Results for 'Sunbin Song'

995 found
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  1.  56
    Implicit probabilistic sequence learning is independent of explicit awareness.Sunbin Song, Howard Jr, James H. & Darlene V. Howard - 2007 - Learning and Memory 14 (1-6):167-176.
  2. volume 6]. Song Yuan juan.Song Wei & Dong Huifang zhu - 2017 - In Zhirong Zhu (ed.), Zhongguo shen mei yi shi tong shi =. Ren min chu ban she.
     
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  3.  2
    Song Ming li xue yu Ming dai wen xue.Kefu Song - 2013 - Beijing: Zhongguo she hui ke xue chu ban she.
    Ben shu tan tao le Song Ming li xue yu Ming dai wen xue de guan xi, bing yi ren ge feng fan wei zhong dian shen ru yan jiu le Ming dai wen xue de chuang zuo yu liu bian, jian gou le Ming dai wen xue de chuang zuo yu liu bian jian gou le Ming dai wen xue de fa zhan ti xi, dui Ming dai zhong yao zuo jia, zuo pin ti chu le du dao (...)
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  4.  36
    Song of trusting the heart: a classic Zen poem for daily meditation.Tamarack Song - 2011 - Boulder, Colo.: Sentient Publications. Edited by Jan Zaremba & Sengcan.
    Enlivening the spirit without overwhelming the mind, the poem Hsin-Hsin Ming, or Song of Trusting the Heart, was written in the sixth century by the third Zen patriarch of China. It is perhaps the most encompassing and profound statement of Zen awareness we have. A beautiful daily meditation guide, the book will become a year-round fixture in readers' lives. These haunting lyrics inspire a peaceful awakening that helps one see through attachments, judgments, and illusions.
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  5.  2
    Song Chun-gil: hwahae wa p'oyong ŭi yehakcha.In-ch'ang Song - 2009 - Sŏul T'ŭkpyŏlsi: Sŏnggyun'gwan Taehakkyo Ch'ulp'anbu.
  6.  2
    Song Desheng ji: Ke ji jing ji she hui xue ke jiao cha ling yu chu tan.Desheng Song - 2011 - Beijing Shi: Xian zhuang shu ju.
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  7. Song Shu ji.Shu Song - 1993 - Beijing: Zhonghua shu ju. Edited by Zhusheng Hu.
     
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  8.  3
    Song Sŏk-ku Kyosu ŭi Yulgok ch'ŏrhak kangŭi.Sŏk-ku Song - 2015 - Sŏul-si: Yemun Sŏwŏn.
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  9.  1
    Song Sŏk-ku Kyosu ŭi Pulgyo wa Yugyo kangŭi.Sŏk-ku Song - 2015 - Sŏul-si: Yemun Sŏwŏn.
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  10. Shi ji zhi gu: Song Jian wen gao xuan ji.Jian Song - 2002 - Beijing: Yuan zi neng chu ban she.
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  11.  7
    Tongchʻundang Song Chun-gil: Chugyŏng ŭi chʻŏrhakcha.In-chʻang Song - 2007 - Kyŏnggi-do Koyang-si: Chʻŏnggye.
  12.  3
    Xin jin huo chuan: Song Zhiming Zhongguo gu dai zhe xue jiang gao = Xinjin huochuan.Zhiming Song - 2010 - Beijing: Beijing shi fan da xue chu ban she.
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  13.  45
    A Study on Chinese Confucian Classics and Neo‐Confucianism in the Song‐Ming Dynasties, Volumes 1 and 2. By Cai Fanglu.Pan Song & Chung-Ying Cheng - 2014 - Journal of Chinese Philosophy 41 (S1):757-761.
  14. Muhayujihyang ŭi saramdŭl: Song Hang-nyong tongyang chʻŏrhak esei.Hang-Nyong Song - 1987 - Sŏul-si: Yŏgang Chʻulpʻansa.
     
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  15.  1
    Pul t'anŭn ŏrŭm: kyŏnggyein Song Tu-yul ŭi chajŏnjŏk esei.Du-Yul Song - 2017 - Sŏul: Humanit'asŭ.
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  16.  1
    Uam sŏnbi ŭi iyagi: Song Si-yŏl ŭi saengae wa kŭ ŭi hangmun mit sasang.Min-ho Song - 2009 - Sŏul-si: Kyŏngil Munhwasa.
  17.  74
    The Zhou li and Constitutionalism: A Southern Song Political Theory.Jaeyoon Song - 2009 - Journal of Chinese Philosophy 36 (3):424-438.
  18.  9
    A Study on Chinese Confucian Classics and Neo-Confucianism in the Song-Ming Dynasties, Volumes 1 and 2. By Cai Fanglu.Pan Song & Chung-Ying Cheng - 2014 - Journal of Chinese Philosophy 41 (5):757-761.
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  19.  1
    Songs without Music: Aesthetic Dimensions of Law and Justice.Desmond Manderson - 2019 - University of California Press.
    This is a series of reflections on the aesthetic dimensions of law (how it is presented and conveyed to its subjects) and justice (the ways in which justice can be aesthetically satisfying or dissatisfying).
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  20.  10
    Song, songs, and singing.Jeanette Bicknell & John Andrew Fisher (eds.) - 2013 - Malden, MA: Wiley.
    The last twenty years or so have seen a surge of interest in the philosophy of music. However there is comparatively little philosophical literature devoted specifically to songs, singing and vocal music in general. This new collection of essays on the philosophical aspects of song and singing includes articles on the relationship between words and music in songs, the ontology of songs and recordings, meaning in songs, the metaphysics of vocal music in opera and the movies, and the ethical (...)
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  21.  1
    Medieval song from Aristotle to opera.Sarah Kay - 2022 - Ithaca [New York]: Cornell University Press.
    Discusses songs by the troubadours, trouvères, and Guillaume de Machaut, performed live and on the page, in the context of antique, late antique, and medieval thought and poetic practice and in the light of later opera. Topics include cosmology, education, astronomy, breath, beasts, monsters, hybridity, imagination, life, and death.
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  22.  73
    Song-Ming Confucianism.Justin Tiwald - 2020 - Stanford Encyclopedia of Philosophy.
    An overview of Confucianism in the Song, Yuan, and Ming dynasties, which many regard as second only to the classical period in philosophical importance and influence. This piece canvasses the major thinkers and schools, competing views on the metaphysics of li (pattern, principle) and qi (vital stuff), criticisms of Buddhism and Daoism, and debates about the heartmind, virtue, knowledge, and governance.
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  23. The third-person perspective full-body illusion induced by visual-tactile stimulation in virtual reality for stroke patients.Zhe Song, Xiaoya Fan, Jiaoyang Dong, Xiting Zhang, Xiaotian Xu, Wei Li & Fang Pu - 2023 - Consciousness and Cognition 115 (C):103578.
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  24.  3
    Songs of Experience: Modern American and European Variations on a Universal Theme.Martin Jay - 2005 - University of California Press.
    Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as "experience." Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. _Songs of Experience _is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its (...)
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  25.  12
    Songs for developing lexical and grammar skills.M. A. Erykina & I. E. Ivanova - 2015 - Liberal Arts in Russia 4 (4):304.
    The article addresses the issue of using English songs to assist students of non-language departments master basic linguistic skills and communicative abilities. The authors offer a systematic and flexible approach to dealing with educational songs, demonstrate advantages of implementing numerous tasks to be varied and adapted to the needs of particular target audiences. The considered approach is intended to raise students’ motivation in learning foreign language.
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  26.  12
    One Song, Many Works: A Pluralist Ontology of Rock.Daniel Burkett - 2015 - Contemporary Aesthetics 13.
    A number of attempts have been made to construct a plausible ontology of rock music. Each of these ontologies identifies a single type of ontological entity as the “work” in rock music. Yet, all the suggestions advanced to date fail to capture some important considerations about how we engage with music of this tradition. This prompted Lee Brown to advocate a healthy skepticism of higher-order musical ontologies. I argue here that we should instead embrace a pluralist ontology of rock, an (...)
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  27.  1
    A Philosophy of Song and Singing: An Introduction.Jeanette Bicknell - 2015 - New York: Routledge.
    In _Philosophy of Song and Singing: An Introduction_, Jeanette Bicknell explores key aesthetic, ethical, and other philosophical questions that have not yet been thoroughly researched by philosophers, musicologists, or scientists. Issues addressed include: The relationship between the meaning of a song’s words and its music The performer’s role and the ensuing gender complications, social ontology, and personal identity The performer’s ethical obligations to audiences, composers, lyricists, and those for whom the material holds particular significance The metaphysical status of (...)
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  28.  55
    The biology of bird-song dialects.Myron Charles Baker & Michael A. Cunningham - 1985 - Behavioral and Brain Sciences 8 (1):85-100.
    No single theory so far proposed gives a wholly satisfactory account of the origin and maintenance of bird-song dialects. This failure is the consequence of a weak comparative literature that precludes careful comparisons among species or studies, and of the complexity of the issues involved. Complexity arises because dialects seem to bear upon a wide range of features in the life history of bird species. We give an account of the principal issues in bird-song dialects: evolution of vocal (...)
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  29. Bei Song ru xue.Baorui Du - 2005 - Taibei Shi: Taiwan shang wu yin shu guan.
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  30. San song tang zi xu.Youlan Feng - 1989 - Beijing: Ren min chu ban she.
     
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  31. Song Ming dao xue xin lun: ben ti lun jian gou yu zhu ti xing zhuan xiang = Newly research of Song and Ming dynasties' philosophy: construction of ontology and turn of subjectivity.Xiaofan Fu - 2005 - Beijing Shi: She hui ke xue wen xian chu ban she.
    本书共分八章,主要内容包括建构宇宙模式、初创中的分歧、本体论的完成、认知的主体性、顺应生命意题、情的普遍意义、意志主宰生命、历史性的总结。.
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  32. Song dai Shu xue yan jiu.Zhaoxi Hu - 1997 - Chengdu: Sichuan sheng xin hua shu dian jing xiao. Edited by Fusheng Liu & Pinxiao Su.
  33. Song xing wen hua yu Song dai mei xue jing shen.Fang Liu - 2004 - Chengdu: Sichuan chu ban ji tuan Ba Shu shu she.
     
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  34. Chʻŏnha ka mul e ppajimyŏn to rossŏ kŏnjyŏyaji: tongyang ŭi tŏkchʻi wa sŏyang ŭi pŏpchʻi e taehan chʻŏrhakchŏk annae: Chuyŏk ŭi wangdo chŏngchʻi wŏlli.Chae-guk Song - 1997 - Sŏul-si: Sol.
  35. Chʻŏnha ka mul e ppajimyŏn to rossŏ kŏnjyŏyaji: tongyang ŭi tŏkchʻi wa sŏyang ŭi pŏpchʻi e taehan chʻŏrhakchŏk annae: Chuyŏk ŭi wangdo chŏngchʻi wŏlli.Chae-guk Song - 1997 - Sŏul-si: Sol.
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  36. Hanʼguk sirhak kwa Tong Asia segye.Yŏng-bae Song (ed.) - 2004 - Kyŏnggi-do Suwŏn-si: Kyŏnggi Munhwa Chaedan.
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  37. Hyŏndae sinyuhak ui yŏkchŏng: 5.4 sinmunhwa undong esŏ Chungguk tʻŭksaek ŭi sahoejuŭi kkaji.Chong-sŏ Song - 2009 - Sŏul Tʻŭkpyŏlsi: Munsachʻŏl.
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  38.  1
    Ru jia dao yi xin jie.Yilin Song - 2010 - Guangzhou Shi: Zhongshan da xue chu ban she.
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  39. Zhongguo gu dai zhe xue yan jiu.Zhiming Song - 1998 - Beijing: Zhongguo ren min da xue chu ban she. Edited by Shiling Xiang & Ritian Jiang.
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  40.  10
    Song of the Lord: Gītā in Yoga-Vāsiṣṭha: With the Commentary Tātparya-Prakāśa of Ananda-Bodhendra Saraswati.Swami Vedabhāratī (ed.) - 2013 - Published by D.K. Printword in Association with Ahymsin Publishers.
    Critical study of selected portion of Yogavāsiṣṭha, treatise on Vedanta philosophy; includes translation of text and commentary.
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  41.  1
    Song dai xin ru xue de jing shen shi jie: yi Zhuzi xue wei zhong xin.Zhen Wu (ed.) - 2009 - Shanghai Shi: Hua dong shi fan da xue chu ban she.
    "这是一本关于朱子学国际研讨会的论文集. 本书把 "朱子学" 放在宋代新儒学的精神世界中, 从各方面加以多方位的考察和探究.".
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  42. Le songe de Descartes.Jacques Maritain - 1932 - Paris,: R. A. Corrêa.
    Le songe de Descartes.--Révélation de la science.--Déposition de la sagesse. Les preuves cartésiennes de Dieu.--L'héritage cartésien.
     
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  43.  18
    Folk Song as Hybrid Art Form.David Atkinson - forthcoming - British Journal of Aesthetics.
    A number of philosophers of music have proved resistant to the idea that song should be considered as a hybrid art that combines language and music. Separately, Levinson in his influential account of hybrid art forms does not admit folk song, even though he does allow nineteenth-century lieder into the hybrid category. Folk songs are sometimes treated as if they are anterior to and therefore ontologically distinct from the more complex songs of Western art music, or even of (...)
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  44.  2
    ‘That song moves me to tears’ – Emotion, memory and identity in encountering Christian songs.J. Gertrud Tönsing - 2020 - HTS Theological Studies 76 (3):9.
    This article aims to explore the complex issue of the emotive effect of Christian songs. It is based mainly on a literature survey, using sources both from Christian hymnology and musicology. It also uses illustrative examples from three informal surveys in congregations on the reasons particular songs are favourites. The point is made that exploring this issue scientifically is very complex as there are so many variables in people’s appreciation of songs. Some of these elements are discussed, such as the (...)
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  45.  5
    The Song of Proclus.Guy Wyndham-Jones - 2013 - Westbury, Wiltshire: Prometheus Trust. Edited by Guy Wyndham-Jones.
    Adapted by Guy Wyndham-JonesLike A Casting of Light, this little book presents a number of passages from Proclus arranged in verse form: the effect is both striking and inspiring. The voice is our native instrument of music, whether the vocal or the written word; both, when genuine, are the song of soul, and together they voice the soul's music. The numerous offerings in this little book will present you with a flavour of both the nature and scope of the (...)
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  46.  38
    Bird Song Diamond in Deep Space 8k.John Brumley, Charles Taylor, Reiji Suzuki, Takashi Ikegami, Victoria Vesna & Hiroo Iwata - 2020 - AI and Society 35 (1):87-101.
    The Bird Song Diamond project is a series of multifaceted and multidisciplinary installations with the aim of bringing contemporary research on bird communication to a large public audience. Using art and technology to create immersive experiences, BSD allows large audiences to embody bird communication rather than passively observe. In particular, BSD Mimic, a system for mimicking bird song, asks participants to grapple with both audition and vocalization of birdsong. The use of interactive installations for public outreach provides unique (...)
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  47. A song turned sideways would sound as sweet.Zachary Ferguson - 2021 - Analysis 81 (1):14-18.
    Markosian presents an argument against certain theories of time based on the aesthetic value of music. He argues that turning a piece of music sideways in time destroys its intrinsic value, which would not be possible if the Spacetime Thesis were true. In this paper I show that sideways music poses no problems for any theory of time by demonstrating that turning a piece of music sideways does not affect its intrinsic value. I do this by appealing to spatial analogies (...)
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  48.  4
    Siren Song to the Last Man: Mary Shelley and the Loss of the World.Marisa Žele - 2023 - Filozofski Vestnik 43 (2).
    The paper analyses the place of the End in Mary Shelley’s 1826 science fiction novel The Last Man, in which the image of a world devoid of humanity, as portrayed by the last man writing the last book, is drawn before the reader through a conceptual rethinking of notions such as the loss of the world, prophecy of the future, and oblivion of the past, as well as the return of the irretrievable through the siren song.
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  49.  6
    Philosophy of Song and Singing: An Introduction.Jeanette Bicknell - 2015 - New York: Routledge.
    In _Philosophy of Song and Singing: An Introduction_, Jeanette Bicknell explores key aesthetic, ethical, and other philosophical questions that have not yet been thoroughly researched by philosophers, musicologists, or scientists. Issues addressed include: The relationship between the meaning of a song’s words and its music The performer’s role and the ensuing gender complications, social ontology, and personal identity The performer’s ethical obligations to audiences, composers, lyricists, and those for whom the material holds particular significance The metaphysical status of (...)
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  50.  32
    Island songs: a global repertoire.Godfrey Baldacchino (ed.) - 2011 - Lanham, Md.: Scarecrow Press.
    Through the close analysis of musical performance and tradition, the scholarly contributiors to Island Songs provide a global review of how island songs, their lyrics, and their singers engage with the challenges of modernity, migration, and social change uncovering common patterns despite the diversity and local character of their subjects"--Cover p. [4].
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