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  1.  11
    Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales.Steven Shaviro - 2010 - Film-Philosophy 14 (1):1-102.
    This essay explores the 'structure of feeling' that is emerging today in tandem with new digital technologies, together with economic globalisation and the financialisation of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal (...)
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  2.  24
    The Cinematic Body.Steven Shaviro - 1993 - University of Minnesota Press.
    Preface The Cinematic Body is a transversal, exploratory work, one that cuts across disciplinary boundaries and seeks to engage new currents in critical ...
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  3.  20
    Beauty Lies in the Eye.Steven Shaviro - 2005 - Symploke 6 (1):96-108.
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  4.  43
    Interstitial Life: Subtractive Vitalism in Whitehead and Deleuze.Steven Shaviro - 2010 - Deleuze Studies 4 (1):107-119.
    Deleuze and Whitehead are both centrally concerned with the problem of how to reconcile the emergence of the New with the evident continuity and uniformity of the world through time. They resolve this problem through the logic of what Deleuze calls ‘double causality’, and Whitehead the difference between efficient and final causes. For both thinkers, linear cause-and-effect coexists with a vital capacity for desire and decision, guaranteeing that the future is not just a function of the past. The role of (...)
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    Postmodernism and Politics.Steven Shaviro & Jonathan Arac - 1988 - Substance 17 (1):95.
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  6.  8
    Body Horror and Post-Socialist Cinema: Györgi Pálfi's TaxidermiaSteven Shaviro - 2011 - Film-Philosophy 15 (2):90-105.
    Györgi Pálfi’s Taxidermia is a landmark work of postsocialist cinema. The film is a study in violent contrasts. It is viscerallycharged and icily allegorical; intimately physical in its exploration ofmasculine desire and bodily disgust, and sardonically distanced in its satiricalportrayal of the successive social and political regimes that dominatedHungary over the course of the twentieth century. On the one hand,Taxidermia is a highly controlled, severely formalist film. In its nearlyinhuman detachment, and its rigorously schematic organization, it is assevere as anything (...)
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  7.  2
    Comment traduire une forme de vie ?Steven Shaviro - 2013 - Multitudes 51 (4):86-90.
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  8. Cinematic Body.Steven Shaviro - 1993 - Univ of Minnesota Press.
     
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  9. Tung-Hui Hu.A Prehistory of the Cloud. Cambridge, Mass.: MIT Press, 2015. 240 Pp. [REVIEW]Steven Shaviro - 2016 - Critical Inquiry 43 (1):219-219.
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  10. Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics.Steven Shaviro - 2012 - MIT Press.
    In _Without Criteria_, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, "Why is there something, rather than nothing?" Whitehead asks, "How is it that there is always something new?" In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent (...)
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