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  1.  74
    Beyond the Echo-chamber: An Interview with Hartmut Rosa on Resonance and Alienation.Thijs Lijster, Robin Celikates & Hartmut Rosa - 2019 - Krisis 39 (1):64-78.
  2.  24
    Martens vs. KIRAC: les extrêmes se touchent?Thijs Lijster - 2023 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 115 (4):362-376.
    Martens vs. KIRAC: les extrêmes se touchent? This paper discusses the relationship between art and politics by taking Walter Benjamin’s famous formulation on the ‘politicization of art’ and the ‘aestheticization of politics’ as a starting point. The work of Dutch artist Renzo Martens and the work of art collective KIRAC are considered to be exemplifying the two sides of Benjamin’s formulation, and at the same time as representative of wider tendencies of the contemporary art world. I argue that, in their (...)
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  3. Passanten: Over wat ons rest van de stad als utopie.Ignaas Devisch, Thijs Lijster & Aukje van Rooden - 2009 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 101 (2):135-148.
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  4.  11
    Acknowledgements.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 7-8.
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  5.  13
    Abbreviations.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 9-10.
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  6.  10
    1. Autonomy and Critique.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 19-70.
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  7.  15
    Appendix – Notes on a Camp.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 339-350.
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  8. Adorno on mimesis : irrationality or a different rationality?Thijs Lijster - 2015 - In Christoph Asmuth & Simon Gabriel Neuffer (eds.), Irrationalität. Würzburg: Königshausen & Neumann.
     
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  9.  16
    Bibliography.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 351-362.
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  10.  18
    Benjamin and Adorno on Art and Art Criticism: Critique of Art.Thijs Lijster - 2017 - Amsterdam: Amsterdam University Press.
    Thijs Lijster considers the thought of Walter Benjamin and Theodor Adorno on such key topics as the relationship between art and historical experience, between avant-garde art and mass culture, and between the intellectual and the public.
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  11.  12
    Conclusion.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 313-338.
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  12.  15
    3. Experience, History, and Art.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 147-206.
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  13.  9
    Excursus I – The everending Story.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 123-146.
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  14.  15
    Excursus II – Base and Superstructure Reconsidered.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 207-228.
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  15.  12
    Excursus III – Where is the Critic?Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 293-312.
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  16.  8
    2. Ends of Art.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 71-122.
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  17.  12
    Frontmatter.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 1-4.
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  18.  8
    Index.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 363-368.
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  19.  12
    Introduction: Critique of Art.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 11-18.
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  20.  37
    Odysseus en de strijd om het zelf.Thijs Lijster - 2008 - Wijsgerig Perspectief 48 (1):18.
    Is het niet vreemd om te zeggen dat een verhaal uit de achtste eeuw voor Christus ons iets kan vertellen over onze hedendaagse westerse cultuur? Hoe kan de beschrijving van een wereld die geregeerd wordt door goden, heksen, nimfen en allerlei mythische gedrochten bijdragen aan ons zelfbegrip? Dat is minder vreemd dan het lijkt. Juist omdat Homeros helemaal aan het begin van onze beschaving stond, kunnen wij in retrospectief herkennen wat de nieuwe wereld scheidde van de oude. De homerische epen (...)
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  21.  11
    4. The Art of Critique.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 229-292.
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  22. The interruption of myth : Walter Benjamin's concept of critique.Thijs Lijster - 2011 - In Karin de Boer & R. Sonderegger (eds.), Conceptions of Critique in Modern and Contemporary Philosophy. New York: Palgrave Macmillan.
     
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  23.  36
    Terug naar de basis… en bovenbouw!Thijs Lijster - 2013 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 105 (3):161-172.
    The metaphor of base and superstructure has been one of the most controversial elements in Marxist aesthetics. In this text I discuss some of the many questions it raises. Today, many theorists believe that its problems are so extensive that it has lost all plausibility. I believe, however, that in rejecting the Marxist framework, aesthetics and cultural theory risks throwing out the baby with the bath water and jeopardizes its critical potential. Drawing on the work of Fredric Jameson and Slavoj (...)
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  24.  7
    Table of Contents.Thijs Lijster - 2017 - In Benjamin and Adorno on Art and Art Criticism: Critique of Art. Amsterdam: Amsterdam University Press. pp. 5-6.
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