory, Culture and Society 32 (4):133-145.
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  13. Media Arts and Criticism at the Millennium.Sean Cubitt - 1999 - Art Inquiry. Recherches Sur les Arts 1:17-34.
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  14. Media Democracy: First Steps.Sean Cubitt - 2003 - Art Inquiry. Recherches Sur les Arts 5:17-32.
  15. Ryan.Sean Cubitt - 2015 - Empedocles: European Journal for the Philosophy of Communication 5 (1):87-90.
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  16. The Triumph and Demise of the Global Audience.Sean Cubitt - 2002 - Art Inquiry. Recherches Sur les Arts 4:37-48.
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