11 found
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  1.  63
    Towards a Neural Basis of Music-Evoked Emotions.Stefan Koelsch - 2010 - Trends in Cognitive Sciences 14 (3):131-137.
  2.  50
    Towards a Neural Basis of Music Perception.Stefan Koelsch & Walter A. Siebel - 2005 - Trends in Cognitive Sciences 9 (12):578-584.
  3.  8
    The Distancing–Embracing Model of the Enjoyment of Negative Emotions in Art Reception.Winfried Menninghaus, Valentin Wagner, Julian Hanich, Eugen Wassiliwizky, Thomas Jacobsen & Stefan Koelsch - forthcoming - Behavioral and Brain Sciences:1-58.
  4. Toward a Neural Basis of Music Perception – A Review and Updated Model.Stefan Koelsch - 2011 - Frontier in Psychology 2.
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  5.  19
    Toward a General Psychological Model of Tension and Suspense.Moritz Lehne & Stefan Koelsch - 2015 - Frontiers in Psychology 6.
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  6. Functional Neuroimaging.Stefan Koelsch, Walter A. Siebel & Thomas Fritz - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
     
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  7.  28
    The Role of Semantic Association and Emotional Contagion for the Induction of Emotion with Music.Thomas Fritz & Stefan Koelsch - 2008 - Behavioral and Brain Sciences 31 (5):579-580.
    We suggest that semantic association may be a further mechanism by which music may elicit emotion. Furthermore, we note that emotional contagion is not always an immediate process requiring little prior information processing; rather, emotional contagion contributing to music processing may constitute a more complex decoding mechanism for information inherent in the music, which may be subject to a time course of activation.
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  8.  9
    Processing Structure in Music.Stefan Koelsch & Walter A. Siebel - 2005 - Trends in Cognitive Sciences 9 (12):578-584.
  9.  6
    Striking a Chord in the Brain: Neurophysiological Correlates Of.Stefan Koelsch - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oxford University Press. pp. 227.
  10.  5
    Response to Target Article 'Language, Music, and the Brain: A Resource-Sharing Framework'.Stefan Koelsch - 2011 - In Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.), Language and Music as Cognitive Systems. Oxford University Press. pp. 224.
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  11. Musik verstehen–Eine neurowissenschaftliche Perspektive.Stefan Koelsch & Tom Fritz - 2007 - In Alexander Becker & Matthias Vogel (eds.), Musikalischer Sinn: Beiträge Zu Einer Philosophie der Musik. Suhrkamp. pp. 251.
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