Results for 'Time in art'

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  1.  25
    In the Fullness of Time: Gadamer on the Temporal Dimension of the Work of Art.Daniel L. Tate - 2012 - Research in Phenomenology 42 (1):92-113.
    Abstract In Gadamer's later writings on art, his investigation into the being of the work exploits the temporal resonance of the concept of performative enactment ( Vollzug ), which displaces the priority of play ( Spiel ) in his earlier account. Drawing upon Heidegger, Gadamer deploys the concepts of tarrying ( Verweilen ) and the while ( die Weile ) to elucidate the temporality of the work of art as an event of being. On the one hand, tarrying describes the (...)
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  2.  5
    Art in its Time: Theories and Practices of Modern Aesthetics.Paul Mattick - 2003 - Routledge.
    Art In Its Time takes a close look at the way in which art has become integral to the everyday 'ordinary' life of modern society. It explores the prevalent notion of art as transcending its historical moment, and argues that art cannot be separated from the everyday as it often provides material to represent social struggles and class, to explore sexuality, and to think about modern industry and our economic relationships.
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  3.  33
    Sounding the Event: Escapades in Dialogue and Matters of Art, Nature and Time.Yve Lomax - 2005 - I.B. Tauris.
    What constitutes an event? Propelled by this question, Sounding the Event encounters a variety of theories and a host of issues that have implications for not only conceptions of nature and becoming, subject and substance but also practices of time, art and photography. This book explores dialogue in its writing and as it encounters the philosophical utterances of Michel Serres, Isabelle Stengers, Alfred North Whitehead, Jean-Franbliogçois Lyotard, Maurice Blanchot, Gilles Deleuze and Fbliogelix Guattari, and Alain Badiou.
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  4.  1
    Time Symbolism in Gourd Representations Used in Chinese Culture and Art.Lingling Peng & Yang Geng - 2017 - Cultura 14 (1):59-70.
    A gourd is a sort of pumpkin whose shell is frequently used to keep food and water. Gourds are also used as kitchen utensils, musical instruments or decoration. This paper draws attention to the time framework in gourd image representations, which symbolize universality and immortality as well as the positive notions of regeneration and emptiness. By analyzing the artistic expressions in the form of gourd representations reflected in literature and art, this paper reveals the complex notion of time (...)
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  5. The Time Phenomenon of Chinese Zen and Video Art in China: 1988-1998.Yang Geng & Lingling Peng - 2016 - Cultura 13 (2):103-124.
    As a response to the problems of language in Chinese modern and avant-garde art from 1988 to 1998, early video art reclaimed the independence of language from social reality and political influence and established it on the basis of the time phenomenon. By comparing the category of time in the Western philosophical tradition and in Chinese traditional thought, we find that the “immediacy” of Zen provides a hermeneutical approach to the nature of language as a reflective medium, closely (...)
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  6. Time in Philosophy and Art.Simon Haines - 2007 - In Jan Lloyd Jones (ed.), Art and Time. Australian Scholarly Publishing. pp. 13.
     
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  7. Retrieving the Past, Transforming the Future: Time and Art in Autobiographies of Childhood and Incarceration.Susan Tridgell - 2007 - In Jan Lloyd Jones (ed.), Art and Time. Australian Scholarly Publishing. pp. 190.
     
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  8. Art & Physics: Parallel Visions in Space, Time, and Light.Leonard Shlain - 1991 - Quill/W. Morrow.
    Art interprets the visible world, physics charts its unseen workings--making the two realms seem completely opposed. But in Art & Physics, Leonard Shlain tracks their breakthroughs side by side throughout history to reveal an astonishing correlation of visions. From teh classical Greek sculptors to Andy Warhol and Jasper Johns, and from Aristotle to Einstein, aritsts have foreshadowed the discoveries of scientists, such as when Money and Cezanne intuited the coming upheaval in physics that Einstein would initiate. In this lively and (...)
     
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  9.  9
    Michelle Bastian Completed Her Ph. D. In Philosophy at the University of New South Wales. She is Currently a Chancellor's Fellow at the Edinburgh College of Art, University of Edinburgh. Her Work Focuses on the Use of Time in Social Practises of Inclusion and Exclusion. [REVIEW]Helen Beebee - 2013 - In Katrina Hutchison & Fiona Jenkins (eds.), Women in Philosophy: What Needs to Change? Oup Usa. pp. 261.
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  10. Topics of Our Time Twentieth-Century Issues in Learning and in Art.E. H. Gombrich - 1991
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  11. A Sense of Time: An Exploration of Time in Theory, Experience, and Art.Sachchidanand Hiranand Vatsyayan - 1981 - Oxford University Press.
     
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  12.  1
    " Reaction Time" in the Neural Network Module ART 1.Manuela Friedrich - 1997 - Poznan Studies in the Philosophy of the Sciences and the Humanities 56:215-238.
  13. Topics of Our Time: Comments on Twentieth-Century Issues in Learning and in Art.E. H. Gombrich - 1994 - Journal of Aesthetics and Art Criticism 52 (2):247-249.
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  14. Time and Real - Time in Online Art.Ewa Wójtowicz - 2001 - Art Inquiry. Recherches Sur les Arts 3:215-228.
     
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  15.  27
    Science and Conservation: The Work of Art in the Flow of Time.Giorgio Torraca - 1994 - World Futures 40 (1):129-132.
    The technology of conservation needs the best possible knowledge of the artifact and its changes in time. Scientists lack the deep sensorial knowledge of the object that the restorer, on the contrary, possesses.
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  16.  1
    The Decision Between Us: Art and Ethics in the Time of Scenes.John Paul Ricco - 2014 - University of Chicago Press.
    _The Decision Between Us _combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical (...)
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  17.  20
    Actors and Acting in Shakespeare's Time: The Art of Stage Playing. By John H. Astington.William M. Hawley - 2012 - The European Legacy 17 (3):412 - 413.
    The European Legacy, Volume 17, Issue 3, Page 412-413, June 2012.
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  18.  5
    Bianca Kühnel, The End of Time in the Order of Things: Science and Eschatology in Early Medieval Art. Regensburg: Schnell & Sterner, 2003. Pp. 384; 174 Black-and-White and Color Figures. €61.68. [REVIEW]Lynn Ransom - 2006 - Speculum 81 (1):220-222.
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  19. “It's About Time”: The Chronotope of the Holocaust in Art Spiegelman's Maus'.Sue Vice - 2001 - In Jan Baetens (ed.), The Graphic Novel. Leuven University Press. pp. 47--60.
     
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  20.  6
    Arrest and Movement. An Essay on Space and Time in the Representational Art of the Ancient Near East.G. R. Levy & H. A. Groenewegen-Frankfort - 1953 - Journal of Hellenic Studies 73 (4):179.
  21.  2
    The Category of Time in Twentieth-Century Art and Culture.Vjačeslav V. Ivanov - 1973 - Semiotica 8 (1):1-45.
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  22. New Queries in Aesthetics and Metaphysics Time, Historicity, Art, Culture, Metaphysics, the Transnatural.Anna-Teresa Tymieniecka & World Congress of Phenomenology - 1991
     
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  23. Now-Time Image-Space: Temporalization of Politics in Walter Benjamin's Philosophy of History and Art.Kia Lindroos - 1998 - University of Jyväskylä.
  24.  21
    Form in Time: The Perceptual Discovery of Art.Carolyn Drake - 2001 - Trends in Cognitive Sciences 5 (11):463-464.
  25.  1
    The Intuition of Time Between Science and Art History in the Early Twentieth Century.Gabriel Motzkin - 1997 - Science in Context 10 (1).
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  26. Homelessness of Art Work / Homelessness of Memory: Moshe Kupferman\'s The Rift in Time.Eleonora Jedlińska - 2011 - Art Inquiry. Recherches Sur les Arts 13:75-94.
     
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  27. Art in Its Time: Theories and Practices of Modern Aesthetics.Paul Mattick - 2004 - Journal of Aesthetics and Art Criticism 62 (4):393-394.
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  28. Johannes Scotus Eriugena Deutsch Redivivus: Translations of the,Vox Spiritualis Aquilae‘ in Relation to Art and Mysticism at the Time of Meister Eckhart.Lydia Wegener & Andreas Speer - 2005 - In Lydia Wegener & Andreas Speer (eds.), Meister Eckhart in Erfurt. Walter de Gruyter.
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  29.  10
    Introduction to Antonio Negri's "Art and Culture in the Age of Empire and the Time of the Multitudes".Max Henninger - 2007 - Substance 36 (1):47-47.
  30.  10
    Art and Culture in the Age of Empire and the Time of the Multitudes.Antonio Negri & Max Henninger - 2007 - Substance 36 (1):48-55.
  31.  4
    Today and Yesterday, Forever: Negotiating Time and Space in the Art of Mame-Diarra Niang and Dineo Seshee Bopape.Zoé Whitley - 2014 - Technoetic Arts 12 (2):175-183.
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  32.  4
    Primitive Time-Reckoning. A Study in the Origins and First Development of the Art of Counting Time Among the Primitive and Early Culture Peoples.H. J. B. & Martin P. Nilsson - 1921 - Journal of Hellenic Studies 41:158.
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  33.  1
    Art and the Commune in the Time of Dante.Helene Wieruszowski - 1944 - Speculum 19 (1):14-33.
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  34. Joachim M. Plotzek, Andachtsbücher des Mittelalters Aus Privatbesitz. Cologne: Stadt Köln and Schnütgen Museum, 1987. Pp. 250; 358 Color Plates, 2 Black-and-White Plates. Roger S. Wieck, Time Sanctified: The Book of Hours in Medieval Art and Life. With Essays by Lawrence R. Poos, Virginia Reinburg, and John Plummer. New York: George Braziller, in Association with the Walters Art Gallery, Baltimore, 1988. Pp. 230; 40 Color Plates, 132 Black-and-White Plates. $45. [REVIEW]Virginia Roehrig Kaufmann - 1990 - Speculum 65 (2):485-489.
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  35. La Maîtrise du Temps Comme Enjeu de lutteThe Control of Time at Stake in the Struggle. The Exemple of French Art and Entertainment workersEl Control Del Tiempo Como Eje de Lucha. El Ejemplo de Los Trabajadores de Las Artes y El Espectáculo En Francia.Marie-Christine Bureau & Antonella Corsani - 2012 - Temporalités 16.
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  36. Art in Time of War: Towards a Contemporary Aesthetic.Jonathan Dollimore - 2003 - In John J. Joughin & Simon Malpas (eds.), The New Aestheticism. Manchester University Press. pp. 3642.
     
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  37. Art in Play-Time.Kenelm Foster - 1939 - New Blackfriars 20 (232):529-534.
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  38. Primitive Time-Reckoning. A Study in the Origins and First Development of the Art of Counting Time Among the Primitive and Early Culture Peoples. By Martin P. Nilsson. Pp. 324. Lund & Oxford: The Oxford University Press, 1920. 21s. [REVIEW]J. B. H. - 1921 - Journal of Hellenic Studies 41 (1):158-160.
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  39. Harold E. Edgerton.Exploring the Art and Science of Stopping Time: A CD‐ROM Based on the Life and Work of Harold E. Edgerton. CD‐ROM in Folder with Booklet. Cambridge, Mass.: MIT Press, 2000. $37.95. [REVIEW]Stuart W. Leslie - 2005 - Isis 96 (1):143-144.
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  40. John Paul Ricco.The Decision Between Us: Art and Ethics in the Time of Scenes. Chicago: University of Chicago Press, 2014. 264 Pp. [REVIEW]Tom McDonough - 2016 - Critical Inquiry 42 (3):719-720.
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  41. "The New Humanism: Art in a Time of Change": Barry Schwartz. [REVIEW]Harold Osborne - 1975 - British Journal of Aesthetics 15 (4):377.
     
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  42. Has Shaped Their Lives and Art Ever Since. Tamas Kabdebo is a Poet, Translator and Novelist Who Makes His Home in England. His Minden Ido\(Every Time) is a Tribute to the Impulsive Heroism of Youth and the Wistful Acquies-Cence of Middle Age. [REVIEW]Ivan Sanders - 1978 - Kriterion: Journal of Philosophy 175:8.
     
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  43. Exposer Un Maitre ancienHow to Display an Old Master. Time and the History of Art in an Exhibition.Ughetto Pascal - 2011 - Temporalités 14.
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  44. Art and Time.Philip S. Rawson - 2005
     
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  45.  10
    Art, Time, and Technology.Charlie Gere - 2006 - Berg.
    This book explores how the practice of art, in particular of avant-garde art, keeps our relation to time, history and even our own humanity open. Examining key moments in the history of both technology and art from the beginnings of industrialisation to today, Charlie Gere explores both the making and purpose of art and how much further it can travel from the human body.
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  46.  27
    Art and Time.Derek Allan - 2013 - Cambridge Scholars Press.
    A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art (...)
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  47. Arthur Danto’s Andy Warhol: The Embodiment of Theory in Art and the Pragmatic Turn.Stephen Snyder - 2010 - Leitmotiv:135-151.
    Arthur Danto’s recent book, Andy Warhol, leads the reader through the story of the iconic American’s artistic life highlighted by a philosophical commentary, a commentary that merges Danto’s aesthetic theory with the artist himself. Inspired by Warhol’s Brillo Box installation, art that in Danto’s eyes was indiscernible from the everyday boxes it represented, Danto developed a theory that is able to differentiate art from non-art by employing the body of conceptual art theory manifest in what he termed the ‘artworld’. The (...)
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  48.  7
    The Ethics of the Face in Art: On the Margins of Levinas’s Theory of Ethical Signification in Art.Akos Krassoy - 2016 - Estetika: The Central European Journal of Aesthetics 53 (1):42-73.
    In ‘Reality and Its Shadow’, Levinas dismisses knowledge as a whole from art. This has deep implications for the ethical. The aesthetic event has nothing to do with the ethical event – art does not seem to hold a place for ethical knowledge. This situation is problematic with respect to the conflicting phenomenological evidence as well as with respect to Levinas himself, who occasionally relies on works of art in his ethical phenomenological analyses. My article aims to fill in the (...)
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  49.  9
    Now Bounded, Now Immeasurable: Perspectives on Time in Disability, in Suffering and at End of Life.L. G. Underwood - 2007 - Medical Humanities 33 (1):11-15.
    Novels, films, poems and visual art can expand our view of time in ways that can be useful in dealing with disability, suffering and end of life. In particular, they can reveal more complex ways to view time. This can be effective both for the person suffering and for those who care for them. Our typical ways of viewing time include linear sequential clock time, which progresses in an evenly parsed, ordered, unidirectional way, and memory or (...)
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  50.  23
    Ernst Grosse and the "Ethnological Method" in Art Theory.Wilfried van Damme - 2010 - Philosophy and Literature 34 (2):302-312.
    Why are the Germans good at music, whereas the Dutch excel in painting? What are the reasons for the outstanding draftsmanship of Australian Aboriginals, and why does this skill seem absent among West African peoples, who appear concerned rather with sculpture? Could it be that the Japanese do not share the European preference for symmetry in decorative art? Moreover, why do tastes in the visual arts, music, and literature change so noticeably throughout history? Is it possible that, despite differences across (...)
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