37 found
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  1.  45
    Politics of digital learning—Thinking education with Bernard Stiegler.Susanna Lindberg - 2020 - Educational Philosophy and Theory 52 (4):384-396.
    Bernard Stiegler is known as a leading philosopher of technics. He has developed an original interpretation of technics as an externalized epiphylogenetic memory that remembers in the p...
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  2.  53
    Being with Technique–Technique as being-with: The technological communities of Gilbert Simondon.Susanna Lindberg - 2019 - Continental Philosophy Review 52 (3):299-310.
    I present Gilbert Simondon’s thinking of technics, that I take to be so compelling today because it articulates technological reality in ecological terms as a technogeography and life as being-with-the-machines. I will flesh out Simondon’s program for a being-with-the-machines, show how it corresponds to the essence of the technical objects described in terms of milieu and relation indicate how this is based on Simondon’s ontology of individuation suggest a criticism of Simondon, insofar as he would underestimate the technicality of the (...)
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  3.  8
    Heidegger's animal.Susanna Lindberg - 2004 - Phänomenologische Forschungen 2004:57-81.
  4.  13
    Blockbusters and the Arthouse Cinema of Consciousness.Susanna Lindberg - 2024 - Philosophy Today 68 (3):455-477.
    Bernard Stiegler’s theory of consciousness claims: consciousness is cinema. The invention of the technological dispositifs of photography, phonograph, and cinema, have made this structure visible. He develops the thesis of the cinema of consciousness in Technics and Time, where it leads to a deconstruction of Husserlian consciousness and of the Kantian I. This theory also orients Stiegler’s large-scale criticism of contemporary cinematic capitalism that engages with the works of Adorno, Horkheimer, and Debord. This article presents and critically examines Stiegler’s theory (...)
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  5.  8
    Hans Jonas' theory of Life in the face of Responsibility.Susanna Lindberg - 2005 - Phänomenologische Forschungen 2005:175-192.
    What is the concept of life that, according to Hans Jonas, can and must constitute an object of political responsibility? It is neither mechanist nor purely phenomenological, but rather has a speculative aspect. It is presented through the questions of being, self and teleology: life is a singular’s act of constant creation of itself as a world-relation. Why does Jonas desire the protection of the „image of man“? This makes sense if „image“ is understood not as a given figure, but (...)
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  6.  28
    Onto-Technics in Bryant, Harman, and Nancy.Susanna Lindberg - 2018 - PhaenEx 12 (2):81-102.
    My hypothesis in this article is that it is possible to use the philosophical concept of technics to solve a conflict in contemporary continental ontology between speculative materialist and phenomenological approaches. More precisely, I will show that technics gives a privileged access to ontology because it leads to a “materialist” ontology, avoiding both theological and nihilistic approaches, and because technics, being by definition a domain of artificiality, precludes any explication of it in terms of naturalist materialism. I start by critically (...)
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  7.  13
    The End of the World: Contemporary Philosophy and Art.Marcia Sá Cavalcante Schuback & Susanna Lindberg (eds.) - 2017 - London: Rowman & Littlefield International.
    Omnipresent in popular culture, especially in film and literature, the theme of the 'end of the world' is often rejected from contemporary philosophy as hysterical apocalyptism. This volume attempts to show that it is vital that we address the motif of the 'end' in contemporary world – but that this cannot be done without thinking it anew.
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  8.  15
    Composition for Voices: Jean-Luc Nancy’s Musical Subject.Susanna Lindberg - 2024 - Symposium 28 (1):8-29.
    This article presents Jean-Luc Nancy’s ideas of music in relation to being singular plural. Nancy elaborates on the themes of sharing of voices and of resonance in several texts, and he relates resonance specifically to sound, voice, and music. Although in other contexts Nancy thinks that the question of the subject belongs to the past, he maintains the question of the subject in the context of sonority. We will see that this subject is not only the subject of sensation but (...)
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  9.  31
    Monde, fin du monde, défaite du monde La mise en question du monde chez Martin Heidegger et Jacques Derrida.Susanna Lindberg - 2017 - Revue Philosophique De Louvain 115 (1):85-118.
    L’article examine la question philosophique de la fin du monde en comparant son traitement par Jacques Derrida et par Martin Heidegger. Nous résumons d’abord le concept heideggérien du monde. Après cela, nous présentons la pensée derridienne de la fin du monde comme sa déconstruction. Derrida oppose notamment à Heidegger l’idée de la mort de l’autre comme «fin du monde chaque fois unique». Dans «No apocalypse, not now», il examine également l’idée de la destruction sans reste du monde et de l’humanité, (...)
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  10.  13
    Le monde défait: l'être au monde aujourd'hui.Susanna Lindberg - 2016 - Paris: Hermann.
    I. L'absence du monde humain -- II. Techno-nature élémentaire -- III. Résider dans la techno-imagination.
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  11.  39
    Jacques Derrida, l’hospitalité au-delà de la tolérance et l’intolérance au cœur de l’hospitalité.Susanna Lindberg - 2023 - Les Etudes Philosophiques 144 (1):95-109.
    Jacques Derrida a formulé une importante critique du concept de tolérance hérité des Lumières. Évidemment, il ne recommande pas l’intolérance, mais il en appelle à une autre forme de tolérance réinterprétée dans le cadre d’une éthique plus générale de l’hospitalité. La parution en 2021 du volume 1 de son séminaire Hospitalité (EHESS, 1995-1996) permet de préciser ses concepts de l’hospitalité conditionnelle et de l’hospitalité inconditionnelle, ainsi que leur enchevêtrement aporétique. Cet article présente son concept d’hospitalité au-delà de la tolérance, mais (...)
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  12.  43
    Derrida’s Quasi-Technique.Susanna Lindberg - 2016 - Research in Phenomenology 46 (3):369-389.
    _ Source: _Volume 46, Issue 3, pp 369 - 389 The article’s aim is to measure the potential of Derrida’s work for a philosophy of technique. It shows why Derrida does not present a positive philosophy of technology but rather describes technique as a _quasi_-technique, _as if_ a technique. The article inquires into the potential of such a quasi-technique for a contemporary philosophy of technology: it is suggested that it can function as a salutary “deconstruction” of mainstream philosophy of technology (...)
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  13.  12
    La question de la techno-écologie.Susanna Lindberg - 2016 - Multitudes 65 (4):167.
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  14. On the Night of the Elemental Imaginary.Susanna Lindberg - 2011 - Research in Phenomenology 41 (2):157-180.
    This essay is a comparison between Schelling's and Blanchot's conceptions of the night of the imaginary. Schelling is the most romantic of the German idealist philosophers and Blanchot the most extreme of the French “deconstructionists.“ Their historical link is actually indirect, but they offer two complementary views on the “same“ impersonal nocturnal experience of the imaginary, the approach of which requires a certain self-overcoming of philosophy towards literature.
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  15.  6
    Spelen met vuur.Susanna Lindberg - 2024 - de Uil Van Minerva 37 (2).
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  16. (1 other version)Onto-rythmie.Susanna Lindberg - forthcoming - Rhuthmos.
    Ce texte a déjà paru dans la Revue philosophique de Louvain, 108, 2010, p. 527-548. Mon sujet sera le motif du « rythme » d'après des textes de Philippe Lacoue-Labarthe. Bien sûr, j'aurais aimé parler du rythme de Philippe Lacoue-Labarthe, du dictamen de sa phrase. Rythme admirable, oui, mais sujet pour moi intraitable dans le cadre d'un essai philosophique. Le rythme de la phrase de Lacoue-Labarthe se fait au creux d'autres rythmes et s'amplifie en chambre d'échos des voix qu'il met (...)
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  17.  12
    La chute et la chance de la nature.Susanna Lindberg - 2020 - Archives de Philosophie 83 (3):81-98.
    L’article présente un regard synthétique sur les enjeux de la philosophie de la nature de l’idéalisme allemand. Il montre pourquoi la philosophie hégélienne de la nature doit être lue non pas seulement comme la chute de l’idée dans une extériorité sans esprit, mais aussi comme la chance de l’esprit qui veut penser le réel tel qu’il est. Il compare cela à l’opposition de la gravité et de la lumière dans la philosophie de la nature de Schelling, et fait finalement une (...)
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  18.  11
    Het techno-ecologische vraagstuk.Susanna Lindberg - 2023 - de Uil Van Minerva 36 (1).
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  19.  14
    Acuité et étourdissement: les animaux de Hegel et Heidegger.Susanna Lindberg - 2007 - Hegel-Jahrbuch 2007 (1).
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  20.  29
    From technological humanity to bio-technical existence.Susanna Lindberg - 2023 - Albany: State University of New York Press.
    Explores the relationship between technics and humanity, tracing the emergence of a bio-technical conception of existence in contemporary continental philosophy.
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  21.  14
    Four Transcendental Illusions of the Digital World: A Derridean Approach.Susanna Lindberg - 2021 - Research in Phenomenology 51 (3):394-413.
    This article considers the remote meeting technologies that have become the unavoidable framework of work during the COVID-19 epidemic. I analyze them with the help of Jacques Derrida’s concepts, thus also illustrating the reach of the latter. The article presents four “transcendental illusions” as supporting the digital world and, according to Derrida, experience. The illusion of proximity: digitality relies on a haptocentric illusion but it also reveals the distance at the heart of touching. The illusion of presence: digitality functions under (...)
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  22.  16
    5 Hostility in Philosophy – Between Hegel and Heidegger.Susanna Lindberg - 2021 - In Luke Collison, Cillian Ó Fathaigh & Georgios Tsagdis (eds.), Derrida's Politics of Friendship: Amity and Enmity. Edinburgh: Edinburgh University Press. pp. 79-90.
  23.  15
    Johdatus Hegelin Hengen fenomenologiaan.Susanna Lindberg (ed.) - 2012
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  24.  25
    Liberation—of Art and Technics: Artistic Responses to Heidegger’s Call for a Dialogue between Technics and Art.Susanna Lindberg - 2017 - Journal of Aesthetics and Phenomenology 4 (2):139-154.
    This paper is motivated by Heidegger’s invitation to think the essence of technics through a dialogue between technics and art. This dialogue is approached with the help of several artworks belonging to what can be called the “technological turn” in art. First, I draw a schematic picture of notions of instrumentality, rationality, totality, and teleology inherited from classical philosophy of art and technology and challenged by contemporary art. I underline the Romantic claim that art overcomes these features thanks to its (...)
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  25.  57
    Lost in the World of Technology with and after Heidegger.Susanna Lindberg - 2015 - Epoché: A Journal for the History of Philosophy 20 (1):213-232.
    Is Heidegger’s theory of the era of technology a sufficent hermeneutics of contemporary globalization? It remains invaluable because it understands technology in terms of transcendence, and transcencence in terms of being-in-the-world. But should it nevertheless be revised in the context of contemporary social and technological environment? This article shows firstly how Heidegger’s general idea of being-in-the-world is specified in his theory of technology, and how technology reduces man and nature into “natural resources” and being into elemental techno-nature. Secondly, the article (...)
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  26.  7
    Limite-illimité, questions au présent.Susanna Lindberg & Gisèle Berkman (eds.) - 2012 - Nantes: Éditions nouvelles Cécile Defaut.
    L’enjeu de ce recueil est de contribuer à repenser la notion de limite, en l’envisageant sous les différentes figures, philosophiques, écologiques, politiques, que lui confère notre présent. Comme le montrent, sous des modalités diverses, les contributions de ce collectif, la limite peut et doit être conçue en dehors des valeurs négatives – borne, restriction ou frontière –, qui en affaiblissent la portée. Elle peut alors être pensée sur le fond de cet illimité où s’ouvre la question même du dehors. Si (...)
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  27.  10
    Matières de l’histoire: Ecriture, voix, technique.Susanna Lindberg - 2013 - Danish Yearbook of Philosophy 48:73-90.
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  28. Metafysiikasta olemisen “fysiikkaan”: Hegelin “elämä” ja Heideggerin “fysis” i.Susanna Lindberg - 2006 - Ajatus 63:97.
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  29.  31
    Natural History Today.Susanna Lindberg - 2016 - Philosophy Today 60 (4):975-988.
    This essay is a broad overview of philosophy’s capacity of facing the historicity of nature. It shows why classical philosophy of history, especially Hegel, left nature outside of history, and also in what sense this kind of philosophy is outdated. Then it shows how natural sciences discovered historical phenomena since the invention of biology at the very end of the eighteenth century and especially since Darwinism, although these did not examine the philosophical presuppositions of their theories. Assuming that the challenge (...)
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  30.  33
    Être avec un autre ou Heidegger et le problème de la reconnaissance.Susanna Lindberg - 2007 - Philosophie 93 (2):76-93.
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  31.  15
    Techniques en philosophie.Susanna Lindberg - 2020 - Paris: Hermann.
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  32. Thinking with---Jean-Luc Nancy.Susanna Lindberg, Artemiĭ Magun & Marita Tatari (eds.) - 2023 - Zurich: Diaphanes.
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  33.  24
    Vivant à la limite.Susanna Lindberg - 2006 - Les Etudes Philosophiques 1 (1):107-120.
    Cet article présente la conception hégélienne de la vie naturelle comme limite : la nature est la limite de l’esprit, et le vivant est une limite en soi. Examiné surtout dans l’animal, « vivre » équivaut à tracer les limites du vivant, dont on voit ainsi la plasticité fondamentale. La finitude du vivant se traduit en une imagination purement sensible, qui se réalise dans la création d’un espace-temps singulier ; le sens qui dirige cette activité vise à reproduire une existence, (...)
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  34. Womanlife or lifework and psycho-technique: woman as the figure of the plasticity of transcendence.Susanna Lindberg - 2010 - In Kimberly Hutchings & Tuija Pulkkinen (eds.), Hegel's philosophy and feminist thought: beyond Antigone? New York: Palgrave-Macmillan.
     
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  35.  21
    The ethos of digital environments: technology, literary theory and philosophy.Hanna-Riikka Roine & Susanna Lindberg (eds.) - 2021 - New York: Routledge.
    This collection of articles from both distinguished and emerging authors working at the intersections of philosophy, literary theory, media, and technology does not intend to fix new moral rules. Instead, the volume explores the ethos of digital environments, asking how we can orient ourselves in them and inviting us to renewed moral reflection in the face of dilemmas they entail.
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  36.  18
    Evangelia Sembou. ‘Midwifery’ and Criticism in G. W. F. Hegel's Phenomenology of Spirit. Sankt Augustin: Academia Verlag 2012. Paperback, ISBN 978-3-89665-562-2. Pp. x+211, 24.50 €. [REVIEW]Susanna Lindberg - 2015 - Hegel Bulletin 36 (2):285-288.
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  37.  12
    Rebecca Comay. Mourning Sickness. Hegel and the French Revolution. Stanford : Stanford University Press, 2011. ISBN 978-0-8047-6126-0. Pp. xiv + 202. [REVIEW]Susanna Lindberg - 2012 - Hegel Bulletin 33 (2):106-110.
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