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Susanna Fein [7]Susanna Greer Fein [2]
  1.  14
    Twelve-Line Stanza Forms in Middle English and the Date of Pearl.Susanna Greer Fein - 1997 - Speculum 72 (2):367-398.
    The linked stanza form of Pearl is widely known and admired. Yet there exists no complete account of how this aspect of Pearl compares with other Middle English poems written in twelve-line units. The omission is surprising, not least because this information may offer a background for dating Pearl. Four editors—of Pearl or of other verse—have compiled lists of verse specimens with a cognate stanza, but none of these tentative lists is complete or entirely accurate. The best resource for tracking (...)
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  2.  6
    Deborah L. Moore, Medieval Anglo-Irish Troubles: A Cultural Study of BL MS Harley 913. Turnhout: Brepols, 2016. Pp. Xii, 336; 6 Black-and-White Figures. [REVIEW]Susanna Fein - 2018 - Speculum 93 (3):881-882.
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  3.  13
    Ad Putter, Judith Jefferson, and Myra Stokes, Studies in the Metre of Alliterative Verse. Oxford: Society for the Study of Medieval Languages and Literature, 2007. Paper. Pp. X, 278. £16. [REVIEW]Susanna Fein - 2010 - Speculum 85 (2):457-458.
  4.  10
    The Whole Book: Cultural Perspectives on the Medieval Miscellany. Stephen G. Nichols, Siegfried Wenzel.Susanna Fein - 2000 - Speculum 75 (4):962-967.
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  5.  9
    Middle English Poetry: Texts and TraditionsA. J. Minnis.Susanna Fein - 2004 - Speculum 79 (1):251-254.
  6.  10
    Mary to Veronica: John Audelay's Sequence of Salutations to God-Bearing Women.Susanna Fein - 2011 - Speculum 86 (4):964-1009.
    Literary historians have been working productively in recent years to reclaim the texture of early-fifteenth-century English poetry in contexts of politics and religion. To the list of major authors we should add John Audelay, chaplain of Knockin , setting him equally beside his contemporaries Thomas Hoccleve, John Lydgate, and Margery Kempe. As a vernacular poet with a name, a provenance, and a rich body of work, Audelay warrants serious regard. His oeuvre displays an artistry that is different from, but as (...)
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  7. Derek Brewer and Jonathan Gibson, Eds., A Companion to the “Gawain”-Poet.(Arthurian Studies, 38.) Woodbridge, Eng., and Rochester, NY: Boydell and Brewer, 1997. Pp. Xii, 442; Black-and-White Figures, Maps, and Plans. $89. [REVIEW]Susanna Fein - 2001 - Speculum 76 (2):393-397.
     
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  8. Douglas Moffat, Ed., The Soul's Address to the Body: The Worcester Fragments.(Medieval Texts and Studies, 1.) East Lansing, Mich.: Colleagues Press, 1987. Pp. Viii, 133. [REVIEW]Susanna Greer Fein - 1992 - Speculum 67 (4):1013-1014.
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