The 'Second Sophistic' is arguably the fastest-growing area in contemporary classical scholarship. This short, accessible account explores the various ways in which modern scholarship has approached one of the most extraordinary literary phenomena of antiquity, the dazzling oratorical culture of the Early Imperial period. Successive chapters deal with historical and cultural background, sophistic performance, technical treatises (including the issue of Atticism and Asianism), the concept of identity, and the wider impact of sophistic performance on major authors of the time, including (...) Plutarch, Lucian and the Greek novelists. (shrink)

This chapter begins with Augustine of Hippo’s curious assumption, in The City of God, that in The Golden Ass the claim to have been transformed into a donkey was Apuleius’, rather than that of the fictional narrator, Lucius. Why should Augustine have made such a glaring error? The chapter argues that antiquity lacked a strong sense of ‘the narrator’. What we tend to call ‘first-person’, antiquity would have understood as ‘fictional autobiography’, in which the author illusionistically impersonates the narrating character.

Machine generated contents note: Introduction Christopher Gill, Tim Whitmarsh and John Wilkins: 1. Galen's library Vivian Nutton; 2. Conventions of prefatory self-presentation in Galen's On the Order of My Own Books Jason König; 3. Demiurge and emperor in Galen's world of knowledge Rebecca Flemming; 4. Shock and awe: the performance dimension of Galen's anatomy demonstrations Maud Gleason; 5. Galen's un-Hippocratic case-histories G. E. R. Lloyd; 6. Staging the past, staging oneself: Galen on Hellenistic exegetical traditions Heinrich von Staden; 7. Galen (...) and Hippocratic medicine: language and practice Daniela Manetti; 8. Galen's Bios and Methodos: from ways of life to paths of knowledge Ve;ronique Boudon-Millot; 9. Does Galen have a medical programme for intellectuals and the faculties of the intellect? Jacques Jouanna; 10. Galen on the limitations of knowledge R. J. Hankinson; 11. Galen and Middle Platonism Riccardo Chiaradonna; 12. 'Aristotle! What a thing for you to say!' Galen's engagement with Aristotle and Aristotelians Philip van der Eijk; 13. Galen and the Stoics, or: the art of not naming Teun Tieleman. (shrink)

The Romans commanded the largest and most complex empire the world had ever seen, or would see until modern times. The challenges, however, were not just political, economic and military: Rome was also the hub of a vast information network, drawing in worldwide expertise and refashioning it for its own purposes. This fascinating collection of essays considers the dialogue between technical literature and imperial society, drawing on, developing and critiquing a range of modern cultural theories. How was knowledge shaped into (...) textual forms, and how did those forms encode relationships between emperor and subjects, theory and practice, Roman and Greek, centre and periphery? Ordering Knowledge in the Roman Empire will be required reading for those concerned with the intellectual and cultural history of the Roman Empire, and its lasting legacy in the medieval world and beyond. (shrink)

Recent research on “psychotherapy” in Greek philosophy has not been fully integrated into thinking about philosophy as a way of life molded by personal relationships. This article focuses on how the enigma of Socratic eros sustains a network of thought experiments in the fourth century BCE about interpersonal dynamics and psychical transformation. It supplements existing work on Plato's Symposium and Phaedrus with comparative material from Aeschines of Sphettus, Xenophon, and the dubiously Platonic Alcibiades I and Theages. In order to select (...) and illuminate commonalities among all of these, it also draws critically upon Jacques Lacan's psychoanalytic technique and his numerous comparisons between Socrates and psychoanalysts. What emerges is a more complex and qualified but no less sincere appreciation for the ideal of reflective, cooperative aspiration toward Beauty portrayed in Plato's dialogues. (shrink)

Other Greek novels open in poleis, before swiftly shunting their protagonists out of them and into the adventure world. Why does Achilles Tatius' Leucippe and Clitophon open in a house , and stay there for almost one quarter of the novel? This article explores the cultural, psychological, and metaliterary role of the house in Achilles, reading it as a site of conflict between the dominant, patriarchal ideology of the father and the subversive intent of the young lovers. If the house (...) principally embodies the authoritarian will of the father to order and control, it nevertheless provides the lovers with opportunities to re-encode space opportunistically as erotic. The house cannot be reconstructed archaeologically , but it is nevertheless clearly divided into different qualitative zones—diningroom, bedrooms, garden—each of which has its own psychosocial and emotional texture, its own challenges, and its own resources. Achilles' modelling of the house may reflect Roman ideas of domestic aristocratic display, and perhaps even the influence of Roman literature. (shrink)

This article offers a fresh approach to the well-known questions surrounding the identification of Longus' character Philetas with the Hellenistic poet Philetas or Philitas. Noting that the poet was famed in antiquity also for his critical writing, particularly his lexicographical work the ataktoi gls.