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Trevor Ponech [8]Trevor Michael Ponech [1]
  1.  72
    External Realism About Cinematic Motion.Trevor Ponech - 2006 - British Journal of Aesthetics 46 (4):349-368.
    Cinematic motion is, I argue, a genuine and intrinsic property of some cinematic works and not just a matter of how things look to us. It is an event—an item's change of position—happening prior and external to our sensory responses to movies. I therefore defend against common-sense illusionism a minority opinion within cinema studies: that movie viewing normally occasions veridical perceptions of a kind of objective displacement. I also dispute another version of anti-illusionist realism about cinematic motion, the implication that (...)
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  2.  29
    The Substance of Cinema.Trevor Ponech - 2006 - Journal of Aesthetics and Art Criticism 64 (1):187–198.
  3. What is Non-Fiction Cinema?Trevor Ponech - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press.
     
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  4. Cinema: Display, Medium, Work.Trevor Ponech - 2013 - Revista Portuguesa de Filosofia 69 (3-4):543-564.
    Resumo Neste artigo, tentar-se-á reconstruir e defender a noção de “especificidade média” que se refere ao cinema. Começar-se-á por discutir a ontologia de um certo tipo de exibição visual, geralmente encontrada em conexão com uma vasta gama de obras cinematográficas. Argumentar-se-á que estas exibições têm uma natureza essencial ou real. Obras construídas em torno de tais exibições estão aptas a manifestar certas qualidades e poderes peculiares. Assim, o “meio de cinema” consiste em parte, num tipo particular de meio veicular e, (...)
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  5.  9
    Philosophy with a Twist : La Rivière du Hibou.Paisley Nathan Livingston & Trevor Ponech - unknown
    This paper explores the category of films known as “twist films” in relation to distinctions between different modes of epistemic access to works. With reference to the case of Robert Enrico’s short film, La rivière du hibou, the philosophical significance of different sorts of twist films is explored. Twists are also discussed in relation to emotive responses, with special attention to the paradox of suspense.
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  6.  22
    Cinema Again: A Reply to Walley.Trevor Ponech - 2007 - Journal of Aesthetics and Art Criticism 65 (4):412–416.
  7. Complexity and Literary Aesthetics.Trevor Ponech - unknown - Eidos: The Canadian Graduate Journal of Philosophy 9.
     
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  8. What Is Non-Fiction Cinema? On the Very Idea of Motion Picture Communication.Trevor Ponech - 2001 - Journal of Aesthetics and Art Criticism 59 (3):343-344.
     
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