Results for 'Tristan Tondino'

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  1.  29
    Hierarchical Predictive Coding in Frontotemporal Networks with Pacemaker Expectancies: Evidence From Dynamic Causal Modelling of Magnetoencephalography.Phillips Holly, Blenkmann Alejandro, Hughes Laura, Bekinschtein Tristan & Rowe James - 2015 - Frontiers in Human Neuroscience 9.
  2.  7
    The Role of Measurement in Inquiry.Jayne Tristan - 2002 - In F. Thomas Burke, D. Micah Hester & Robert B. Talisse (eds.), Dewey's Logical Theory: New Studies and Interpretations. Vanderbilt University Press. pp. 202--224.
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  3.  19
    Left-Handers Are Resistant to Drowsiness Induced Spatial Attention Bias.Bareham Corinne, Bekinschtein Tristan, Scott Sophie & Manly Tom - 2015 - Frontiers in Human Neuroscience 9.
  4.  15
    Signs Against Trees.Jayne Tristan & Ralph McDonald - 1994 - American Journal of Semiotics 11 (1/2):237 - 248.
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  5.  9
    Sleepy? Doing It Worst Without Noticing: Decrease in Performance but Not Confidence in Decision-Making While Falling Asleep.Georgieva Stanimira & Bekinschtein Tristan - 2015 - Frontiers in Human Neuroscience 9.
  6.  14
    Democracy and the Post-Totalitarian Experience.Jayne Tristan - 2005 - Newsletter of the Society for the Advancement of American Philosophy 33 (101):45-49.
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  7. La Scène de l'Écriture Essai Sur la Poésie Philosophique du Cavalier Marin.Marie-France Tristan & Yves Hersant - 2002
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  8.  29
    Tristan Garcia’s Electric Ontology: Thought and its Deracinated Image. [REVIEW]Ekin Erkan - 2020 - Rhizomes: Cultural Studies in Emerging Knowledge 36.
    A review of Tristan Garcia's The Life Intense: A Modern Obsession (2018) unravelling Garcia's process philosophy qua intensity.
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  9. Die Idee der ‘Einswerdung’ in Wagners Tristan.Andreas Dorschel - 1987 - In Heinz-Klaus Metzger & Rainer Riehn (eds.), Richard Wagner, Tristan und Isolde. edition text + kritik. pp. 19-25.
  10.  10
    Fields of Sense and Formal Things: The Ontologies of Tristan Garcia and Markus Gabriel.Arjen Kleinherenbrink - 2018 - Open Philosophy 1 (1):129-142.
    A striking feature of the relatively new philosophical genre of speculative realism is that it includes theories that explicitly seek to bridge or overcome the divide between analytic and continental philosophy. Two such theories are Markus Gabriel’s ontology of fields of sense and Tristan Garcia’s ontology of formal things. Both theories hold that all entities - be they physical, mental, fictional, technical, or otherwise - are equally and irreducibly real. This article first describes the core features of these ontologies. (...)
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  11.  19
    Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde.Roger Scruton - 2004 - Oup Usa.
    In Death-Devoted Heart Roger Scruton argues that Tristan und Isolde has profound religious meaning. Blending philosophy, criticism and musicology, he shows the work is as relevant today as it was to Wagner's contemporaries. Scruton's analysis touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption.
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  12. Object-Oriented France: The Philosophy of Tristan Garcia.Graham Harman - 2012 - Continent 2 (1):6-21.
    continent. 2.1 (2012): 6–21. The French philosopher and novelist Tristan Garcia was born in Toulouse in 1981. This makes him rather young to have written such an imaginative work of systematic philosophy as Forme et objet , 1 the latest entry in the MétaphysiqueS series at Presses universitaires de France. But this reference to Garcia’s youthfulness is not a form of condescension: by publishing a complete system of philosophy in the grand style, he has already done what none of (...)
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  13.  1
    El Acorde de Tristán y la idea afortunada de Schopenhauer.Ana Paulina Rivero Hinojosa - 2020 - Areté. Revista de Filosofía 32 (1):71-92.
    En el siglo XIX, el acercamiento entre la música y la filosofía fue tan intenso que se hizo notable. Esta investigación explora la influencia de la filosofía de Arthur Schopenhauer sobre la composición musical de Tristán e Isolda, un drama musical del compositor Richard Wagner. Se toman como punto de partida los textos del compositor en donde afirma haber conocido la obra filosófica de Schopenhauer y asegura que esta fue de gran importancia en su vida y en su labor artística. (...)
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  14.  15
    The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan and Isolde.Eric Chafe - 2008 - Oup Usa.
    During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as 'a gift from heaven.' Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas (...)
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  15.  25
    The Secret of Tristan and Isolde.Magee Bryan - 2007 - Philosophy 82 (2):339-346.
    In his autobiography, Mein Leben, Wagner tells us that it was partly his reading of Schopenhauer's The World as Will and Representation , and the need to give ‘rapturous expression’ to the ‘frame of mind produced’ by that reading, that gave him the initial conception of Tristan and Isolde.
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  16. A Dialogue Between Graham Harman and Tristan Garcia.Rik Peters, Graham Harman & Tristan Garcia - 2015 - Speculations:167-203.
  17.  30
    Eros, Agape, and Rhetoric Around 1200: Gervase of Melkley's Ars Poetica and Gottfried von Strassburg's Tristan.Robert Glendinning - 1992 - Speculum 67 (4):892-925.
    In two previous articles I have examined the presence of elements related to love and sex in rhetorical manuals of the twelfth and thirteenth centuries and compared such elements with similar material in a number of literary texts of the same period. The relationship between the two kinds of texts appears to be closer than would be expected solely on the grounds that they were written in an age interested in both eros and rhetoric, and I have suggested that the (...)
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  18.  16
    l’ontologie abstractive de Graham Harman :. À l’épreuve de la ‘Lettre à Tristan Garcia’ de Mehdi Belhaj Kacem.Terence Blake - 2014 - Philosophique 17.
    I. Introduction : sortir du badiousisme Mehdi Belhaj Kacem a publié une longue lettre ouverte à Tristan Garcia où il décrit une “nouvelle conjecture” qui est en train d’émerger avec la génération montante des jeunes philosophes, qui commencent à se libérer de l’espace conceptuel défini par l’hégémonie intellectuelle exercée par Alain Badiou, pendant la dernière décennie, comme Maître Penseur incontesté. Selon MBK une nouvelle configuration conceptuelle est en train de se former, et sa “lettre...
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  19.  10
    Open Contrast: Tristan and Diarmaid.Raymond Cormier - 1976 - Speculum 51 (4):589-601.
    “Few scholars, probably, would now deny that the roots of the ‘Tristan’ romance lie unmistakably in Celtic saga, however numerous may be the secondary accretions made to it at various stages by French and Breton-French conteurs.” As Dr. Rachel Bromwich implies in this assertion, it is now widely held — thanks to the researches of the past seventy years or so — that the most important Celtic analogue of the Old French Tristan legend is “The Pursuit of Diarmaid (...)
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  20.  6
    Die literarische Variation des Tristan-Mythos im Gedicht August von Platens.Artur Pełka - 2000 - Acta Universitatis Lodziensis. Folia Germanica 2.
    Tristan Augusta von Platena jako jedyny utwór biedermeierowskiego poety znalazł się w ścisłym kanonie liryki niemieckiej. Wiersz doczekał się jednak do tej pory niewielu wnikliwych analiz; nadto zarówno starsze, jak i najnowsze propozycje interpretacyjne koncentrowały się głównie na kontekście biograficznym. Artykuł jest próbą poszerzenia istniejącej literatury przedmiotowej o nowe aspekty. Stawia on przede wszystkim pytanie o obecność mitu w strukturze utworu. Szczegółowa analiza formalna oraz rozważania o warstwie filozoficzno-estetycznej wiersza konsekwentnie ukazują indywidualny gest, z jakim autor adaptuje mityczny topos (...)
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  21. The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan Und Isolde.Eric Chafe - 2005 - Oxford University Press USA.
    Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The book is a critical account of Tristan, in which the drama is shown to develop through the music.
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  22. Chapter Six The Imaginary Body in Chris Cunningham's Music Videos: Portishead's Only You and Leftfield's Afrika Shox Tristan Fidler.Tristan Fidler - 2007 - In John Wall (ed.), Music, Metamorphosis and Capitalism: Self, Poetics and Politics. Cambridge Scholars Press. pp. 77.
     
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  23. Het geheim van Tristan und Isolde.Bryan Magee - 2001 - Nexus 29.
    Hoe kan de behoefte om 'hartstochtelijk uitdrukking te geven' aan de geestesgesteldheid die teweeggebracht is door het lezen van een wijsgerige verhandeling tegelijkertijd de aanzet vormen tot een eenvoudig muzikaal concept, of zelfs, zoals Wagner zelf stelt, 'mijn minst gecompliceerde muzikale conceptie'? Magee analyseert dit probleem waarmee hij geconfronteerd wordt naar aanleiding van de opera Tristan en Isolde.
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  24. A Dialogue Between Graham Harman and Tristan Garcia.Rik Peters, Graham Harman & Tristan Garcia - 2013 - In Deva Waal (ed.), in Drift wijsgerig festival. Drift. pp. 70-96.
     
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  25. Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde.Roger Scruton - 2003 - Oxford University Press USA.
    A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland.Death-Devoted (...)
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  26.  29
    Nietzsche, Tristan, and the Rehabilitation of Erotic Distance.Joseph D. Kuzma - 2013 - Journal of Nietzsche Studies 44 (1):69-89.
  27.  60
    Flora Tristan, la Paria Et Son Rêve, Correspondance Établie Par Stéphane Michaud, Préface de Mario Vargas Llosa, Presses Sorbonne Nouvelle, Paris, 2003, 342 P. ; Mario Vargas Llosa, El Paraíso En la Otra Esquina, Madrid, Alfaguara, 2003, 485 P. / le Paradis Un Peu Plus Loin, Trad. Albert Bensoussan Et Anne-Marie Cases, Paris, Gallimard, 2003, 530 P. [REVIEW]Marie-cécile Benassy - 2003 - Clio 18:294-296.
  28.  17
    Tristan Sharp, Ed., From Learning to Love: School, Law, and Pastoral Care in the Middle Ages; Essays in Honour of Joseph W. Goering, with Isabelle Cochelin, Greti Dinkova-Bruun, Abigail Firey, and Giulio Silano. Toronto: Pontifical Institute of Mediaeval Studies, 2017. Pp. Xlviii, 775; 13 Color Plates. $110. ISBN: 978-0-88844-829-3.Table of Contents Available Online at Http://Www.Pims.Ca/Publications/New-and-Recent-Titles/Publication/From-Learning-to-Love-Schools-Law- and-Pastoral-Care-in-the-Middle-Agesessays-in-Honour-of-Joseph-W-Goering. [REVIEW]Ian P. Wei - 2019 - Speculum 94 (3):900-901.
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  29. Review: Beyond an Absence of Faith Edited by Jonathan M.S.Pearce and Tristan Vick. [REVIEW]Elly Vintiadis - 2014 - Science, Religion andCulture 1 (2):122-125.
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  30.  48
    Tristan Garcia and the Thing-In-Itself.Graham Harman - 2013 - Parrhesia (16):26-34.
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  31.  39
    Flora Tristan, la paria et son rêve, correspondance établie par Stéphane MICHAUD, Fontenay / Saint-Cloud, E. N. S. Editions, 1995, 302 p. ; Flora Tristan, George Sand, Pauline Roland, les femmes et l'invention d'une nouvelle morale, textes réunis par Stéphane MICHAUD, Paris, Créaphis, 1994, 110 p. [REVIEW]Nicole Edelman - 1996 - Clio 3.
  32.  28
    Andreas Hammer, Tradierung und Transformation: Mythische Erzählelemente im “Tristan” Gottfrieds von Straßburg und im “Iwein” Hartmanns von Aue. Stuttgart: S. Hirzel, 2007. Paper. Pp. ii, 298.€ 48. [REVIEW]Will Hasty - 2011 - Speculum 86 (3):761-762.
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  33.  62
    Facial Variation, with Special Reference to the People of Tristan Da Cunha.D. R. Brothwell & R. G. Harvey - 1965 - The Eugenics Review 57 (4):167.
  34.  30
    Formal Ontology and the Flat World: A Review of Tristan Garcia’s Form and Object: Tristan Garcia: Form and Object: A Treatise on Things. Translated by Mark Allan Ohm and Jon Cogburn. Edinburgh U. Press, 2014, 462+Xxv Pp. [REVIEW]Paul Livingston - 2016 - Continental Philosophy Review 49 (4):545-553.
  35.  24
    Form and Object: A Treatise on Things. By Tristan Garcia, Trans. Mark Allan Ohm and Jon Cogburn, ‘Speculative Realism’, Ed. Graham Harman. Pp. Xxv, 462, Edinburgh University Press, 2014, $39.95. [REVIEW]Colby Dickinson - 2017 - Heythrop Journal 58 (4):734-737.
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  36.  31
    Tristan et Iseut: Genèse d'un mythe littéraire.Jacques Chocheyras, Philippe Walter.Per Nykrog - 1997 - Speculum 72 (3):803-804.
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  37.  13
    Greti Dinkova-Bruun and Tristan Major, Eds., Teaching and Learning in Medieval Europe: Essays in Honour of Gernot R. Wieland. Turnhout: Brepols, 2017. Paper. Pp. Xix, 249. €90. ISBN: 978-2-503-56843-0. [REVIEW]Brandon W. Hawk - 2018 - Speculum 93 (3):828-830.
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  38.  25
    Miroir d'amour, miroir du roman: Le discours amoureux dans le "Tristan" en prose. Dominique Demartini.Joan Tasker Grimbert - 2009 - Speculum 84 (1):135-136.
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  39.  35
    Laurence Harf-Lancner, Laurence Mathey-Maille, Bénédicte Milland-Bove, and Michelle Szkilnik, Eds., Des “Tristan” En Vers au “Tristan” En Prose: Hommage À Emmanuèle Baumgartner. (Colloques, Congrès Et Conférences Sur le Moyen Âge, 8.) Paris: Honoré Champion, 2009. Pp. 439; 1 Black-and-White Figure. €80. [REVIEW]Jane H. M. Taylor - 2011 - Speculum 86 (4):1076-1077.
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  40.  27
    Jutta Eming, Ann M. Rasmussen, and Kathryn Starkey, Eds., Visuality and Materiality in the Story of Tristan and Isolde. Notre Dame, IN: University of Notre Dame Press, 2012. Paper. Pp. Xv, 355. $45. ISBN: 978-0-268-04139-7. [REVIEW]Mark Chinca - 2015 - Speculum 90 (3):803-804.
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  41.  26
    The Rocks of Tristan d'Acunha, Brought Back by H.M.S.Odin, 1904, with Their Bearing on the Question of the Permanence of Ocean Basins. [REVIEW]E. H. L. Schwarz - 1905 - Transactions of the South African Philosophical Society 16 (1):9-51.
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  42.  13
    Nationalism, Language, and Muslim Exceptionalism By Tristan James Mabry.Nadya S. Hajj - 2018 - Journal of Islamic Studies 29 (1):114-116.
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  43.  20
    Tristan Als Retter. Hans Unterreitmeier.Ernst Dick - 1986 - Speculum 62 (2):487-489.
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  44.  20
    Die Utopie im "Tristan" Gotfrids von Strassburg. Tomas Tomasek.C. Stephen Jaeger - 1987 - Speculum 62 (3):736-739.
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  45.  19
    The Rose and the Vine: A Study of the Evolution of the Tristan and Isolt Tale in Drama. Edward B. Savage. Holmes - 1963 - Speculum 38 (1):152-155.
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  46.  17
    History, Fiction, Verisimilitude: Studies in the Poetics of Gottfried's "Tristan.". Mark Chinca.Ernst S. Dick - 1995 - Speculum 70 (2):354-356.
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  47.  17
    La Folie Tristan de Berne. Ernest Hoepffner. Holmes - 1951 - Speculum 26 (3):513-514.
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  48.  16
    Textkritik als Problem der Kulturwissenschaft: Tristan-Lektüren. Martin Baisch.Mark Chinca - 2008 - Speculum 83 (4):949-950.
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  49.  21
    Flora Tristan, la paria et son rêve, correspondance établie par Stéphane MICHAUD, Fontenay / Saint-Cloud, E. N. S. Editions, 1995, 302 p. ; Flora Tristan, George Sand, Pauline Roland, les femmes et l'invention d'une nouvelle morale, textes réunis pa. [REVIEW]Nicole Edelman - 1996 - Clio: A Journal of Literature, History, and the Philosophy of History 1:21-21.
  50.  19
    Form and Object: A Treatise on Things Tristan Garcia Edinburgh: Edinburgh University Press, 2014; 462 Pp.; £24.99. [REVIEW]Daniel J. F. Siksay - 2016 - Dialogue 55 (1).
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