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  1.  18
    The Kantian Sublime and the Nostalgia for Violence.Thomas Huhn - 1995 - Journal of Aesthetics and Art Criticism 53 (3):269-275.
  2. Peter Kivy, The Fine Art of Repetition: Essays in the Philosophy of Music Reviewed By.Thomas Huhn - 1994 - Philosophy in Review 14 (3):175-177.
     
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  3.  3
    Adorno's Aesthetics of Illusion.Thomas Huhn - 1985 - Journal of Aesthetics and Art Criticism 44 (2):181-189.
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  4. Adorno's Aesthetic Theory and its Relation to Social Theory.Thomas Huhn - 1988 - Dissertation, Boston University
    A philosophical elaboration of Theodor Adorno's conception of aesthetic form. Adorno's aesthetic theory is presented through a reconstruction of the major concepts in his Aesthetic Theory and via the projects of Dialectic of Enlightenment and Negative Dialectics. The dissertation argues that the nature of social and political institutions and ideologies is best revealed through an analysis of the critical social function embodied in aesthetic form. Artworks occupy such a ripe critical position--both in society and in aesthetic theory that confronts what (...)
     
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  5. Book Reviews. [REVIEW]Thomas Huhn - 1993 - British Journal of Aesthetics 33 (4):395-397.
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  6. Jameson and Habermas.Thomas Huhn - 1988 - Telos: Critical Theory of the Contemporary 75:103.
     
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  7. Theodor Adorno, Quasi Una Fantasia: Essays on Modern Music Reviewed By.Thomas Huhn - 1993 - Philosophy in Review 13 (5):207-209.
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  8. Theodor Adorno, Quasi Una Fantasia: Essays on Modern Music. [REVIEW]Thomas Huhn - 1993 - Philosophy in Review 13:207-209.
     
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