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  1.  35
    Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari.Stephen Zepke - 2005 - New York: Routledge.
    First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
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  2.  59
    (1 other version)Art as Abstract Machine: Guattari's Modernist Aesthetics.Stephen Zepke - 2012 - Deleuze and Guatarri Studies 6 (2):224-239.
    Felix Guattari was a modernist. He not only liked a lot of modernist artists, but his ‘aesthetic paradigm’ found its generative diagram in modern art. The most important aspect of this diagram was its insistence on the production of the new, the way it produced a utopian projection of a ‘people to come’, and so a politics whose only horizon was the future. Also important for Guattari's diagram of the ‘modern’ were the forces of abstraction, autonomy and immanent critique. Together (...)
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  3. Deleuze, Guattari, and contemporary art.Stephen Zepke - 2009 - In Eugene W. Holland, Daniel W. Smith & Charles J. Stivale (eds.), Gilles Deleuze: Image and Text. Continuum.
  4. REVIEWS-Art and Revolution: Transversal Activism in the Long Twentieth Century.Gerald Raunig & Stephen Zepke - 2008 - Radical Philosophy 148:37.
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  5.  32
    Memories of the Future: Chaosmosis and Contemporary Art.Stephen Zepke - 2022 - Deleuze and Guattari Studies 16 (4):600-622.
    Thirty years on from the publication of Chaosmosis, Guattari’s words invite an evaluation: ‘The aesthetic power of feeling seems on the verge of occupying a privileged position within the collective Assemblages of enunciation of our era.’ While this privilege can be seen today in the realms of social networks, mass media and populist politics, its place in contemporary artistic practices is more ambiguous. Guattari is careful to separate ‘aesthetic power‘ from ‘institutional art’, but the ontology of Chaosmosis nevertheless seems to (...)
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  6.  38
    Against Nihilism: Nietzsche and Kubrick on the Future of Man.Stephen Zepke - 2007 - Journal of French and Francophone Philosophy 17 (2):37-69.
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  7.  40
    Becoming a citizen of the world: Deleuze between Allan Kaprow and Adrian Piper.Stephen Zepke - 2009 - In Laura Cull (ed.), Deleuze and performance. Edinburgh: Edinburgh University Press. pp. 109--25.
    This chapter examines the relevance of the thoughts of Gilles Deleuze to the works of Allan Kaprow and Adrian Piper. It argues that Kaprow had made a shift akin to Deleuze's move from expressionism to constructivism and addresses the politics of Kaprow's practice in relation to Deleuze's concept of counter-actualisation. It describes the alternative of Piper's practice as one that creates performance events capable of catalysing new social territories in and as life.
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  8.  11
    Deleuze and Contemporary Art.Stephen Zepke & Simon O’Sullivan (eds.) - 2010 - Edinburgh University Press.
    What is the importance of deconstruction, and the writing of Jacques Derrida in particular, for literary criticism today? Derek Attridge argues that the challenge of Derrida's work for our understanding of literature and its value has still not been fully met, and in this book, which traces a close engagement with Derrida's writing over two decades and reflects an interest in that work going back a further two decades, shows how that work can illuminate a variety of topics. Chapters include (...)
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  9. Eco-aesthetics : beyond structure in the work of Robert Smithson, Gilles Deleuze and Félix Guattari.Stephen Zepke - 2009 - In Bernd Herzogenrath (ed.), Deleuze/Guattari & ecology. New York: Palgrave-Macmillan.
    This paper shows that there is one and the same break in the artistic creative process of Robert Smithson and in the philosophical creative process of Gilles Deleuze and Félix Guattari. For Smithson it takes place between Site-Nonsite works and Earthworks . For Deleuze and Guattari it happens in the transition from Difference and Repetition to Anti- Oedipus . Smithson's break marks his abandoning of the institution in favour of an art of direct intervention, the Earthworks confronting one of the (...)
     
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  10. Eco-estética: más allá de la estructura en la obra de Robert Smithson, Gilles Deleuze y Félix Guattari.Stephen Zepke, Juan Fernando Meijia Mosquera & Gustavo Chirolla - 2008 - Universitas Philosophica 25 (51):13-37.
  11.  12
    Sublime art: towards an aesthetics of the future.Stephen Zepke - 2017 - Edinburgh: Edinburgh Univeresity Press.
    Tracks the sublime art movement from Kant to the 21st century and onwards to a new future Stephen Zepke tracks the sublime art movement from its beginnings in Kant to its flowering in the late 20th and early 21st centuries. He shows that the idea of sublime art waxes and wanes in the work of Jean-Francois Lyotard, Gilles Deleuze and Felix Guattari, Jacques Derrida, Jacques Ranciere and the recent Speculative Realism movement. With it, a visionary politics of art seeks to (...)
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  12.  79
    The concept of art when art is not a concept: Deleuze and guattari against conceptual art.Stephen Zepke - 2006 - Angelaki 11 (1):157 – 167.
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  13. The Sublime Conditions of Contemporary Art.Stephen Zepke - 2011 - Deleuze and Guatarri Studies 5 (1):73-83.
    Deleuze's relationship to Kant is intricate and fundamental, given that Deleuze develops his transcendental philosophy of difference in large part out of Kant's work. In doing so he utilises the moment of the sublime from the third Critique as the genetic model for the irruption of the faculties beyond their capture within common sense. In this sense, the sublime offers the model not only for transcendental genesis but also for aesthetic experience unleashed from any conditions of possibility. As a result, (...)
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