28 found
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  1.  4
    Introduction: Science and Practices of Translation.Sven Dupré - 2018 - Isis 109 (2):302-307.
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  2.  36
    Ofer Gal and Raz Chen-Morris Baroq Ue Science , Pp. Xiv+333, Illus., Index, $45, ISBN-13: 978 0 226 92398 7.Sven Dupré - 2014 - Early Science and Medicine 19 (4):373-375.
  3.  16
    Art History, History of Science, and Visual Experience.Sven Dupré - 2010 - Isis 101:618-622.
    The Human Animal in Western Art and ScienceLeonardoLeonardo da Vinci: Experience, Experiment, and DesignSeen | Unseen: Art, Science, and Intuition from Leonardo to the Hubble Space Telescope by Martin Kemp; Martin Kemp; Martin Kemp; Martin Kemp.
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  4.  12
    The History of Knowledge and the Future of Knowledge Societies.Sven Dupré & Geert Somsen - 2019 - Berichte Zur Wissenschaftsgeschichte 42 (2-3):186-199.
    Berichte zur Wissenschaftsgeschichte, EarlyView.
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  5.  4
    Art History, History of Science, and Visual ExperienceMartin Kemp. The Human Animal in Western Art and Science. 320 Pp., Illus., Figs., Bibl., Index. Chicago/London: University of Chicago Press, 2007. $40 .Martin Kemp. Leonardo. Xviii + 286 Pp., Plates, Figs., Index. Oxford: Oxford University Press, 2004. $26 .Martin Kemp. Leonardo da Vinci: Experience, Experiment, and Design. 213 Pp., Illus., Index. Princeton, N.J./Oxford: Princeton University Press, 2006. $60 .Martin Kemp. Seen | Unseen: Art, Science, and Intuition From Leonardo to the Hubble Space Telescope. Xvi + 352 Pp., Figs., Illus., Index. Oxford: Oxford University Press, 2006. $45. [REVIEW]Sven Dupré - 2010 - Isis 101 (3):618-622.
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  6.  43
    Inside the Camera Obscura. Kepler's Experiment and Theory of Optical Imagery.Sven Dupré - 2008 - Early Science and Medicine 13 (3):219-244.
    In his Paralipomena Johannes Kepler reported an experimentum that he had seen in the Dresden Kunstkammer. In one of the rooms there, which had been turned in its entirety into a camera obscura, he had witnessed the images formed by a lens. I discuss the role of this experiment in the development and foundation of his new theory of optical imagery, which made a distinction between two concepts of image, pictura and imago. My focus is on how Kepler used his (...)
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  7.  35
    Inside the Kunstkammer: The Circulation of Optical Knowledge and Instruments at the Dresden Court.Sven Dupré & Michael Korey - 2009 - Studies in History and Philosophy of Science Part A 40 (4):405-420.
    The Kunstkammer of the Electors of Saxony, founded in Dresden around 1560, housed one of the richest collections of tools and scientific instruments in its day. A close analysis of the optical objects in the collection in the decades around 1600 is undertaken here—in particular, their arrangement by a mathematically trained curator, Lucas Brunn, and their use in an ‘experiment’ by a distinguished visitor, Johannes Kepler. It is argued that the selection, display and use of optical objects within this collection (...)
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  8.  64
    Kepler’s Optics Without Hypotheses.Sven Dupré - 2012 - Synthese 185 (3):501-525.
    This paper argues that Kepler considered his work in optics as part of natural philosophy and that, consequently, he aimed at change within natural philosophy. Back-to-back with John Schuster’s claim that Descartes’ optics should be considered as a natural philosophical appropriation of innovative results in the tradition of practical and mixed mathematics the central claim of my paper is that Kepler’s theory of optical imagery, developed in his Paralipomena ad Vitellionem (1604), was the result of a move similar to Descartes’ (...)
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  9.  14
    Inside the Camera Obscura: Kepler's Experiment and Theory of Optical Imagery.Sven Dupré - 2008 - Early Science and Medicine 13 (3):219-244.
    In his Paralipomena Johannes Kepler reported an experimentum that he had seen in the Dresden Kunstkammer. In one of the rooms there, which had been turned in its entirety into a camera obscura, he had witnessed the images formed by a lens. I discuss the role of this experiment in the development and foundation of his new theory of optical imagery, which made a distinction between two concepts of image, pictura and imago. My focus is on how Kepler used his (...)
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  10.  37
    Optics, Pictures and Evidence: Leonardo's Drawings of Mirrors and Machinery.Sven Dupré - 2005 - Early Science and Medicine 10 (2):211-236.
    Leonardo's drawings of optical machinery have been used as evidence for the claim that Leonardo built machines to make concave mirrors with which he could project images. This paper argues that Leonardo's drawings cannot be used as evidence for this claim. It will be shown that Leonardo used the drawings to communicate with his patrons and craftsmen, to experiment on paper, to record trials with models, and to think about 'theoretical' problems in optics. At both the theoretical and the practical (...)
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  11.  3
    Youthful Minds and Hands: Learning Practical Knowledge in Early Modern Europe.Feike Dietz & Sven Dupré - 2019 - Science in Context 32 (2):113-118.
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  12.  20
    In Memoriam Professor Dr. Fernand Hallyn.Sven Dupré & Alexander Roose - 2010 - Studium : Revue D’Histoire des Sciences Et des Universités 3 (1):56.
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  13.  31
    Introduction. The Hockney-Falco Thesis: Constraints and Opportunities.Sven Dupré - 2005 - Early Science and Medicine 10 (2):125-136.
  14.  35
    Newton's Telescope in Print: The Role of Images in the Reception of Newton's Instrument.Sven Dupré - 2008 - Perspectives on Science 16 (4):pp. 328-359.
    While Newton tried to make his telescope into a proof of the supremacy of his theory of colours over older theories, his instrument was welcomed as a way to shorten telescopes, not as a way to solve the problem of chromatic aberration. This paper argues that the image published together with the report on Newton’s telescope in Philosophical Transactions (1672) encouraged this reception. The differences between this visualization and other images of Newton’s telescope, especially that published in Opticks (1704), are (...)
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  15.  13
    Timothy McCall;, Sean Roberts;, Giancarlo Fiorenza . Visual Cultures of Secrecy in Early Modern Europe. X + 238 Pp., Illus., Bibl., Index. Kirksville, Mo.: Truman State University Press, 2013. $49.95. [REVIEW]Sven Dupré - 2015 - Isis 106 (1):176-177.
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  16.  10
    Richard Yeo. Notebooks, English Virtuosi, and Early Modern Science. Xviii + 398 Pp., Illus., Bibl., Index. Chicago/London: University of Chicago Press, 2014. $45. [REVIEW]Sven Dupré - 2016 - Isis 107 (4):839-840.
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  17.  15
    Trading Luxury Glass, Picturing Collections and Consuming Objects of Knowledge in Early Seventeenth‐Century Antwerp.Sven Dupré - 2010 - Intellectual History Review 20 (1):53-78.
    In this assessment of the intersection of trade, picturing collections and knowledge?making in Early Modern Antwerp, the focus is on the role of luxury glass, mirror and lens technology and the science of optics. Emphasizing the social ties that facilitated these intersections, it is argued that newly invented luxury goods such as the pictures of collections and the art cabinets allowed Antwerp craftsmen, artists and art dealers to export the message that the material objects in which they traded were objects (...)
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  18.  12
    Jean‐Vincent Blanchard. L’optique du discours au XVIIe siècle: De la rhétorique des jésuites au style de la raison moderne . xii + 309 pp., illus., figs., bibl., index. Saint‐Nicolas: Presses de l’Université Laval, 2005. $39. [REVIEW]Sven Dupré - 2006 - Isis 97 (4):746-747.
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  19.  12
    John North. The Ambassadors’ Secret: Holbein and the World of the Renaissance. Xix + 346 Pp., Illus., Bibl., Index. London/New York: Hambledon & London, 2002. $34.95. [REVIEW]Sven Dupré - 2004 - Isis 95 (3):487-488.
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  20.  14
    Microscopes of the Ancien Régime.Sven Dupré - 2009 - Metascience 18 (1):107-110.
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  21.  10
    Die Sichtbarkeit Und Unsichtbarkeit von Körperwissen in der Kodifikation der Künste in der Frühen Neuzeit.Sven Dupré - 2016 - Paragrana: Internationale Zeitschrift für Historische Anthropologie 25 (1):110-129.
    Name der Zeitschrift: Paragrana Jahrgang: 25 Heft: 1 Seiten: 110-129.
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  22.  11
    Introduction: Early Modern Color Worlds.Sachiko Kusukawa, Karin Leonhard, Tawrin Baker & Sven Dupré - 2015 - Early Science and Medicine 20 (4-6):289-307.
  23.  11
    L’Optique Du Discours Au Xviie Siècle: De La Rhétorique Des Jésuites Au Style De La Raison Moderne. [REVIEW]Sven Dupré - 2006 - Isis 97:746-747.
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  24.  10
    The Mindful Hand: Inquiry and Invention From the Late Renaissance to Early Industrialization.Sven Dupré - 2011 - Annals of Science 68 (2):291-294.
  25.  8
    Between Raphael and Galileo. Mutio Oddi and the Mathematical Culture of Late Renaissance Italy.Sven Dupré - 2011 - Intellectual History Review 21 (4):535-536.
  26. Brill Online Books and Journals.Sven Dupré & Sara J. Schechner - 2005 - Early Science and Medicine 10 (2).
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  27.  5
    The Ambassadors’ Secret: Holbein and the World of the Renaissance. [REVIEW]Sven Dupré - 2004 - Isis 95:487-488.
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  28. The Social and Economic Roots of the Scientific Revolution - by Gideon Freudenthal & Peter McLaughlin.Sven Dupré - 2011 - Centaurus 53 (1):73-74.
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