In general, seventeenth‐century philosophers seem to have assumed that intentionality is an essential characteristic of our mental life. Malebranche is perhaps the only philosopher in the period who stands out clearly against the prevailing orthodoxy; he is committed to the thesis that there is a large class of mental items ‐ sensations ‐ which have no representational content. In this paper I argue that due attention to this fact makes it possible to mount at least a partial defence of his (...) notorious doctrine of ‘the rainbow‐coloured soul’; Malebranche's doctrine is a striking anticipation of modern adverbial theories of sensation. I then argue that failure to appreciate the non‐intentional character of sensations for Malebranche vitiates one recent attempt to explain why he accepted the Cartesian doctrine of the beastmachine; in contrast to the Radners, I suggest that Malebranche has the philosophical resources to offer an interesting theory of animal consciousness, and that his failure to develop such a theory rests largely on his acceptance of certain theological arguments. The paper ends by speculating about how Malebranche's theological commitments may have encouraged him to adopt the philosophically important thesis that intentionality is not the mark of the mental. (shrink)

Non-sensory experiences represent almost all context information in consciousness. They condition most aspects of conscious cognition including voluntary retrieval, perception, monitoring, problem solving, emotion, evaluation, meaning recognition. Many peculiar aspects of non-sensory qualia (e.g., they resist being 'grasped' by an act of attention) are explained as adaptations shaped by the cognitive functions they serve. The most important nonsensory experience is coherence or "rightness." Rightness represents degrees of context fit among contents in consciousness, and between conscious and non-conscious processes. Rightness (not (...) familiarity) is the feeling-of-knowing in implicit cognition. The experience of rightness suggests that neural mechanisms "compute" signals indicating the global dynamics of network integration. (shrink)

Are sensation ascriptions descriptive, even in the first person present tense? Do sensation terms refer to, denote, sensations, so that truth and falsity of sensation ascriptions depend on the properties of the denoted sensations? That is, do sensation terms have a denotational semantics? As I understand it, this is denied by Wittgenstein. Wittgenstein rejects the idea of a denotational semantics for public language sensation terms, such as‘pain’. He also rejects the idea that speakers can recognizesensations. (...) I think these views are mistaken.In this paper I shall present the following: first, my own basic views on how public language sensation terms relate to sensations ; second, to what extent these views are inconsistent with some of Wittgenstein's main tenets about sensations and sensation language, as set out in Philosophical Investigations##243–315, and what I take to be Wittgenstein's main arguments, in the same text, for those tenets ; third, why I think that those arguments are inconclusive ; and fourth, what I see as the best arguments for my own views. Sections 3 and 5 are concerned with the bearing of the private language argument on these matters. (shrink)

Some philosophers have argued recently that the content of perception is either entirely or mainly non- conceptual. Much of the motivation for that view derives from theories of information processing, which are a modern version of ancient considerations about the causal processes underlying perception. The paper argues to the contrary that perception is essentially concept- dependent. While perception must have a structure derived from what is purely sensory, and is thereby dependent on processes involving information in the technical sense which (...) Gibson said amounted to structure, the information which perception provides about the world depends on the concepts which we have. (shrink)

Prologue : narratocracy and the contours of political life -- From nomos to nomad : Kant, Deleuze, and Rancière on sensation -- The piazza, the edicola, and the noise of the utterance -- Machiavelli's theory of sensation and Florence's vita festiva -- The viewing subject : Caravaggio, Bacon, and the ring -- "You're eating too fast!" slow food's ethos of convivium -- Epilogue : "the photographs tell it all" : on an ethics of appearance.

Sensation is a concept with a conflicted philosophical history. It has found as many allies as enemies in nearly every camp from empiricism to poststructuralism. Polyvalent, with an uncertain referent, and often overshadowed by intuition, perception, or cognition, sensation invites as much metaphysical speculation as it does dismissive criticism. -/- The promise of sensation has certainly not been lost on the phenomenologists who have sought to ‘rehabilitate’ the concept. In Plastic Bodies, Tom Sparrow argues that the phenomenologists (...) have not gone far enough, however. Alongside close readings of Merleau-Ponty and Levinas, he digs into an array of ancient, modern, and contemporary texts in search of the resources needed to rebuild the concept of sensation after phenomenology. He begins to assemble a speculative aesthetics that is at once a realist theory of sensation and a philosophy of embodiment that breaks the form of the ‘lived’ body. Maintaining that the body is fundamentally plastic and that corporeal identity is constituted by a conspiracy of sensations, he pursues the question of how the body fits into/fails to fit into its aesthetic environment and what must be done to increase the body’s power to act and exist. (shrink)

The technique of ‘examining meditative topics’ is one of the emblematic practices of the ‘Zen’ traditions of East Asia. An emblematic feature of this technique is the generation of a sense of inquiry, or more literally a ‘feeling’ or ‘sensation of doubt’. This inquiry creates an intense introspective focus that, in some strands of the practice, may be accompanied by palpable physical sensations; these sensations seem to be analogous to the experience of ‘excitation’ or ‘rapture’ described in contemporary samatha/śamatha (...) and vipassanā/vipaśyanā practice. I explore the treatment of prīti in Abhidharma theory and suggest that, where prīti is not classified as a discrete dharma, it might best be classified as a type of otherworldly vedanā that is ‘free from carnality’. I conclude with a discussion of an explicit questioning dimension in commentarial discussions of satipaṭṭhāna practice in the Pāli tradition, where inquiring ‘Who goes? Whose is this going?’ helps to transform the act of walking into an act of mindfulness. This questioning dimension suggests possible parallels with the Zen notion of ‘doubt’. (shrink)

Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In _Parables for the Virtual_ Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic (...) models. Renewing and assessing William James’s radical empiricism and Henri Bergson’s philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, _Parables for the Virtual _tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan’s acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument. _Parables for the Virtual_ will interest students and scholars of continental and Anglo-American philosophy, cultural studies, cognitive science, electronic art, digital culture, and chaos theory, as well as those concerned with the “science wars” and the relation between the humanities and the sciences in general. (shrink)

In general, seventeenth‐century philosophers seem to have assumed that intentionality is an essential characteristic of our mental life. Malebranche is perhaps the only philosopher in the period who stands out clearly against the prevailing orthodoxy; he is committed to the thesis that there is a large class of mental items ‐ sensations ‐ which have no representational content. In this paper I argue that due attention to this fact makes it possible to mount at least a partial defence of his (...) notorious doctrine of ‘the rainbow‐coloured soul’; Malebranche's doctrine is a striking anticipation of modern adverbial theories of sensation. I then argue that failure to appreciate the non‐intentional character of sensations for Malebranche vitiates one recent attempt to explain why he accepted the Cartesian doctrine of the beastmachine; in contrast to the Radners, I suggest that Malebranche has the philosophical resources to offer an interesting theory of animal consciousness, and that his failure to develop such a theory rests largely on his acceptance of certain theological arguments. The paper ends by speculating about how Malebranche's theological commitments may have encouraged him to adopt the philosophically important thesis that intentionality is not the mark of the mental. (shrink)

In Origins of Objectivity Burge advances a theory of perception according to which perceptions are, themselves, objective representations. The possession of veridicality conditions by perceptual states—roughly, non-propositional analogues of truth-conditions—is central to Burge’s account of how perceptual states differ, empirically and metaphysically, from sensory states. Despite an impressive examination of the relevant empirical literatures, I argue here that Burge has not succeeded in securing a distinction between perception and “mere” sensation.

Husserl's theory of perception is remarkable in several respects. For one thing, Husserl rigorously distinguishes the parts and properties of the act of consciousness - its content -from the parts and properties of the object perceived. Second, Husserl's repeated insistence that perceptual consciousness places its subject in touch with the perceived object itself, rather than some representation that does duty for it, vindicates the commonsensical and phenomenologically grounded belief that when a thing appears to us, it is precisely that thing, (...) rather than some other thing (its 'appearance'), that we perceive. Third, his distinction between empty and intuitive acts, and his descriptions of their complex interplay in perceptual consciousness, provides a way of making sense of the fact that an object can be perceived even when some of its parts and properties are not. Finally, his theory of perceptual acts as constituents of higher-order acts of fulfilment provides one of the few detailed accounts in the philosophical literature of how a perceptual experience can transform a mere thought into knowledge, despite the fact that the relation between perception and belief is not a logical or inferential one. Because Husserl's theory of perception is a serious candidate for truth, it is also a serious candidate for philosophical criticism. As such, in what follows I will treat it as a live force to be reckoned with rather than a historical curiosity. (shrink)

In the well-known intentionality quote of his Psychology from an Empirical Standpoint, Brentano characterises the mental phenomena through the following features: the intentional inexistence of an object, the relation to a content, and the direction toward an object. The text argues that this characterisation is not general because the direction toward an object does not apply to the mental phenomena of sensation. The second part of the paper analyses the consequences that ensue from here for the Brentanian classification of (...) mental phenomena: in Brentano’s psychology one can distinguish two concepts of mental phenomena—the mental phenomenon in a broad sense and the mental phenomenon in a narrow sense; the former concept allows the separation of the mental from the physical, while the narrow concept allows the distinguishing of the main classes of mental phenomena. The third part of the paper shows that, with respect to sensation, the absence of a direction toward an object is compatible with both Brentano’s early taxonomies of philosophical sciences, and his early program for the establishment of a new, empirical and non-speculative philosophy. For this reason, I hold that intentionality is important for the foundation of both psychology, and empirical philosophy. (shrink)

There are good reasons for wanting to adopt an intentionalist account of experiences generally, an account according to which having an experience is a matter of representing the world as being some way or other—according to which, that is, such mental episodes have intrinsic, conceptual, representational content. Such an approach promises, for example, to provide a satisfying conception of experiences’ subjectivity, their phenomenal character, and their crucial role in constituting reasons for our judgements about the world. It promises this, moreover, (...) without incurring the difficulties that face the adverbialist and the friends of such items as qualia and “private objects”. Still, even many of those who have been persuaded of that much are inclined to make an exception of the bodily sensations, since pains and the rest have traditionally been taken to be peculiarly “blank”—instances of brute, non-conceptual feeling. In this study, I reject that tradition and argue that sensation experiences are indeed representational, and hence not in that respect exceptional. The idea that they are nevertheless distinctive in other ways vis-à-vis ordinary perceptual experiences has led intentionalists such as John McDowell to adopt an account of their content that is both mentalist and radically subjectivist: an account, in other words, that takes the items represented by such experiences to be mental and constitutively dependent on their being represented. To my mind, such subjectivism is both viciously circular—like the parallel view of colours—and at odds with the admirably intentionalist aspirations of these views. Hence I turn to consider objectivist versions of intentionalism, views that assimilate sensations to somatosensory perceptual experiences such as those that inform us of, for example, the position of our own limbs. Admittedly, these views not only risk losing the “interiority” of sensations, but I argue that they also cannot be combined with mentalism and that this generates considerable difficulties—difficulties that have either been ignored or underestimated by those working with less demanding conceptions of content. Nonetheless, I make a number of preliminary moves to show how such difficulties might be dealt with, and how the objectivist can register even the distinctively “inner” character of sensations—by, amongst other things, focussing on the peculiarities of somatosensory content. So the prospects for intentionalism about sensations are, I argue, good. (shrink)

I interpret the anti-idealist manoeuverings of the second half of Moore's 'The refutation of idealism', material as widely cited for its discussion of 'transparency' and 'diaphanousness' as it is deeply obscure. The centerpiece of these manoeuverings is a phenomenological argument for a relational view of perceptual phenomenal character, on which, roughly, 'that which makes the sensation of blue a mental fact' is a non-intentional relation of conscious awareness, a view close to the opposite of the most characteristic contemporary view (...) going under the transparency rubric. The discussion of transparency and diaphanousness is a sidelight, its principal purpose to shore up the main line of argumentation against criticism; in those passages all Moore argues is that the relation of conscious awareness is not transparent, while acknowledging that it can seem to be. (shrink)

What is it that makes a mental state conscious? Recent commentators have proposed that for Kant, consciousness results from differentiation: A mental state is conscious insofar as it is distinguished, by means of our conceptual capacities, from other states and/or things. I argue instead that Kant’s conception of state consciousness is sensory: A mental state is conscious insofar as it is accompanied by an inner sensation. Interpreting state consciousness as inner sensation reveals an underappreciated influence of Crusius on (...) Kant’s view, solves some long-standing puzzles concerning Kant’s difficult doctrine of self-affection, and sheds light on his theory of inner experience. (shrink)

Recent writing on consciousness has increasingly stressed ways in which the terms.

Descartes's lack of clarity about the causal connections between brain states and mental states has led many commentators to conclude that he has no coherent account of body-mind relations in sensation, or that he was simply confused about the issue. In this paper I develop what I take to be a coherent account that was available to Descartes, and argue that there are both textual and systematic reasons to think that it was his considered view. The account has brain (...) states serving as occasions for the mind to produce in itself the sensations that it takes these brain states to signify. The relation between body and mind on this model is thus neither a standard efficient-causal relation, nor an occasionalist one, but rather a semantic-causal relation (i.e. a non-standard efficient causal relation that goes by way of natural signification). At the end of the paper I argue that the model does not undermine Descartes' commitment to the self-transparency of the mind. -/- . (shrink)