A multilingual disaster information system (MLDI) has been developed to overcome the language barrier during times of natural disaster. MLDI is a web-based system that includes templates in nine languages so that translated texts can be made available immediately. Mobile phone e-mail with graphic text is a useful tool for delivering multilingual disaster information. The visibility of graphic text on mobile phones was measured and found to be equivalent to the built-in font. However, visibility deteriorates as the character size becomes (...) smaller, especially, on displays with poor resolution. This article also discusses the necessity of multilingual information and measures for a safe and barrier-free society. (shrink)
We have developed an application of passive seismic interferometry using P-wave coda of local earthquakes for the purpose of crustal-scale reflection imaging. We processed the reflection gathers retrieved from SI following a standard seismic processing in exploration seismology. We applied SI to the P-wave coda using crosscorrelation, crosscoherence, and multidimensional deconvolution approaches for data recorded in the Malargüe region, Argentina. Comparing the results from the three approaches, we found that MDD based on the truncated singular-value decomposition scheme gave us substantially (...) better structural imaging. Although our results provided higher resolution images of the subsurface, they showed less clear images for the Moho in comparison with previous seismic images in the region obtained by the receiver function and global-phase SI. Above the Moho, we interpreted a deep thrust fault and the possible melting zones, which were previously indicated by active-seismic and magnetotelluric methods in this region, respectively. The method we developed could be an alternative option not only for crustal-scale imaging, e.g., in enhanced geothermal systems, but also for lithospheric-scale as well as basin-scale imaging, depending on the availability of local earthquakes and the frequency bandwidth of their P-wave coda. (shrink)
Deleuze, Japanese Cinema, and the Atom Bomb establishes the first ever sustained encounter between Gilles Deleuze’s Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation and political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. -/- Using Deleuze’s taxonony of cinema, each chapter begins by focusing upon (...) one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. A series of tables clarify the conceptual components deployed within the text; and each film is illustrated with a number of stills. (shrink)
