Results for 'Shelley Stokes'

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  1. Death of a Companion Cat or Dog and Human Bereavement: Psychosocial Variables.Shelley Stokes, Donald Templer, Lynn Planchon & Jacqueline Keller - 2002 - Society and Animals 10 (1):93-105.
    This study found that death depression, general depression, and positive attitudes toward, and attachment to, companion animals were associated with greater grief following the death of cats and dogs both in a veterinary client group who had recently lost their companion animals and in a college student group with a history of companion animal loss. The correlations of both the above variables and the demographic and death circumstance variables tended to be higher with the veterinary clients. Death of a dog (...)
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  2.  5
    The Critical Writings of Adrian Stokes.Adrian Stokes - 1978 - Journal of Aesthetics and Art Criticism 37 (2):243-245.
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  3.  60
    Ghosts in the Machine: Do the Dead Live on in Facebook?Patrick Stokes - 2012 - Philosophy and Technology 25 (3):363-379.
    Abstract Of the many ways in which identity is constructed and performed online, few are as strongly ‘anchored’ to existing offline relationships as in online social networks like Facebook and Myspace. These networks utilise profiles that extend our practical, psychological and even corporeal identity in ways that give them considerable phenomenal presence in the lives of spatially distant people. This raises interesting questions about the persistence of identity when these online profiles survive the deaths of the users behind them, via (...)
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  4. The Naked Self: Kierkegaard and Personal Identity.Patrick Stokes - 2015 - Oxford University Press UK.
    The Naked Self explores Søren Kierkegaard's understanding of selfhood by situating his work in relation to central problems in contemporary philosophy of personal identity: the role of memory in selfhood, the relationship between the notional and actual subjects of memory and anticipation, the phenomenology of diachronic self-experience, affective alienation from our past and future, psychological continuity, practical and narrative approaches to identity, and the intelligibility of posthumous survival. By bringing his thought into dialogue with major living and recent philosophers of (...)
     
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  5.  11
    Is Perception Cognitively Penetrable? A Philosophically Satisfying and Empirically Testable Reframing.Gary Lupyan, Dustin Stokes, Fiona Macpherson, Rasha Abdel Rahman & Robert Goldstone - 2013 - Proceedings of the 35th Annual Conference of the Cognitive Science Society 1:91-2.
    The question of whether perception can be penetrated by cognition is in the limelight again. The reason this question keeps coming up is that there is so much at stake: Is it possible to have theory-neutral observation? Is it possible to study perception without recourse to expectations, context, and beliefs? What are the boundaries between perception, memory, and inference (and do they even exist)? Are findings from neuroscience that paint a picture of perception as an inherently bidirectional and interactive process (...)
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  6. Popper: Philosophy, Politics, and Scientific Method.Geoff Stokes - 1998 - Polity Press.
    Karl Popper is a philosopher of knowledge and politics, rationality and freedom. His ideas have won acceptance and provoked controversy among an academic as well as a more general audience. This book aims to broaden our understanding of Popper's philosophy. It is one of the few studies to present his work as an evolving "system of ideas", and to take account of the full range of his writings. The book discusses Popper's early philosophy of politics, science and social science, as (...)
     
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  7.  7
    Aspects of Visual Argument: A Study of the March of Progress.Cameron Shelley - 2001 - Informal Logic 21 (2).
    The so-called March of Progress depicts human evolution as a linear progression from mohkey to man. Shelley (1996) analyzed this image as a visual argument proceeding through "rhetorical" and "demonstrative" modes of visual logic. In this paper, I confirm and extend this view of visual logic by examining variations of the original March image. These variations show that each mode of visual logic can be altered or isolated in support of new conclusions. Furthermore, the March can be included in (...)
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  8.  29
    Lorenzo Magnani: Abductive Cognition: The Epistemological and Eco-Cognitive Dimensions of Hypothetical Reasoning. [REVIEW]Cameron Shelley - 2012 - Minds and Machines 22 (3):263-269.
    Lorenzo Magnani: Abductive Cognition: The Epistemological and Eco-Cognitive Dimensions of Hypothetical Reasoning Content Type Journal Article Category Book Review Pages 1-7 DOI 10.1007/s11023-011-9267-6 Authors Cameron Shelley, Centre for Society, Technology, and Values, University of Waterloo, Waterloo, Canada Journal Minds and Machines Online ISSN 1572-8641 Print ISSN 0924-6495.
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    Practical Ethics: Free Range 'Debate' Puts the Egg Before the Chicken.Patrick Stokes - 2013 - Australian Humanist, The 112:18.
    Stokes, Patrick The announcement that Woolworths will phase out the selling of cage eggs seems like pretty good news.
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  10.  10
    Comments on Karen Fang's Review of City on Fire: Hong Kong Cinema.Lisa Odham Stokes & Michael Hoover - 2003 - Film-Philosophy 7 (5).
    Karen Fang 'The Poverty of Sociological Studies of Hong Kong Cinema: Stokes and Hoover's _City on Fire_' _Film-Philosophy_, vol. 7 no. 36, October 2003.
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  11.  4
    Science Deniers Reject Authority and Facts.Patrick Stokes - 2016 - Australian Humanist, The 121:16.
    Stokes, Patrick Many people who choose to ignore accepted scientific conclusions are making emotional rather than rational decisions.
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  12. Popper: Philosophy, Politics and Scientific Method.Geoffrey Stokes - 1998 - Polity.
    Karl Popper is a philosopher of knowledge and politics, rationality and freedom. His ideas have won acceptance and provoked controversy among an academic as well as a more general audience. This book aims to broaden our understanding of Popper's philosophy. It is one of the few studies to present his work as an evolving "system of ideas", and to take account of the full range of his writings. The book discusses Popper's early philosophy of politics, science and social science, as (...)
     
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  13. Cognitive Penetrability of Perception.Dustin Stokes - 2013 - Philosophy Compass 8 (7):646-663.
    Perception is typically distinguished from cognition. For example, seeing is importantly different from believing. And while what one sees clearly influences what one thinks, it is debatable whether what one believes and otherwise thinks can influence, in some direct and non-trivial way, what one sees. The latter possible relation is the cognitive penetration of perception. Cognitive penetration, if it occurs, has implications for philosophy of science, epistemology, philosophy of mind, and cognitive science. This paper offers an analysis of the phenomenon, (...)
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  14. Perceiving and Desiring: A New Look at the Cognitive Penetrability of Experience.Dustin Stokes - 2012 - Philosophical Studies 158 (3):479-92.
    This paper considers an orectic penetration hypothesis which says that desires and desire-like states may influence perceptual experience in a non-externally mediated way. This hypothesis is clarified with a definition, which serves further to distinguish the interesting target phenomenon from trivial and non-genuine instances of desire-influenced perception. Orectic penetration is an interesting possible case of the cognitive penetrability of perceptual experience. The orectic penetration hypothesis is thus incompatible with the more common thesis that perception is cognitively impenetrable. It is of (...)
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  15. Mental Imagery and Fiction.Dustin Stokes - forthcoming - Canadian Journal of Philosophy:1-24.
    Fictions evoke imagery, and their value consists partly in that achievement. This paper offers analysis of this neglected topic. Section I identifies relevant philosophical background. II offers a working definition of imagery. III identifies empirical work on visual imagery. IV and V criticize imagery essentialism, through the lens of genuine fictional narratives. This outcome, though, is not wholly critical. The expressed spirit of imagery essentialism is to encourage philosophers to "put the image back into the imagination." The weakened conclusion is (...)
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  16. Cognitive Penetration and the Perception of Art (Winner of 2012 Dialectica Essay Prize).Dustin Stokes - 2014 - Dialectica 68 (1):1-34.
    There are good, even if inconclusive, reasons to think that cognitive penetration of perception occurs: that cognitive states like belief causally affect, in a relatively direct way, the contents of perceptual experience. The supposed importance of – indeed as it is suggested here, what is definitive of – this possible phenomenon is that it would result in important epistemic and scientific consequences. One interesting and intuitive consequence entirely unremarked in the extant literature concerns the perception of art. Intuition has it (...)
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  17.  91
    Hume and the Joint Verdict of True Judges.James Shelley - 2013 - Journal of Aesthetics and Art Criticism 71 (2):145-153.
  18. Deletion as Second Death: The Moral Status of Digital Remains.Patrick Stokes - 2015 - Ethics and Information Technology 17 (4):237-248.
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  19.  72
    Cognitive Penetration and the Perception of Colour.Dustin Stokes - forthcoming - In Derek Brown & Fiona Macpherson (eds.), The Routledge Handbook of Philosophy of Colour. London: Routledge.
    This chapter concerns the cognitive penetration of the visual experience of colour. Alleged cases of cognitively penetrated colour perception are of special import since they concern an uncontroversial type of visual experience. All theorists of perception agree that colour properties figure properly in the content or presentation of visual perception, even though not all parties agree that pine trees or causes or other "high-level" properties can figure properly in visual content or presentation. So an alleged case of this kind does (...)
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  20. Attention and the Cognitive Penetrability of Perception.Dustin Stokes - 2018 - Australasian Journal of Philosophy 96 (2):303-318.
    One sceptical rejoinder to those who claim that sensory perception is cognitively penetrable is to appeal to the involvement of attention. So, while a phenomenon might initially look like one where, say, a perceiver’s beliefs are influencing her visual experience, another interpretation is that because the perceiver believes and desires as she does, she consequently shifts her spatial attention so as to change what she senses visually. But, the sceptic will urge, this is an entirely familiar phenomenon, and it hardly (...)
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  21. On Perceptual Expertise.Dustin Stokes - manuscript
    Expertise is a cognitive achievement that clearly involves experience and learning, and often requires explicit, time-consuming training specific to the relevant domain. It is also intuitive that this kind of achievement is, in a rich sense, genuinely perceptual. Many experts—be they radiologists, bird watchers, or fingerprint examiners—are better perceivers in the domain(s) of their expertise. This claim is intuitive, but no philosopher has argued for it. Few philosophers have even explicitly considered it. The goal of this paper is to take (...)
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  22.  3
    Prioritizing Information During Working Memory: Beyond Sustained Internal Attention.Nicholas E. Myers, Mark G. Stokes & Anna C. Nobre - 2017 - Trends in Cognitive Sciences 21 (6):449-461.
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  23. Noise, Uncertainty, and Interest: Predictive Coding and Cognitive Penetration.Jona Vance & Dustin Stokes - 2017 - Consciousness and Cognition 47:86-98.
    This paper concerns how extant theorists of predictive coding conceptualize and explain possible instances of cognitive penetration. §I offers brief clarification of the predictive coding framework and relevant mechanisms, and a brief characterization of cognitive penetration and some challenges that come with defining it. §II develops more precise ways that the predictive coding framework can explain, and of course thereby allow for, genuine top-down causal effects on perceptual experience, of the kind discussed in the context of cognitive penetration. §III develops (...)
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  24.  16
    ‘Activity-Silent’ Working Memory in Prefrontal Cortex: A Dynamic Coding Framework.Mark G. Stokes - 2015 - Trends in Cognitive Sciences 19 (7):394-405.
  25. Rich Perceptual Content and Aesthetic Properties.Dustin Stokes - 2018 - In Anna Bergqvist & Robert Cowan (eds.), Evaluative Perception. Oxford University Press.
    Both common sense and dominant traditions in art criticism and philosophical aesthetics have it that aesthetic features or properties are perceived. However, there is a cast of reasons to be sceptical of the thesis. This paper defends the thesis—that aesthetic properties are sometimes represented in perceptual experience—against one of those sceptical opponents. That opponent maintains that perception represents only low-level properties, and since all theorists agree that aesthetic properties are not low-level properties, perception does not represent aesthetic properties. I offer (...)
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  26. The Dominance of the Visual.Dustin Stokes & Stephen Biggs - 2014 - In D. Stokes, M. Matthen & S. Biggs (eds.), Perception and its Modalities. Oxford University Press.
    Vision often dominates other perceptual modalities both at the level of experience and at the level of judgment. In the well-known McGurk effect, for example, one’s auditory experience is consistent with the visual stimuli but not the auditory stimuli, and naïve subjects’ judgments follow their experience. Structurally similar effects occur for other modalities (e.g. rubber hand illusions). Given the robustness of this visual dominance, one might not be surprised that visual imagery often dominates imagery in other modalities. One might be (...)
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  27. Modular Architectures and Informational Encapsulation: A Dilemma.Dustin Stokes & Vincent Bergeron - 2015 - European Journal for Philosophy of Science 5 (3):315-38.
    Amongst philosophers and cognitive scientists, modularity remains a popular choice for an architecture of the human mind, primarily because of the supposed explanatory value of this approach. Modular architectures can vary both with respect to the strength of the notion of modularity and the scope of the modularity of mind. We propose a dilemma for modular architectures, no matter how these architectures vary along these two dimensions. First, if a modular architecture commits to the informational encapsulation of modules, as it (...)
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  28. Imagination and Creativity.Dustin Stokes - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. Routledge.
    This paper surveys historical and recent philosophical discussions of the relations between imagination and creativity. In the first two sections, it covers two insufficiently studied analyses of the creative imagination, that of Kant and Sartre, respectively. The next section discusses imagination and its role in scientific discovery, with particular emphasis on the writings of Michael Polanyi, and on thought experiments and experimental design. The final section offers a brief discussion of some very recent work done on conceptual relations between imagination (...)
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  29.  23
    Is There Room at the Bottom for CSR? Corporate Social Responsibility and Nanotechnology in the UK.Chris Groves, Lori Frater, Robert Lee & Elen Stokes - 2011 - Journal of Business Ethics 101 (4):525-552.
    Nanotechnologies are enabling technologies which rely on the manipulation of matter on the scale of billionths of a metre. It has been argued that scientific uncertainties surrounding nanotechnologies and the inability of regulatory agencies to keep up with industry developments mean that voluntary regulation will play a part in the development of nanotechnologies. The development of technological applications based on nanoscale science is now increasingly seen as a potential test case for new models of regulation based on future-oriented responsibility, lifecycle (...)
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  30. The Role of Imagination in Creativity.Dustin Stokes - 2014 - In E. Paul & S. B. Kaufman (eds.), The philosophy of creativity. Oxford University Press.
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  31. Aesthetics and Cognitive Science.Dustin Stokes - 2009 - Philosophy Compass 4 (5):715-733.
    Experiences of art involve exercise of ordinary cognitive and perceptual capacities but in unique ways. These two features of experiences of art imply the mutual importance of aesthetics and cognitive science. Cognitive science provides empirical and theoretical analysis of the relevant cognitive capacities. Aesthetics thus does well to incorporate cognitive scientific research. Aesthetics also offers philosophical analysis of the uniqueness of the experience of art. Thus, cognitive science does well to incorporate the explanations of aesthetics. This paper explores this general (...)
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  32.  21
    Review of Susanna Siegel-The Rationality of Perception. [REVIEW]Dustin Stokes - 2018 - Notre Dame Philosophical Reviews 6:1-2.
  33. Kierkegaard's Mirrors: Interest, Self, and Moral Vision.Patrick Stokes - 2010 - Palgrave-Macmillan.
  34. Towards a Consequentialist Understanding of Cognitive Penetration.Dustin Stokes - 2015 - In A. Raftopoulos & J. Zeimbekis (eds.), Cognitive Penetrability (Oxford University Press).
    Philosophers of mind and cognitive scientists have recently taken renewed interest in cognitive penetration, in particular, in the cognitive penetration of perceptual experience. The question is whether cognitive states like belief influence perceptual experience in some important way. Since the possible phenomenon is an empirical one, the strategy for analysis has, predictably, proceeded as follows: define the phenomenon and then, definition in hand, interpret various psychological data. However, different theorists offer different and apparently inconsistent definitions. And so in addition to (...)
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  35. Naturalistic Approaches to Creativity.Dustin Stokes & Elliot Paul - 2016 - In J. Sytsma W. Buckwalter (ed.), The Blackwell Companion to Experimental Philosophy.
    We offer a brief characterization of creativity, followed by a review of some of the reasons people have been skeptical about the possibility of explaining creativity. We then survey some of the recent work on creativity that is naturalistic in the sense that it presumes creativity is natural (as opposed to magical, occult, or supernatural) and is therefore amenable to scientific inquiry. This work is divided into two categories. The broader category is empirical philosophy, which draws on empirical research while (...)
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  36. A Metaphysics of Creativity.Dustin Stokes - 2008 - In Kathleen Stock & Katherine Thomson-Jones (eds.), New Waves in Aesthetics. Palgrave-Macmillan. pp. 105--124.
  37. Perception and Its Modalities.Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.) - 2014 - Oxford University Press.
    This volume is about the many ways we perceive. Contributors explore the nature of the individual senses, how and what they tell us about the world, and how they interrelate. They consider how the senses extract perceptual content from receptoral information. They consider what kinds of objects we perceive and whether multiple senses ever perceive a single event. They consider how many senses we have, what makes one sense distinct from another, and whether and why distinguishing senses may be useful. (...)
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  38. The Evaluative Character of Imaginative Resistance.Dustin R. Stokes - 2006 - British Journal of Aesthetics 46 (4):287-405.
    A fiction may prescribe imagining that a pig can talk or tell the future. A fiction may prescribe imagining that torturing innocent persons is a good thing. We generally comply with imaginative prescriptions like the former, but not always with prescriptions like the latter: we imagine non-evaluative fictions without difficulty but sometimes resist imagining value-rich fictions. Thus arises the puzzle of imaginative resistance. Most analyses of the phenomenon focus on the content of the relevant imaginings. The present analysis focuses instead (...)
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  39. Sorting the Senses.Stephen Biggs, Mohan Matthen & Dustin Stokes - 2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and its Modalities. Oxford University Press. pp. 1-19.
    We perceive in many ways. But several dubious presuppositions about the senses mask this diversity of perception. Philosophers, scientists, and engineers alike too often presuppose that the senses (vision, audition, etc.) are independent sources of information, perception being a sum of these independent contributions. We too often presuppose that we can generalize from vision to other senses. We too often presuppose that vision itself is best understood as a passive receptacle for an image thrown by a lens. In this essay (...)
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  40. Incubated Cognition and Creativity.Dustin Stokes - 2007 - Journal of Consciousness Studies 14 (3):83-100.
    Many traditional theories of creativity put heavy emphasis on an incubation stage in creative cognitive processes. The basic phenomenon is a familiar one: we are working on a task or problem, we leave it aside for some period of time, and when we return attention to the task we have some new insight that services completion of the task. This feature, combined with other ostensibly mysterious features of creativity, has discouraged naturalists from theorizing creativity. This avoidance is misguided: we can (...)
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  41.  11
    Kierkegaard and Death.Patrick Stokes & Adam Buben (eds.) - 2011 - Indiana University Press.
    Few philosophers have devoted such sustained, almost obsessive attention to the topic of death as Søren Kierkegaard. Kierkegaard and Death brings together new work on Kierkegaard's multifaceted discussions of death and provides a thorough guide to the development, in various texts and contexts, of Kierkegaard’s ideas concerning death. Essays by an international group of scholars take up essential topics such as dying to the world, living death, immortality, suicide, mortality and subjectivity, death and the meaning of life, remembrance of the (...)
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  42. Is Narrative Identity Four-Dimensionalist?Patrick Stokes - 2012 - European Journal of Philosophy 20 (S1):e86-e106.
    The claim that selves are narratively constituted has attained considerable currency in both analytic and continental philosophy. However, a set of increasingly standard objections to narrative identity are also emerging. In this paper, I focus on metaphysically realist versions of narrative identity theory, showing how they both build on and differ from their neo-Lockean counterparts. But I also argue that narrative realism is implicitly committed to a four-dimensionalist, temporal-parts ontology of persons. That exposes narrative realism to the charge that the (...)
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  43. The Problem of Non-Perceptual Art.James Shelley - 2003 - British Journal of Aesthetics 43 (4):363-378.
    Consider the following three propositions: (R) Artworks necessarily have aesthetic properties that are relevant to their appreciation as artworks. (S) Aesthetic properties necessarily depend, at least in part, on properties perceived by means of the five senses. (X) There exist artworks that need not be perceived by means of the five senses to be appreciated as artworks. The independent plausibility and apparent joint inconsistency of these three propositions give rise to what I refer to as ‘the problem of non-perceptual art’. (...)
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  44. Frankenstein.Mary Shelley & J. Paul Hunter - 1997 - Utopian Studies 8 (1):230-231.
     
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  45. Rereading The Intellectuals on the Road to Class Power.Katherine Verdery, Michael Bernhard, Jeffrey Kopstein, Gale Stokes & Michael D. Kennedy - 2005 - Theory and Society 34 (1):1-36.
  46. Eighteenth Century British Aesthetics.James Shelley - forthcoming - Stanford Encyclopedia of Philosophy.
  47. Why Test Animals to Treat Humans? On the Validity of Animal Models.Cameron Shelley - 2010 - Studies in History and Philosophy of Science Part C 41 (3):292-299.
    Critics of animal modeling have advanced a variety of arguments against the validity of the practice. The point of one such form of argument is to establish that animal modeling is pointless and therefore immoral. In this article, critical arguments of this form are divided into three types, the pseudoscience argument, the disanalogy argument, and the predictive validity argument. I contend that none of these criticisms currently succeed, nor are they likely to. However, the connection between validity and morality is (...)
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  48. Minimally Creative Thought.Dustin Stokes - 2011 - Metaphilosophy 42 (5):658-681.
    Creativity has received, and continues to receive, comparatively little analysis in philosophy and the brain and behavioural sciences. This is in spite of the importance of creative thought and action, and the many and varied resources of theories of mind. Here an alternative approach to analyzing creativity is suggested: start from the bottom up with minimally creative thought. Minimally creative thought depends non-accidentally upon agency, is novel relative to the acting agent, and could not have been tokened before the time (...)
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  49.  38
    Crossing the Bridge: The First-Person and Time.Patrick Stokes - 2014 - Phenomenology and the Cognitive Sciences 13 (2):295-312.
  50.  50
    Naked Subjectivity: Minimal Vs. Narrative Selves in Kierkegaard.Patrick Stokes - 2010 - Inquiry: An Interdisciplinary Journal of Philosophy 53 (4):356-382.
    In recent years a significant debate has arisen as to whether Kierkegaard offers a version of the “narrative approach” to issues of personal identity and self-constitution. In this paper I do not directly take sides in this debate, but consider instead the applicability of a recent development in the broader literature on narrative identity—the distinction between the temporally-extended “narrative self” and the non-extended “minimal self—to Kierkegaard's work. I argue that such a distinction is both necessary for making sense of Kierkegaard's (...)
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