This five-volume German-English edition presents, for the first time, new translations of all of Wittgenstein's mature 1937-1944 writings on mathematics and logic. The first (1956) and third (1978) editions of Wittgenstein's Remarks on the Foundations of Mathematics omitted, unsystematically, more than half of Wittgenstein's later writings on mathematics; for that reason, the reader will here read some entire manuscripts for the first time, and other manuscripts for the first time as unabridged, sustained pieces of writing. Philosophers (...) and other interested readers will gain fresh insight into Wittgenstein's perspectives on a wide range of topics, from Gödelian propositions and the Cantorian conception of real numbers to the nature of mathematical propositions and the diversity of proof techniques. Other subjects covered include: mathematical sense; axioms and self-evidence; prudish proofs; the functionality of extra-mathematical application; undecided mathematical conjectures; rule-governed unwinding; and G. H. Hardy's conceptions and claim. (shrink)

Between 1937 and 1951 Wittgenstein had numerous philosophical conversations with his student and close friend, Rush Rhees. This article is composed of Rhees’s notes of twenty such conversations — namely, all those which have not yet been published — as well as some supplements from Rhees’s correspondence and miscellaneous notes. The principal value of the notes collected here is that they fill some interesting and important gaps in Wittgenstein ’s corpus. Thus, firstly, the notes touch on a wide (...) range of subjects, a number of which are only briefly addressed by Wittgenstein elsewhere, if at all. The subjects discussed include: explanation, ethics, anarchism, contradiction, psychoanalysis, colour, religion, concepts, classification, seeing-as, evolution, the relation between science and philosophy, and free will, amongst others. Secondly, the notes contain references to, and brief remarks about, philosophers of whom Wittgenstein otherwise says very little, if anything — such as Brentano, Heidegger, Aquinas, and Marx, amongst others. And thirdly, the notes provide us with valuable examples of Wittgenstein ’s use of some key ‘Wittgensteinian’ terms of art which are surprisingly rare in his written works, such as ‘surface-’ and ‘depth-grammar’, and ‘centres of variation’. (shrink)

In the last years of his life, from 1949 to 1951, Wittgenstein's writings focused upon knowledge and certainty, upon colour concepts and upon the relation between the "inner" and "outer", that is, between so-called mental states and bodily behavior. His writings on this third theme, now available in paperback, are gathered here for the first time. Wittgenstein's last weeks were a period of high creativity during which his thoughts were on a level with the best he ever (...) produced. His variation on the classic philosophical theme of the relation between mind and body is no exception. (shrink)

This book also provides new and illuminating accounts of difficult concepts, such as patterns of life, experiencing meaning, meaning blindness, lying and ...

Abstract: The argument for interpreting Wittgenstein's project as primarily therapeutic can be extended from the domain of intellectual pathologies that form the core of the Philosophical Investigations to the topics in On Certainty , carrying further Hutchinson's recent argument for the priority of therapy in Wittgenstein's project. In this article I discuss whether the line Hutchinson takes is extendable to the work of the Third Wittgenstein. For example, how does Wittgenstein's discussion of Moore's "refutation of (...) idealism" in On Certainty work as therapy when we think of it in "practice" terms? What practice? I suggest a further, but more tentative, step applying the therapeutic idea to seemingly insurmountable practical problems, where method is also at issue. (shrink)

This introduces the special issue of Philosophia which constitutes the Proceedings of the Inaugural Conference of the British Wittgenstein Society (BWS), on 'The Third Wittgenstein', held at the University of Hertfordshire (Hatfield, UK) on 7-8 June 2008. The Introduction briefly argues for the idea of a 'third Wittgenstein', and summarizes the contributions of the volume.

This introduces the special issue of Philosophia which constitutes the Proceedings of the Inaugural Conference of the British Wittgenstein Society (BWS), on 'The Third Wittgenstein', held at the University of Hertfordshire (Hatfield, UK) on 7-8 June 2008. The Introduction briefly argues for the idea of a 'third Wittgenstein', and summarizes the contributions of the volume.

Books reviewed: Rush Rhees, Wittgenstein’s On Certainty: There – Like our Life, D. Z. Phillips (ed.), (Oxford: Blackwell Publishing, 2003), 195 pp. incl. Index; $29.95; referred to in the text as Rhees. Danièle Moyal‐Sharrock, The Third Wittgenstein: The Post‐Investigations Works (Aldershot: Ashgate, 2004), 225 pp. incl. Index; $99.95; referred to in the text as Third Witt. Danièle Moyal‐Sharrock (ed.), Understanding Wittgenstein’s On Certainty (Basingstoke: Palgrave, 2004), 250 pp. incl. Index; $75.00; referred to in the text (...) as M‐S. Reviewed by Louisiana State University Baton Rouge Louisiana 70803 USA. (shrink)

Wittgenstein’s interpreters are undivided that the method plays a central role in his philosophy. This would be no surprise if we have in mind the Tractarian dictum: “philosophy is not a body of doctrine but an activity” (4.112). After 1929, Wittgenstein’s method evolved further. In its final form, articulated in Philosophical Investigations, it was formulated as different kinds of therapies of specific philosophical problems that torment our life (§§ 133, 255, 593). In this paper we follow the changes (...) in Wittgenstein’s thinking in four subsequent phases and in three dimensions: (i) in logic and ontology; (ii) in method proper; (iii) in style. (shrink)

This paper aims to show how some of Wittgenstein's considerations in the Philosophical Investigations speak to the neo-empiricist tendency to give sensation a purely causal, non-epistemic role. As the foil for Wittgenstein's criticisms, I outline the way Wilfred Sellars rehabilitates sensory impressions from his own diagnosis of the Myth of the Given by construing them as purely causal episodes. Sellars' work shows how it is possible to have a keen appreciation of the incoherence of the empiricist model yet (...) to believe that we ought to maintain that model by modifying our account of the role that sensations play in perception. Sellars and Wittgenstein have the same understanding of what a non-epistemic conception of sensations must involve. Wittgenstein articulates the way this conception manifests itself in ordinary thinking while Sellars gives it a sophisticated theoretical elaboration designed to retain what is key for sensory episodes while avoiding traditional problems of givenness. The instructive difference between Sellars and Wittgenstein is that while Sellars believes we can develop a coherent non-epistemic conception, Wittgenstein’s work suggests that we cannot. (shrink)

I argue in this paper that, like the Pyrrhonism of Sextus Empiricus, Wittgenstein’s response to negative–dogmatic skepticism in On Certainty turns on the attempt to free us from the demands of traditional philosophy and is therefore not a philosophical position, strictly speaking. Rather, it is a therapeutic metaphilosophy designed to bring into view (i.e., to illumine) the relationship between our everyday epistemic practices and those of philosophy such that we simultaneously come to recognize (a) what I call the pragmatic–transcendental (...) self–standingness of the everyday and (b) its philosophical–rational groundlessness. The Pyrrhonian illumination of the everyday is therapeutic in that it aims to purify our metadoxastic attitudes of dogmatism. (shrink)

Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to his times makes him unique among the great philosophers, that the philosophical problems which Wittgenstein was struggling, indeed his view of the nature of philosophy, were somehow connected with features of our culture or civilization. -/- In this (...) paper I draw inspiration and courage from Von Wright’s insistence that trying to understand Wittgenstein in relation to his times is a philosophic task in its own right in order to probe into a relatively obscure region in Wittgenstein’s thought: his relation to the music of his times. It is a topic, on which Von Wright, and most other prominent Wittgenstein scholars, have said very little, but it is also one, which Wittgenstein himself attested was so important to him that he felt without it he was sure to be misunderstood. -/- I offer textual and historical evidence in support of my claim that, parallel to Wittgenstein’s exposure to Spengler’s Decline of the West in 1930, he was also introduced to the music theory of Heinrich Schenker, which helped him to articulate, partly by way of critique, a complex and unique position concerning the modern music of his times, which exhibits his rejection of what Von Wright later dubbed ‘the myth of progress’. As Von Wright observed in other regions of Wittgenstein’s work, he believed also with regards to the arts and to music in particular, neither in a brilliant future nor in the good old days. -/- I argue that Wittgenstein actually made a distinction between three kinds of modern music: (a) bad modern music, which is clearly a case of confusing means for ends, the hallmark of the myth of progress, as Von Wright observed; (b) vacuous modern music, which embodies some sort of diffidence, a difficulty to see through the omnipresence of what Von Wright called (following Habermas) a ‘colonialization’ of reified measures of progress; (c) good modern music, a paradoxical notion for Wittgenstein, which betokens the unlikely yet possible striving to penetrate through what appears as dissolution of the resemblances which unite this culture’s ways of life by rendering this condition as expressible and intransitively understandable. In the context of this third category, I offer an interpretation of Wittgenstein’s complex remarks on the music of Gustav Mahler, which palpably show that the problem of good modern music and the problem of philosophizing in the time of civilization were one and the same in Wittgenstein’s mind. -/- I conclude that, with regards to Von Wright’s own critical view of the modern myth of progress, we can learn from Wittgenstein that progress in the realm of art is closely aligned with the ideal of the perfection of man, yet transcending a social or political context. It is the ideal of cultural cohesion: affinity that the arts show to other human practices and cultural artifacts of its period. Wittgenstein’s tentative notion of good modern music (and its circumscription by his notion of the music of the future) may show its true colors when viewed in the context of Von Wright’s plea not to abandon work for progress as a critical task. (shrink)

This radical reading of Wittgenstein's third and last masterpiece, On Certainty, has major implications for philosophy. It elucidates Wittgenstein's ultimate thoughts on the nature of our basic beliefs and his demystification of scepticism. Our basic certainties are shown to be nonepistemic, nonpropositional attitudes that, as such, have no verbal occurrence but manifest themselves exclusively in our actions. This fundamental certainty is a belief-in, a primitive confidence or ur-trust whose practical nature bridges the hitherto unresolved categorial gap between (...) belief and action. (shrink)

The commonly held view that Wittgensteinian philosophy of religion entails an irrationalist defense of religion known as 'fideism' loses plausibility when contrasted with recent scholarship on Wittgenstein's corpus, biography, and other sources. This book reevaluates the place of Wittgenstein in the philosophy of religion and charts a path forward for the subfield by advancing three themes. The first is that philosophers of religion should question received interpretations of philosophers, such as Wittgenstein, as well as the meanings of (...) key terms used in interpretations, such as 'fideism'. The second theme is that Wittgenstein's philosophy, across his corpus, pursues a particular end: a searching clarity or perspicuity. The third theme is that with the rise of various religious movements within societies and around the world in recent decades, philosophy of religion has important tasks in clarifying global conversations on living well amidst human diversities and contemplating philosophy as a vocation. (shrink)

As is well known, Wittgenstein pointed out an asymmetry between first- and third-person psychological statements: the first, unlike the latter, involve observation or a claim to knowledge and are constitutionally open to uncertainty. In this paper, I challenge this asymmetry and Wittgenstein's own affirmation of the constitutional uncertainty of third-person psychological statements, and argue that Wittgenstein ultimately did too. I first show that, on his view, most of our third-person psychological statements are noncognitive; they (...) stem from a subjective certainty: a certainty which, though not the result of an epistemic process, is not invulnerable to error in that it is a kind of assumption. I then trace Wittgenstein's realization that some third-person psychological certainties are not merely subjective but 'objective' (which means, as he uses the word, that they are logically indubitable): in some cases, we can be as logically certain that someone else is in pain than we are about ourselves being in pain. This positively reinforces Wittgenstein's rebuttal of other mind scepticism. I conclude with a response to objections about the legitimacy of calling an assurance that is logical (i.e., that does not have uncertainty or doubt on its flipside) a 'certainty', by suggesting that the flipside is to be found in pathological cases, and most pertinently here, in cases of dyssemia: a rare disorder affecting the ability to properly express or recognize basic physical expressions of feeling. (shrink)

It may be said that the single track of Wittgenstein’s philosophy is the discernment and elucidation of grammar—its nature and its limits. This paper will trace Wittgenstein’s evolving notion of grammar from the Tractatus to On Certainty. It will distinguish between a ‘thin grammar’ and an increasingly more fact-linked, ‘reality-soaked’, ‘thick grammar’. The ‘hinge’ certainties of On Certainty and the ‘patterns of life’ of Last Writings attest to the fact that one of the leitmotifs in the work of (...) the third Wittgenstein is the grammaticalization of experience. This reflects Wittgenstein’s realisation that grammar can manifest itself as a way of acting. In moves that exceed anything in Philosophical Investigations, the third Wittgenstein makes grammar enactive. We shall see that Wittgenstein’s hesitant but unrelenting link of grammar to the stream of life in no way infringes on the ‘autonomy of grammar’. (shrink)

In his contribution to this volume, Avrum Stroll makes the assertion that there is ‘a feature of [Wittgenstein's] later philosophy that occurs only in On Certainty. This is a unique form of foundationalism that is neither doxastic nor non-doxastic' (Stroll, this volume, p. 2). He also holds that Wittgenstein’s increased attention to metaphorical language in explicating this foundationalism is yet another feature that sets it apart from the rest of his corpus. I raise doubts about appealing to either (...) of these aspects as a rationale for identifying a third Wittgenstein. I argue that Wittgenstein's commitment to foundationalism – to the extent we should recognise it at all – and his concern with the non-literal are not unprecedented; they are present in his earliest writings. (shrink)

Wittgenstein on the Human Spirit provides a new understanding of Wittgenstein’s discourse as an insightful philosophy of culture, pursued through self-reflection. It offers an edifying perspective on the conceptual underpinnings of culture as a shared expressive spiritual form of life. The ideas investigated in it are highly relevant for discussions in philosophy, aesthetics, anthropology, and cultural studies. The book embraces three studies: The Spirit of Jews, The Spirits of Culture and Civilization, and The Common Spirit of Human Beings. (...) The first discusses Wittgenstein's remarks about Jews, focusing on their place within his philosophical thinking, self-reflection, and European discourse about culture and Jews. It shows how overcoming the anti-Semitic attitude implicit in them set off the major change in his philosophy. The second discusses Wittgenstein’s reflections on the “deterioration of culture” in the modern period, showing how they are related to his remarks about following rules. The third discusses Wittgenstein’s insights regarding the symbolic nature of myth, magic and religion. It suggests that modern human beings and those of ancient cultures possess a common expressive spiritual nature. This enables us to understand expressive practices in other cultures without interpretation. Nonetheless religious belief during the modern period is problematic. (shrink)

This paper studies Wittgenstein’s later observations on moral disagreements. First, it examines the practice of reason-giving and justification in moral disa-greement. It argues that, for Wittgenstein, moral reasons are descriptions which are used to justify a moral evaluation. Second, it explains that the adequacy and conclusiveness of moral reasons and justifications are dependent on their appeal to whomever they are given, not on how the world is. Third, it shows that Wittgenstein’s remarks on the inconclusiveness of (...) moral reasons and jus-tification do not entail a commitment to moral relativism. Lastly, it shows how Wittgenstein’s observations can be used in future investigations to develop a new picture of deep moral disagreements. (shrink)

Wittgenstein's contribution to musical aesthetics is not often discussed, which is surprising, given his rare musicality and musical connections. His distinctive achievement is to have focused on the question of musical understanding, and to have connected this with two other philosophical problems: the nature of the first-person case, and the understanding of facial expressions. Wittgenstein's third-person approach to philosophical psychology leads him to emphasize the role of performance in the understanding of music, and also to introduce an (...) ‘intransitive’ concept of expression. At times Wittgenstein seems to be arguing for an entirely non-relational account of musical meaning; however, a proper analysis of the first-person case shows that his theory of musical understanding might allow that, at some level, you understand a piece of music only if you imaginatively grasp the state of mind expressed by it. (shrink)

The dominant interpretation of the later Wittgenstein as a naturalist is that he endorses a form of liberal naturalism. This chapter argues that liberal naturalism cannot be ascribed to Wittgenstein for four reasons: first, liberal naturalism offers an ontology; second, liberal naturalism can be construed as a theory; third, Wittgenstein sometimes appears to be hostile towards science; fourth, Wittgenstein does not reject all forms of supernaturalism. It is argued that Wittgenstein’s later philosophy can nonetheless (...) be described as ‘naturalistic’ for two reasons. First, observations concerning natural facts play an important role in his method of providing surveyable representations of grammar. Second, his opposition to metaphysics and the absence of recourse to metaphysical phenomena in his philosophical investigations. While ascribing naturalism to the later Wittgenstein is misleading because of the four caveats raised, the chapter suggests that if we are to describe the later Wittgenstein as a naturalist, his position can be described as such insofar as there are the two naturalistic strands in his later philosophy, both of which are important to his method of grammatical investigation. This position is dubbed ‘grammatical naturalism’. (shrink)

The dominant interpretation of the later Wittgenstein as a naturalist is that he endorses a form of liberal naturalism. This chapter argues that liberal naturalism cannot be ascribed to Wittgenstein for four reasons: first, liberal naturalism offers an ontology; second, liberal naturalism can be construed as a theory; third, Wittgenstein sometimes appears to be hostile towards science; fourth, Wittgenstein does not reject all forms of supernaturalism. It is argued that Wittgenstein’s later philosophy can nonetheless (...) be described as ‘naturalistic’ for two reasons. First, observations concerning natural facts play an important role in his method of providing surveyable representations of grammar. Second, his opposition to metaphysics and the absence of recourse to metaphysical phenomena in his philosophical investigations. While ascribing naturalism to the later Wittgenstein is misleading because of the four caveats raised, the chapter suggests that if we are to describe the later Wittgenstein as a naturalist, his position can be described as such insofar as there are the two naturalistic strands in his later philosophy, both of which are important to his method of grammatical investigation. This position is dubbed ‘grammatical naturalism’. (shrink)

I argue that Wittgenstein’s engagement with Russell’s The Analysis of Mind was crucial for the development of his new method. First, I show that Wittgenstein’s criticism of the causal theory of meaning (namely: that it generates an infinite regress and that it does not determine the depiction of a fact) is motivated by its incompatibility with the pictorial conception of language. Second, I show that in reacting against that theory he comes to invent the calculus conception of language. (...) Third, I argue that the calculus conception is vulnerable to critiques that parallel those presented against Russell’s theory (a rule-following regression and the indeterminacy of depicted facts). Fourth, the striking similarity between the problems present in Russell’s theory and in Wittgenstein’s own views makes him realize that both were working under misleading trains of thought and false analogies. It is this realization that brings Wittgenstein to the view that his task is to investigate the genesis of philosophical puzzlement in order to stop philosophical theorizing right from the beginning. Thus, in explaining the invention of Wittgenstein’s new method I show its relation to Russell’s philosophy and indicate the origins of the rule-following problem. (shrink)

It may be said that the single track of Wittgenstein’s philosophy is the discernment and elucidation of grammar—its nature and its limits. This paper will trace Wittgenstein’s evolving notion of grammar from the Tractatus to On Certainty. It will distinguish between a ‘thin grammar’ and an increasingly more fact-linked, ‘reality-soaked’, ‘thick grammar’. The ‘hinge’ certainties of On Certainty and the ‘patterns of life’ of Last Writings attest to the fact that one of the leitmotifs in the work of (...) the third Wittgenstein is the grammaticalization of experience. This reflects Wittgenstein’s realisation that grammar can manifest itself as a way of acting. In moves that exceed anything in Philosophical Investigations, the third Wittgenstein makes grammar enactive. We shall see that Wittgenstein’s hesitant but unrelenting link of grammar to the stream of life in no way infringes on the ‘autonomy of grammar’. (shrink)

Wittgenstein was centrally concerned with the puzzling nature of the mind, mathematics, morality and modality. He also developed innovative views about the status and methodology of philosophy and was explicitly opposed to crudely "scientistic" worldviews. His later thought has thus often been understood as elaborating a nuanced form of naturalism appealing to such notions as "form of life", "primitive reactions", "natural history", "general facts of nature" and "common behaviour of mankind". And yet, Wittgenstein is strangely absent from much (...) of the contemporary literature on naturalism and naturalising projects. This is the first collection of essays to focus explicitly on the relationship between Wittgenstein and naturalism. The volume is divided into four sections, each of which addresses a different aspect of naturalism and its relation to Wittgenstein's thought. The first section considers how naturalism could or should be understood. The second section deals with some of the main problematic domains—consciousness, meaning, mathematics—that philosophers have typically sought to naturalise. The third section explores ways in which the conceptual nature of human life might be continuous in important respects with animals. The final section is concerned with the naturalistic status and methodology of philosophy itself. This book thus casts a fresh light on many classical philosophical issues and brings Wittgensteinian ideas to bear on a number of current debates-for example experimental philosophy, neo-pragmatism and animal cognition/ethics-in which naturalism is playing a central role. (shrink)

Abstract: “Resolute readings” initially started life as a radical new approach to Wittgenstein's early philosophy, but are now starting to take root as a way of interpreting the later writings as well—a trend exemplified by Stephen Mulhall's Wittgenstein's Private Language (2007) as well as by Phil Hutchinson's “What's the Point of Elucidation?” (2007) and Rom Harré's “Grammatical Therapy and the Third Wittgenstein” (2008). The present article shows that there are neither good philosophical nor compelling exegetical grounds (...) for accepting a resolute reading of the later Wittgenstein's work. It is possible to make sense of Wittgenstein's philosophical method without either ascribing to him an incoherent conception of “substantial nonsense” or espousing the resolute readers' preferred option of nonsense austerity. If the interpretation here is correct, it allows us to recognize Wittgenstein's radical break with the philosophical tradition without having to characterize his achievements in purely therapeutic fashion. (shrink)

Este artículo estudia las observaciones tardías de Wittgenstein sobre los des-acuerdos morales. Primero, examina las prácticas de justificación y dar razones en los desacuerdos morales. Argumenta que, para Wittgenstein, las razones morales son descripciones que se utilizan para justificar una evaluación moral. Segundo, explica que la idoneidad y el carácter concluyente de las razones y justificaciones morales dependen de su atractivo para quienquiera que se presenten, no de cómo es el mundo. Tercero, muestra que las observaciones de (...) class='Hi'>Wittgenstein sobre el carácter inconcluyente de las razones y justificaciones mora-les no implican un compromiso con el relativismo moral. Finalmente, muestra como las observaciones de Wittgenstein pueden usarse en futuras investigaciones para desarrollar una nueva imagen de los desacuerdos morales profundos. -/- This paper studies Wittgenstein’s later observations on moral disagreements. First, it examines the practice of reason-giving and justification in moral disagreement. It argues that, for Wittgenstein, moral reasons are descriptions which are used to justify a moral evaluation. Second, it explains that the adequacy and conclusiveness of moral reasons and justifications are dependent on their appeal to whomever they are given, not on how the world is. Third, it shows that Wittgenstein’s remarks on the inconclusiveness of moral reasons and justification do not entail a commitment to moral relativism. Lastly, it shows how Wittgenstein’s observations can be used in future investigations to develop a new picture of deep moral disagreements. (shrink)

Offers an original reading of Wittgenstein's views on such topics as radical scepticism, the first- and third-person asymmetry of mental talk, Cartesianism, and rule-following.

Developmental psychologists have argued for the view that understanding one’s own intentions and the intentions of others consists in the performance of a psychological mechanism and moreover that the ability to understand intentions depends on the ontogenetic development of this mechanism. In this paper, I refer to Michael Tomasello as the most notable proponent of this view and present arguments against it. I argue that understanding intentions results from social agreement in practice rather than from psychological processes transpiring in the (...) minds of intentional agents. In my defence, I will appeal to the later Wittgenstein, who expounds the view I proffer here. First, I shall expose the key differences in each of their views, particularly in terms of how the ability to understand intentions is related to language acquisition. In the second section, I employ an argument from Wittgenstein’s Philosophical Investigations to reject the claim that children in their first year of life develop an understanding of intentions ontogenetically. Finally, in the third section I argue that the understanding of an intention requires the ability to form an intention autonomously. In the process of forming an intention, the child creates its own understanding, namely one that is socially accepted if it is in agreement with established usage, customs, and institutions as part of everyday practice. On the basis of this view, I suggest that understanding intentions depends on the agreement of behaviour in certain practical contexts rather than as the accordance of mental states with a psychological mechanism. (shrink)

Wittgenstein's question about agency in Philosophical Investigations §621 provides a fresh way of addressing the analysis of the distinction between physical nature and human culture, featuring the artifactual, hybrid, second-natured, enlanguaged and encultured transformation of the members of Homo sapiens into selves; and a third model of the cultural between the hermeneutic and the reductive: including the cultural "penetration" of the physical, internal and external Bildung, the sui generis features of the culturally emergent, and the new unity of (...) the human and natural sciences. (shrink)

Perspicuous representation, Wittgenstein offers, is not another methodology, but it consists in seeing the connections. The Wittgensteinian perspicuous representation is therapeutic. The method he suggests for philosophy is the same method he suggests for social sciences. In both of these cases, he tries to get us to see the confusions we become entangled in when philosophizing and theorizing. In both of these disciplines he warns us not to advance explanatory, metaphysical theories. In this paper, I connect this concern with (...) Wittgenstein’s critique of Frazer. In criticizing Frazer, Wittgenstein adopts the important part of Spengler’s view. Nonetheless, there are differences between Wittgenstein’s views and those of Spengler; this paper aims to show similarities as well as these differences. The first part of the paper briefly summarizes Frazer’s views. The second part focuses on Wittgenstein’s critique of Frazer concerning science and technology. The third part gives an account of his critique regarding method of social sciences and philosophy. The last part concentrates on Wittgenstein’s critique of Frazer pertaining to the tolerance towards alternative forms of life. Key Words: context-free vacuum • evolutionary explanation • incommensurability • methodology of social sciences • perspicuous representation • science • technology • tolerance • totem and taboo. (shrink)

Perspicuous representation, Wittgenstein offers, is not another methodology, but it consists in seeing the connections. The Wittgensteinian perspicuous representation is therapeutic. The method he suggests for philosophy is the same method he suggests for social sciences. In both of these cases, he tries to get us to see the confusions we become entangled in when philosophizing and theorizing. In both of these disciplines he warns us not to advance explanatory, metaphysical theories. In this paper, I connect Wittgenstein's this (...) concern with his critique of Frazer. In criticizing Frazer Wittgenstein adopts the important part of Spengler's view. Nonetheless, there are differences between the views of Wittgenstein and those of Spengler; this paper aims to show similarities as well as these differences. The first part of the paper briefly summarizes Frazer's views. The second part focusses on Wittgenstein's critique of Frazer regarding science. The third part gives an account of his critique concerning method of social sciences and philosophy. The last part concentrates on Wittgenstein's critique of Frazer regarding the tolerance towards alternative forms of life. (shrink)

In this essay I take the opportunity to recast some insights from my extensive study over the last decade of Wittgenstein’s remarks on music into a coherent and concise portrayal of Wittgenstein’s philosophical underpinning and upshots pertaining to his perception of the modern music scene in interwar Austria. The gist of the present essay is to show that, for better or for worse, Wittgenstein’s personal taste in music was powered by philosophical reasoning, which was organic to his (...) philosophical development, and that ultimately his philosophical attitude to the music scene of interwar Austria manifests a deeply probing gradation. I are argue that we can distinguish between four varieties of the absurd in the music of interwar Austria, according to Wittgenstein. First is the nonsensical absurd of the incapability of seeing that the nonsensicality of the form of progress is incomprehensible. This category pertains to music which straightforwardly tries to emulate the various maxims and formulations derived from the form of progress. Such nonsensically absurd music typifies progressive Romantic composers such as Richard Strauss, Max Reger, and the early Arnold Schoenberg. Second is the vacuous absurd of the incapability of seeing what the form of progress renders incomprehensible. This category pertains to music which denounces the predominantly nonsensical maxims and formulations of modernity, thus destining itself to keeping on groping for something which it cannot express. Such vacuously absurd music is best exemplified, in Wittgenstein’s mind, by Josef Labor. Third is the philosophical absurd of rendering what is incomprehensible (from the perspective of a cultured person) comprehensible within the same purview. For Wittgenstein, Mahler’s music betokens such incommensurability, evoking a relativist philosophical puzzle: whether cultural progress is real, and it is us who have been left behind, or whether culture has really been vanquished, and we are the only ones left to notice it. The very thought of an artwork of “a totally different sort” remains invariably hypothetical. Fourth is the praxeological absurd of giving rise to an auxiliary, praxeologically dislodged musical language, replacing the transparency of human gesture with exact rules of comprehensibility. From Wittgenstein’s perspective, the shunning of the expanse of lived experience in a musical language fit for the meaning-blind would be the inglorious spot assigned to Arnold Schoenberg’s vision of the music of the future. (shrink)

This book shows that Ludwig Wittgenstein’s later philosophical methods can be fruitfully applied to several problems in contemporary moral philosophy. The author considers Wittgenstein’s ethical views and addresses such topics as meta-ethics, objectivity in ethics and moral perception. Readers will gain an insight into how Wittgenstein thought about philosophical problems and a new way of looking at moral questions. The book consists of three parts. In the first part, Wittgenstein’s later philosophical methods are discussed, including his (...) comparison of philosophical methods to therapies. The book then goes on to explore how these methods give insight into Wittgenstein’s ethical views. Readers will see how these are better understood when read in the light of his later philosophical thought. In the third part, Wittgenstein’s later methods are applied to problems in contemporary moral philosophy, including a look at questions for moral advice. The author reviews and criticizes some of the secondary literature on Wittgenstein’s later philosophical methods and indicates how the topic of the book can be developed in future research. There is something of value for readers of all levels in this insightful and well written volume. It will particularly appeal to scholars and students of Wittgenstein, of philosophy, and of ethics. (shrink)

This paper comes in three parts. In the first part, I explore the question of the relation between the philosophies of the early and the later Wittgenstein as they are standardly distinguished, with the aim of raising some questions about whether that standard distinction might not obstruct our view of certain significant aspects of the development of Wittgenstein’s thought. In the second part, drawing on the work of Marie McGinn and Warren Goldfarb, I distinguish two senses in which (...) these two commentators have been moved to call upon the expression ‘piecemeal’ in their respective attempts to characterize an important feature of Wittgenstein’s conception of philosophical method. In the third part, I draw upon this distinction to help bring into focus a significant shift in Wittgenstein’s conception of philosophical method which occurs fully within the so-called “later” period—a shift which has in no small part remained invisible due to the manner in which the opposition between an early and a later Wittgenstein has hitherto been conceived. (shrink)

While Wittgenstein commentators dismiss his remarks on women and femininity as trivial and unworthy of attention, I focus exactly on what they consider parenthetical and of no philosophical value. First, I document Wittgenstein’s attitudes toward women and femininity, and subject his remarks to critical analysis. Secondly, I retrieve and explore some aspects of Otto Weininger’s influence on Wittgenstein. Thirdly, by introducing considerations of chronology and circumstance, I argue that while the early Wittgenstein of the Tractatus endorsed (...) Weininger’s views on women and sex, the mature Wittgenstein of the Investigations repudiated them without ceasing to adrnire his work or its spirit. Finally, I sketch crucial, unnoticed differences between Weininger and the mature Wittgenstein concerning femininity and philosophical method. The author’s intention is to contribute to the project of challenging the supposed divide between the understanding of philosophical thought, on the one hand, and socio-cultural contexts and biography on the other. (shrink)

While Wittgenstein commentators dismiss his remarks on women and femininity as trivial and unworthy of attention, I focus exactly on what they consider parenthetical and of no philosophical value. First, I document Wittgenstein’s attitudes toward women and femininity, and subject his remarks to critical analysis. Secondly, I retrieve and explore some aspects of Otto Weininger’s influence on Wittgenstein. Thirdly, by introducing considerations of chronology and circumstance, I argue that while the early Wittgenstein of the Tractatus endorsed (...) Weininger’s views on women and sex, the mature Wittgenstein of the Investigations repudiated them without ceasing to adrnire his work or its spirit. Finally, I sketch crucial, unnoticed differences between Weininger and the mature Wittgenstein concerning femininity and philosophical method. The author’s intention is to contribute to the project of challenging the supposed divide between the understanding of philosophical thought, on the one hand, and socio-cultural contexts and biography on the other. (shrink)

In this article I examine some remarks from Wittgenstein‘s Tractatus logico-philosophicus about the point and the method of his work. First part of the article concerns relationships between Frege‘s conception of elucidation and Wittgenstein‘s conception of philosophy. Second part of the article is about Wittgenstein‘s attitude to science and the role of science in philosophy. Third part of my article concerns the ethical purpose of Wittgenstein‘s Tractatus logico-philosophicus.

In the first essay, Stokhof discusses the nature and presuppositions of the formal semantic project as such. He shows that considerations of so-called radical interpretation and the normativity of meaning force us to rethink the relationship between the meaning of a linguistic utterance and its interpretation in a way that is hardly compatible with this project. In the second essay, the author introduces the early Ludwig Wittgenstein as an obvious, if completely neglected, precursor of formal semantics. He discusses the (...) systematic and, to a lesser extent, historical connections between the Tractatus and later formal semantics. From the similarities and differences found, it then draws conclusions regarding the contemporary status of this discipline at the interface of philosophy and the empirical sciences. Finally, the third study looks at formal semantics in terms of its contrast with Wittgenstein's later thinking about language. It attempts to answer the question of whether Wittgenstein's later reflections lead to a theory of linguistic meaning that could be a viable alternative to contemporary formal semantics. (shrink)

Wittgenstein's last work, On Certainty , is widely regarded as his third masterpiece of philosophy and one of his most enigmatic writings. On Certainty explores the ways in which claims of indisputable knowledge are expressed, and how language forms the basis of such claims. On Certainty has largely been read as representing a break with Wittgenstein's previous thinking, but this study places these ideas firmly in the development of his thought since the 1930s. Wittgenstein on Certainty (...) and Doubt illuminates Wittgenstein's examination of the logical features of epistemic terms—such as 'know', 'believe' and 'doubt'—and his interrogation of the foundations of human knowledge, the extent to which our knowledge is immune from doubt, and the conflicts between different articulations of knowledge. (shrink)

Summary The aim of this paper is three-fold. Firstly, to briefly set out how strategic choices made about theorising about intentionality or content have actions at a distance for accounting for delusion. Secondly, to investigate how successfully a general difficulty facing a broadly interpretative approach to delusions might be eased by the application of any of three Wittgensteinian interpretative tools. Thirdly, to draw a general moral about how the later Wittgenstein gives more reason to be pessimistic than optimistic about (...) the prospects of a philosophical psychopathology aimed at empathic understanding of delusions. (shrink)

In this essay I to do three things. First, I discuss a statement from the Tractatus which says that our free will consists in our ignorance of future actions: “The freedom of the will consists in the impossibility of knowing actions that still lie in the future. We could know them only if causality were an inner necessity like that of logical inference.” (5.1362) I think this statement might well be inspired by a claim Moore made in connection with free (...) will in his 1912 book Ethics: “We can hardly ever know for certain beforehand, which choice we actually shall make”. But I think Moore’s claim in favor of free will is not convincing. Second, I discuss a question raised in Philosophical Investigations. Wittgenstein asks what remains if we “subtract” the fact that my arm goes up from the fact that I raise my arm, and he adds in brackets: “Are the kinaesthetic sensations my willing?” (621) This added reflection is a reaction to ideas put forward by William James. Wittgenstein opposes these ideas. He argues that we should not think of the will as a cause at all, kinaesthetic or not, but rather as something embedded in, and constituted by, certain contexts of learning, expectation, practice, and lack of surprise. This is a strong claim. He also returns to the question about the predictability of the future: “When people talk about the possibility of foreknowledge of the future they always forget the fact of the prediction of one’s own voluntary movements” (629). The question is whether Wittgenstein has solved, or dissolved, the problem of free will. Some think that this is the case. I doubt it is. This is the third point I wish to discuss. (shrink)

Everything about Derrida suggests that he is for a radical reform or transformation of language, whilst Wittgenstein seems to vindicate a fidelity to ordinary language and to want to 'expunge' from language the 'metaphysical use' of words. But just how opposed are they? My contention in this paper is that Wittgenstein does not 'deconstruct', as some critics have rather loosely suggested, because, as we shall see, the expunging of metaphysical use favoured by Wittgenstein does not amount to (...) the deconstruction of metaphysical appurtenance practised by Derrida. However, there are interesting parallels to be drawn between the two philosophers which I shall try to articulate in the course of this paper. The first part provides the background, in Wittgenstein's writings, to his concept of 'metaphysi cal use'; the second is an exposition of what Derrida refers to as 'metaphysical appurtenance' and attendant notions such as those of binary oppositions and of the labouring of concepts; and the third is a summing up and a defence of the thesis that Wittgenstein does not, in any full-bodied sense of the term, 'deconstruct'. (shrink)

For Ockham and Wittgenstein the analysis of knowledge is based on language. Both authors uphold the conception of the world from a logical-philosophical dimension configured by the close thought-language relationship. This construct is developed on the basis of the following three aspects: first, concepts are signs of things; second, propositions describe “state of affairs”; and third, knowledge in terms of “habits” is expressed in propositions structured in terms of the “uses” of language. These propositions are established by the (...) thought considered as “activity” and “operation of signs”. By analyzing certain a priori propositions, we recognize the very boundaries of the thought-language relationship, wherein the existential problems of mankind are revealed, whether out of the human tendency of explaining the world as a whole or out of the human attitude in the face of it. (shrink)