Fuller carries social constructionism to its bitter end in his theory of the “post-truth condition”—endemic to current life and to the entirety of Western Philosophy. According to Fuller, the gates to the elitist power/knowledge-games have been crashed by the democratic mob. Fuller implicitly extends Popper’s radicalism in the philosophy of science to political and social philosophy. Rather than Popper’s piecemeal social engineering for the purpose of minimizing human suffering, Fuller promotes revolutionary social change in the face of catastrophes. Fuller pushes (...) for a “proactionary” approach because the current vast social change refutes the fragility-assumption of Popper’s “risk-adverse” sociopolitical philosophy. (shrink)
The monopolization of our techno-scientific culture by digital information technology, the Technopoly has unintentionally resulted in the extinction of knowledge or postknowledge, by reducing knowledge to systems of symbols—formalized algorithmic hierarchies of symbol-systems without external reference; a totalistic virtuality, or real virtuality. The extinction of knowledge or post-knowledge has resulted in two mutually reinforcing situations. One situation is the rise of a new elite of technology experts. The other situation is the dummification of people. These two mutually reinforcing situations further (...) result in an illegitimate role reversal between people and their machines. The machines become treated as smart; people become treated as dummies. The role reversal of machines and people reinforces the monopoly of digital technology over everything. The monopoly of digital techno-scientific culture, the Technopoly, becomes accepted without question and without criticism. However, there is a way to retrieve knowledge, and that way is through restoring the tradition of critical discussion within all our institutions. Critical discussion can be restored by increasing democratic participation in our techno-scientific culture, which amounts to implementing a Socratic social architecture. (shrink)
Spinoza’s metaphysics has returned in the work of Hugh Everett as physics— as a complete and consistent interpretation of Quantum Mechanics that resolves the traditional puzzles of the standard interpretation of Quantum Mechanics.
How do we alleviate the cultural obstacles to dialogue? The answer, we argue, is by using Socratic dialogue as the architecture for the design of social systems, societies can overcome the cultural obstacles to inter-cultural dialogue of imposed insider-outsider social divisions, of imposed social hierarchies, and of imposed social walls around cultures. We elaborate on how Socratic Dialogue removes those cultural obstacles to intercultural dialogue when used as social architecture or as a blueprint for institutions that open the social gates (...) to all “outsiders” through the social levelling of hierarchies, and through the creation of social bridges among all “parallel” cultures. (shrink)
Der Kunsthistoriker Ernst Hans Josef Gombrich hat einen „wissenschaftlichen“ oder kognitiven Ansatz zur Erforschung der Geschichte und Psychologie der Künste entwickelt, der sehr maßgeblich von der Wissenschaftstheorie seines engen Freundes Karl Popper beeinflusst worden ist. Die geistige Nähe zwischen beiden wird in Gombrichs zentraler Arbeit zur Wiederentdeckung der Repräsentation in der Renaissance und zur Historiografie der Kunst deutlich. Ihre Differenzen verdienen allerdings ebenfalls Beachtung. Gombrichs Ansicht zufolge verändern sich Geschmack und Stil entsprechend der von ihm so genannten „Logik der Mode“. (...) Gombrich hat dargelegt, auf welch vielfältige Weise Veränderungen in der Kunst sich vollziehen. Während sich die Moden in der Kunst auf unvorhersehbare, launenhafte Weise wandeln, tauchen technische Veränderungen als Lösungen für technische Probleme auf und werden im Modus von Versuch und Irrtum ermittelt. Auf diese Weise stieß Gombrich auf eine Antinomie in der Kunsttheorie: Handwerkliche Fähigkeiten und Können wandeln sich durch rationalen Fortschritt, während sich Stile durch den irrationalen Mitläufereffekt verändern. In der Kunst ist der relativistische Pluralismus zur Mode geworden, und diese Mode hat seine Antinomie ignoriert – und zwar, sofern er richtig liegt, recht willkürlich. (shrink)
I provide a context for Agassi’s and Jarvie’s discussion of Aesthetics to show how their theory involves a turn to Art Studies. This turn provides a new and interesting focus in Aesthetics that revitalizes traditional aesthetics as the search for values in art. This turn also breaks the illusion of depth and progress in contemporary aesthetics by raising so far unasked critical questions in Aesthetics concerning the social demands placed on artists and the institutions of art.
