Results for 'Simon H��ffding'

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  1.  25
    Review of Simon Høffding, A Phenomenology of Musical Absorption, Cham: Palgrave Macmillan 2019. [REVIEW]Anna Petronella Foultier - 2020 - Phenomenology and the Cognitive Sciences 19 (3):611-617.
    Simon Høffding’s book A Phenomenology of Musical Absorption (2019) contributes to a growing field of research focusing on the artist’s and performer’s experience, as significant for philosophical understanding of on the one hand expertise and skill-formation, on the other art and artistic practice. Høffding’s work is based on a qualitative study of the world-famous ensemble The Danish String Quartet, and has two purposes according to the author: first, to answer a question that arises when confronted with expert musicians’ descriptions (...)
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  2.  4
    Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice, Edited by Susanne Ravn, Simon Høffding, and James McGuirk.Alessandro Bertinetto - 2022 - Estetika: The European Journal of Aesthetics 2:165-171.
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  3. The Perils of "Open Science": How Radical and How Many? [REVIEW]Simon Høffding - 2017 - Constructivist Foundations 13 (1):72-73.
    I ask exactly how “open” we should be in “opening up cognitive science” and how many scientists should embrace the radical openness Martiny advocates. I suggest that the most fruitful realization of Martiny’s vision would consist in the creation of research groups with a balance between scholars of singular disciplines and transdisciplinary cognitive scientists.
     
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  4.  5
    Review of Dan Hutto and Erik Myin, Evolving Enactivism (2017, MIT Press); Shaun Gallagher, Enactivist Interventions_(2017, Oxford University Press); Ezequiel Di Paolo, Thomas Buhrmann, and Xabier E. Barandiaran, _Sensorimotor Life[REVIEW]Simon Høffding - 2019 - Philosophy 94 (3):492-499.
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  5.  18
    Not Being There: An Analysis of Expertise‐Induced Amnesia.Simon Høffding & Barbara Gail Montero - 2020 - Mind and Language 35 (5):621-640.
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  6.  88
    Framing a Phenomenological Interview: What, Why and How.Simon Høffding & Kristian Martiny - 2016 - Phenomenology and the Cognitive Sciences 15 (4):539-564.
    Research in phenomenology has benefitted from using exceptional cases from pathology and expertise. But exactly how are we to generate and apply knowledge from such cases to the phenomenological domain? As researchers of cerebral palsy and musical absorption, we together answer the how question by pointing to the resource of the qualitative interview. Using the qualitative interview is a direct response to Varela’s call for better pragmatics in the methodology of phenomenology and cognitive science and Gallagher’s suggestion for phenomenology to (...)
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  7.  14
    Exploratory expertise and the dual intentionality of music-making.Simon Høffding & Andrea Schiavio - 2021 - Phenomenology and the Cognitive Sciences 20 (5):811-829.
    In this paper, we advance the thesis that music-making can be advantageously understood as an exploratory phenomenon. While music-making is certainly about aesthetic expression, from a phenomenological, cognitive, and even evolutionary perspective, it more importantly concerns structured explorations of the world around us, our minds, and our bodies. Our thesis is based on an enactive and phenomenological analysis of three cases: the first concerns the study of infants involved in early musical activities, and the two latter are phenomenologically inspired interviews (...)
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  8.  13
    Can we trust the phenomenological interview? Metaphysical, epistemological, and methodological objections.Simon Høffding, Kristian Martiny & Andreas Roepstorff - 2022 - Phenomenology and the Cognitive Sciences 21 (1):33-51.
    The paper defends the position that phenomenological interviews can provide a rich source of knowledge and that they are in no principled way less reliable or less valid than quantitative or experimental methods in general. It responds to several skeptic objections such as those raised against introspection, those targeting the unreliability of episodic memory, and those claiming that interviews cannot address the psychological, cognitive and biological correlates of experience. It argues that the skeptic must either heed the methodological and epistemological (...)
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  9.  8
    Being Moved by Art: A Phenomenological and Pragmatist Dialogue.Simon Høffding, Carlos Vara Sánchez & Tone Roald - 2022 - Estetika: The European Journal of Aesthetics 2:85-102.
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  10.  16
    A Phenomenology of Musical Absorption.Simon Høffding - 2018 - Springer Verlag.
    This book presents a detailed analysis of what it means to be absorbed in playing music. Based on interviews with one of the world’s leading classical ensembles, “The Danish String Quartet”, it debunks the myth that experts cannot reflect while performing, but also shows that intense absorption is not something that can be achieved through will, intention, prediction or planning – it remains something individuals have to be receptive to. Based in the phenomenological tradition of Husserl and Merleau-Ponty as well (...)
  11.  4
    A Musical Exploration of Consciousness: Book Review of Clarke & Clarke Music and Consciousness. Philosophical, Psychological, and Cultural Perspectives. Oxford University Press. ISBN 978-0-19-955379-2. [REVIEW]Simon Høffding - 2013 - Phenomenology and the Cognitive Sciences 12 (4):877-882.
  12.  40
    A Musical Exploration of Consciousness: Book Review of Clarke & Clarke Music and Consciousness. Philosophical, Psychological, and Cultural Perspectives. Oxford University Press. ISBN 978-0-19-955379-2.Simon Høffding - 2013 - Phenomenology and the Cognitive Sciences 12 (4):877-882.
  13.  5
    A Phenomenology of Musical Absorption, Written by Simon Høffding.Eva Schwarz - 2019 - Journal of Phenomenological Psychology 50 (2):265-272.
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  14.  1
    Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice.Susanne Ravn & Simon Høffding - 2021 - Routledge.
    This volume brings together philosophical and interdisciplinary perspectives on improvisation. The contributions connect the theoretical dimensions of improvisation with different viewpoints on its practice in the arts and the classroom. The chapters address the phenomenon of improvisation in two related ways. On the one hand, they attend to the lived practices of improvisation both within and without the arts in order to explain the phenomenon. They also extend the scope of improvisational practices to include the role of improvisation in habit (...)
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  15.  6
    Improvisation and thinking in movement: an enactivist analysis of agency in artistic practices.Susanne Ravn & Simon Høffding - 2022 - Phenomenology and the Cognitive Sciences 21 (3):515-537.
    In this article, we inquire into Maxine Sheets-Johnstone and Michele Merritt’s descriptions and use of dance improvisation as it relates to “thinking in movement.” We agree with them scholars that improvisational practices present interesting cases for investigating how movement, thinking, and agency intertwine. However, we also find that their descriptions of improvisation overemphasize the dimension of spontaneity as an intuitive “letting happen” of movements. To recalibrate their descriptions of improvisational practices, we couple Ezequiel Di Paolo, Thomas Buhrmann, and Xabier E. (...)
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  16.  30
    Passivity in Aesthetic Experience: Husserlian and Enactive Perspectives.Tone Roald & Simon Høffding - 2019 - Journal of Aesthetics and Phenomenology 6 (1):1-20.
    ABSTRACTThis paper argues that the Husserlian notion of “passive synthesis” can make a substantial contribution to the understanding of aesthetic experience. The argument is based on two empirical cases of qualitative interview material obtained from museum visitors and a world-renowned string quartet, which show that aesthetic experience contains an irreducible dimension of passive undergoing and surprise. Analyzing this material through the lens of passive syntheses helps explain these experiences, as well as the sense of subject–object fusion that occurs in some (...)
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  17.  6
    Interactive Expertise in Solo and Joint Musical Performance.Glenda Satne & Simon Høffding - 2019 - Synthese 198 (Suppl 1):427-445.
    The paper presents two empirical cases of expert musicians—a classical string quartet and a solo, free improvisation saxophonist—to analyze the explanatory power and reach of theories in the field of expertise studies and joint action. We argue that neither the positions stressing top-down capacities of prediction, planning or perspective-taking, nor those emphasizing bottom-up embodied processes of entrainment, motor-responses and emotional sharing can do justice to the empirical material. We then turn to hybrid theories in the expertise debate and interactionist accounts (...)
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  18.  32
    Putting Plural Self-Awareness Into Practice: The Phenomenology of Expert Musicianship.Alessandro Salice, Simon Høffding & Shaun Gallagher - 2018 - Topoi:1-13.
    Based on a qualitative study about expert musicianship, this paper distinguishes three ways of interacting by putting them in relation to the sense of agency. Following Pacherie, it highlights that the phenomenology of shared agency undergoes a drastic transformation when musicians establish a sense of we-agency. In particular, the musicians conceive of the performance as one single action towards which they experience an epistemic privileged access. The implications of these results for a theory of collective intentionality are discussed by addressing (...)
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  19.  21
    Putting Plural Self-Awareness Into Practice: The Phenomenology of Expert Musicianship.Alessandro Salice, Simon Høffding & Shaun Gallagher - 2019 - Topoi 38 (1):197-209.
    Based on a qualitative study about expert musicianship, this paper distinguishes three ways of interacting by putting them in relation to the sense of agency. Following Pacherie, it highlights that the phenomenology of shared agency undergoes a drastic transformation when musicians establish a sense of we-agency. In particular, the musicians conceive of the performance as one single action towards which they experience an epistemic privileged access. The implications of these results for a theory of collective intentionality are discussed by addressing (...)
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  20.  9
    Framing a Phenomenological Mixed Method: From Inspiration to Guidance.Kristian Moltke Martiny, Juan Toro & Simon Høffding - 2021 - Frontiers in Psychology 12.
    Despite a long history of researchers who combine phenomenology with qualitative or quantitative methods, there are only few examples of working with a phenomenological mixed method—a method where phenomenology informs both qualitative and quantitative data generation, analysis, and interpretation. Researchers have argued that in working with a phenomenological mixed method, there should be mutual constraint and enlightenment between the qualitative and quantitative methods for studying consciousness. In this article, we discuss what a framework for phenomenological mixed methods could look like (...)
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  21.  7
    Book Review. [REVIEW]Camille Buttingsrud - 2019 - Phenomenological Reviews 2019.
    A review of Simon Høffding's book "A Phenomenology of Musical Absorption".
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  22. The Philosophy of Religion.Harald Høffding - 1906 - Freeport, N.Y., Books for Libraries Press.
  23. A History of Modern Philosophy.Harald Høffding - 1955 - Dover Publications.
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  24.  19
    H. Høffding.E. Harms - 1931 - Mind 40 (160):533-534.
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  25. The Present State of Psychology and its Relations to the Neighboring Sciences.Harold H.?Ffding - 1905 - Psychological Review 12 (2-3):67-77.
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  26. Hale on Logical and Absolute Necessity: What You Put In Is What You Get Out.Simon H. Babbs & Joshua Mendelsohn - 2022 - Argumenta 14.
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  27.  28
    Remarks on the Bohr-HØffding Relationship.David Favrholdt - 1991 - Studies in History and Philosophy of Science Part A 22 (3):399-414.
  28.  20
    The Bohr - Høffding Relationship Reconsidered.Jan Faye - 1988 - Studies in History and Philosophy of Science Part A 19 (3):321.
  29.  3
    Once More: Bohr-Høffding.Jan Faye - 1994 - Danish Yearbook of Philosophy 29 (1):106-113.
  30.  52
    Heinrich Hertz’s Neo-Kantian Philosophy of Science, and its Development by Harald Høffding.Frederik Voetmann Christiansen - 2006 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 37 (1):1-20.
    This article is an investigation of parallel themes in Heinrich Hertz's philosophy science and Kant's theory of schemata, symbols and regulative ideas. It is argued that Hertz's "pictures" bears close similarities to Kantian "schemata", that is, they are rules linking concepts to intuitions and provide them with their meaning. Kant's distinction between symbols and schemata is discussed and related to Hertz's three pictures of mechanics. It is argued that Hertz considered his own picture of mechanics as symbolic in a different (...)
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  31.  96
    Heinrich Hertz’s Neo-Kantian Philosophy of Science, and its Development by Harald Høffding.Frederik Voetmann Christiansen - 2006 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 37 (1):1 - 20.
    This article is an investigation of parallel themes in Heinrich Hertz's philosophy science and Kant's theory of schemata, symbols and regulative ideas. It is argued that Hertz's "pictures" bears close similarities to Kantian "schemata", that is, they are rules linking concepts to intuitions and provide them with their meaning. Kant's distinction between symbols and schemata is discussed and related to Hertz's three pictures of mechanics. It is argued that Hertz considered his own picture of mechanics (the "hidden mass" picture) as (...)
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  32. The Happy Philosopher--A Counterexample to Plato's Proof.Simon H. Aronson - 1972 - Journal of the History of Philosophy 10 (4):383-398.
    The author argues that Plato’s “proof” that happiness follows justice has a fatal flaw – because the philosopher king in Plato’s Republic is itself a counter example.
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  33.  6
    On the Cultural Relationship Between Niels Bohr and Harald HØffding.Roberto Angeloni - 2010 - Nuncius 25 (2):317-356.
    It is this paper’s aim to shed some light on the debate about the cultural debt of Niels Bohr towards his mentor and teacher of philosophy, Harald Høffding. The debate began at the end of seventies between two Danish scholars, Jan Faye and David Favrholdt, and in a broader sense it stands for way to show how philosophical influences may shape the scientist’s outlook on the world and consequently the approach to his field of studies. In my view, Edgar Rubin, (...)
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  34.  23
    Obituary Notices: H. Høffding.E. Harms - 1931 - Mind 40 (160):533-b-534.
  35.  2
    The Fastest Fluid-Secreting Cell Known: The Upper Malpighian Tubule ofRhodnius.Simon H. P. Maddrell - 1991 - Bioessays 13 (7):357-362.
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  36.  4
    Regel und Kontext in der gegenwärtigen christlichen Ethik.Simon H. Rae - 1972 - Zeitschrift Für Evangelische Ethik 16 (1):357-368.
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  37. Das Problem der jüdischen Identität in der jüdischen Philosophie des Mittelalters Le problème de l'identité juive dans la philosophie juive du Moyen Age.H. Simon - 1988 - Kairos (misc) 30:53-63.
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  38. Die Interpretation de Begriffe Tohu Und Bohu in der Jüdischen Philosophie des Mittelalters L'interprétation des Concepts Tohu Et Bohu Dans la Philosophie Juive du Moyen Age.H. Simon - 1988 - Kairos (misc) 30:64-68.
     
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  39. Introduction: Ethics in the Practice of Research.H. Simons & R. Usher - 2000 - In Helen Simons & Robin Usher (eds.), Situated Ethics in Educational Research. Routledge. pp. 1--11.
     
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  40. Geschichte der jüdischen Philosophie.H. Simon & Marie Simon - 1987 - Tijdschrift Voor Filosofie 49 (3):509-509.
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  41. Leben und Tod in der Sicht des Maimonides (La vie et la mort selon Maïmonide).H. Simon - 1986 - Kairos (misc) 28 (3-4):208-220.
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  42. Typisches der mittelalterlichen jüdischen Philosophie am Beispiel des Unspezifischen (Le caractère typique de la philosophie juive médiévale, éclairé par des exemples non spécifiques).H. Simon - 1985 - Kairos (misc) 27 (3-4):257-268.
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  43. Wissenschaft Vom Judentum in der Geschichte der Berliner Universität La Science du Judaïsme Dans l'Histoire de l'Université de Berlin.H. Simon - 1988 - Kairos (misc) 30:133-142.
     
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  44. Weltschöpfung und Weltewigkeit in der jüdischen Tradition.H. Simon - 1972 - Kairos (misc) 14:22-35.
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  45.  7
    Ingarden, Dufrenne, and the Passivity of Aesthetic Experience.Harri Mäcklin - 2022 - Journal of Aesthetics and Phenomenology 8 (1):21-36.
    Recent phenomenological research has picked up on the old claim that sometimes artworks seem to take possession of the perceiver. Simon Høffding and Tone Roald have argued that Edmund Husserl’s not...
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  46.  2
    Ramsey-Eliminierbarkeit Und Die Prüfbarkeit Empirischer Theorien.H. A. Simon & G. J. Groen - 1983 - In Michael Heidelberger & Wolfgang Balzer (eds.), Zur Logik Empirischer Theorien. De Gruyter. pp. 205-226.
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  47. Why a Diagram is (Sometimes) Worth a Thousand Words….J. Takrkin & H. A. Simon - 1987 - Cognitive Science 1:l.
     
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  48. Computer Science as Empirical Inquiry: Symbols and Search.Allen Newell & H. A. Simon - 1976 - Communications of the Acm 19:113-126.
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  49. Les organisations, problèmes psychosociologiques, « Organisation et sciences humaines », 3.J. March, H. A. Simon, J. C. Rouchy & M. Crozier - 1965 - Les Etudes Philosophiques 20 (1):97-98.
     
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  50.  17
    Explanation in the Behavioural Sciences: Confrontations.H. A. Simon, Robert Borger & Frank Cioffi - 1972 - Philosophical Quarterly 22 (88):278.
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