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Thomas Jacobsen [14]Thomas K. Jacobsen [1]
  1.  24
    What Are Aesthetic Emotions?Winfried Menninghaus, Valentin Wagner, Eugen Wassiliwizky, Ines Schindler, Julian Hanich, Thomas Jacobsen & Stefan Koelsch - 2019 - Psychological Review 126 (2):171-195.
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  2.  36
    The Distancing-Embracing Model of the Enjoyment of Negative Emotions in Art Reception.Winfried Menninghaus, Valentin Wagner, Julian Hanich, Eugen Wassiliwizky, Thomas Jacobsen & Stefan Koelsch - 2017 - Behavioral and Brain Sciences 40:1-58.
    Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesthetics in the light of recent psychological research, we present a novel model to explain this much discussed paradox. We argue that negative emotions are an important resource for the arts in general, rather than a special license for exceptional art forms only. The underlying rationale is that negative emotions have been shown to be particularly powerful in securing attention, intense emotional involvement, and high memorability, and (...)
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  3.  7
    Aesthetic Emotions Are a Key Factor in Aesthetic Evaluation: Reply to Skov and Nadal (2020).Winfried Menninghaus, Ines Schindler, Valentin Wagner, Eugen Wassiliwizky, Julian Hanich, Thomas Jacobsen & Stefan Koelsch - 2020 - Psychological Review 127 (4):650-654.
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  4.  13
    It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons.Elvira Brattico, Brigitte Bogert, Vinoo Alluri, Mari Tervaniemi, Tuomas Eerola & Thomas Jacobsen - 2015 - Frontiers in Human Neuroscience 9.
  5.  15
    Negative Emotions in Art Reception: Refining Theoretical Assumptions and Adding Variables to the Distancing-Embracing Model.Winfried Menninghaus, Valentin Wagner, Julian Hanich, Eugen Wassiliwizky, Thomas Jacobsen & Stefan Koelsch - 2017 - Behavioral and Brain Sciences 40.
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  6.  13
    Differences in the Visual Perception of Symmetric Patterns in Orangutans and Two Human Cultural Groups: A Comparative Eye-Tracking Study.Cordelia Mühlenbeck, Katja Liebal, Carla Pritsch & Thomas Jacobsen - 2016 - Frontiers in Psychology 7.
  7.  11
    On the Role of Mentalizing Processes in Aesthetic Appreciation: An ERP Study.Susan Beudt & Thomas Jacobsen - 2015 - Frontiers in Human Neuroscience 9.
  8.  9
    Adoption of Task-Specific Sets of Visual Attention.Mike Wendt, Svantje T. Kähler, Aquiles Luna-Rodriguez & Thomas Jacobsen - 2017 - Frontiers in Psychology 8.
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  9.  4
    Stability and Variability in Aesthetic Experience: A Review.Thomas Jacobsen & Susan Beudt - 2017 - Frontiers in Psychology 8.
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  10.  3
    Sequential Modulation of Cue Use in the Task Switching Paradigm.Mike Wendt, Aquiles Luna-Rodriguez, Renate Reisenauer, Thomas Jacobsen & Gesine Dreisbach - 2012 - Frontiers in Psychology 3.
  11.  1
    Cultural and Species Differences in Gazing Patterns for Marked and Decorated Objects: A Comparative Eye-Tracking Study.Cordelia Mühlenbeck, Thomas Jacobsen, Carla Pritsch & Katja Liebal - 2017 - Frontiers in Psychology 8.
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  12.  6
    Sequential Modulation of Distractor-Interference Produced by Semantic Generalization of Stimulus Features.Mike Wendt, Aquiles Luna-Rodriguez & Thomas Jacobsen - 2014 - Frontiers in Psychology 5.
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  13.  15
    Effect of Explicit Evaluation on Neural Connectivity Related to Listening to Unfamiliar Music.Chao Liu, Elvira Brattico, Basel Abu-Jamous, Carlos S. Pereira, Thomas Jacobsen & Asoke K. Nandi - 2017 - Frontiers in Human Neuroscience 11.
  14.  10
    Evidence for the Role of German Final Devoicing in Pre-Attentive Speech Processing: A Mismatch Negativity Study.Hubert Truckenbrodt, Johanna Steinberg, Thomas K. Jacobsen & Thomas Jacobsen - 2014 - Frontiers in Psychology 5.
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