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  1.  81
    Platonic Love.Thomas Gould - 1963 - Greenwood Press.
  2. Aristotle and the Problem of Value.Thomas Gould & Whitney J. Oates - 1966 - American Journal of Philology 87 (1):84.
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  3. Legerdemain/Gaucherie: Doodle Theory with Barthes and Beckett.Thomas Gould - 2022 - Paragraph 45 (2):233-247.
    This article stages a dialogue between Roland Barthes and Samuel Beckett by characterizing and comparing their tendencies to indulge in doodles and drawings, both of which have been the subject of increased critical interest in recent years. Surveying such recent criticism, the article begins by connecting Barthes’s and Beckett’s respective ways of drawing to theoretical and aesthetic concerns of their writing. Then, developing the complementary manual metaphors of legerdemain and gaucherie, the article draws from currents in genetic criticism, New Materialism (...)
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  4.  2
    Silence in Modern Literature and Philosophy: Beckett, Barthes, Nancy, Stevens.Thomas Gould - 2018 - Springer Verlag.
    This book discusses the elusive centrality of silence in modern literature and philosophy, focusing on the writing and theory of Jean-Luc Nancy and Roland Barthes, the prose of Samuel Beckett, and the poetry of Wallace Stevens. It suggests that silence is best understood according to two categories: apophasis and reticence. Apophasis is associated with theology, and relates to a silence of ineffability and transcendence; reticence is associated with phenomenology, and relates to a silence of listenership and speechlessness. In a series (...)
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  5.  2
    Platonic Love.John M. Rist & Thomas Gould - 1965 - American Journal of Philology 86 (3):333.
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  6.  1
    Dilection: On the Phenomenology of Child Drawing and the Genesis of Poetic Expression.Thomas Gould - 2021 - Substance 50 (3):162-183.
  7.  1
    Rhetoric and Rhythm — Derrida, Nancy and the Poetics of Drawing.Thomas Gould - 2021 - Paragraph 44 (2):157-175.
    Opening with a consideration of the distribution of the two graphic acts — drawing and writing — this article offers a comparative study of Jacques Derrida's and Jean-Luc Nancy's respective exhibitions and catalogue essays on the subject of drawing. Through a comparative examination of what I take to be their central theoretical contributions to the study of drawing — Derrida its ‘rhetoric’, Nancy its ‘rhythm’ — this article moves on to suggest how these concepts inform a theory of poetic lineation.
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