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  1.  28
    Technical Delusions in Schizophrenia: A Philosophical Interpretation.Stefan Kristensen - 2018 - Philosophy, Psychiatry, and Psychology 25 (3):173-181.
    Technical Delusions in Schizophrenia: productivity and Limits of an AnalogyIn the debates on psychosis, the cases of "technical delusions" or "influencing machines" are regularly coming back, both in phenomenological and psychoanalytical psychiatry. As Alfred Kraus points out in the 1990s, "Even if such delusions do not represent the most frequent content in schizophrenia, they receive relatively high consideration for the diagnosis of schizophrenia". And more recently, he notes that, "It is not by chance that people with schizophrenia so often use (...)
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  2.  39
    Abstract: Valéry, Proust and the Truth of the Literary Writing.Stefan Kristensen - 2007 - Chiasmi International 9:350-350.
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  3. Le Mouvement de la Création. Merleau-Ponty Et le Corps de L'Artiste.Stefan Kristensen - 2008 - Alter. Revue de Phénoménologie 2008:243-260.
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  4. Questo Dossier.Stefan Kristensen - 2010 - Chiasmi International 12:23-24.
    Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods, according to this precise axis, namely, as (...)
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  5. This Special Section.Stefan Kristensen - 2010 - Chiasmi International 12:21-22.
    Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods, according to this precise axis, namely, as (...)
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  6.  38
    Valéry, Proust et la Vérité de l’Écriture Littéraire.Stefan Kristensen - 2007 - Chiasmi International 9:331-349.
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  7.  28
    L’œil et L’esprit de Jean-Luc Godard.Stefan Kristensen - 2010 - Chiasmi International 12:129-143.
    Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods (Deux ou trois choses que je sais (...)
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  8.  24
    riassunto: Fede percettiva e fede espressiva.Stefan Kristensen - 2003 - Chiasmi International 5:282-282.
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  9.  30
    Maurice Merleau-Ponty, une esthétique du mouvement.Stefan Kristensen - 2006 - Archives de Philosophie 1 (1):123-146.
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  10.  19
    Corps et Symbolisation: La philosophie du dernier Merleau-Ponty et la question d’une épistémologie de la chair.Stefan Kristensen - 2009 - Chiasmi International 11:321-337.
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  11.  17
    Riassunto: Corpo e simbolizzazione.Stefan Kristensen - 2009 - Chiasmi International 11:337-338.
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  12.  16
    Riassunto: Valéry, Proust e la verità della scrittura letteraria.Stefan Kristensen - 2007 - Chiasmi International 9:350-350.
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  13. Foucault et la phénoménologie: le problème de l'unite du sujet.Stefan Kristensen - 2009 - Revue de Théologie Et de Philosophie 141 (1):29-46.
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  14.  21
    This Special Section (English).Stefan Kristensen - 2010 - Chiasmi International 12:21-22.
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  15.  14
    Figures of Silence: The Intrigues of Desire in Merleau-Ponty and Lyotard.Stefan Kristensen - 2015 - Research in Phenomenology 45 (1):87-107.
    My article examines the role played by the phenomenon of silence both in Merleau- Ponty’s thinking and in Lyotard’s. I show thereby the continuity between the two philosophers in spite of the distance taken by Lyotard towards the phenomenological tradition. The aim of phenomenology to express the pure sense of silent experience is in fact taken up in a peculiar way by Lyotard as the action of desire and can well be used as a key to understand the unity of (...)
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  16.  20
    Abstract: Body and Symbolization.Stefan Kristensen - 2009 - Chiasmi International 11:337-337.
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  17.  11
    L’œil et L’esprit de Jean-Luc Godard.Stefan Kristensen - 2010 - Chiasmi International 12:129-143.
    Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods, according to this precise axis, namely, as (...)
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  18.  14
    Questo Dossier (Italian).Stefan Kristensen - 2010 - Chiasmi International 12:23-24.
    Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods, according to this precise axis, namely, as (...)
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  19.  13
    Ce Dossier (French).Stefan Kristensen - 2010 - Chiasmi International 12:19-20.
    Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods, according to this precise axis, namely, as (...)
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  20.  16
    Abstract: Perceptual Faith and Expressive Faith.Stefan Kristensen - 2003 - Chiasmi International 5:281-281.
  21.  10
    L’inconscient machinique et L’idée d’une ontologie politique de la chair.Stefan Kristensen - 2014 - Chiasmi International 16:127-147.
    The psychoanalyical notion of the unconscious is often considered as being out of reach for phenomenological thinking. When Merleau-Ponty refl ects on it, he takes the unconscious as the realm, in bodily life, that being not yet conscious, is likely to become conscious. He formulates it in his Résumés de cours with the famous sentence “The unconscious is the sensing itself”. Lacan, facing this interpretation, explains that Merleau-Ponty fails to recongnize the essential discontinuity between consciousness and the unconscious. From that (...)
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  22.  31
    Foi Perceptive et Foi Expressive.Stefan Kristensen - 2003 - Chiasmi International 5:259-280.
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  23.  5
    Flesh and the Machine.Stefan Kristensen - 2016 - Chiasmi International 18:169-182.
    This essay is a second attempt to reconcile the perspectives of Merleau-Ponty and Guattari, following on the examination of the unconscious in a previous issue of Chiasmi. Here the focus concerns an ontology that overcomes the dualistic heritage of Western metaphysics. More precisely, I compare the concept of flesh as Merleau-Ponty employs it in his later texts with that of the machine as Guattari uses this from the end of the 1960s until his last writings in the early 1990s. The (...)
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  24.  3
    Les Randonnées Philosophiques de David Abram Et L’Argument Pour Une Fondation Philosophique de L’animismeDavid Abram’s Philosophical Hiking and the Argument for the Philosophical Foundation of Animism.Stefan Kristensen - 2021 - Les Cahiers Philosophiques de Strasbourg 49:141-155.
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  25.  2
    Valéry, Proust et la Vérité de l’Écriture Littéraire.Stefan Kristensen - 2007 - Chiasmi International 9:331-349.
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  26.  1
    Ce Dossier.Stefan Kristensen - 2010 - Chiasmi International 12:19-20.
    Jean-Luc Godard’s Eye and MindIn his commentary concerning Jean-Luc Godard’s film, Deux ou trois choses que je sais d’elle, the film critic, Alain Bergala, writes that certain sequences of this film are “at the same time cinema and philosophy of cinema, a philosophy not very far from that of Merleau-Ponty in Eye and Mind, but a joyful and actually cinematic philosophy.” Here I propose a reading of Godard’s certain works found in different periods, according to this precise axis, namely, as (...)
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  27.  1
    Corps et Symbolisation: La philosophie du dernier Merleau-Ponty et la question d’une épistémologie de la chair.Stefan Kristensen - 2009 - Chiasmi International 11:321-337.
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  28.  1
    Foi Perceptive et Foi Expressive.Stefan Kristensen - 2003 - Chiasmi International 5:259-280.
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