Results for 'Stacie Raucci'

30 found
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  1.  23
    Propertius (H.-C.) Günther Brill's Companion to Propertius. Pp. Xii + 476. Leiden and Boston: Brill, 2006. Cased, €207, US$279. ISBN: 978-90-04-13682-. [REVIEW]Stacie Raucci - 2008 - The Classical Review 58 (2):466-.
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  2. II—Stacie Friend: Fictive Utterance and Imagining II.Stacie Friend - 2011 - Aristotelian Society Supplementary Volume 85 (1):163-180.
    The currently standard approach to fiction is to define it in terms of imagination. I have argued elsewhere (Friend 2008) that no conception of imagining is sufficient to distinguish a response appropriate to fiction as opposed to non-fiction. In her contribution Kathleen Stock seeks to refute this objection by providing a more sophisticated account of the kind of propositional imagining prescribed by so-called ‘fictive utterances’. I argue that although Stock's proposal improves on other theories, it too fails to provide an (...)
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  3. Imagining Fact and Fiction.Stacie Friend - 2008 - In Kathleen Stock & Katherine Thomsen-Jones (eds.), New Waves in Aesthetics. Palgrave-Macmillan. pp. 150-169.
  4. The Pleasures of Documentary Tragedy.Stacie Friend - 2007 - British Journal of Aesthetics 47 (2):184-198.
    Two assumptions are common in discussions of the paradox of tragedy: (1) that tragic pleasure requires that the work be fictional or, if non-fiction, then non-transparently represented; and (2) that tragic pleasure may be provoked by a wide variety of art forms. In opposition to (1) I argue that certain documentaries could produce tragic pleasure. This is not to say that any sad or painful documentary could do so. In considering which documentaries might be plausible candidates, I further argue, against (...)
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  5. Fictional Characters.Stacie Friend - 2007 - Philosophy Compass 2 (2):141–156.
    If there are no fictional characters, how do we explain thought and discourse apparently about them? If there are, what are they like? A growing number of philosophers claim that fictional characters are abstract objects akin to novels or plots. They argue that postulating characters provides the most straightforward explanation of our literary practices as well as a uniform account of discourse and thought about fiction. Anti-realists counter that postulation is neither necessary nor straightforward, and that the invocation of pretense (...)
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  6. Fiction as a Genre.Stacie Friend - 2012 - Proceedings of the Aristotelian Society 112 (2pt2):179--209.
    Standard theories define fiction in terms of an invited response of imagining or make-believe. I argue that these theories are not only subject to numerous counterexamples, they also fail to explain why classification matters to our understanding and evaluation of works of fiction as well as non-fiction. I propose instead that we construe fiction and non-fiction as genres: categories whose membership is determined by a cluster of nonessential criteria, and which play a role in the appreciation of particular works. I (...)
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  7.  28
    Notions of Nothing.Stacie Friend - 2014 - In Empty Representations: Reference and Non-Existence.
    Book synopsis: New work on a hot topic by an outstanding team of authors At the intersection of several central areas of philosophy It is the linguistic job of singular terms to pick out the objects that we think or talk about. But what about singular terms that seem to fail to designate anything, because the objects they refer to don't exist? We can employ these terms in meaningful thought and talk, which suggests that they are succeeding in fulfilling their (...)
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  8. The Real Foundation of Fictional Worlds.Stacie Friend - 2017 - Australasian Journal of Philosophy 95 (1):29-42.
    I argue that judgments of what is ‘true in a fiction’ presuppose the Reality Assumption: the assumption that everything that is true is fictionally the case, unless excluded by the work. By contrast with the more familiar Reality Principle, the Reality Assumption is not a rule for inferring implied content from what is explicit. Instead, it provides an array of real-world truths that can be used in such inferences. I claim that the Reality Assumption is essential to our ability to (...)
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  9. The Great Beetle Debate: A Study in Imagining with Names.Stacie Friend - 2011 - Philosophical Studies 153 (2):183-211.
    Statements about fictional characters, such as “Gregor Samsa has been changed into a beetle,” pose the problem of how we can say something true (or false) using empty names. I propose an original solution to this problem that construes such utterances as reports of the “prescriptions to imagine” generated by works of fiction. In particular, I argue that we should construe these utterances as specifying, not what we are supposed to imagine—the propositional object of the imagining—but how we are supposed (...)
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  10.  90
    Norms of Fiction-Making.Manuel García-Carpintero - 2013 - British Journal of Aesthetics 53 (3):339-357.
    I provide a variation on ideas presented by Walton and Currie, elaborating the view that fictive utterances are characterized by a specific form of illocutionary force in the family of directives – a proposal or invitation to imagine. I make some points on the relation between the proposal and the current debates on intentionalist and conventionalist views, and I discuss interesting recent objections made by Stacie Friend to the related, but crucially different, Gricean view of such force advanced by (...)
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  11. Believing in Stories.Stacie Friend - 2014 - In Greg Currie, Matthew Kieran, Aaron Meskin & Jon Robson (eds.), Aesthetics and the Sciences of Mind. Oxford University Press. pp. 227-248.
    Book synopsis: The most debated issue in aesthetics today Written by an international team of leading experts Addresses growing methodological concerns in the field Includes an extensive introduction which illuminates key issues Through much of the twentieth century, philosophical thinking about works of art, design, and other aesthetic products has emphasized intuitive and reflective methods, often tied to the idea that philosophy's business is primarily to analyze concepts. This 'philosophy from the armchair' approach contrasts with methods used by psychologists, sociologists, (...)
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  12.  20
    VIII-Fiction as aGenre.Stacie Friend - 2012 - Proceedings of the Aristotelian Society 112 (2pt2):179-209.
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  13. Getting Carried Away: Evaluating the Emotional Influence of Fiction Film.Stacie Friend - 2010 - Midwest Studies in Philosophy 34 (1):77-105.
    It is widely taken for granted that fictions, including both literature and film,influence our attitudes toward real people, events, and situations. Philosopherswho defend claims about the cognitive value of fiction view this influence in apositive light, while others worry about the potential moral danger of fiction.Marketers hope that visual and aural references to their products in movies willhave an effect on people’s buying patterns. Psychologists study the persuasiveimpact of media. Educational books and films are created in the hopes of guidingchildren’s (...)
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  14. Hermeneutic Moral Fictionalism as an Anti-Realist Strategy.Stacie Friend - 2008 - Philosophical Books 49 (1):14-22.
  15.  3
    Best Practices for Teaching Public Health Law: Two Online Resource Libraries.Stacie P. Kershner - 2016 - Journal of Law, Medicine and Ethics 44 (s1):93-96.
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  16. Disagreement and Deference: Is Diversity of Opinion a Precondition for Thought?Stacie Friend & Peter Ludlow - 2003 - Philosophical Perspectives 17 (1):115–139.
  17.  11
    Relationships Among Cognition, Emotion, and Motivation: Implications for Intervention and Neuroplasticity in Psychopathology.Laura D. Crocker, Wendy Heller, Stacie L. Warren, Aminda J. O'Hare, Zachary P. Infantolino & Gregory A. Miller - 2013 - Frontiers in Human Neuroscience 7.
  18.  7
    Ii—Fictive Utterance And Imagining Ii.Stacie Friend - 2011 - Aristotelian Society Supplementary Volume 85 (1):163-180.
    The currently standard approach to fiction is to define it in terms of imagination. I have argued elsewhere that no conception of imagining is sufficient to distinguish a response appropriate to fiction as opposed to non-fiction. In her contribution Kathleen Stock seeks to refute this objection by providing a more sophisticated account of the kind of propositional imagining prescribed by so-called ‘fictive utterances’. I argue that although Stock's proposal improves on other theories, it too fails to provide an adequate criterion (...)
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  19.  2
    Argumentative Competence in Friend and Stranger Dyadic Exchanges.Ioana A. Cionea, Cameron W. Piercy, Eryn N. Bostwick & Stacie Wilson Mumpower - forthcoming - Argumentation:1-23.
    This manuscript investigates the role of argumentative competence in interpersonal dyadic exchanges. Specifically, this study examined the two sub-dimensions of competence, argumentative effectiveness and appropriateness, and their connections with argumentative traits, situational features, and argument satisfaction. In addition, self-perceived versus observed argumentative competence were compared. Participants in the study completed measures before and after a face-to-face argumentative discussion with another person about one of two possible topics. Results revealed that argumentation traits had little effect on argumentative competence, but competence was (...)
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  20.  43
    Friend on Making Up Stories.Harry Deutsch - 2013 - Proceedings of the Aristotelian Society 113 (3pt3):365-370.
    Stacie Friend (2012) dismisses the traditional view that it is an author's imaginative activity of ‘making the story up’ rather than the reader's make-believe, that is of the essence of fiction. She claims that this view is ‘neither plausible nor popular’. I argue that her claim is false and that her arguments are unconvincing. I argue further in defence of the traditional view that it is quite easy to find or to simply construct counterexamples to the standard view that (...)
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  21.  64
    Fiction and Emotion.Stacie Friend - 2016 - In .
    Book synopsis: Imagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics.
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  22.  7
    Cortical Organization of Inhibition-Related Functions and Modulation by Psychopathology.Stacie L. Warren, Laura D. Crocker, Jeffery M. Spielberg, Anna S. Engels, Marie T. Banich, Bradley P. Sutton, Gregory A. Miller & Wendy Heller - 2013 - Frontiers in Human Neuroscience 7.
  23.  39
    Elucidating the Truth in Criticism.Stacie Friend - unknown
    Analytic aesthetics has had little to say about academic schools of criticism, such as Freudian, Marxist, feminist, or postcolonial perspectives. Historicists typically view their interpretations as anachronistic; non-historicists assess all interpretations according to formalist criteria. Insofar as these strategies treat these interpretations as on a par, however, they are inadequate. For the theories that ground the interpretations differ in the claims they make about the world. I argue that the interpretations of different critical schools can be evaluated according to the (...)
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  24.  16
    Embracing Nonfiction: How to Extend the Distancing-Embracing Model.Deena Skolnick Weisberg & Stacie Friend - 2017 - Behavioral and Brain Sciences 40.
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  25.  58
    Review of Shaun Nichols (Ed.), The Architecture of the Imagination: New Essays on Pretence, Possibility, and Fiction[REVIEW]Stacie Friend - 2007 - Notre Dame Philosophical Reviews 2007 (4).
  26.  23
    Sustaining Voices: Applying Giving Voice to Values to Sustainability Issues.Stacie Chappell, Mark G. Edwards & Dave Webb - 2013 - Journal of Business Ethics Education 10:211-230.
    We apply an action-oriented approach to business ethics education, Giving Voice to Values , to the topic of sustainability. The increasingly problematic impact of unsustainable economic activity is demanding actionable responses from business. However, traditional business ethics education has focussed on awareness and decision-making and neglected action-oriented methods. The GVV curriculum offers an applied and process-driven ethics approach thatcomplements more analytical ethics pedagogies. Because of its focus on action and expressing personal values, GVV can be thought of as largely applicable (...)
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  27.  1
    Getting More Value From Outcomes-Based Contracts.Nirosha Mahendraratnam & Stacie B. Dusetzina - 2018 - Journal of Law, Medicine and Ethics 46 (4):964-966.
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  28.  6
    Social Cognition in the Breadbasket: The Effect of Schematic Information About Farmers on Farmers’ and Nonfarmers’ Memory for Stories.Richard Jackson Harris, Mark A. Thompson & Stacie Stoltz - 1987 - Bulletin of the Psychonomic Society 25 (3):155-158.
  29.  6
    10.5840/Jbee20118122.Stacie Chappell, Dave Webb & Mark Edwards - 2000 - Journal of Business Ethics Education 1 (1):308-319.
    Business schools around the globe are seeking effective ways of incorporating business ethics into their programs. Indications from both the market and accrediting bodies suggest best-practice programs will include ethics education. However, the debate continues as to whether meaningful learning is best achieved through stand-alone ethics experiences or via an integrated theme across the program of study. While many examples of required ethics-experiences can be found, to date, there is only one business school that we are aware of that has (...)
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  30. Film and the Emotions.Howard K. Wettstein & Michelle Saint (eds.) - 2010 - Wiley.
    _ Film and the Emotions _ explores the complicated relationship between filmed entertainment, such as movies and television shows, and our capacity to feel emotions. This volume of _The Midwest Studies in Philosophy_ covers topics such as the role of imagination in our capacity to respond emotionally to films, how emotions felt in response to films relate to emotions felt about real events, and the moral implications of responding emotionally to fictions, among others. This collection includes nineteen original articles from (...)
     
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