16 found
Order:
  1.  15
    IMAGE, LANGUAGE: The Other Dialectic.Laura Katherine Smith, Stijn De Cauwer, Jorge Rodriguez Solorzano, Elise Woodard & Georges Didi-Huberman - 2018 - Angelaki 23 (4):19-24.
    In this text, Georges Didi-Huberman responds, in letter-form, to the critical reflections about his work formulated by Jacques Rancière in “Images Re-read: Georges Didi-Huberman’s Method.” Didi-Huberman disagrees with Rancière’s analysis that images are “passive” and that the words which accompany them are “active.” Instead, he agrees with Merleau-Ponty’s view, which postulates that any analysis of images that seeks to disentangle its elements will render the image unintelligible. In opposition to Rancière’s presentation of his work, Didi-Huberman argues that his method is (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  2.  38
    IMAGES RE-READ: The Method of Georges Didi-Huberman.Laura Katherine Smith, Stijn De Cauwer, Jorge Rodriguez Solorzano, Elise Woodard & Jacques Rancière - 2018 - Angelaki 23 (4):11-18.
    In this text, Jacques Rancière critically discusses the work of Georges Didi-Huberman on images. He disagrees with various claims seemingly made by Didi-Huberman about images, such as that they can “take position” or that they are “active.” Rancière argues that Didi-Huberman adds another form of dialectics to the simpler form of dialectics adopted by Bertolt Brecht and Harun Farocki in their works, namely one that also involves a layering of different temporalities. However, both in Brecht’s War Primer and in Didi-Huberman’s (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  3.  13
    Searching for Fireflies: Pathos and Imagination in the Theories of Georges Didi-Huberman.Stijn De Cauwer - 2018 - Angelaki 23 (4):133-149.
    In Survivance des lucioles, Georges Didi-Huberman cites sections from a letter in which Pier Paolo Pasolini describes an encounter with a swarm of fireflies. The sight of the fireflies triggers reflections on various topics on the part of Pasolini. However, at the end of his life, Pasolini lamented the fact that fireflies had disappeared in modern society, serving as a metaphor for the fact that he had lost all hope in the consumerist society in which he was living. Pasolini’s reflections (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  4.  34
    The Church and its Reign by Giorgio Agamben.Stijn De Cauwer - forthcoming - Tijdschrift Voor Filosofie.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  5.  9
    Critical Image Configurations: The Work of Georges Didi-Huberman.Laura Katherine Smith & Stijn De Cauwer - 2018 - Angelaki 23 (4):1-2.
    In this text, Jacques Rancière critically discusses the work of Georges Didi-Huberman on images. He disagrees with various claims seemingly made by Didi-Huberman about images, such as that they can “take position” or that they are “active.” Rancière argues that Didi-Huberman adds another form of dialectics to the simpler form of dialectics adopted by Bertolt Brecht and Harun Farocki in their works, namely one that also involves a layering of different temporalities. However, both in Brecht’s War Primer and in Didi-Huberman’s (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  6.  2
    Georges Didi-Huberman. Atlas, or the Anxious Gay Science. Trans. Shane Lillis. Chicago: The University of Chicago Press, 2018. 366 Pp. [REVIEW]Stijn De Cauwer - 2020 - Critical Inquiry 46 (2):452-453.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  7.  23
    Immunitas, the Protection and Negation of Life by Roberto Esposito.Stijn De Cauwer - 2012 - Tijdschrift Voor Filosofie 74 (2).
    Direct download  
     
    Export citation  
     
    Bookmark  
  8.  20
    Third Person by Roberto Esposito.Stijn De Cauwer - forthcoming - Tijdschrift Voor Filosofie.
    Direct download  
     
    Export citation  
     
    Bookmark  
  9.  19
    Franz Kafka: The Ghost in the Machine by Stanley Corngold and Benno Wagner.Stijn De Cauwer - forthcoming - Tijdschrift Voor Filosofie.
    Direct download  
     
    Export citation  
     
    Bookmark  
  10.  18
    Living Thought: The Origins and Actuality of Italian Philosophy by Roberto Esposito.Stijn De Cauwer - forthcoming - Tijdschrift Voor Filosofie.
    Direct download  
     
    Export citation  
     
    Bookmark  
  11.  18
    Terms of the Political, Community, Immunity, Biopolitics by Roberto Esposito.Stijn De Cauwer - forthcoming - Tijdschrift Voor Filosofie.
    Direct download  
     
    Export citation  
     
    Bookmark  
  12.  18
    Gilbert Simondon: Being and Technology Edited by Arne De Boever.Stijn De Cauwer - forthcoming - Tijdschrift Voor Filosofie.
    Direct download  
     
    Export citation  
     
    Bookmark  
  13.  14
    Robert Musil and the Nonmodern by Mark M. Freed.Stijn De Cauwer - 2012 - Tijdschrift Voor Filosofie 74 (2).
    Direct download  
     
    Export citation  
     
    Bookmark  
  14.  16
    The King's Two Bodies by Eric L. Santner.Stijn De Cauwer - 2012 - Tijdschrift Voor Filosofie 74 (1).
    Direct download  
     
    Export citation  
     
    Bookmark  
  15.  14
    The Unconcept, the Freudian Uncanny in Late-Twentieth-Century Theory by Anneleen Masschelein.Stijn De Cauwer - 2012 - Tijdschrift Voor Filosofie 74 (3).
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  16.  3
    Critical Image Configurations: The Work of Georges Didi-Huberman.Laura Katherine Smith & Stijn De Cauwer - 2018 - Angelaki 23 (4):3-10.
    In this text, Jacques Rancière critically discusses the work of Georges Didi-Huberman on images. He disagrees with various claims seemingly made by Didi-Huberman about images, such as that they can “take position” or that they are “active.” Rancière argues that Didi-Huberman adds another form of dialectics to the simpler form of dialectics adopted by Bertolt Brecht and Harun Farocki in their works, namely one that also involves a layering of different temporalities. However, both in Brecht’s War Primer and in Didi-Huberman’s (...)
    Direct download  
     
    Export citation  
     
    Bookmark