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  1.  51
    Into the Interval: On Deleuze's Reversal of Time and Movement.Stephen Crocker - 2001 - Continental Philosophy Review 34 (1):45-67.
    The reversal in the relation of time and movement which Deleuze describes in his Cinema books does not only concern a change in the filmic arts. Deleuze associates it with a wider Copernican turn in science, philosophy, art and indeed modern experience as a whole. Experience no longer consists of an idea plus the time it takes to realize it. Instead, time is implicated in the determination, literally the creation of the terminus of any movement of experience. Deleuze describes this (...)
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  2.  5
    The Past is to Time What the Idea is to Thought or, What is General in the Past in General?Stephen Crocker - 2004 - Journal of the British Society for Phenomenology 35 (1):42-53.
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  3.  10
    The Oscillating Now: Heidegger on the Failure of Bergsonism.Stephen Crocker - 1997 - Philosophy Today 41 (3):405-423.
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  4.  16
    The Fission of Time.Stephen Crocker - 1997 - International Studies in Philosophy 29 (2):1-22.
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  5.  4
    The Fission of Time: On the Distinction Between Intratemporality and the Event of Time in Kant, Heidegger and Foucault.Stephen Crocker - 1997 - International Studies in Philosophy 29 (2):1-22.
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  6.  4
    The Oscillating Now.Stephen Crocker - 1997 - Philosophy Today 41 (3):405-423.
  7.  10
    Citizen Kant: Flatness and Depth in the Image of Thought.Stephen Crocker - 2007 - Deleuze and Guatarri Studies 1 (2):126-143.
    In the final pages of his Cinema books, Deleuze explains that his aim is not to understand films, but to extract from them concepts that the cinema has itself given rise to ‘which are themselves related to other concepts corresponding to other practices’. Cinema does not resemble concepts, it creates them. The Cinema books are not a guide to reading films. Instead, we are invited to see how concepts such as ‘image’, ‘plane’ or ‘orelations of thought’ correspond to and interfere (...)
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  8.  4
    Depth of Field and the Phenomenology of Global Events.Stephen Crocker - 2001 - Glimpse 3 (1):38-43.
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  9.  6
    Editor's Introduction.Stephen Crocker - 2004 - Glimpse 5:2-3.
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  10.  6
    Global Multiplicities.Stephen Crocker - 2003 - Glimpse 4:39-44.
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  11.  2
    Interrupting Images.Stephen Crocker - 2011 - Glimpse 13:47-53.
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  12. Laughter as Truth Procedure : The Evolution of Comic Form in Newfoundland.Stephen Crocker - 2010 - In Hans-Georg Moeller & Günter Wohlfart (eds.), Laughter in Eastern and Western Philosophies: Proceedings of the Académie du Midi. Verlag Karl Alber.
     
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  13. Man Falls Down : Art, Life and Finitude in Bergson's Essay on Laughter.Stephen Crocker - 2010 - In Michael R. Kelly (ed.), Bergson and Phenomenology. Palgrave-Macmillan.
     
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  14.  4
    Prolepsis: On Speed and Time's Interval.Stephen Crocker - 1998 - Cultural Values 2 (4):485-498.
  15.  10
    Shock, Time and Mechanism in Bergson and Benjamin.Stephen Crocker - 2009 - Glimpse 11:43-48.
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