15 found
Order:
Disambiguations
Stephen Melville [15]Stephen W. Melville [3]
  1. Philosophy Beside Itself: On Deconstruction and Modernism.Stephen W. Melville & Donald Marshall - 1986 - Univ of Minnesota Press.
    _Philosophy Beside Itself _ was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The writings of French philosopher Jacques Derrida have been the single most powerful influence on critical theory and practice in the United States over the past decade. But with few exceptions American philosophers have taken little or no interest in Derrida's work, and the task of reception, (...)
     
    Export citation  
     
    Bookmark   4 citations  
  2.  6
    Kant After GreenbergThe Collected Essays and CriticismClement Greenberg Between the LinesKant After Duchamp.Stephen Melville, Clement Greenberg, John O'Brian & Thierry de Duve - 1998 - Journal of Aesthetics and Art Criticism 56 (1):67.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  3.  11
    Psychoanalysis and the Place of "Jouissance".Stephen Melville - 1987 - Critical Inquiry 13 (2):349-370.
    Psychoanalysis has, in the very nature of its object, an interest in and difficulty with the concept of place as well as an interest in and difficulty with the logic of place, topology. The Unconscious can thus seem to give rise to a certain prospect of mathesis or formalization; and such formalization, achieved, would offer a ground for the psychoanalytic claim to scientific knowledge relatively independent of empirical questions and approaching the condition of mathematics. This might then seem to have (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  4. Writing Art History: Disciplinary Departures.Margaret Iversen & Stephen Melville - 2010 - University of Chicago Press.
    Faced with an increasingly media-saturated, globalized culture, art historians have begun to ask themselves challenging and provocative questions about the nature of their discipline. Why did the history of art come into being? Is it now in danger of slipping into obsolescence? And, if so, should we care? In _Writing Art History_, Margaret Iversen and Stephen Melville address these questions by exploring some assumptions at the discipline’s foundation. Their project is to excavate the lost continuities between philosophical aesthetics, contemporary theory, (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  5.  33
    The State of Art Criticism.Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis & Guy Brett - 1960 - Journal of Aesthetics and Art Criticism 18 (3).
    About the Author James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. His many books include Pictures and Tears, How to Use Your Eyes, and What Painting Is, all published by Routledge. Michael Newman teaches in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, and is Professor of Art Writing at Goldsmiths College in the University of (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  6.  26
    Sexuality and Convention: On the Situation of Psychoanalysis.Stephen W. Melville - 1986 - Substance 15 (2):75.
  7.  19
    Beautiful Theories: The Spectacle of Discourse in Contemporary Criticism.Stephen Melville & Elizabeth W. Bruss - 1983 - Substance 12 (4):92.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  8.  18
    Deconstruction: Theory and PracticeDeconstructive Criticism: An Advanced Introduction.Stephen Melville, Christopher Norris & Vincent Leitch - 1984 - Substance 13 (2):89.
  9.  9
    Salome and the Dance of WritingPictures of Romance: Form Against Context in Painting and Literature.Stephen Melville, Francoise Meltzer & Wendy Steiner - 1989 - Journal of Aesthetics and Art Criticism 47 (1):91.
  10.  12
    Just Between Us.Stephen Melville - 1992 - Philosophy Today 36 (4):367-376.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  11.  8
    Allô? Allô?".Stephen Melville - 2007 - In W. J. T. Mitchell & Arnold I. Davidson (eds.), The Late Derrida. University of Chicago Press. pp. 330-343.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  12. Ivan Gaskell and Salim Kemal, Eds., The Language of Art History Reviewed By.Stephen Melville - 1993 - Philosophy in Review 13 (3):96-98.
     
    Export citation  
     
    Bookmark  
  13.  3
    On Mood, Time, and The Freudian Subject.Stephen Melville - 1990 - Oxford Literary Review 12 (1):215-226.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  14.  3
    Allô? Allô?Stephen Melville - 2007 - Critical Inquiry 33 (2):330.
    Direct download (5 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  15.  9
    The Ecstasies of Roland Barthes.Stephen Melville - 1991 - Journal of Aesthetics and Art Criticism 49 (2):170-172.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark