Schizophrenic hallucinations can be understood only as a function of the totality of the schizophrenic's personality, that is, only in the context of the person's entire being-in-the-world. For essential reasons, there is a predominance of auditory hallucinations in schizophrenia, and these typically take the form of human voices. This paper argues that the essential reasons here are human reasons. That is, hallucinations arise primarily on account of a human or personal deficit. We argue that the deficit in question is, most (...) fundamentally, the radical one of a disturbed relation between the subject and the world in general. The schizophrenic slackens the normal "intentional arc" that casts the subject out into a world. Our thesis is that this slackening has interpersonal roots and that hallucination can be understood as a desperate attempt to compensate for the impoverishment of being-in-the-world and, specifically, for the deficiency in human relations; hence, the "human" voices. (shrink)

Schizophrenic hallucinations can be understood only as a function of the totality of the schizophrenic's personality, that is, only in the context of the person's entire being-in-the-world. For essential reasons, there is a predominance of auditory hallucinations in schizophrenia, and these typically take the form of human voices. This paper argues that the essential reasons here are human reasons. That is, hallucinations arise primarily on account of a human or personal deficit. We argue that the deficit in question is, most (...) fundamentally, the radical one of a disturbed relation between the subject and the world in general. The schizophrenic slackens the normal "intentional arc" that casts the subject out into a world. Our thesis is that this slackening has interpersonal roots and that hallucination can be understood as a desperate attempt to compensate for the impoverishment of being-in-the-world and, specifically, for the deficiency in human relations; hence, the "human" voices. (shrink)

Despite his major contributions to phenomenology, the writings on suggestion and hypnosis by Erwin Straus (1891–1975) have been underappreciated. In his German language publications of 1925 and 1927, Straus argues that we cannot elucidate the phenomenon of suggestion solely or even primarily through experimental design, a narrow natural scientific viewpoint, or an emphasis on abnormal or special states of dissociation. In contrast, a phenomenological study that begins with everyday experience demonstrates that suggestion is part of normal experience, and its understanding (...) must include the possibility both of acceptance and of rejection. Straus’s arguments in these essays are enhanced by his later books and articles developing the I-Allon relationship, the process of we-formation, and the distinction of pathic and gnostic moments of sensation and perception. By fully situating the phenomenon within theLebenswelt, Straus’s analysis of suggestion is a major contribution to phenomenology. (shrink)