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  1.  30
    Dante and Francesca da Rimini: Realpolitik, Romance, Gender.Teodolinda Barolini - 2000 - Speculum 75 (1):1-28.
    While we are accustomed to Dante's appropriations and revisions of history, the case of Francesca da Rimini is rather different from the norm, since in her case no trace remains of the historical record that the poet could have appropriated. There is no completely independent documentation of Francesca's story; we are indebted for what we know to Dante and to his commentators. A fourteenth-century chronicler of Rimini, Marco Battagli, alludes in passing to the event, but his history was written in (...)
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  2.  19
    Memoirs of Fellows and Corresponding Fellows of the Medieval Academy of America.James J. John, John Van Engen, William J. Courtenay, George Hardin Brown, Ruth Mellinkoff, William Chester Jordan, Karl F. Morrison, Thomas F. X. Noble, John J. Contreni, Robert Hollander, Victoria Kirkham, Teodolinda Barolini, Robert E. Lerner & Marcia L. Colish - 2006 - Speculum 81 (3):972-984.
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  3. Alison Morgan, Dante and the Medieval Other World.(Cambridge Studies in Medieval Literature, 8.) Cambridge, Eng.: Cambridge University Press, 1990. Pp. Ix, 256; 22 Black-and-White Plates, 3 Graphs, 1 Diagram. $44.50. [REVIEW]Teodolinda Barolini - 1992 - Speculum 67 (3):728-729.
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  4. Arachne, Argus, and St. John: Transgressive Art in Dante and Ovid.Teodolinda Barolini - 1987 - Mediaevalia 13:218-219.
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  5.  6
    Kenelm Foster and Patrick Boyde, Eds., Cambridge Readings in Dante's “Comedy.” Cambridge, Eng., and New York: Cambridge University Press, 1981. Pp. X, 213. $39.50. [REVIEW]Teodolinda Barolini - 1984 - Speculum 59 (1):233-234.
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  6.  3
    The Marquis of Saluzzo, or the Griselda Story Before It Was Hijacked: Calculating Matrimonial Odds in Decameron 10.10.Teodolinda Barolini - 2013 - Mediaevalia 34 (11):23-55.
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  7.  2
    Dante's "Comedy": Introductory Readings of Selected Cantos. Uberto Limentani.Teodolinda Barolini - 1988 - Speculum 63 (1):191-192.
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  8. Desire and Death, or Francesca and Guido Cavalcanti: Inferno 5 in its Lyric Context: Bernardo Lecture Series, No. 9.Teodolinda Barolini - 2001 - The Bernardo Lecture Series.
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