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  1.  38
    Toward a Process Philosophy for Digital Aesthetics.Timothy Barker - 2012 - Process Studies 41 (1):188-189.
    Digital media seem to be marked by process. The digital image itself is produced by software processes and the constant flux of code. Further this, interaction with digital systems involves a constant process by which a so-called 'user' comes into contact with various machinic occasions. It seems that in light of these processes it is impossible to maintain an aesthetic or media theory that pictures a self-contained and psychologised subject interacting with a static and inert object. How then can we (...)
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    Media Ecology in Michel Serres's Philosophy of Communication.Timothy Barker - 2015 - Techné: Research in Philosophy and Technology 19 (1):50-68.
    Throughout his philosophical project Michel Serres uses the etymological connections between words to reveal much larger experiential and philosophical links. One such connection is between the words ‘media’ and ‘milieu’. In this paper I show how Serres’ philosophy of communication can be used to think critically about the relationship between media and the environment. The paper provides an introduction to Serres’ mode of thought, focusing on his treatment of communication systems. It explores his articulation of noise, information, and thermodynamics and (...)
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