16 found
Order:
  1.  26
    Predictive Processes and the Peculiar Case of Music.Stefan Koelsch, Peter Vuust & Karl Friston - 2019 - Trends in Cognitive Sciences 23 (1):63-77.
  2.  17
    What Are Aesthetic Emotions?Winfried Menninghaus, Valentin Wagner, Eugen Wassiliwizky, Ines Schindler, Julian Hanich, Thomas Jacobsen & Stefan Koelsch - 2019 - Psychological Review 126 (2):171-195.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   13 citations  
  3.  35
    The Distancing-Embracing Model of the Enjoyment of Negative Emotions in Art Reception.Winfried Menninghaus, Valentin Wagner, Julian Hanich, Eugen Wassiliwizky, Thomas Jacobsen & Stefan Koelsch - 2017 - Behavioral and Brain Sciences 40:1-58.
    Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesthetics in the light of recent psychological research, we present a novel model to explain this much discussed paradox. We argue that negative emotions are an important resource for the arts in general, rather than a special license for exceptional art forms only. The underlying rationale is that negative emotions have been shown to be particularly powerful in securing attention, intense emotional involvement, and high memorability, and (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   16 citations  
  4. Towards a Neural Basis of Music-Evoked Emotions.Stefan Koelsch - 2010 - Trends in Cognitive Sciences 14 (3):131-137.
  5.  39
    Toward a General Psychological Model of Tension and Suspense.Moritz Lehne & Stefan Koelsch - 2015 - Frontiers in Psychology 6.
  6.  90
    Towards a Neural Basis of Music Perception.Stefan Koelsch & Walter A. Siebel - 2005 - Trends in Cognitive Sciences 9 (12):578-584.
  7.  5
    Toward a Neural Basis of Music Perception – A Review and Updated Model.Stefan Koelsch - 2011 - Frontier in Psychology 2.
  8.  6
    Aesthetic Emotions Are a Key Factor in Aesthetic Evaluation: Reply to Skov and Nadal (2020).Winfried Menninghaus, Ines Schindler, Valentin Wagner, Eugen Wassiliwizky, Julian Hanich, Thomas Jacobsen & Stefan Koelsch - 2020 - Psychological Review 127 (4):650-654.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  9.  12
    Identifying Emotional Specificity in Complex Large-Scale Brain Networks.Stefan Koelsch - 2018 - Emotion Review 10 (3):217-218.
    The target article is well in accordance with recent theoretical advances considering the complex large-scale brain network organization underlying emotions. Given current limitations of the methods in brain science, however, research is faced with the difficult question as to how it will be possible to elucidate the complex nonlinear interactions, the neurotransmitters involved, and the excitatory or inhibitory nature of neural processes underlying human emotion in such networks. Moreover, while investigating the network properties of neural processes underlying emotions, it is (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  10. Functional Neuroimaging.Stefan Koelsch, Walter A. Siebel & Thomas Fritz - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
     
    Export citation  
     
    Bookmark   3 citations  
  11.  13
    Processing Structure in Music.Stefan Koelsch & Walter A. Siebel - 2005 - Trends in Cognitive Sciences 9 (12):578-584.
  12.  15
    Negative Emotions in Art Reception: Refining Theoretical Assumptions and Adding Variables to the Distancing-Embracing Model.Winfried Menninghaus, Valentin Wagner, Julian Hanich, Eugen Wassiliwizky, Thomas Jacobsen & Stefan Koelsch - 2017 - Behavioral and Brain Sciences 40.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  13.  44
    The Role of Semantic Association and Emotional Contagion for the Induction of Emotion with Music.Thomas Fritz & Stefan Koelsch - 2008 - Behavioral and Brain Sciences 31 (5):579-580.
    We suggest that semantic association may be a further mechanism by which music may elicit emotion. Furthermore, we note that emotional contagion is not always an immediate process requiring little prior information processing; rather, emotional contagion contributing to music processing may constitute a more complex decoding mechanism for information inherent in the music, which may be subject to a time course of activation.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  14. Musik verstehen–Eine neurowissenschaftliche Perspektive.Stefan Koelsch & Tom Fritz - 2007 - In Alexander Becker & Matthias Vogel (eds.), Musikalischer Sinn: Beiträge Zu Einer Philosophie der Musik. Suhrkamp. pp. 251.
    No categories
    Translate
     
     
    Export citation  
     
    Bookmark  
  15.  11
    Response to Target Article 'Language, Music, and the Brain: A Resource-Sharing Framework'.Stefan Koelsch - 2011 - In Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.), Language and Music as Cognitive Systems. Oxford University Press. pp. 224.
    Direct download  
     
    Export citation  
     
    Bookmark  
  16.  6
    Striking a Chord in the Brain: Neurophysiological Correlates Of.Stefan Koelsch - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oxford University Press. pp. 227.