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Susanna Lindberg
University of Tampere
  1.  5
    Monde, fin du monde, défaite du monde La mise en question du monde chez Martin Heidegger et Jacques Derrida.Susanna Lindberg - 2017 - Revue Philosophique De Louvain 115 (1):85-118.
    L’article examine la question philosophique de la fin du monde en comparant son traitement par Jacques Derrida et par Martin Heidegger. Nous résumons d’abord le concept heideggérien du monde. Après cela, nous présentons la pensée derridienne de la fin du monde comme sa déconstruction. Derrida oppose notamment à Heidegger l’idée de la mort de l’autre comme «fin du monde chaque fois unique». Dans «No apocalypse, not now», il examine également l’idée de la destruction sans reste du monde et de l’humanité, (...)
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  2. The End of the World: Contemporary Philosophy and Art.Marcia Sa Cavalcante Schuback & Susanna Lindberg (eds.) - 2017 - Rowman & Littlefield International.
    Omnipresent in popular culture, especially in film and literature, the theme of the 'end of the world' is often rejected from contemporary philosophy as hysterical apocalyptism. This volume attempts to show that it is vital that we address the motif of the 'end' in contemporary world – but that this cannot be done without thinking it anew.
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  3. La Question de la Techno-Écologie.Susanna Lindberg - 2016 - Multitudes 65 (4):167.
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  4.  11
    Politics of Digital Learning—Thinking Education with Bernard Stiegler.Susanna Lindberg - forthcoming - Educational Philosophy and Theory:1-13.
    Bernard Stiegler is known as a leading philosopher of technics. He has developed an original interpretation of technics as an externalized epiphylogenetic memory that remembers in the p...
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  5.  8
    Being with Technique–Technique as Being-With: The Technological Communities of Gilbert Simondon.Susanna Lindberg - 2019 - Continental Philosophy Review 52 (3):299-310.
    I present Gilbert Simondon’s thinking of technics, that I take to be so compelling today because it articulates technological reality in ecological terms as a technogeography and life as being-with-the-machines. I will flesh out Simondon’s program for a being-with-the-machines, show how it corresponds to the essence of the technical objects described in terms of milieu and relation indicate how this is based on Simondon’s ontology of individuation suggest a criticism of Simondon, insofar as he would underestimate the technicality of the (...)
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  6.  90
    Onto-rythmie.Susanna Lindberg - forthcoming - Rhuthmos.
    Ce texte a déjà paru dans la Revue philosophique de Louvain, 108, 2010, p. 527-548. Mon sujet sera le motif du « rythme » d'après des textes de Philippe Lacoue-Labarthe. Bien sûr, j'aurais aimé parler du rythme de Philippe Lacoue-Labarthe, du dictamen de sa phrase. Rythme admirable, oui, mais sujet pour moi intraitable dans le cadre d'un essai philosophique. Le rythme de la phrase de Lacoue-Labarthe se fait au creux d'autres rythmes et s'amplifie en chambre d'échos des voix qu'il met (...)
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  7. On the Night of the Elemental Imaginary.Susanna Lindberg - 2011 - Research in Phenomenology 41 (2):157-180.
    This essay is a comparison between Schelling's and Blanchot's conceptions of the night of the imaginary. Schelling is the most romantic of the German idealist philosophers and Blanchot the most extreme of the French “deconstructionists.“ Their historical link is actually indirect, but they offer two complementary views on the “same“ impersonal nocturnal experience of the imaginary, the approach of which requires a certain self-overcoming of philosophy towards literature.
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  8.  29
    Metafysiikasta olemisen “fysiikkaan”: Hegelin “elämä” ja Heideggerin “fysis” i.Susanna Lindberg - 2006 - Ajatus 63:97.
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  9. Heidegger's Animal.Susanna Lindberg - 2004 - Phänomenologische Forschungen.
     
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  10.  6
    Liberation—of Art and Technics: Artistic Responses to Heidegger’s Call for a Dialogue Between Technics and Art.Susanna Lindberg - 2017 - Journal of Aesthetics and Phenomenology 4 (2):139-154.
    This paper is motivated by Heidegger’s invitation to think the essence of technics through a dialogue between technics and art. This dialogue is approached with the help of several artworks belonging to what can be called the “technological turn” in art. First, I draw a schematic picture of notions of instrumentality, rationality, totality, and teleology inherited from classical philosophy of art and technology and challenged by contemporary art. I underline the Romantic claim that art overcomes these features thanks to its (...)
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  11.  23
    Lost in the World of Technology with and After Heidegger.Susanna Lindberg - 2015 - Epoché: A Journal for the History of Philosophy 20 (1):213-232.
    Is Heidegger’s theory of the era of technology a sufficent hermeneutics of contemporary globalization? It remains invaluable because it understands technology in terms of transcendence, and transcencence in terms of being-in-the-world. But should it nevertheless be revised in the context of contemporary social and technological environment? This article shows firstly how Heidegger’s general idea of being-in-the-world is specified in his theory of technology, and how technology reduces man and nature into “natural resources” and being into elemental techno-nature. Secondly, the article (...)
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  12.  15
    Derrida’s Quasi-Technique.Susanna Lindberg - 2016 - Research in Phenomenology 46 (3):369-389.
    _ Source: _Volume 46, Issue 3, pp 369 - 389 The article’s aim is to measure the potential of Derrida’s work for a philosophy of technique. It shows why Derrida does not present a positive philosophy of technology but rather describes technique as a _quasi_-technique, _as if_ a technique. The article inquires into the potential of such a quasi-technique for a contemporary philosophy of technology: it is suggested that it can function as a salutary “deconstruction” of mainstream philosophy of technology (...)
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  13.  13
    Natural History Today.Susanna Lindberg - 2016 - Philosophy Today 60 (4):975-988.
    This essay is a broad overview of philosophy’s capacity of facing the historicity of nature. It shows why classical philosophy of history, especially Hegel, left nature outside of history, and also in what sense this kind of philosophy is outdated. Then it shows how natural sciences discovered historical phenomena since the invention of biology at the very end of the eighteenth century and especially since Darwinism, although these did not examine the philosophical presuppositions of their theories. Assuming that the challenge (...)
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  14.  5
    Evangelia Sembou. ‘Midwifery’ and Criticism in G. W. F. Hegel's Phenomenology of Spirit. Sankt Augustin: Academia Verlag 2012. Paperback, ISBN 978-3-89665-562-2. Pp. X+211, 24.50 €. [REVIEW]Susanna Lindberg - 2015 - Hegel Bulletin 36 (2):285-288.
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  15.  11
    Vivant à la limite.Susanna Lindberg - 2006 - Les Etudes Philosophiques 76 (1):107.
    Cet article présente la conception hégélienne de la vie naturelle comme limite : la nature est la limite de l’esprit, et le vivant est une limite en soi. Examiné surtout dans l’animal, « vivre » équivaut à tracer les limites du vivant, dont on voit ainsi la plasticité fondamentale. La finitude du vivant se traduit en une imagination purement sensible, qui se réalise dans la création d’un espace-temps singulier ; le sens qui dirige cette activité vise à reproduire une existence, (...)
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  16.  16
    Être avec un autre ou Heidegger et le problème de la reconnaissance.Susanna Lindberg - 2007 - Philosophie 93 (2):76.
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  17.  9
    Natural History Today in Advance.Susanna Lindberg - forthcoming - Philosophy Today.
  18.  7
    Onto-rythmie.Susanna Lindberg - 2010 - Revue Philosophique De Louvain 108 (3):527-548.
    Ce texte a déjà paru dans la Revue philosophique de Louvain, 108, 2010, p. 527-548. Mon sujet sera le motif du « rythme » d'après des textes de Philippe Lacoue-Labarthe. Bien sûr, j'aurais aimé parler du rythme de Philippe Lacoue-Labarthe, du dictamen de sa phrase. Rythme admirable, oui, mais sujet pour moi intraitable dans le cadre d'un essai philosophique. Le rythme de la phrase de Lacoue-Labarthe se fait au creux d'autres rythmes et s'amplifie en chambre d'échos des voix qu'il met (...)
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  19.  2
    Rebecca Comay. Mourning Sickness. Hegel and the French Revolution. Stanford : Stanford University Press, 2011. ISBN 978-0-8047-6126-0. Pp. Xiv + 202. [REVIEW]Susanna Lindberg - 2012 - Hegel Bulletin 33 (2):106-110.
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  20.  1
    Acuité et étourdissement: les animaux de Hegel et Heidegger.Susanna Lindberg - 2007 - Hegel-Jahrbuch 2007 (1).
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  21. Hans Jonas's Theory of Life in the Face of Responsibility.Susanna Lindberg - 2005 - Phänomenologische Forschungen.
     
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  22. Matières de L’Histoire: Ecriture, Voix, Technique.Susanna Lindberg - 2013 - Danish Yearbook of Philosophy 48 (1):73-90.
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  23. Onto-Technics in Bryant, Harman, and Nancy.Susanna Lindberg - 2018 - PhaenEx 12 (2):81-102.
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  24. Womanlife or Lifework and Psycho-Technique: Woman as the Figure of the Plasticity of Transcendence.Susanna Lindberg - 2010 - In Kimberly Hutchings & Tuija Pulkkinen (eds.), Hegel's Philosophy and Feminist Thought: Beyond Antigone? Palgrave-Macmillan.
     
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