This paper argues that theEncomium of Helenmust be seen as a speech about the value and importance of wisdom in human life and not as much as one as aboutlogos. Gorgias sustains his vision based on a certain intellectualism which reduces moral faults to intellectual errors. This intellectualist program comprises a rationalization of emotions and a commitment with a certain tradition that discriminates between a minority with knowledge and a majority with only opinion. The consequence for Helen is that she (...) can be excused from her action at the expense of being reproached for her lack of wisdom and is thus relegated to the ignorant majority. Therefore, what is initially praise and an apology turns into severe blame. For this, I argue, the encomium can be qualified as an amusement (paignion). For theEncomium’s listeners the amusement becomes a challenge that demands they decipher the speech’s paradoxical character and appeal to their own wisdom to not be reproached like Helen. Thus theEncomiumcannot be seen as a treaty nor as mere joke but rather as an intellectualagônbetween the speech and the listener, which serves them “to arm the soul for contests of excellence”, as the epigram dedicated to Gorgias in Delfos says. (shrink)

RESUMEN Se aborda el pensamiento de E.M. Cioran desde la perspectiva de un sinsabor vital denominado sentimiento de muerte. El término, aunque aparece solo en su primer escrito, es transversal a toda su obra, puesto que para el autor los seres humanos nos intuimos como posesos de la muerte en cada momento de nuestra existencia. Esto cambia el tono normal de la vida, al poner frente a la persona una realidad carente de sentido y dominada por circunstancias radicales y limitantes (...) como el dolor y la agonía, que culmina en una atmósfera gobernada por la intuición trágica de la vida. ABSTRACT The article addresses the thought of E.M. Cioran from the perspective of that vital uneasiness known as the sentiment of death. Although the term appears only in his first book, the idea cuts across his entire work given that, for Cioran, human beings intuit themselves as possessed by death at every moment of their lives. When persons are faced with a meaningless reality, dominated by radical and limiting circumstances such as pain and agony, the whole tenor of life changes until it becomes a tragic intuition of life. (shrink)

Se analizan algunos usos del tópico de la política en el Menón, para mostrar que la virtud discutida es política, no sólo porque los interlocutores están interesados exclusivamente en la cualidad que debe poseer el gobernante, sino también porque tal cualidad consiste en una forma de autogobierno de..

Se analizan algunos usos del tópico de la política en el Menón, para mostrar que la virtud discutida es política, no sólo porque los interlocutores están interesados exclusivamente en la cualidad que debe poseer el gobernante, sino también porque tal cualidad consiste en una forma de autogobierno del alma. El alma es vista así como una entidad política cuya excelencia depende del tipo de gobierno impuesto. Se relaciona esta propuesta con la psicología implícita en la primera sección del diálogo, en (...) la que se discute la unidad de la virtud. El Menón se muestra así como un diálogo que prefigura la analogía de alma y polis expuesta en la República. The article analyzes some of the uses of the theme of politics in the Meno in order to demonstrate that the virtue under discussion is political not only because the interlocutors are exclusively interested in the quality that a good ruler must possess, but also because such quality is a form of self-rule of the soul. Thus, the soul is seen as a political entity whose excellence depends on the type of government imposed. This proposal is associated with the psychology implicit in the first section of the dialogue, in which the unity of virtue is discussed. The Meno thus appears as a dialogue that anticipates the analogy of soul and polis set forth in the Republic. (shrink)