31 found
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Stan Godlovitch [28]Stanley Godlovitch [3]Stanley Isaac Godlovitch [1]
  1.  61
    Icebreakers: Environmentalism and Natural Aesthetics.Stan Godlovitch - 1994 - Journal of Applied Philosophy 11 (1):15-30.
  2.  33
    Musical Performance: A Philosophical Study.Stan Godlovitch - 1998 - British Journal of Aesthetics 40.
    Most music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered. Musical Performance: A Philosophical Study considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do, Stan Godlovitch takes up the problem of how the tradition of active music playing and (...)
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  3.  49
    Forbidding Nasty Knowledge: On the Use of Ill–Gotten Information.Stan Godlovitch - 1997 - Journal of Applied Philosophy 14 (1):1-17.
    Some knowledge — most infamously, the Nazi experiments on human subjects — has been acquired by means which cannot be morally condoned however beneficial the knowledge may be. Yet, given that we now have such knowledge, it seems morally questionable to forbid its use where we know it can benefit us. Although a strong utilitarian case exists for deploying such information and although any pragmatic, humane person would use it where it could improve a situation, residual moral qualms remain which (...)
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  4.  43
    Valuing Nature and the Autonomy of Natural Aesthetics.Stan Godlovitch - 1998 - British Journal of Aesthetics 38 (2):180-197.
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  5.  28
    What Philosophy Might Be About: Some Socio-Philosophical Speculations.Stan Godlovitch - 2000 - Inquiry: An Interdisciplinary Journal of Philosophy 43 (1):3 – 19.
    What is philosophy about? Has it a content all its own? A method? This paper examines a few responses to these questions. At the extremes are the Proper Content and the No Content views. The former identifies philosophy with a delimited set of core issues. The latter, abandoning any proper subject-matter for philosophy, identifies it with a core modus operandi. Neither of these is especially compelling. More dynamically conceived is the Vanishing Content view which sees philosophy as continually and inevitably (...)
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  6.  19
    Morally We Roll Along: (Optimistic Reflections) on Moral Progress.Stan Godlovitch - 1998 - Journal of Applied Philosophy 15 (3):271–286.
  7.  74
    Musical Performance: A Philosophical Study.Stanley Godlovitch - 1998 - Routledge.
    This book evaluates traditional musical performance and asks where its unique value lies.
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  8.  80
    Evaluating Nature Aesthetically.Stan Godlovitch - 1998 - Journal of Aesthetics and Art Criticism 56 (2):113-125.
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  9.  60
    Authentic Performance.Stan Godlovitch - 1988 - The Monist 71 (2):258-277.
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  10.  9
    Passmore on Serious Art.Stanley Godlovitch - 1994 - Journal of Aesthetic Education 28 (1):36.
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  11.  56
    The Integrity of Musical Performance.Stan Godlovitch - 1993 - Journal of Aesthetics and Art Criticism 51 (4):573-587.
  12. Musical Performance.Stan Godlovitch - 2001 - Journal of Aesthetics and Art Criticism 59 (3):339-341.
     
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  13.  22
    Things Change: So Whither Sustainability?Stan Godlovitch - 1998 - Environmental Ethics 20 (3):291-304.
    Two broad metaphysical perspectives deriving from Parmenides and Heraclitus have implications for our notion of sustainability. The Parmenidian defends a deepseated orderliness and permanence in things, while the Heraclitian finds only chance and change. Two further outlooks, the nomic (or the big-picture scientific) and the prudential, present differing accounts of our place in the world. While the nomic outlook accepts nothing privileged about the human perspective or even life itself, the prudential outlook is obviously welfare-centered. It is argued that nomic (...)
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  14.  26
    Carlson on Appreciation.Stan Godlovitch - 1997 - Journal of Aesthetics and Art Criticism 55 (1):53-55.
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  15.  12
    Creativity in Nature.Stan Godlovitch - 1999 - Journal of Aesthetic Education 33 (3):17.
  16.  5
    Things Change: So Whither Sustainability?Stan Godlovitch - 1998 - Environmental Ethics 20 (3):291-304.
    Two broad metaphysical perspectives deriving from Parmenides and Heraclitus have implications for our notion of sustainability. The Parmenidian defends a deepseated orderliness and permanence in things, while the Heraclitian finds only chance and change. Two further outlooks, the nomic and the prudential, present differing accounts of our place in the world. While the nomic outlook accepts nothing privileged about the human perspective or even life itself, the prudential outlook is obviously welfare-centered. It is argued that nomic views, whether Parmenidian or (...)
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  17.  1
    Authentic Performance in Aesthetics and the Histories of the Arts.Stan Godlovitch - 1988 - The Monist 71 (2):258-277.
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  18.  13
    Innovation and Conservatism in Performance Practice.Stan Godlovitch - 1997 - Journal of Aesthetics and Art Criticism 55 (2):151-168.
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  19.  12
    A Matter of Taste.Stanley Godlovitch - 1981 - Dialogue 20 (3):530-547.
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  20.  10
    Skeptics, Cynics, Pessimists, & Other Malcontents.Stan Godlovitch - 1992 - Metaphilosophy 23 (1-2):14-24.
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  21.  5
    Some Theoretical Aspects of Environmental Aesthetics.Stan Godlovitch - 1998 - Journal of Aesthetic Education 32 (4):17.
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  22.  9
    Is There a Critic in the House?Stan Godlovitch - 1997 - Philosophy and Literature 21 (2):368-375.
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  23.  3
    Preserving, Restoring, Repairing.Stan Godlovitch - 1989 - Journal of Aesthetic Education 23 (3):39.
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  24.  6
    Aesthetic Judgment and Hindsight.Stan Godlovitch - 1987 - Journal of Aesthetics and Art Criticism 46 (1):75-83.
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  25. Building an Environmental Philosophy.Stan Godlovitch - forthcoming - Routledge.
    In this work, Godlovitch explores aspects of the value of nature other than as a resource to satisfy our material interests. A recurring theme is that nature’s non-instrumental value thus conceived must be understood as involving a distinctively inextricable complex of both aesthetic and moral considerations. This distinguishes such value from the sorts typified by the moral worth of human beings and the aesthetic worth of cultural artifacts. He asks such questions as: Is there any relation between an aesthetic appreciation (...)
     
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  26. Leslie Burkholder, Ed., Philosophy and the Computer Reviewed By.Stan Godlovitch - 1993 - Philosophy in Review 13 (2):82-84.
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  27. Leslie Burkholder, Ed., Philosophy and the Computer. [REVIEW]Stan Godlovitch - 1993 - Philosophy in Review 13:82-84.
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  28. Musical Performance: A Philosophical Study.Stan Godlovitch - 1998 - Routledge.
    Most music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered. _Musical Performance: A Philosophical Study_ considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do, Stan Godlovitch takes up the problem of how the tradition of active music playing and (...)
     
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  29. Music. What to Do About It.Stan Godlovitch - 1992 - Journal of Aesthetic Education 26 (2):1-15.
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  30. William S. Robinson, Computers, Minds & Robots Reviewed By.Stan Godlovitch - 1993 - Philosophy in Review 13 (2):116-118.
  31. William S. Robinson, Computers, Minds & Robots. [REVIEW]Stan Godlovitch - 1993 - Philosophy in Review 13:116-118.