Results for 'Sublime, The History'

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  1. The Beautiful, the Sublime, & the Picturesque in Eighteenth-Century British Aesthetic Theory.Walter John Hipple - 1957 - Carbondale: Southern Illinois University Press.
  2.  34
    Darwin’s Sublime: The Contest Between Reason and Imagination in On the Origin of Species. [REVIEW]Benjamin Sylvester Bradley - 2011 - Journal of the History of Biology 44 (2):205 - 232.
    Recent Darwin scholarship has provided grounds for recognising the Origin as a literary as well as a scientific achievement. While Darwin was an acute observer, a gifted experimentalist and indefatigable theorist, this essay argues that it was also crucial to his impact that the Origin transcended the putative divide between the scientific and the literary. Analysis of Darwin's development as a writer between his journal-keeping on HMS Beagle and his construction of the Origin argues the latter draws on the pattern (...)
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  3.  26
    Darwin’s Sublime: The Contest Between Reason and Imagination in On the Origin of Species.Benjamin Sylvester Bradley - 2011 - Journal of the History of Biology 44 (2):205-232.
    Recent Darwin scholarship has provided grounds for recognising the Origin as a literary as well as a scientific achievement. While Darwin was an acute observer, a gifted experimentalist and indefatigable theorist, this essay argues that it was also crucial to his impact that the Origin transcended the putative divide between the scientific and the literary. Analysis of Darwin’s development as a writer between his journal-keeping on HMS Beagle and his construction of the Origin argues the latter draws on the pattern (...)
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  4. The Sublime.Philip Shaw - 2006 - Routledge.
    Often labelled as "indescribable," the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: · The legacy of the earliest, classical theories of the sublime through the romantic to the post-modern and avant-garde sublimity · The major theorists of the sublime (...)
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  5. The Discourse of the Sublime: Readings in History, Aesthetics, and the Subject.Peter De Bolla - 1989 - Blackwell.
  6.  96
    The Kantian Sublime: From Morality to Art.Paul Crowther - 1989 - Oxford University Press.
    With this, the first volume in the Oxford Philosophical Monographs series, Paul Crowther breaks new ground by providing what is probably the first study in any language to be devoted exclusively to Kant's theory of the sublime. It fills a gap in an area of scholarship where Kant makes crucial links between morality and aesthetics and will be particularly useful for Continental philosophers, among whom the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Crowther's (...)
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  7. A Philosophical Enquiry Into the Origin of Our Ideas: Of the Sublime and the Beautiful.Edmund Burke - 1764 - Oxford University Press UK.
    'Pain and pleasure are simple ideas, incapable of definition.'In 1757 the 27-year-old Edmund Burke argued that our aesthetic responses are experienced as pure emotional arousal, unencumbered by intellectual considerations. In so doing he overturned the Platonic tradition in aesthetics that had prevailed from antiquity until the eighteenth century, and replaced metaphysics with psychology and even physiology as the basis for the subject. Burke's theory of beauty encompasses the female form, nature, art, and poetry, and he analyses our delight in sublime (...)
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  8. The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China.Ban Wang - 1997 - Stanford University Press.
    Through a comparative analysis of diverse texts and contexts, this book offers a cultural history of the interplay between the aesthetic and the political in the formation of personal and collective identity that crystallizes into the Chinese aesthetic of the sublime. It describes how various kinds of politics are aestheticized and how aesthetic manifestations are bound up with prevalent ideologies and politics. In this book, politics refers to various projects for fashioning a viable self, a workable personal and collective (...)
     
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  9. The Sublime: From Antiquity to the Present.Timothy M. Costelloe (ed.) - 2012 - Cambridge University Press.
    Machine generated contents note: 'The sublime'. A short introduction to a long history Timothy M. Costelloe; Part I. Philosophical History of the Sublime: 1. Longinus and the ancient sublime Malcolm Heath; 2...And the beautiful? revisiting Edmund Burke's 'double aesthetics' Rodolphe Gasche; 3. The moral source of the Kantian sublime Melissa Meritt; 4. Imagination and internal sense: the sublime in Shaftesbury, Reid, Addison, and Reynolds Timothy M. Costelloe; 5. The associative sublime: Kames, Gerrard, Alison, and Stewart Rachel Zuckert; 6. (...)
     
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  10. The Sublime.Samuel Holt Monk - 1960 - [Ann Arbor]University of Michigan Press.
  11.  97
    The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory.Andrew Ashfield & Peter de Bolla (eds.) - 1996 - Cambridge University Press.
    This collection of texts on the Sublime provides the historical context for the foundation and discussion of one of the most important aesthetic debates of the Enlightenment. The significance of the Sublime in the eighteenth century ranged across a number of fields - literary criticism, empirical psychology, political economy, connoisseurship, landscape design and aesthetics, painting and the fine arts, and moral philosophy - and has continued to animate aesthetic and theoretical debates to this day. However, the unavailability of many of (...)
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  12.  31
    The Sublime and its Teleology: Kant, German Idealism, Phenomenology.Donald Loose (ed.) - 2011 - Brill.
    Based on their critical analysis of Kant's "Critique of Judgment", the authors of this book show from different perspectives in what way the Kantian concept of the sublime is still a main stream of inspiration for contemporary thinking.
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  13. Lessons on the Analytic of the Sublime: Kant's Critique of Judgment, [Sections] 23-29.Jean-François Lyotard - 1994 - Stanford University Press.
    Philosophical aesthetics have seen an amazing revival over the past decade, as a radical questioning of the very grounds of Western epistemology has revealed that descriptions of what used to be seen as specific to aesthetic experience can instead be viewed as a general model for human cognition. In this revival, no text in the classical corpus of Western philosophy has been more frequently discussed and debated than the dense, complex paragraphs inserted into Kant's Critique of Judgment as sections 23-29: (...)
     
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  14. The Sublime, Terror and Human Difference.Christine Battersby & Kimberly Hutchings - 2008 - Radical Philosophy 148:43.
    Christine Battersby is a leading thinker in the field of philosophy, gender studies and visual and literary aesthetics. In this important new work, she undertakes an exploration of the nature of the sublime, one of the most important topics in contemporary debates about modernity, politics and art. Through a compelling examination of terror, transcendence and the ‘other’ in key European philosophers and writers, Battersby articulates a radical ‘female sublime’. A central feature of The Sublime, Terror and Human Difference is its (...)
     
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  15. The Sublime: A Study of Critical Theories in Xviii-Century England.Samuel Holt Monk - 1935 - New York: Modern Language Association of America.
  16.  16
    Sublime Historical Experience.F. R. Ankersmit - 2005 - Stanford University Press.
    Why are we interested in history at all? Why do we feel the need to distinguish between past and present? In this book, the author argues that the past originates from an experience of rupture separating past and present. Think of the radical rupture with Europe's past that was effected by the French and the Industrial Revolutions. Sublime Historical Experience investigates how the notion of sublime historical experience complicates and challenges existing conceptions of language, truth, and knowledge. These experiences (...)
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  17. The Theory of the Sublime From Longinus to Kant.Robert Doran - 2015 - Cambridge University Press.
    In this book, Robert Doran offers the first in-depth treatment of the major theories of the sublime, from the ancient Greek treatise On the Sublime and its reception in early modern literary theory to the philosophical accounts of Burke and Kant. Doran explains how and why the sublime became a key concept of modern thought and shows how the various theories of sublimity are united by a common structure - the paradoxical experience of being at once overwhelmed and exalted - (...)
     
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  18.  88
    The Sublime Conditions of Contemporary Art.Stephen Zepke - 2011 - Deleuze and Guatarri Studies 5 (1):73-83.
    Deleuze's relationship to Kant is intricate and fundamental, given that Deleuze develops his transcendental philosophy of difference in large part out of Kant's work. In doing so he utilises the moment of the sublime from the third Critique as the genetic model for the irruption of the faculties beyond their capture within common sense. In this sense, the sublime offers the model not only for transcendental genesis but also for aesthetic experience unleashed from any conditions of possibility. As a result, (...)
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  19.  7
    Schopenhauer and the Aesthetic Standpoint: Philosophy as a Practice of the Sublime.Sophia Vasalou - 2013 - Cambridge University Press.
    With its pessimistic vision and bleak message of world-denial, it has often been difficult to know how to engage with Schopenhauer's philosophy. Schopenhauer's arguments have seemed flawed and his doctrines marred by inconsistencies; his very pessimism almost too flamboyant to be believable. Yet a way of redrawing this engagement stands open, Sophia Vasalou argues, if we attend more closely to the visionary power of Schopenhauer's work. The aim of this book is to place the aesthetic character of Schopenhauer's standpoint at (...)
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  20.  73
    Lyotard: Philosophy, Politics and the Sublime.Hugh J. Silverman (ed.) - 2002 - Routledge.
    First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
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  21. The Sublime, Terror and Human Difference.Christine Battersby - 2007 - Routledge.
    Christine Battersby is a leading thinker in the field of philosophy, gender studies and visual and literary aesthetics. In this important new work, she undertakes an exploration of the nature of the sublime, one of the most important topics in contemporary debates about modernity, politics and art. Through a compelling examination of terror, transcendence and the ‘other’ in key European philosophers and writers, Battersby articulates a radical ‘female sublime’. A central feature of _The Sublime, Terror and Human Difference_ is its (...)
     
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  22.  75
    The Sublime Now.Luke White & Claire Pajaczkowska (eds.) - 2009 - Cambridge Scholars Press.
    This edited collection had its origins in a two-day conference held at the Tate Britain, organised collaboratively by research staff and students at Middlesex University and the London Consortium in order to celebrate the 250th Anniversary of the publication of Edmund Burke's famous book on the sublime. The conference was funded by Middlesex University, the London Consortium and the Tate Britain's AHRC-funded "Sublime Object: Nature, Art and Language" research project. The conference set out to critically examine the legacy of the (...)
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  23. The Word "Sublime" and its Context, 1650 - 1760.Theodore E. B. Wood - 1972 - The Hague: Mouton.
     
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  24.  36
    The Sublime Dissociation of the Past: Or How to Be(Come) What One is No Longer.F. R. Ankersmit - 2001 - History and Theory 40 (3):295–323.
    Forgetting has rarely been investigated in historical theory. Insofar as it attracted the attention of theorists at all, forgetting has ordinarily been considered to be a defect in our relationship to the past that should be overcome in one way or another. The only exception is Nietzsche who so provocatively sung the praises of forgetting in his On the Use and Abuse of History . But Nietzsche's conception is the easy victim of a consistent historicism and therefore in need (...)
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  25. History of a Shiver: The Sublime Impudence of Modernism.Jed Rasula - 2016 - Oxford University Press USA.
    An abrupt break in the prevailing modes of artistic expression, for many, marks the advent of modernism in the early twentieth century, but revisionary attempts to pin down a precise moment of its emergence remain disputed. History of a Shiver proffers a different approach, tracing the first inkling of modernism instead to the nineteenth century's fascination with music.As Jed Rasula deftly shows, melomania--the passion for music--gave rise to concepts like Richard Wagner's "endless melody" and the Gesamtkunstwerk, or total work (...)
     
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  26. Le Sublime, de l'Antiquité à Nos Jours.Baldine Saint Girons - 2005 - Desjonquères.
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  27. "The Discourse of the Sublime: Readings in History, Aesthetics and the Subject": Peter de Bolla. [REVIEW]Robert Wilkinson - 1990 - British Journal of Aesthetics 30 (2):181.
     
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  28.  21
    The Physiological Sublime: Burke's Critique of Reason.Vanessa L. Ryan - 2001 - Journal of the History of Ideas 62 (2):265-279.
  29.  34
    Sublime Politics: On the Uses of an Aesthetics of Terror.Steven Cresap - 1990 - Clio: A Journal of Literature, History, and the Philosophy of History 19 (2):111-125.
    Burke's theory of the sublime helps us understand how we use aesthetic values to deal with our political regimes. Insofar as political regimes use power, they can be experienced as sublime. The sublime experience is a power exchange, from object to subject. But it might also be a power drain, which would leave us helpless toward our regimes. Includes analyses of the uses of beauty and sado-masochism.
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  30.  11
    The Skeptical Sublime: Aesthetics Ideology in Pope and the Tory Satirists.James Noggle - 2001 - Oup Usa.
    This book examines the role of scepticism in initiating the idea of the sublime in early modern British literature. James Noggle draws on philosophy, intellectual history, and critical theory to illuminate the aesthetic ideology of Pope, Swift, Dryden, and Rochester among other important writers of the period. The Skeptical Sublime compares the view of sublimity presented by these authors with that of the dominant, liberal tradition of eighteenth-century criticism to offer a new understanding of how these writers helped construct (...)
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  31.  43
    Sublimity: The Non-Rational and the Irrational in the History of Aesthetics.James Kirwan - 2005 - Routledge.
    In the history of aesthetics, few concepts have been as powerful and as elusive as the idea of the sublime, the "enthusiastic terror" that can possess us when we behold a mountain or a miracle. In his new book, James Kirwan traces the history of the sublime from its emergence in the eighteenth century to its resurgence in contemporary aesthetics. Sublimity addresses the nature of the sublime experience itself, and the function that experience has played, and continues to (...)
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  32.  39
    The Musicality of the Past: Sehnsucht, Trauma, and the Sublime.Kiene Brillenburg Wurth - 2007 - Journal of the Philosophy of History 1 (2):219-247.
    This paper argues that the sublime feeling can only announce itself as a paradoxical mixture of pain and pleasure in an experience of a lost or irrevocable past. Presenting the typical evanescence and inevitable deferral of the past in musical terms, this paper rewrites the sublime feeling as a musical feeling: a suspended feeling wavering in-between apparently opposite intensities of tension and respite. This suspended feeling is analyzed through a juxtaposition of the sublime with Sehnsucht, or the potentially endless longing (...)
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  33.  56
    The Sublime and God in Kant’s Critique of Judgement.William B. Hund - 1983 - New Scholasticism 57 (1):42-70.
  34.  13
    Lucretian Receptions: History, The Sublime, Knowledge.Wilson H. Shearin - 2012 - American Journal of Philology 133 (3):532-535.
    Students of Latin literature need no introduction to the work of Philip Hardie. Although he has written on topics across the classical canon, he is perhaps best known as an influential critic of Virgil. His 1986 book, Virgil’s Aeneid: Cosmos and Imperium, which traces the Aeneid’s articulation of Roman imperial ideology in cosmological idiom, remains, whatever one’s position on its arguments, a central monument within recent Virgilian criticism. One achievement of that work is its demonstration of how Virgil’s epic is (...)
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  35.  3
    Approaching the Parmenidean Sublime—Part II.Lucio Angelo Privitello - 2020 - Epoché: A Journal for the History of Philosophy 25 (1):101-134.
    This paper is Part II of my study entitled “Approaching the Parmenidean Sublime: A New Translation and Resequencing of the Fragments of Parmenides.” What I seek to accomplish here is to elaborate on my resequencing/translation decisions, and take up the more thorny philosophical/juridical aspects of my position previously mentioned, yet condensed, in “Notes to Translator’s Introduction,” and “Notes on the Fragments.” I believe that this continued engagement with the fragments of Parmenides makes up the “dutiful apprenticeship” intrinsically represented in the (...)
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  36.  7
    Theories of the Sublime in the Dutch Golden Age: Franciscus Junius, Joost van den Vondel and Petrus Wittewrongel.Stijn Bussels - 2016 - History of European Ideas 42 (7):882-892.
    SUMMARYThis article explores how writers from the Dutch Golden Age thought about human contact with that which is elevated far above everyday life. The Dutch Republic offers an interesting context because of the strikingly early use there by seventeenth-century humanists of the Greek concept ὕψος, from Longinus, to discuss how writers, artists and their audiences were able to surpass human limitations thanks to an intense imagination which transported them to supreme heights. Dutch poets also used the Latin sublimis to discuss (...)
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  37. Sublime Poussin.Catherine Porter (ed.) - 1999 - Stanford University Press.
    "Art history and art theory are inseparable. A history of art can be achieved only through the simultaneous construction of a theory of art." These words of the eminent scholar and critic Louis Marin suggest why he considered the paintings and the writings of Nicolas Poussin, painter and theoretician of painting, an enduring source of inspiration. Poussin was the artist to whom Marin returned most faithfully over the years. Since Marin did not live to write his proposed book (...)
     
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  38. The Sublime, Terror and Human Difference.Christine Battersby - 2007 - Routledge.
    Christine Battersby is a leading thinker in the field of philosophy, gender studies and visual and literary aesthetics. In this important new work, she undertakes an exploration of the nature of the sublime, one of the most important topics in contemporary debates about modernity, politics and art. Through a compelling examination of terror, transcendence and the ‘other’ in key European philosophers and writers, Battersby articulates a radical ‘female sublime’. A central feature of _The Sublime, Terror and Human Difference_ is its (...)
     
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  39. ""Does the Postmodernity Need the Term" Sublime"?E. Mistrik - 2003 - Filozofia 58 (4):221-232.
    The paper discusses the category "sublime" as it was used by J.-F. Lyotard. The author argues that Lyotard had made substantial change in the category's content regardless to the history of aesthetics . Lyotard's notion falls in line with notions "differentiation", "ope_ness", "indefinite", "paradoxical", "contradictory", etc. If it is to describe postmo_dern culture, the sublime must be accompanied by other notions, and particularly by notions as "mimesis", "form", "originality", "aesthetic norm", and "catharsis". In accordance with the current developments in (...)
     
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  40. Lucretian Receptions: History, The Sublime, Knowledge (Review).D. Mark Possanza - 2011 - Classical World: A Quarterly Journal on Antiquity 104 (4):515-516.
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  41.  27
    Debate on Sublime in the End of 18th Century: Burke, Kant, Schiller.Dragana Jeremic-Molnar & Aleksandar Molnar - 2009 - Filozofija I Društvo 20 (1):143-158.
    In the article the authors are examining three positions within the 18th Century aesthetic discussion on the sublime - Edmund Burke's, Immanuel Kant's and Friedrich Schiller's. They are also trying to reconstruct the political backgrounds of each of this theoretical positions: old regime conservatism, republican liberalism and romantic longing for the 'third way'. The most sophisticated and mature theory of sublime is found in Schiller's aesthetic works, especially in those following his disappointment in French Revolution, in which the relationship between (...)
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  42.  26
    From Oblivion to Post-History: Sublime Othering in Rider Haggard and W. E. B. Du Bois.S. N. Nyeck - 2019 - The European Legacy 24 (6):617-643.
    ABSTRACTThis article addresses the ways in which art and philosophy have been discursively used to conceptualize critical political changes and frame narratives of liberation by including and excluding primitive consciousness simultaneously. More concretely, it analyzes the contribution of art and philosophy to the understanding of history and post-history through different representations of black bodies, black desires, and black agencies in the novels She by Rider Haggard and The Quest of the Silver Fleece by W. E. B. Du Bois. (...)
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  43. The Sublime in the Pedestrian: Figures of the Incognito in Fear and Trembling.Martijn Boven - forthcoming - History of European Ideas.
    This article demonstrates a novel conceptualization of sublimity: the sublime in the pedestrian. This pedestrian mode of sublimity is exemplified by the Biblical Abraham, the central figure of Kierkegaard’s pseudonymous Fear and Trembling. It is rooted in the analysis of one of the foundational stories of the three monotheistic religions: Abraham’s averted sacrifice of his son Isaac. The defining feature of this new, pedestrian mode of sublimity is that is remains hidden behind what I call a total incognito. It is (...)
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  44.  6
    Approaching the Parmenidean Sublime.Lucio Angelo Privitello - 2018 - Epoché: A Journal for the History of Philosophy 23 (1):1-18.
    To engage with the fragments of Parmenides requires a dutiful apprenticeship. The work of translation/resequencing are of equal weight in an interpretative commentary that carry one towards the possible world pictured by the Eleatic master. As far as the translation and resequencing, presented here in its entirety, I have held fast to Eco’s recommendation for translations, that “goodwill... prods us to negotiate the best solution for every line. Among the synonyms for "faithfulness," the word "exactitude" does not exist. Instead there (...)
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  45.  17
    Of the Sublime: Presence in Question.Joel B. Shapiro - 1993 - Graduate Faculty Philosophy Journal 16 (2):511-516.
  46.  9
    Of the Sublime.Joel B. Shapiro - 1993 - Graduate Faculty Philosophy Journal 16 (2):511-516.
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  47.  12
    The Sublime Reader: Edited by Robert R. Clewis, London, Bloomsbury Academic, 2019, Pp. 456, £20.29 (Pb), ISBN: 978-1350030152.Dorit Barchana-Lorand - 2020 - British Journal for the History of Philosophy 29 (1):184-186.
    The Sublime Reader, edited by Robert Clewis, provides a broad selection of 38 authors who attempt to describe, analyse, and explain that elusive object, feeling or experience consisting of “both el...
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  48.  11
    Approaching the Parmenidean Sublime in Advance.Lucio Angelo Privitello - forthcoming - Epoché: A Journal for the History of Philosophy.
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  49.  84
    The Case of the Missing Sublime in Latvian Landscape Aesthetics and Ethics.Edmunds V. Bunkše - 2001 - Ethics, Place and Environment 4 (3):235 – 246.
    In perceptions of their landscapes the Latvians have denied the existence of the sublime, elevating rural and natural aspects as beautiful and good. While Latvian landscape aesthetics and ethics are based on the profound transformation of nature-landscape attitudes that occurred in Europe during the second half of the 18th century, when ideas of the beautiful, sublime, and the picturesque were debated, the existence of sublime characteristics within the borders of Latvia has not been recognized. In part the attitude derives from (...)
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  50.  4
    El Idilio Americano: Ensayos Sobre la Estética de Lo Sublime.Alberto Santamaría - 2005 - Ediciones Universidad de Salamanca.
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