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Tina Chanter [68]Tina Mary Chanter [1]
  1.  57
    Ethics of Eros: Irigaray's Re-Writing of the Philosophers.Tina Chanter - 1994 - Routledge.
    ____Ethics of Eros__ sheds light on contemporary feminist discourse by questioning the basic distinctions and categories in feminist theory. Tina Chanter uses the work of Luce Irigaray as the focus for a critique of French and Anglo-American feminism as it is articulated in the debate over essentialism. While these two branches of feminism represent opposing views, Chanter advocates a productive exchange between the two.
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  2.  41
    Time, Death, and the Feminine: Levinas with Heidegger.Tina Chanter - 2001 - Stanford University Press.
    Examining Levinas's critique of the Heideggerian conception of temporality, this book shows how the notion of the feminine both enables and prohibits the most fertile territory of Levinas's thought. The author suggests that though Levinas's conception of subjectivity corrects some of the problems Heidegger's philosophy introduces, such as his failure to deal adequately with ethics, Levinas creates new stumbling blocks, notably the confining role he accords to the feminine. For Levinas, the feminine functions as that which facilitates but is excluded (...)
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  3. Feminist Interpretations of Emmanuel Levinas.Tina Chanter (ed.) - 2001 - Pennsylvania State University Press.
    This volume of essays, all but one previously unpublished, investigates the question of Levinas’s relationship to feminist thought. Levinas, known as the philosopher of the Other, was famously portrayed by Simone de Beauvoir as a patriarchal thinker who denigrated women by viewing them as the paradigmatic Other. Reconsideration of the validity of this interpretation of Levinas and exploration of what more positively can be derived from his thought for feminism are two of this volume’s primary aims. Levinas breaks with Heidegger’s (...)
     
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  4.  19
    Whose Antigone?: The Tragic Marginalization of Slavery.Tina Chanter - 2011 - State University of New York Press.
  5.  27
    The Picture of Abjection: Film, Fetish and the Nature of Difference.Tina Chanter - unknown
    The Picture of Abjection is an analysis of independent, contemporary, international film. Appropriating Kristeva's analysis of abjection, which she developed in the context of psychoanalytic theory to designate that which a subject rejects as a site of impurity, the book takes up the abject in order to illuminate various intersections of discrimination. The focus is on how race, gender, class, sexuality, ethnicity and nationality intersect with one another in ways that involve abjection. The argument is informed by a variety of (...)
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  6. On Not Reading Derrida's Texts: Mistaking Hermeneutics, Misreading Sexual Difference, and Neutralizing Narration.Tina Chanter - 1997 - In Ellen K. Feder, Mary C. Rawlinson & Emily Zakin (eds.), Derrida and Feminism: Recasting the Question of Woman. Routledge. pp. 87--113.
     
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  7. Time, Death, and the Feminine: Levinas with Heidegger.Tina Chanter - 2002 - Stanford University Press.
    Examining Levinas’s critique of the Heideggerian conception of temporality, this book shows how the notion of the feminine both enables and prohibits the most fertile territory of Levinas’s thought. According to Heidegger, the traditional notion of time, which stretches from Aristotle to Bergson, is incoherent because it rests on an inability to think together two assumptions: that the present is the most real aspect of time, and that the scientific model of time is infinite, continuous, and constituted by a series (...)
     
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  8. Abjection and the Constitutive Nature of Difference: Class Mourning in Margaret's Museum and Legitimating Myths of Innocence in Casablanca.Tina Chanter - 2006 - Hypatia 21 (3):86 - 106.
    This essay examines the connections between ignorance and abjection. Chanter relates Julia Kristeva's notion of abjection to the mechanisms of division found in feminist theory, race theory, film theory, and cultural theory. The neglect of the co-constitutive relationships among such categories as gender, race, and class produces abjection. If those categories are treated as separate parts of a person's identity that merely interlock or intermesh, they are rendered invisible and unknowable even in the very discourses about them. Race thus becomes (...)
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  9.  24
    A Critique of Martín Alcoff’s Identity Politics: On Power and Universality.Tina Chanter - 2009 - Philosophy Today 53 (Supplement):44-58.
  10. Abjection and Ambiguity: Simone de Beauvoir's Legacy.Tina Chanter - 2000 - Journal of Speculative Philosophy 14 (2):138-155.
  11.  49
    Abjection and the Constitutive Nature of Difference: Class Mourning In.Tina Chanter - 2006 - Hypatia 21 (3):86-106.
    : This essay examines the connections between ignorance and abjection. Chanter relates Julia Kristeva's notion of abjection to the mechanisms of division found in feminist theory, race theory, film theory, and cultural theory. The neglect of the co-constitutive relationships among such categories as gender, race, and class produces abjection. If those categories are treated as separate parts of a person's identity that merely interlock or intermesh, they are rendered invisible and unknowable even in the very discourses about them. Race thus (...)
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  12.  8
    Revolt, Affect, Collectivity: The Unstable Boundaries of Kristeva's Polis.Tina Chanter & Ewa Plonowska Ziarek (eds.) - 2005 - State University of New York Press.
    Explores how the concept of revolution permeates and unifies Kristeva’s body of work.
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  13. The Betrayal of Philosophy: Emmanuel Levinas's Otherwise Than Being.Tina Chanter - 1997 - Philosophy and Social Criticism 23 (6):65-79.
  14.  38
    Levinas and Impossible Possibility: Thinking Ethics with Rosenzweig and Heidegger in the Wake of the Shoah.Tina Chanter - 1998 - Research in Phenomenology 28 (1):91-109.
  15.  12
    James W. Allard, The Logical Foundations of Bradley's Metaphysics: Judgment, Inference, and Truth (Cambridge: Cambridge University Press, 2005).Rex Butler, John D. Caputo, Michael J. Scanlon, Tina Chanter, Ewa Plonowska Ziarek & Jeanine Grenberg - 2005 - Graduate Faculty Philosophy Journal 26 (2).
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  16. .Chanter Tina - 2016
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  17.  18
    Antigone as the White Fetish of Hegel and the Seductress of Derrida.Tina Chanter - unknown
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  18.  12
    Abjection and the Constitutive Nature of Difference: Class Mourning in Margaret's Museum and Legitimating Myths of Innocence in Casablanca.Tina Chanter - 2006 - Hypatia 21 (3):86-106.
    This essay examines the connections between ignorance and abjection. Chanter relates Julia Kristeva's notion of abjection to the mechanisms of division found in feminist theory, race theory, film theory, and cultural theory. The neglect of the co-constitutive relationships among such categories as gender, race, and class produces abjection. If those categories are treated as separate parts of a persons identity that merely interlock or intermesh, they are rendered invisible and unknowable even in the very discourses about them. Race thus becomes (...)
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  19.  28
    Antigone's Exemplarity: Irigaray, Hegel, and Excluded Grounds as Constitutive of Feminist Theory In: Rawlinson, Mary C. , Hom, Sabrina L. And Khader, Serene J., (Eds.) Thinking with Irigaray. Albany, U.S. : State University of New York Press, 2011, Pp. 265-292. ISBN 9781438439174.Tina Chanter - unknown
    Irigaray raises the question of sexual difference. Yet there are moments at which Irigaray’s own pursuit of this question recapitulates the kind of universalism it is meant to combat. She remains ensconced in judgments that close down the attempt to think beyond sexual difference. The article pursues this line of thought particularly in relation to her figuring of Antigone, suggesting that there is a need to open up sexual difference so that it does not function as a universal discourse, but (...)
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  20.  52
    Antigone's Excessive Relationship to Fetishism.Tina Chanter - 2007 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 11 (2):231-260.
  21.  19
    Antigone’s Excessive Relationship to Fetishism.Tina Chanter - 2007 - Symposium 11 (2):231-260.
  22.  6
    Antigone’s Excessive Relationship to Fetishism: The Performative Politics and Rebirth of Eros and Philia From Ancient Greece to Modern South Africa.Tina Chanter - 2007 - Symposium 11 (2):231-260.
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  23.  9
    Abjection, Film, Politics.Tina Chanter & Athena Colnnan - 2001 - Glimpse 3 (1):51-62.
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  24.  28
    Abject Images: Kristeva, Art, and Third Cinema.Tina Chanter - 2001 - Philosophy Today 45 (9999):83-98.
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  25.  8
    Abject Images: Kristeva, Art, and Third Cinema.Tina Chanter - 2001 - Philosophy Today 45 (Supplement):83-98.
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  26. Antigone's Liminality: Hegel's Racial Purification of Tragedy and the Naturalization of Slavery.Tina Chanter - 2010 - In Kimberly Hutchings & Tuija Pulkkinen (eds.), Hegel's Philosophy and Feminist Thought: Beyond Antigone? Palgrave-Macmillan.
  27.  78
    Abjection, or Why Freud Introduces the Phallus: Identification, Castration Theory, and the Logic of Fetishism.Tina Chanter - 2004 - Southern Journal of Philosophy 42 (Supplement):48-66.
  28.  26
    Antigone's Political Legacies: Abjection in Defiance of Mourning.Tina Chanter - 2010 - In S. E. Wilmer & Audrone Zukauskaite (eds.), Interrogating Antigone in Postmodern Philosophy and Criticism. Oxford University Press.
  29. Conditions: The Politics of Ontology and the Temporality of the Feminine.Tina Chanter - 2005 - In Eric Sean Nelson, Antje Kapust & Kent Still (eds.), Addressing Levinas. Northwestern University Press. pp. 310--338.
  30.  5
    Commentary: Three Questions for Rudolf Bernet.Tina Chanter - 1994 - Southern Journal of Philosophy 32 (S1):159-169.
  31.  31
    Derrida and Beyond.Tina Chanter - 2017 - philoSOPHIA: A Journal of Continental Feminism 7 (1):67-77.
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  32.  2
    Derrida and Beyond : Living Feminism Affirmatively.Tina Chanter - 2017 - philoSOPHIA: A Journal of Continental Feminism 7 (1):67-77.
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  33.  13
    Does Antigone Stand or Fall in Relation to Hegel's Master–Slave Dialectic? A Response to Derrida's Glas.Tina Chanter - 2016 - Paragraph 39 (2):202-219.
    In Glas, Derrida focuses his attention on a question regarding the family, on the unintelligibility of familial love for which Hegel makes Antigone representative. The account of the emergence of self-consciousness in the family differs in several crucial ways from the standard account of how Hegelian self-consciousness is constituted in the master–slave dialectic. Most notably, the achievement of self-consciousness through familial love involves no risk of life, no struggle to the death, no conflict. While Derrida refrains from interrogating the relation (...)
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  34.  27
    Editor’s Introduction.Tina Chanter - 1997 - Southern Journal of Philosophy 35 (S1):5-6.
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  35.  1
    Editor’s Introduction.Tina Chanter - 1997 - Southern Journal of Philosophy 35 (S1):5-6.
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  36.  17
    Exhuming the Remains of Antigone's Tragedy : The Encryption of Slavery.Tina Chanter - 2015 - In .
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  37.  17
    Feminist Art: Disrupting and Consolidating the Police Order.Tina Chanter - 2017 - In Patrick M. Bray (ed.), Understanding Ranciere, understanding modernism. London, U.K.: Bloomsbury Academic. pp. 147-160.
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  38. Heidegger and Gender: An Uncanny Retrieval of Hegel's Antigone.Tina Chanter - 2013 - In Francois Raffoul & Eric S. Nelson (eds.), The Bloomsbury Companion to Heidegger. Bloomsbury Academic. pp. 441.
     
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  39.  14
    Historicizing Feminist Aesthetics.Tina Chanter - 2017 - In Ann Garry, Serene J. Khader & Alison Stone (eds.), The Routledge companion to feminist philosophy. Abingdon, UK: Routledge. pp. 463-473.
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  40. Hands That Give and Hands That Take: The Politics of the Other in Levinas.Tina Chanter - 2007 - In Marinos Diamantides (ed.), Levinas, Law, Politics. Routledge-Cavendish.
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  41. Irigaray's Challenge to the Fetishistic Hegemony of the Platonic One and Many.Tina Chanter - 2010 - In Elena Tzelepis & Athena Athanasiou (eds.), Rewriting Difference: Luce Irigaray and "the Greeks". State University of New York Press.
     
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  42.  7
    Introduction to the Symposium.Tina Chanter - 2017 - philoSOPHIA: A Journal of Continental Feminism 7 (1):63-65.
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  43. Jeffner Allen and Iris Marion Young, Eds., Thinking the Muse: Feminism and Modern French Philosophy Reviewed By.Tina Chanter - 1991 - Philosophy in Review 11 (2):79-80.
  44.  6
    Jacques Taminiaux, Dialectic and Difference: Finitude in Modern Thought, Translated by Robert Crease and James T. Decker. New Jersey, Humanities Press, and London, Macmillan, 1985, Pp. Xiii, 177, £33.00. [REVIEW]Tina Chanter - 1986 - Hegel Bulletin 7 (2):47-49.
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  45.  64
    Kristeva and Levinas: Abjection and the Feminine.Tina Chanter - 2004 - Studies in Practical Philosophy 4 (1):54-70.
  46. Kristeva's Ethics of Crisis: Artand Abjection, Love and Melancholia.Tina Chanter - 2003 - In Edith Wyschogrod & Gerald P. McKenny (eds.), The Ethical. Blackwell. pp. 5--119.
     
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  47. Lecture 2: Giving Time and Death : Levinas, Heidegger, and the Trauma of the Gift.Tina Chanter - 2006 - In John D. Caputo & David L. Smith (eds.), Levinas: The Face of the Other: The Fifteenth Annual Symposium of the Simon Silverman Phenomenology Center. Simon Silverman Phenomenology Center, Duquesne University.
  48.  4
    Levinas's Legacy.Tina Chanter - 2005 - In Claire Elise Katz & Lara Trout (eds.), Emmanuel Levinas. Routledge. pp. 4--400.
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  49. M. Griffiths and M. Whitford, , Feminist Perspectives in Philosophy. [REVIEW]Tina Chanter - 1990 - Radical Philosophy 56:50.
  50.  17
    Picturing, Envisaging, or Imaging Humanity: Commentary on Kelly Oliver.Tina Chanter - 2011 - Philosophy Today 55 (Supplement):32-42.