Results for 'Song, Chili'

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  1.  34
    The Biology of Bird-Song Dialects.Myron Charles Baker & Michael A. Cunningham - 1985 - Behavioral and Brain Sciences 8 (1):85-100.
    No single theory so far proposed gives a wholly satisfactory account of the origin and maintenance of bird-song dialects. This failure is the consequence of a weak comparative literature that precludes careful comparisons among species or studies, and of the complexity of the issues involved. Complexity arises because dialects seem to bear upon a wide range of features in the life history of bird species. We give an account of the principal issues in bird-song dialects: evolution of vocal learning, experimental (...)
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  2. Daring to Disturb the Universe: Heidegger’s Authenticity and The Love Song of J. Alfred Prufrock.Dominic Griffiths - 2009 - Literator 30 (2):107-126.
    In Heidegger’s Being and Time certain concepts are discussed which are central to the ontological constitution of Dasein. This paper demonstrates the interesting manner in which some of these concepts can be used in a reading of T.S. Eliot’s The Love Song of J. Alfred Prufrock. A comparative analysis is performed, explicating the relevant Heideggerian terms and then relating them to Eliot’s poem. In this way strong parallels are revealed between the two men’s respective thoughts and distinct modernist sensibilities. Prufrock, (...)
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  3.  35
    Song-Ming Confucianism.Justin Tiwald - 2020 - Stanford Encyclopedia of Philosophy.
    An overview of Confucianism in the Song, Yuan, and Ming dynasties, which many regard as second only to the classical period in philosophical importance and influence. This piece canvasses the major thinkers and schools, competing views on the metaphysics of li (pattern, principle) and qi (vital stuff), criticisms of Buddhism and Daoism, and debates about the heartmind, virtue, knowledge, and governance.
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  4.  4
    Against the Ban on Women’s Remarriage: Gendering Ui 義 in Song Siyeol’s Philosophy.Hwa Yeong Wang - forthcoming - Asian Philosophy:1-16.
    This article investigates the views of Song Siyeol 宋時烈 (1607–1689), a Confucian scholar-official in Joseon Korea, on marriage ritual, with a special focus on the issue of women’s remarriage. Song opposed the legal ban on women’s remarriage that was enforced in his age, despite the danger this invited of being accused of promoting licentious deeds as well as generating suspicion about his loyalty as a subject. He clearly understood women’s remarriage as an ethical and not a legal issue. The ethical (...)
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  5.  90
    Taking on Proper Appearance and Putting It Into Practice: Two Different Systems of Effort in Song and Ming Neo-Confucianism. [REVIEW]Weixiang Ding - 2010 - Frontiers of Philosophy in China 5 (3):326-351.
    Both jianxing 践形 (taking on proper appearance) and jianxing 践行 (putting into practice) were concepts coined by Confucians before the Qin Dynasty. They largely referred to similar things. But because the Daxue 大学 ( Great Learning ) was listed as one of the Sishu 四书 (The Four Books) during the Song Dynasty, different explanations and trends in terms of the Great Learning resulted in taking on proper appearance and putting into practice becoming two different systems of efforts. The former formed (...)
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  6.  79
    The Formation, Development and Evolution of Neo-Confucianism — with a Focus on the Doctrine of “Stilling the Nature” in the Song Period.Renqiu Zhu - 2009 - Frontiers of Philosophy in China 4 (3):322-342.
    The formation of the discourse of Neo-Confucianism 1 in the Song period was a result of the interactions between many social and cultural trends. In the development of the Neo-Confucian discourse, the Cheng brothers (Cheng Hao and Cheng Yi) played key roles with their charismatic thoughts and impelling personalities, while Zhu Xi pushed Neo-Confucian thought and discourse to a pinnacle with his broad knowledge and precise reasoning. In the warm discussions and debates between different schools and thoughts, the Neo-Confucian discourse (...)
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  7.  29
    The Shaman's Song and Divination in the Epic Tradition.Kurt Cline - 2010 - Anthropology of Consciousness 21 (2):163-187.
    Evidence of the intimate linkage of the shaman's song and divinatory procedures may be viewed in the ancient epics. These narrative poems contain structural and thematic elements recognizable from the shaman's song—in particular his or her voyage to the Otherworld and the guidance of oracular powers. In this paper, The Epic of Gilgamesh, Euripedes' Ion, and The Ozidi Saga (a living epic from West Africa) are examined as recuperations of the orally composed and transmitted song of the shaman. I argue (...)
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  8. Sextus Empiricus on the Siren Song of Reason and the Skeptical Defense of Ordinary Life.Harald Thorsrud - 2019 - Logos and Episteme 10 (1):15-29.
    By understanding the sense in which Sextus thinks reason is deceptive we may clarify his attitude towards ordinary life. The deception, like that of the Siren's song, is practical rather than epistemic. It is not a matter of leading us to assent to false or unjustified conclusions but is rather a distraction from, or even corruption of, ordinary life.
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  9.  68
    Shadows Over Shulamith: Giordano Bruno's De Umbris Idearum and the Song of Songs.Sergius Kodera - 2015 - Teorie Vědy / Theory of Science 37 (2):187-207.
    This article focuses on the use of one verse from the Biblical Songs of Songs in central passages of Giordano Bruno's first published book on the art of memory. De umbris idearum [On the Shadows of Ideas] not solely aims at improving mnemonic capacities, it also envisages the preconditions and limits of cognition in Bruno's new inifitist cosmology. Taking relevant scholarly literature on the topic as a point of departure, this contribution presents De umbris in the context of Bruno's philosophy (...)
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  10. The Philosopher's Song: The Poets' Influence on Plato.Kevin M. Crotty - 2009 - Lexington Books.
    The Philosopher's Song explores the complex and fruitful relation between the great poets of Greek culture and Plato's invention of philosophy, especially as this bears on Plato's treatment of justice. The author shows how the poets helped shape the development of Plato's thinking throughout the course of his philosophical career.
     
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  11. Philosophy of Song and Singing: An Introduction.Jeanette Bicknell - 2015 - Routledge.
    In _Philosophy of Song and Singing: An Introduction_, Jeanette Bicknell explores key aesthetic, ethical, and other philosophical questions that have not yet been thoroughly researched by philosophers, musicologists, or scientists. Issues addressed include: The relationship between the meaning of a song’s words and its music The performer’s role and the ensuing gender complications, social ontology, and personal identity The performer’s ethical obligations to audiences, composers, lyricists, and those for whom the material holds particular significance The metaphysical status of isolated solo (...)
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  12.  23
    Ecological Correlates of Song Complexity in White-Rumped Munias: The Implication of Relaxation of Selection as a Cause for Signal Variation in Birdsong.Hiroko Kagawa, Hiroko Yamada, Ruey-Shing Lin, Taku Mizuta, Toshikazu Hasegawa & Kazuo Okanoya - 2012 - Interaction Studiesinteraction Studies Social Behaviour and Communication in Biological and Artificial Systems 13 (2):263-284.
    Male white-rumped munias sing syntactically simpler songs than their domestic counterparts, Bengalese finches. The differences in song structure may reflect differences in natural selection pressures between wild and domestic environments. Deacon proposed song simplicity of the wild strain could be subject to natural selection. We hypothesized the selection pressure may be species identification. Thus, we compared song variations in relation to ecological factors and dispersal history of white-rumped munias to understand song evolutionary processes. We found geographic variations of song syntactical (...)
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  13.  28
    Ecological Correlates of Song Complexity in White-Rumped Munias: The Implication of Relaxation of Selection as a Cause for Signal Variation in Birdsong.Hiroko Kagawa, Hiroko Yamada, Ruey-Shing Lin, Taku Mizuta, Toshikazu Hasegawa & Kazuo Okanoya - 2012 - Interaction Studies 13 (2):263-284.
    Male white-rumped munias sing syntactically simpler songs than their domestic counterparts, Bengalese finches. The differences in song structure may reflect differences in natural selection pressures between wild and domestic environments. Deacon (2010) proposed song simplicity of the wild strain could be subject to natural selection. We hypothesized the selection pressure may be species identification. Thus, we compared song variations in relation to ecological factors and dispersal history of white-rumped munias to understand song evolutionary processes. We found geographic variations of song (...)
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  14.  3
    The View From Olympus: The Muses’ Song in the Homeric Hymn to Apollo.Henry L. Spelman - 2020 - Classical Quarterly 70 (1):1-9.
    Apollo travels from Pytho to Olympus, and the other gods greet his arrival :ἔνθεν δὲ πρὸϲ Ὄλυμπον ἀπὸ χθονὸϲ ὥϲ τε νόημαεἶϲι Διὸϲ πρὸϲ δῶμα θεῶν μεθ’ ὁμήγυριν ἄλλων⋅αὐτίκα δ’ ἀθανάτοιϲι μέλει κίθαριϲ καὶ ἀοιδή.Μοῦϲαι μέν θ’ ἅμα πᾶϲαι ἀμειβόμεναι ὀπὶ καλῇὑμνεῦϲίν ῥα θεῶν δῶρ’ ἄμβροτα ἠδ’ ἀνθρώπωντλημοϲύναϲ, ὅϲ’ ἔχοντεϲ ὑπ’ ἀθανάτοιϲι θεοῖϲιζώουϲ’ ἀφραδέεϲ καὶ ἀμήχανοι, οὐδὲ δύνανταιεὑρέμεναι θανάτοιό τ’ ἄκοϲ καὶ γήραοϲ ἄλκαρ.From there he goes quick as a thought from the earth to Olympus, to the house of Zeus, (...)
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  15.  8
    The Song of the Sirens.Karl-Heinz Frommolt & Martin Martin Carlé - 2015 - Nordic Journal of Aesthetics 24 (48).
    In Homer’s account of the adventurous journey of Odysseus, the song of the sirens was so appealing and tempting that it lured sailors to their deaths. Warned by the goddess Kirke, Odysseus overcame the trap by plugging his crew’s ears with wax. An archaeo-acoustical research expedition undertaken by members of Humboldt University Berlin made sound propagation experiments at the supposedly historical scene at the Galli Islands where it’s said that the sirens originally sung. At the site we broadcasted both synthetic (...)
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  16.  11
    The Song of the Earth: A Pragmatic Rejoinder.Andrew Stables - 2010 - Educational Philosophy and Theory 42 (7):796-807.
    In The Song of the Earth, Jonathan Bate promotes ‘ecopoesis’, contrasting it with ‘ecopolitical’ poetry (and by implication, other forms of writing and expression). Like others recently, including Simon James and Michael Bonnett, he appropriates the notion of ‘dwelling’ from Heidegger to add force to this distinction. Bate's argument is effectively that we have more chance of protecting the environment if we engage in ecopoetic activity, involving a sense of immediate response to nature, than if we do not. This has (...)
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  17.  2
    ‘That Song Moves Me to Tears’ – Emotion, Memory and Identity in Encountering Christian Songs.J. Gertrud Tönsing - 2020 - Hts Theological Studies 76 (3).
    This article aims to explore the complex issue of the emotive effect of Christian songs. It is based mainly on a literature survey, using sources both from Christian hymnology and musicology. It also uses illustrative examples from three informal surveys in congregations on the reasons particular songs are favourites. The point is made that exploring this issue scientifically is very complex as there are so many variables in people’s appreciation of songs. Some of these elements are discussed, such as the (...)
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  18.  8
    Aristotle as Poet: The Song for Hermias and its Contexts.Andrew L. Ford - 2011 - Oup Usa.
    This comprehensive and in-depth examination of Aristotle's poetry is focused on his ode for Hermias of Atarneus. The song's relation to earlier poetry is illustrated with unprecedented thoroughness and the remarkable story of its reception is studied in the context of fourth-century politics, religious history, and literary theory.
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  19.  3
    Joyous Sacrifice: On the Scapegoat as Voluntary Victim in "Song of Myself" and "Howl".Stéphanie Hage - 2020 - Contagion: Journal of Violence, Mimesis, and Culture 27 (1):81-99.
    "For never are the ways of music moved without the greatest political laws being moved."Whitman's "Song of Myself" and Ginsberg's "Howl" both contain the description of a voluntary self-sacrifice, symbolically committed by the poets themselves. In this article, we propose to study these sacrificial representations, and the mechanism underlying them, in the light of René Girard's scapegoat theory, in order to show the function that these sacrifices play in society. The analysis is also based on formal considerations, especially the use (...)
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  20.  6
    Spiritual Discipline, Emotions, and Behavior During the Song Dynasty: Zhu Xi's and Qisong's Commentaries on the Zhongyong in Comparative Perspective.Diana Arghirescu - 2020 - Philosophy East and West 70 (1):1-26.
    The present study subscribes to efforts undertaken by recent scholarship that focus on bringing out the connections between Song Neo-Confucian and Chan thoughts and practices. It proposes a new exploratory approach in the realm of philosophical ethics, namely a comparative hermeneutics of two Song-dynasty commentaries on the Confucian classic the Zhongyong. This study also puts forward a new Song-dynasty perspective on this text, a point of view common to both the Neo-Confucian and Chan schools, as I will demonstrate, which focuses (...)
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  21. Torah in the Observatory: Gersonides, Maimonides, Song of Songs.Menachem Kellner - 2010 - Academic Studies Press.
    Providence and the rabbinic tradition -- Mosaic prophecy: Maimonides and Gersonides -- Eschatology and miracles -- Creation, miracles, revelation -- Song of Songs and Gersonides' world -- Maimonides and Gersonides on astronomy and metaphysics -- Gersonides on the Song of Songs and the nature of science -- Politics and perfection: Gersonides vs. Maimonides -- The role of the active intellect in human cognition -- Imitatio dei and the dissemination of scientific knowledge -- Moses ibn Tibbon and Gersonides on Song of (...)
     
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  22.  29
    Bird Song Diamond in Deep Space 8k.John Brumley, Charles Taylor, Reiji Suzuki, Takashi Ikegami, Victoria Vesna & Hiroo Iwata - 2020 - AI and Society 35 (1):87-101.
    The Bird Song Diamond project is a series of multifaceted and multidisciplinary installations with the aim of bringing contemporary research on bird communication to a large public audience. Using art and technology to create immersive experiences, BSD allows large audiences to embody bird communication rather than passively observe. In particular, BSD Mimic, a system for mimicking bird song, asks participants to grapple with both audition and vocalization of birdsong. The use of interactive installations for public outreach provides unique experiences to (...)
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  23.  6
    The Philosopher's Song: The Poets' Influence on Plato.Kevin M. Crotty - 2009 - Lexington Books.
    The Philosopher's Song explores the complex and fruitful relation between the great poets of Greek culture and Plato's invention of philosophy, especially as this bears on Plato's treatment of justice. The author shows how the poets helped shape the development of Plato's thinking throughout the course of his philosophical career.
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  24.  28
    Birdsong Learning in the Laboratory, with Especial Reference to the Song of the Zebra Finch (Taeniopygia Guttata).Sebastien Deregnaucourt - 2011 - Interaction Studies 12 (2):324-350.
    Vocal imitation in songbirds exhibits interesting parallels to infant speech development and is currently the model system of choice for exploring the behavioural, molecular and electrophysiological substrates of vocal learning. Among songbirds, the Zebra Finch ( Taeniopygia guttata ) is currently used as the `flying mouse' of birdsong research. Only males sing and they develop their song primarily during a short sensitive period in early life. They learn their speciesspecific song patterns by memorizing and imitating the songs of conspecifics, mainly (...)
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  25.  4
    The Bridegroom’s Kiss in the Song of Songs. The Commentaries of Bernard of Clairvaux and William of Saint-Thierry.Francesca Pullano - 2020 - Doctor Virtualis 15:61-92.
    Il _Cantico dei Cantici _occupa un posto d'onore nella tradizione monastica e nella teologia mistica; i commenti scritti da Bernardo di Chiaravalle e da Guglielmo di Saint-Thierry esercitarono una grande influenza sulla filosofia mistica occidentale. L’articolo si concentra principalmente sul significato teoretico della filosofia monastica e il suo scopo è mostrare l'importanza del bacio come immagine della massima unione mistica tra Dio e l'anima umana nei commenti di Guglielmo e Bernardo. L'allegoria del bacio è anche analizzata e inserita nel contesto (...)
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  26.  40
    Emerson's Metaphysics: A Song of Laws and Causes. [REVIEW]Frederic Tremblay - 2017 - The Pluralist 12 (2):120-124.
    This text is a review of Joseph Urbas's Emerson's Metaphysics: A Song of Laws and Causes (Lexington Books, 2016). In this book, Urbas proposes a reconstruction of the metaphysics of the American poet, essayist, and self-defined philosopher Ralph Waldo Emerson. According to Urbas, Emerson has a coherent metaphysics, the fundamental principle of which is the category of causation. Reacting to David Hume, Emerson would have deliberately emphasized causation, connection, relation, tie, link, and so on. Emerson is thus characterized as a (...)
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  27.  20
    Wordsworth's Philosophic Song.Simon Jarvis - 2006 - Cambridge University Press.
    Wordsworth wrote that he longed to compose 'some philosophic Song/Of Truth that cherishes our daily life'. Yet he never finished The Recluse, his long philosophical poem. Simon Jarvis argues that Wordsworth's aspiration to 'philosophic song' is central to his greatness, and changed the way English poetry was written. Some critics see Wordworth as a systematic thinker, while for others, he is a poet first, and a thinker only (if at all) second. Jarvis shows instead how essential both philosophy and the (...)
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  28.  74
    Song, Hongbing 宋洪兵, New Studies ofhanFeizi’s Political Thought 韓非子政治思想再硏究: Beijing 北京: Renmin Chubanshe 人民出版社, 2010, 414 Pages. [REVIEW]Soon-ja Yang - 2012 - Dao: A Journal of Comparative Philosophy 11 (2):266.
    Song, Hongbing 宋洪兵, New Studies of han Feizi’s Political Thought 韓非子政治思想再硏究 Content Type Journal Article Pages 1-4 DOI 10.1007/s11712-012-9265-2 Authors Soon-ja Yang, Inha University, 253 Yonghyeon 4-dong, Nam-gu, Incheon, South Korea 402-751 Journal Dao Online ISSN 1569-7274 Print ISSN 1540-3009.
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  29.  20
    Circulating Air: Inspiration, Voice and Soul in Poetry and Song.Sarah Kay - 2018 - Paragraph 41 (1):10-25.
    This paper proposes an alternative view to the influential one of air or breath as inspiration that produces an imagined inner vision of the desired object. Instead, it outlines a poetics where air and inspiration connect with voice, language and music, thereby privileging sound over sight. A genealogy for this account is traced through Aristotle and various treatises connected to him, and an example of its operation is discussed in a song by the troubadour Bernart Marti. Voice is theorized as (...)
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  30.  5
    “Let Me Hear Thy Voice”: Michèle Roberts’s Refiguring of Mary Magdalene in the Light of The Song of Songs.Dorota Filipczak - 2019 - Text Matters - a Journal of Literature, Theory and Culture 9 (9):199-212.
    The article engages with the protagonist of The Secret Gospel of Mary Magdalene by Michèle Roberts, first published in 1984 as The Wild Girl. Filipczak discusses scholarly publications that analyze the role of Mary Magdalene, and redeem her from the sexist bias which reduced her to a repentant whore despite the lack of evidence for this in the Gospels. The very same analyses demonstrate that the role of Mary Magdalene as Christ’s first apostle silenced by patriarchal tradition was unique. While (...)
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  31.  9
    Recognition, Encounter, and Estrangement, in the Work of Zhou Song.Stacey Vorster - 2020 - Philosophy and Technology 33 (1):33-52.
    While most discussions of the relationship between art and technology focus on “new media” practice, there are substantial opportunities to consider technology through “traditional media” such as painting and sculpture. Art and technology intersect through the process and desire of imagination and, in particular, through the attempt to imitate life itself in terms of creation. In this paper, I consider the practice of Beijing-based artist Zhou Song, who images and imagines new worlds as constituted by social robots. Drawing on the (...)
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  32.  31
    A Study on Chinese Confucian Classics and Neo‐Confucianism in the Song‐Ming Dynasties, Volumes 1 and 2. By Cai Fanglu.Pan Song & Chung‐Ying Cheng - 2014 - Journal of Chinese Philosophy 41 (S1):757-761.
  33.  8
    The Way Turning Inward: An Examination of the "New Learning" Usage of Daoxue in Northern Song China.Hiu Yu Cheung - 2019 - Philosophy East and West 69 (1):86-107.
    In a 1988 study, James T. C. Liu used the phrase "China turning inward" to characterize the shift from Northern Song to Southern Song intellectual traditions, especially the intellectual lineage from Cheng Yi 程頤 to Zhu Xi 朱熹.1 Building upon Professor Liu's characterization, I will explore more specifically how the Way turned toward greater emphasis on inner self-cultivation as daoxue 道學....
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  34.  11
    On Song, Logos, and the Movement of the Soul: After Plato and Aristotle.Jessica Wiskus - 2018 - Revista Portuguesa de Filosofia 74 (4):917-934.
    In the Phaedo – a dialogue investigating the immortality of the soul – Socrates compares himself to the swans of Apollo who sing “most beautifully” before they die. Working principally from the Phaedo, the aim of this article is to determine the relation between the song of the swan and the song of the philosopher. First, we examine the use of language in human song as a way to consider the other side of logos: logos not only as word but (...)
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  35.  69
    In the Beginning Was the Song: The Complex Multimodal Timing of Mother-Infant Musical Interaction.Elena Longhi & Annette Karmiloff-Smith - 2004 - Behavioral and Brain Sciences 27 (4):516-517.
    In this commentary we raise three issues: (1) Is it motherese or song that sets the stage for very early mother-infant interaction? (2) Does the infant play a pivotal role in the complex temporal structure of social interaction? (3) Is the vocal channel primordial or do other modalities play an equally important role in social interaction?
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  36.  33
    Presence of Irenaeus in the Commentary on the Song of Gregory of Nyssa?Alejandro E. Nicola - 2014 - Veritas: Revista de Filosofía y Teología 31:205-219.
    El presente artículo trata de mostrar la presencia del pensamiento de Ireneo de Lyon en el sustrato del pensamiento de Gregorio de Nisa en una de sus obras cumbres: el Comentario al Cantar de los Cantares. Esta obra refleja la confluencia de una profunda reflexión a partir del texto bíblico y la filosofía de la época. El niseno se ubica en la tradición de los autores eclesiásticos que han comentado este bello poema de amor veterotestamentario. Si bien es cierto que (...)
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  37.  55
    A Reconsideration of the Characteristics of Song-Ming Li Xue.Chunfeng Jin - 2010 - Frontiers of Philosophy in China 5 (3):352-376.
    By analyzing Zhu Xi and Zhang Zai’s three representative explanatory paradigms—that of Feng Youlan, Mou Zongsan and Zhang Dainian, the paper tries to show that studying Chinese philosophy in a Western way and emphasizing logical consistency will unavoidably lead to the defects of simplicity and partiality. In addition to Buddhism and Daoism, Song-Ming philosophy had also absorbed thoughts from the Pre-Qin, Han, Wei and Jin dynasties. The existence of multiple philosophical thoughts and their new synthesis lead to internal contradictions in (...)
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  38.  59
    A Formal Investigation of Cultural Selection Theory: Acoustic Adaptation in Bird Song.G. K. D. Crozier - 2010 - Biology and Philosophy 25 (5):781-801.
    The greatest challenge for Cultural Selection Theory lies is the paucity of evidence for structural mechanisms in cultural systems that are sufficient for adaptation by natural selection. In part, clarification is required with respect to the interaction between cultural systems and their purported selective environments. Edmonds et al. have argued that Cultural Selection Theory requires simple, conclusive, unambiguous case studies in order to meet this challenge. To that end, this paper examines the songs of the Rufous-collared Sparrow, which seem to (...)
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  39.  25
    The Ethics of Immigration Revisited: Response to Brock, Fabre, Risse and Song.Joseph H. Carens - 2016 - Journal of Applied Philosophy 33 (4):457-466.
    To a large extent, the differences between my four interlocutors and me have more to do with the way we choose to frame a question or approach a problem than with substantive disagreements. In her discussion of temporary workers and the brain drain, Gillian Brock implicitly assumes a different background framework of moral responsibility from the one I adopt in my book. Similarly, Cécile Fabre asks important questions about the intersection of immigration and criminal justice, but ones that I chose (...)
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  40.  27
    The Royal Song of Saraha. [REVIEW]J. H. P. - 1970 - Review of Metaphysics 23 (3):556-556.
    This is an annotated translation of the "King Dohäs," a work by the Indian Tantric sage Saraha. It is sub-titled "A Study in the History of Buddhist Thought." The first part is commentary by the translator on "The Tradition about Saraha and His Works," "The Teaching of the Dohäs," and "Existence versus Essence." The second part is the song itself, only nine pages. The third part is two commentaries, one by the Nepalese scholar sKye-med bde-chen and the other by the (...)
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  41.  13
    Wu Song’s Killing of His Sister-in-Law: An Ethical Analysis.William Sin - 2018 - Dao: A Journal of Comparative Philosophy 17 (2):231-246.
    The Water Margin is a great Chinese classical novel; Wu Song’s 武松 killing of his sister-in-law, Pan Jinlian 潘金蓮, is one of the most popular episodes of the novel. It depicts Wu as the hero and defender of traditional values, and Pan as the adulterous woman. In contemporary discussion, there has been a dearth of ethical analyses regarding Wu’s killing of Pan. How should we judge the moral status of his action? Does the killing signify Wu Song’s ethical achievement or (...)
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  42.  56
    The Zhou Li and Constitutionalism: A Southern Song Political Theory.Jaeyoon Song - 2009 - Journal of Chinese Philosophy 36 (3):424-438.
  43.  8
    Never Again Would Birds’ Song Be the Same, or, Ecopoetics When “There is No World”.Cary Wolfe - 2018 - Angelaki 23 (6):66-77.
    This essay rethinks the meaning of ecopoetics by exploring poems about birds’ song – one of the most canonical themes in all of poetry – and how their poetics may be understood in relation to our growing ornithological knowledge about birds and how, why, and what they sing. While ecocriticism has traditionally thought such questions in terms of the experience – and the representation of the experience – of an auditor who, in her rapt attention, establishes the well-known bird/bard matrix (...)
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  44.  22
    The Semiotic Structuration of Home and Identity in A Song of the Sad Coffee Shop.Hsiu-Chih Tsai - 2007 - American Journal of Semiotics 23 (1/4):277-301.
    This paper deals with the function of metonymy in A Song of the Sad Coffee Shop , a novel by Taiwan’s woman writer Shao-lin Chu . For my reading of the novel’s narrative, I should like to appropriate a Jakobsonian understanding of metaphoric and metonymic functions. This approach will hopefully help in analyzing the significance of the protagonist’s quest for identification in her trip to Madagascar, in which the juxtaposition of places of similar geographical features works to construct a contiguity (...)
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  45.  46
    The Ontologicalization of the Confucian Concept of Xin Xing: Zhou Lianxi’s Founding Contribution to the Song-Ming Neo-Confucianism. [REVIEW]Jinglin Li - 2006 - Frontiers of Philosophy in China 1 (2):204-221.
    The Confucian concept of "cheng" (integrity) emphasizes logical priority of value realization over "zhen shi' (reality or truth). Through value realization and the completion of being, zhenshi can be achieved. Cheng demonstrates the original unity of value and reality. Taking the concept of cheng as the core, Zhou Lianxi's philosophy interpreted yi Dao (the Dao of change), and integrated Yi Jing (The Book of Changes) and Zhong Yong (The Doctrine of the Mean). On the one hand, it ontologicalized the Confucian (...)
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  46.  19
    The Scrutiny of Song: Pindar, Politics, and Poetry.Anne Burnett - 1987 - Critical Inquiry 13 (3):434-449.
    Pindar’s songs were composed for men at play, but his poetry was political in its impulse and in its function. The men in question were rich and powerful, and their games were a display of exclusive class attributes, vicariously shared by lesser mortals who responded with gratitude and loyalty . Victories were counted as princely benefactions and laid up as city treasure like the wealth deposited in the treasuries at Delphi . Athletic victory was thus both a manifestation and an (...)
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  47.  13
    Philosophy of Song and Singing: An Introduction.M. Bernhardt Laura - 2017 - British Journal of Aesthetics 57 (1):109-111.
    Philosophy of Song and Singing: An Introduction Jeanette Bicknellroutledge. 2015. pp. 140. £29.99.
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  48.  7
    “Charaxus Arrived with a Full Ship!” The Poetics of Welcome in Sappho's Brothers Song and the Charaxus Song Cycle.Peter A. O'Connell - 2018 - Classical Antiquity 37 (2):236-266.
    By analyzing the parallels between Sappho's Brothers Song and archaic Greek songs of welcome, especially Archilochus fr. 24 West, this essay offers a new interpretation of the Brothers Song. It clarifies that ἔλθην in the first preserved stanza represents an original aorist indicative. The chatterer repeats over and over a welcome song that begins, “Charaxus arrived with a full ship.” The rest of the song continues to engage with the welcome song tradition, anticipating the welcome song that will celebrate Charaxus' (...)
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  49.  16
    Lord Śiva's Song: The Īśvara Gītā by Andrew J. Nicholson.Edwin Bryant - 2016 - Philosophy East and West 66 (2):660-662.
    The Īśvara Gītā, translated by Andrew J. Nicholson in Lord Śiva’s Song: The Īśvara Gītā, is a quintessentially Hindu post-Vedic devotional text. Extolling Lord Śiva as the highest Truth, it sets out to establish its credentials in ways typical of the devotional traditions: it is located in one of the Purāṇas, already considered to be the fifth Veda by the time of the Chandogya Upaniṣad, thereby appropriating the paramount sacrosanctity of the Śruti tradition. It adopts the setting of Sūta’s address (...)
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  50.  34
    Hierarchical Learning of Song in Birds: A Case of Vocal Imitation?Dietmar Todt - 1998 - Behavioral and Brain Sciences 21 (5):702-703.
    The target article by Byrne & Russon treats imitation as an achievement that originates from observation. In my commentary I propose extending the database to the role of listening. Referring to current studies on song learning in birds, I suggest that at least some features of this accomplishment also may be based on learning by imitation.
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