Results for 'Tom Beckett'

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  1.  61
    Interview with Graham Harman.Tom Beckett & Graham Harman - 2011 - Ask/Tell.
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  2. Part I Theorizing Beckett and Philosophy.Theorizing Beckett - 2002 - In Richard J. Lane (ed.), Beckett and Philosophy. Palgrave. pp. 9.
     
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  3.  64
    R.S. Peters and the Concept of Education.Kelvin Stewart Beckett - 2011 - Educational Theory 61 (3):239-255.
    In this essay Kelvin Beckett argues that Richard Peters's major work on education, Ethics and Education, belongs on a short list of important texts we can all share. He argues this not because of the place it has in the history of philosophy of education, as important as that is, but because of the contribution it can still make to the future of the discipline. The limitations of Peters's analysis of the concept of education in his chapter on “Criteria (...)
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  4.  22
    Philosophical Underpinnings of the Integrated Conception of Competence.Paul Hager & David Beckett - 1995 - Educational Philosophy and Theory 27 (1):1–24.
  5. Photogenic Drawings.R. B. Beckett - 1964 - Journal of the Warburg and Courtauld Institutes 27:342-343.
  6.  9
    Embodied Competence and Generic Skill: The Emergence of Inferential Understanding.David Beckett - 2004 - Educational Philosophy and Theory 36 (5):497–508.
  7.  27
    Growth Theory Reconsidered.Kelvin Beckett - 1985 - Journal of Philosophy of Education 19 (1):49–54.
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  8.  2
    Professional Practice for Educators: The Getting of Wisdom?David Beckett - 1995 - Educational Philosophy and Theory 27 (2):15–34.
  9.  16
    Transmission.Kelvin Beckett - 1983 - Journal of Philosophy of Education 17 (2):201–205.
  10.  13
    Rejoinder: Learning From Work: Can Kant Do?David Beckett & Paul Hager - 2003 - Educational Philosophy and Theory 35 (1):123–127.
  11.  3
    Book Reviews. [REVIEW]Lucy Beckett - 1997 - British Journal of Aesthetics 37 (2):407-410.
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  12.  1
    Guest Editorial.David Beckett & Paul Hager - 1999 - Educational Philosophy and Theory 31 (3):271–272.
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  13.  23
    "We Are All Noah: Tom Regan's Olive Branch to Religious Animal Ethics".Matthew C. Halteman - forthcoming - Between the Species: An Electronic Journal for the Study of Philosophy and Animals (Special issue in honor of Tom Re).
    For the past thirty years, the late Tom Regan bucked the trend among secular animal rights philosophers and spoke patiently and persistently to the best angels of religious ethics in a stream of publications that enjoins religious scholars, clergy, and lay people alike to rediscover the resources within their traditions for articulating and living out an animal ethics that is more consistent with their professed values of love, mercy, and justice. My aim in this article is to showcase some of (...)
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  14.  3
    Tom Regan on Kind Arguments Against Animal Rights and for Human Rights.Nathan Nobis - 2016 - In Mylan Engel Jr & Gary Comstock (eds.), The Moral Rights of Animals. Lexington Books. pp. 65-80.
    Tom Regan argues that human beings and some non-human animals have moral rights because they are “subjects of lives,” that is, roughly, conscious, sentient beings with an experiential welfare. A prominent critic, Carl Cohen, objects: he argues that only moral agents have rights and so animals, since they are not moral agents, lack rights. An objection to Cohen’s argument is that his theory of rights seems to imply that human beings who are not moral agents have no moral rights, but (...)
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  15.  3
    Joyce or Beckett?: On Žižek's Choice.Greenshields Will - 2017 - International Journal of Žižek Studies 11 (1).
    We are used to hearing Žižek respond to a proposed choice between two options with the replies “yes please!” or “no thanks!” – this answer amounting to a refusal of choice that maintains the productive antagonism between the presented options or a refutation that one offers a better solution than the other. However, when it comes to the question “Joyce or Beckett?” Žižek unequivocally responds “Beckett, please!” Through a close reading of Žižek’s scattered references to and reflections on (...)
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  16.  16
    The Image of a Mind-Skull: Samuel Beckett's... But the Clouds... And Television-Philosophy.Atene Mendelyte - 2015 - Film-Philosophy 19:325-343.
    The article offers a new approach for the exploration of media and television studies by extracting the television-philosophy implicit in Samuel Beckett’s television play … but the clouds …. The reading focuses on the immanent logic of the play seen as a televisual and an intermedial whole, instead of constructing it as an intertextual tapestry of references. The article argues against a popular interpretation of Beckett as the artist of failure. The reading of …but the clouds… as illustrating (...)
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  17.  25
    Filosofia, Tom E ilusão musical em Kant. Da vivificação sonora do ânimo à recepção do Tom da razão.Nuria Sánchez Madrid - 2012 - Trans/Form/Ação 35 (1):47-72.
    O artigo tenciona, primeiramente, enriquecer o estudo da função que o conceito de tom desempenha na ideia kantiana de razão, ao estendê-lo à análise da música como arte dos sons que a Crítica do Juízo contém. Em segundo lugar, propõe-se determinar os motivos pelos quais a matemática se revela incapaz, devido à especificidade do método filosófico e à corporalidade da ecepção musical, respectivamente, de expressar o modo de proceder da razão e da arte dos sons. Finalmente, aponta-se para uma semelhança (...)
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  18.  6
    'Stellar Separation' or 'Abstract Machine': Badiou and Deleuze on Beckett.Garin Dowd - 2012 - In .
    This is a version of a paper delivered at the Beckett centenary conference held at University College Cork, May 26-27, 2006. It was subsequently published under the title ‘Stellar Separation orMachine? Badiou and Deleuze and Guattari on Beckett’ in Beckett Re-Membered: After the Centenary, edited by James Carney,Mi chael O’Sullivan, Leonard Madden and Karl White, pp. 92-107, ISBN 1443835005. This is a pre-publication version of the paper as it appeared in the latter publication. OPENING PARAGRAPH: In the (...)
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  19.  12
    Chess & Schizophrenia: Murphy V Mr Endon, Beckett V Bion. [REVIEW]Gary Winship - 2011 - Journal of Medical Humanities 32 (4):339-351.
    This paper reconvenes Samuel Beckett’s psychotherapy with Wilfred Bion during 1934–1936 during which time Beckett’s conceived and began writing this second novel, Murphy . Based on Beckett’s visits to the Bethlem & Maudsley Hospital and his observation of the male nurses, the climax of Murphy is a chess match between Mr Endon (a male schizophrenic patient) and Murphy (a male psychiatric nurse). The precise notation of the Endon v Murphy chess match tells us that the Beckett (...)
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  20.  3
    Agotar la lengua: Beckett a través de Deleuze.Guadalupe Lucero - 2012 - Daimon: Revista de Filosofia 55:121-141.
    Nos proponemos recorrer aquí algunas de las líneas de fuerza que permiten vincular la obra de Samuel Beckett con la estética desarrollada en los escritos de Gilles Deleuze. Para ello dedicaremos un primer apartado a las relaciones entre Beckett y la filosofía, para hacer patente allí la afinidad con algunas de las fuentes fundamentales de la filosofía deleuziana, como Nietzsche, Spinoza y la distancia con aquel que se constituye como uno de sus “enemigos” filosóficos: Martin Heidegger. Plantearemos luego (...)
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  21. Wandering and Home: Beckett's Metaphysical Narrative.Eyal Amiran - 1993 - Pennsylvania State University Press.
    How are we to think of Beckett's fiction? Lyrical, inventive, uncompromising, beautifully precise-an immense achievement—is it really an art that proclaims the disintegration of language and of the imagination, as traditional readings conclude? Eyal Amiran's study demonstrates that Beckett's work does not embody the failure of synthetic vision. Beckett's fiction transposes a large intertextual logic from the Western metaphysics it is said to disown, and so takes its place in a literary and philosophical tradition that extends from (...)
     
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  22.  9
    Thieves of Virtue: When Bioethics Stole Medicine by Tom Koch (Review).Tom L. Beauchamp - 2014 - Kennedy Institute of Ethics Journal 24 (3):11-14.
    The principal thesis in this book is that bioethics emerged—in the 1960s through the 1980s—under the influence of philosophers who claimed to have universally valid principles that could steer medicine and research to the solution of ethical problems, including even those arising at the bedside of patients. Tom Koch contends that these philosophers and their allied bioethicists “stole medicine” and its traditional values, substituting a philosophical discourse generally inaccessible to the average person. Philosophers thereby refashioned medical ethics in accordance with (...)
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  23.  3
    Apprenticeship, Philosophy, and the 'Secret Pressures of the Work of Art' in Deleuze, Beckett, Proust, and Ruiz or Remaking the Recherche.Garin Dowd - 2009 - In Mary Bryden & Margaret Topping (eds.), Beckett's Proust/Deleuze's Proust. Palgrave-Macmillan.
    If Beckett’s study of Proust has belatedly received the criticisms its author no doubt anticipated, another influential study published a little over thirty years later has, like its predecessor, elicited, among others, the critical response that the author of the Recherche finds himself recruited to the self-serving project of the critic. Gilles Deleuze’s Proust is cast not as the pessimistic Schopenhauerian which Beckett makes of him, but rather, as a force of affirmation in the quasi-Nietzschean register of the (...)
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  24. Waiting for Death the Philosophical Significance of Beckett's En Attendant Godot.Ramona Cormier & Janis L. Pallister - 1979
     
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  25.  17
    Literary Silences in Pascal, Rousseau, and Beckett.Elisabeth Marie Loevlie - 2003 - Oxford University Press.
    To explore literary silence is to explore the relationships between literary texts and the silence of the ineffable. Philosophical and critical accounts tend to operate with a dualistic understanding of silence as the negative other of text. This study, however, seeks to place silence within the literary text. Central to this theoretical endeavour are thinkers like Blanchot, Derrida, Gadamer and Vattimo, and the result is a fundamental challenge to our ideas of silence and text. The study continues to draw on (...)
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  26. Tragic-Dialectical-Perfectionism: On the Ethics of Beckett's 'Endgame'.Ben Ware - 2015 - College Literature 42 (1):3-21.
     
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  27. How We Think Mādhyamikas Think: A Response To Tom Tillemans.Yasuo Deguchi, Jay L. Garfield & Graham Priest - 2013 - Philosophy East and West 63 (3):426-435.
    In his article in this issue, " 'How do Mādhyamikas Think?' Revisited," Tom Tillemans reflects on his earlier article "How do Mādhyamikas Think?" (2009), itself a response to earlier work of ours (Deguchi et al. 2008; Garfield and Priest 2003). There is much we agree with in these non-dogmatic and open-minded essays. Still, we have some disagreements. We begin with a response to Tillemans' first thoughts, and then turn to his second thoughts.Tillemans (2009) maintains that it is wrong to attribute (...)
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  28. Abstract Machines: Samuel Beckett and Philosophy After Deleuze and Guattari.Garin Dowd - unknown
    What can philosophy bring to the reading of Beckett? Combining intertextual analysis with a ‘schizoanalytic genealogy’ derived from the authors of L’Anti-Œdipe, Garin Dowd’sMachines: Samuel Beckett and Philosophy after Deleuze and Guattari offers an innovative response to this much debated question. The author focuses on zones of encounter and thresholds of engagement between Beckett’s writing and a range of philosophers and philosophical concepts. Beckett’s writing impacts in a variety of ways on Deleuze and Guattari’s thought, and, (...)
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  29. Epistemic Instrumentalism and Reasons for Belief: A Reply to Tom Kelly's "Epistemic Rationality as Instrumental Rationality: A Critique".Adam Leite - 2007 - Philosophy and Phenomenological Research 75 (2):456–464.
    Tom Kelly argues that instrumentalist aeeounts of epistemie rationality fail beeause what a person has reason to believe does not depend upon the eontent of his or her goals. However, his argument fails to distinguish questions about what the evidence supports from questions about what a person ought to believe. Once these are distinguished, the instrumentalist ean avoid Kelly’s objeetions. The paperconcludes by sketehing what I take to be the most defensible version of the instrumentalist view.
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  30. Deathly Constructions/Beckett's Thanatographies.Garin Dowd - unknown
    Keynote address to the conference Beckett and Death, University of Northampton, December 3rd 2006.
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  31.  4
    Another Relationship to Failure: Reflections on Beckett and Education.Aislinn O'Donnell - 2014 - Journal of Philosophy of Education 48 (2):260-275.
    Failure is seen as a problem in education. From failing schools, to failing students to rankings of universities, literacy or numeracy, the perception that one has failed to compete or to compare favourably with others has led to a series of policy initiatives internationally designed to ensure ‘success for all’. But when success is measured in comparison with others or against benchmarks or standards, then it is impossible to see how all could be successful given the parameters laid down. What (...)
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  32.  17
    Beckett and Badiou: The Pathos of Intermittency.Andrew Gibson - 2007 - Oxford University Press.
    The leading contemporary French philosopher Alain Badiou has been a lifelong devotee of Beckett's work. This ground-breaking study provides a full introduction to and critique of Badiou's philosophy, politics, ethics and aesthetics, and his interpretation of the Irish writer, as a basis for a major new reading of the Beckett corpus.
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  33.  88
    Review Essay: A Review of Tom Nairn and Paul James, Global Matrix: Nationalism, Globalism and State-Terrorism (London: Pluto, 2005); Jan Nederveen Pieterse, Globalization or Empire? (New York and London: Routledge, 2004); Patrick Hayden and Chamsy El-Ojeili (Eds), Confronting Globalization: Humanity, Justice and the Renewal of Politics (Houndmills, Basingstoke: Palgrave Macmillan, 2005). [REVIEW]Lloyd Cox - 2007 - Thesis Eleven 90 (1):97-111.
    Review Essay: A Review of Tom Nairn and Paul James, Global Matrix: Nationalism, Globalism and State-Terrorism ; Jan Nederveen Pieterse, Globalization or Empire? ; Patrick Hayden and Chamsy el-Ojeili , Confronting Globalization: Humanity, Justice and the Renewal of Politics.
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  34.  65
    The Inaugural Address: Kantian Modality: Tom Baldwin.Tom Baldwin - 2002 - Aristotelian Society Supplementary Volume 76 (1):1–24.
    Kant's claim that modality is a 'category' provides an approach to modality to be contrasted with Lewis's reductive analysis. Lewis's position is unsatisfactory, since it depends on an inherently modal conception of a world. This suggests that modality is 'primitive'; and the Kantian position is a prima facie plausible position of this kind, which is filled out by considering the relationship between modality and inference. This provides a context for comparing the Kantian position with Wright's non-cognitivist 'conventionalism'. Wright's position is (...)
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  35.  56
    Ohio Impromptu, Genre and Beckett on Film.Garin Dowd - 2006 - In .
    Samuel Beckett’s choice of the title Ohio Impromptu to name the play first performed to an audience of academics and scholars at Columbus Ohio in 1981 is one manifestation of its author’s interest in the question of literary genre; more generally, in Beckett’s dramatic works one encounters a meticulous attention to the activity of categorisation, even if the energy is often directed toward the creation of phantom genres for spectral exemplars. This essay concerns itself with Ohio Impromptu in (...)
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  36.  2
    Fichte's Addresses to the German Nation Reconsidered Ed. By Daniel Breazeale and Tom Rockmore.F. Scott Scribner - 2017 - Journal of the History of Philosophy 55 (3):548-549.
    Interpretation always takes place in the present tense. It is worth reminding ourselves of this, because few philosophical texts or treatises have suffered the rise and fall of the vagaries of their own contemporary Weltanschauung as Fichte's Addresses to the German Nation. Few texts in history have been simultaneously so overestimated and underestimated in their impact and importance as Fichte's Addresses; and therefore few texts can be said to be so misunderstood—and so need in of reassessment. This collection, Fichte's Addresses (...)
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  37.  15
    Beyond Percept and Affect: Beckett's Film and Non-Human Becoming.Colin Gardner - 2012 - Deleuze Studies 6 (4):589-600.
    Film, Samuel Beckett's 1964 short starring Buster Keaton, dubbed by Deleuze as ‘The Greatest Irish Film’, is a seminal text in the latter's cinematic canon as it helps us to extrapolate the transition from the Bergson-based movement-image of Cinema 1 to the Nietzschean time-image of Cinema 2. Film is unique insofar as its narrative traverses and progressively destroys the action-, perception- and affection-images that constitute the movement-image as a whole, using Keaton's body, and more importantly his face, as a (...)
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  38. Beckett's Proust/Deleuze's Proust.Mary Bryden & Margaret Topping (eds.) - 2009 - Palgrave-Macmillan.
    This book is an encounter between Deleuze the philosopher, Proust the novelist, and Beckett the writer creating interdisciplinary and inter-aesthetic bridges between them, covering textual, visual, sonic and performative phenomena, including provocative speculation about how Proust might have responded to Deleuze and Beckett.
     
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  39.  12
    Trying to Understand Waiting for Godot: An Adornian Analysis of Beckett’s Signature Work.Peter Zazzali - 2016 - The European Legacy 21 (7):694-704.
    Adorno had such an affinity for Beckett that he dedicated his posthumously published work, Aesthetic Theory, to him. In 1961, he wrote a thoughtful—if dizzyingly complex—tribute to Beckett’s play, Endgame, a work that models many aspects of Adorno’s cultural criticism. My aim, accordingly, is to offer an Adornian reading of Beckett’s Waiting for Godot by drawing upon his critiques of music, aesthetics, and the culture industry. My goal is twofold: to offer a refreshing analysis of one of (...)
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  40.  19
    Stuttering in Beckett as Liminal Expression Within the Deleuzian Critical-Clinical Hypothesis.Erika Gaudlitz - 2010 - Deleuze Studies 4 (2):183-205.
    This paper inquires into the nexus between the Deleuzian critical-clinical hypothesis and its literary instantiation in Beckett, with a focus on How It Is (1964) and Worstward Ho (1983b). I propose to read the interruptions in style symptomatically, and stuttering language in Beckett as liminal expression, thus tracing the flows and breaks of desire which Deleuze theorises in the sense of a symptomatological unconscious. The schizoid style as liminal expression exemplified in Beckett's work will be read as (...)
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  41.  4
    Expression and Affect in Kleist, Beckett and Deleuze.Anthony Uhlmann - 2009 - In Laura Cull (ed.), Deleuze and Performance. Edinburgh University Press. pp. 54--71.
    This chapter examines the concepts of expression and affect in the works of Heinrich von Kleist, Samuel Beckett, and Gilles Deleuze. It suggests that Kleist, Beckett, and Edward Gordon-Craig belong a minor tradition of acting and explains that this minor tradition is one that aims to create a theatre which moves away from the inner world of an actor in favour of developing affects which express an external composite world. It also analyses Kleist's short story ‘On the Marionette (...)
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  42. Deleuze Reading Beckett.Mary Bryden - 2002 - In Richard J. Lane (ed.), Beckett and Philosophy. Palgrave. pp. 80--92.
     
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  43.  64
    What Peeping Tom Did Wrong.John Draeger - 2011 - Ethical Theory and Moral Practice 14 (1):41-49.
    Voyeurism seems creepy. This paper considers whether these feelings are well-founded. It identifies a variety of ethically troubling features, including harmful consequences, deceit, and the violation of various religious, legal, and conventional norms. Voyeurism is something of a moral misdemeanor that seems worrisome when associated with these other failings. However, because voyeurism remains troubling even in the absence of harm or deceit, we must pay special attention to the ways complex social conventions can be used to show disrespect for others. (...)
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  44.  41
    Beckett and Poststructuralism.Anthony Uhlmann - 1999 - Cambridge University Press.
    In Beckett and Poststructuralism, Anthony Uhlmann offers a reading of Beckett in relation to recent French philosophy, particularly the work of Foucault, Deleuze and Guattari, Levinas, and Derrida. Uhlmann offers a work of literary criticism that is also a piece of intellectual history, emphasising how Beckett develops a kind of critical thinking which differs from yet is just as powerful as that of philosophers who, along with Beckett, found themselves faced with sets of ethical problems which (...)
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  45.  16
    Marcel Proust en Samuel Beckett lezen – een exploratie van de zintuiglijkheid.Jacques De Visscher - 2008 - Wijsgerig Perspectief 48 (1):29-37.
    A la recherche du temps perdu van Proust lezen is binnen een reflectie op de zintuiglijkheid niets minder dan een feest. We raken via de rijke evocaties en metaforen in de werkelijkheid van oorden en plekken ondergedompeld. Dat wil zeggen dat we zelf deel gaan uitmaken van hun lijfelijkheid en bijgevolg van hun eigen tijd. In de reflectie genieten we van een ‘ont-plooiing’ van het sensuele, van een verlangen naar wereldlijkheid. Een tegenpool vinden we in het latere werk van (...). Zijn wereld schijnt af te sterven, het lichaam-subject vergaat, de oorden en plekken verschrompelen, de dingen vervreemden en de gebeurtenissen zijn nog slechts accidenten waarvan de reikwijdte niet meer te verwoorden valt. Er is een ‘in-plooiing’ van het sensuele. De woorden sterven. De wereld ‘ontwereldlijkt’. (shrink)
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  46.  1
    The Inaugural Address: Kantian Modality: Tom Baldwin.Tom Baldwin - 2002 - Supplement to the Proceedings of the Aristotelian Society 76 (1):1-24.
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  47.  8
    Nihilism in Samuel Beckett's The Lost Ones: A Tale for Holocaust Remembrance.David Kleinberg-Levin - 2015 - Philosophy and Literature 39 (1):212-233.
    In 1966, Samuel Beckett wrote, and then abandoned, a short story to which he eventually gave the title Le dépeupleur. In 1970, he completed it to his satisfaction and it was published.1 Two years later, it was issued in an English translation prepared by Beckett himself, who gave it the very different title The Lost Ones. In this story, Beckett is, like Dante, inventing narrative images of a “realm” or “world” in which matters of the utmost existential (...)
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  48. Principles of Biomedical Ethics / Tom L. Beauchamp, James F. Childress.Tom L. Beauchamp - 1994 - Oxford University Press.
    This is an extremely thorough revision of the leading textbook of bioethics. The authors have made many improvements in style, organization, argument and content. These changes reflect advances in the bioethics literature over the past five years. The most dramatic expansions of the text are in the comprehensiveness with which the authors treat different currents in ethical theory and the greater breadth and depth of their discussion of public policy and public health issues. In every chapter, readers will find new (...)
     
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  49. The Role of the Dead Man in the Game of Writing: Beckett and Foucault.Thomas Hunkeler - 2002 - In Richard J. Lane (ed.), Beckett and Philosophy. Palgrave. pp. 68--79.
     
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  50.  19
    A Desperate Comedy: Hope and Alienation in Samuel Beckett's Waiting for Godot.Alan Scott - 2013 - Educational Philosophy and Theory 45 (4):448-460.
    This article is both a personal response to Samuel Beckett?s Waiting for Godot and an examination of the concept within literature of making the strange familiar and making the familiar strange. It discusses the educative force and potential of Beckett?s strangers in a strange world by examining my own personal experiences with the play. At the same time the limitations of Beckett?s theatre are explored through the contrast with the work of Berthold Brecht, who sought to make (...)
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