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  1. .Tzvetan Todorov - 2009
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  2. The Uses and Abuses of Memory.Tzvetan Todorov - 2001 - In Howard Marchitello (ed.), What Happens to History: The Renewal of Ethics in Contemporary Thought. Routledge. pp. 11--39.
     
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  3.  12
    Hope and Memory: Lessons From the Twentieth Century.Tzvetan Todorov - 2003 - Princeton University Press.
    "Both a political history and a moral critique of the twentieth century, this is a personal and impassioned book from one of Europe's most outstanding intellectuals.
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  4.  10
    Frail Happiness: An Essay on Rousseau.Tzvetan Todorov - 2001 - Pennsylvania State University Press.
  5. The Structural Analysis of Literature: The Tales of Henry James.Tzvetan Todorov & Arnold Weinstein - 1973 - In David Robey (ed.), Structuralism: An Introduction. Oxford, Clarendon Press. pp. 73--103.
     
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  6.  8
    La Conquete de l'Amerique: La Question de L'Autre.Dana B. Polan & Tzvetan Todorov - 1984 - Substance 13 (1):118.
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  7. In Defence of the Enlightenment.Tzvetan Todorov - 2009 - Atlantic Books.
     
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  8. The Abuses of Memory.Tzvetan Todorov - 1996 - Common Knowledge 5:6-26.
     
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  9. L'esprit des Lumières.Tzvetan Todorov - 2006 - Laffont.
    Le projet -- Rejets et détournements -- Autonomie -- Laïcité -- Vérité -- Humanité -- Universalité -- Les Lumières et l'Europe.
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  10.  10
    The Alterity of Discourse: Form, History, and the Question of the Political in M. M. BakhtinThe Dialogic ImaginationThe Formal Method in Literary Scholarship: A Critical Introduction to Sociological PoeticsMarxism and the Philosophy of LanguageMikail Bakhtine: Le Principe Dialogique-Suivi de Ecrits du Cercle de Bakhtine.David Carroll, M. M. Bakhtin, Caryl Emerson, Michael Holquist, P. N. Medvedev, Albert J. Wehrle, V. N. Voloshinov, L. Matejka, I. R. Titunik & Tzvetan Todorov - 1983 - Diacritics 13 (2):65.
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  11. The Spirit of the Enlightenment.Tzvetan Todorov - 2008 - Critical Horizons 9 (2):177-187.
    We cannot "go back" to the Enlightenment today; its world is not ours. However, we should not reject it as revolutionaries and anti-humanists tried to during the last century. Rather, we need a rebirth of the Enlightenment to preserve its heritage at the same time subjecting it to a critical appraisal. The Enlightenment has taught us how to do this by lucidly and fearlessly contrasting it with its desirable and undesirable consequences. In criticizing the Enlightenment we remain faithful to it.
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  12.  5
    Imperfect Garden: The Legacy of Humanism.Tzvetan Todorov - 2002 - Princeton University Press.
    Available in English for the first time, Imperfect Garden is both an approachable intellectual history and a bracing treatise on how we should understand and experience our lives. In it, one of France's most prominent intellectuals explores the foundations, limits, and possibilities of humanist thinking. Through his critical but sympathetic excavation of humanism, Tzvetan Todorov seeks an answer to modernity's fundamental challenge: how to maintain our hard-won liberty without paying too dearly in social ties, common values, and a coherent and (...)
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  13.  9
    Two Approaches to the Humanities: Claude Lévi-Strauss and Germaine Tillion.Tzvetan Todorov - 2017 - Sign Systems Studies 45 (3/4):302.
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  14.  8
    The 2 Principles of Narrative.Tzvetan Todorov - 1971 - Diacritics 1 (1):37.
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  15.  15
    "Race," Writing, and Culture.Tzvetan Todorov & Loulou Mack - 1986 - Critical Inquiry 13 (1):171-181.
    “Racism” is the name given to a type of behavior which consists in the display of contempt or aggressiveness toward other people on account of physical differences between them and oneself. It should be noted that this definition does not contain the word “race,” and this observation leads us to the first surprise in this area which contains many: whereas racism is a well-attested social phenomenon, “race” itself does not exist! Or, to put it more clearly: there are a great (...)
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  16. " Race," Writing, and Difference.Tzvetan Todorov & Loulou Mack - 1986 - In Henry Louis Gates Jr (ed.), Race, Writing and Difference. University of Chicago Press.
  17.  13
    The Last Barthes.Tzvetan Todorov & Richard Howard - 1981 - Critical Inquiry 7 (3):449-454.
    It was his mother's death which allowed [Roland] Barthes to write: "I looked through…" "To write on something is to forfeit it," Barthes used to say, reciprocally, it is licit to write on what is already dead, it was Barthes himself in one of his acceptations. His mother was for Barthes the internal order, who permitted both the external other and the I to exist. Once she was dead, his life was over and could therefore become the object of writing. (...)
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  18.  4
    Moving Targets: An Interview by Danny Postel.Tzvetan Todorov - 2008 - Critical Inquiry 34 (2):249-273.
  19.  1
    The Game of Critical ArrivalThe Conquest of America: The Question of the OtherThe Enigma of Arrival.Jose Piedra, Tzvetan Todorov, Richard Howard & V. S. Naipaul - 1989 - Diacritics 19 (1):33.
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  20.  3
    Contents.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press.
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  21.  3
    CHAPTER 1. Levi -Strauss.Tzvetan Todorov - 1994 - In Mark Lilla (ed.), New French Thought: Political Philosophy. Princeton University Press. pp. 37-53.
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  22.  3
    Chapter 9. The Need for Enthusiasm.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 207-225.
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  23.  2
    Mikhaïl Bakhtine et la théorie de l’énoncé.Tzvetan Todorov - 1981 - In Jürgen Trabant (ed.), Geschichte der Sprachphilosophie Und der Sprachwissenschaft. De Gruyter. pp. 289-300.
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  24.  2
    Bibliography.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 239-246.
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  25.  2
    Chapter 8. A Morality Made for Humanity.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 178-206.
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  26.  2
    Chapter 4. Living Alone.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 94-114.
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  27.  2
    Chapter 2. The Declaration of Autonomy.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 47-79.
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  28.  2
    Epilogue. The Humanist Wager.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 226-238.
  29.  2
    Index.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 247-254.
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  30.  2
    Prologue. The Hidden Pact.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 1-8.
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  31.  1
    Chapter 3. Interdependence.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 80-93.
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  32.  1
    Chapter 1. The Interplay of Four Families.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 9-46.
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  33.  1
    Chapter 5. The Ways of Love.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 115-138.
  34.  1
    Chapter 6. The Individual: Plurality and Universality.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 139-159.
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  35.  1
    Chapter 7. The Choice of Values.Tzvetan Todorov - 2009 - In Imperfect Garden: The Legacy of Humanism. Princeton University Press. pp. 160-177.
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  36.  1
    II. Other Cultures' Sciences.TzveTan Todorov - 2011 - In Sandra G. Harding (ed.), The Postcolonial Science and Technology Studies Reader. Duke University Press. pp. 151.
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  37.  1
    The Verbal Age.Tzvetan Todorov & Patricia Martin Gibby - 1977 - Critical Inquiry 4 (2):351-371.
    What is The Awkward Age about? It is not easy to answer that apparently simple question. But the reader can take consolation from the fact that the characters themselves seem to have just as much trouble understanding as he does. Actually, a large proportion of the words exchanged in this novel—a novel made up, moreover, almost exclusively of conversations—consists of requests for explanation. These questions may touch upon different aspects of discourse and reveal various reasons for obscurity. The first, the (...)
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  38. Das Laokoon-Projekt Pläne Einer Semiotischen Ästhetik.Gunter Gebauer & Tzvetan Todorov - 1984
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  39. Chomsky et/ou Hockett.Tzvetan Todorov - 1967 - Social Science Information 6 (5):211-211.
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  40. Memory as a Remedy for Evil.Tzvetan Todorov - 2010 - Seagull Books.
     
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  41. Poética. Lisboa.Tzvetan Todorov - forthcoming - Teorema: International Journal of Philosophy.
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  42. Revzin et les modèles.Tzvetan Todorov - 1967 - Social Science Information 6 (5):210-210.
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  43. Torture and the War on Terror.Tzvetan Todorov & Ryan Lobo - 2009 - Seagull Books.
     
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  44. The Coexistence of Cultures.Tzvetan Todorov - 1997 - Oxford Literary Review 19 (1):3-18.
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  45. The Inner Enemies of Democracy.Tzvetan Todorov - 2014 - Polity.
    The political history of the twentieth century can be viewed as the history of democracy’s struggle against its external enemies: fascism and communism. This struggle ended with the fall of the Berlin Wall and the collapse of the Soviet regime. Some people think that democracy now faces new enemies: Islamic fundamentalism, religious extremism and international terrorism and that this is the struggle that will define our times. Todorov disagrees: the biggest threat to democracy today is democracy itself. Its enemies are (...)
     
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  46. The Inner Enemies of Democracy.Tzvetan Todorov - 2014 - Polity.
    The political history of the twentieth century can be viewed as the history of democracy’s struggle against its external enemies: fascism and communism. This struggle ended with the fall of the Berlin Wall and the collapse of the Soviet regime. Some people think that democracy now faces new enemies: Islamic fundamentalism, religious extremism and international terrorism and that this is the struggle that will define our times. Todorov disagrees: the biggest threat to democracy today is democracy itself. Its enemies are (...)
     
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  47. The Limits of Art: Two Essays.Tzvetan Todorov - 2010 - Seagull Books.
    Tzvetan Todorov, one of Europe’s leading intellectuals, explores the complex relations between art, politics, and ethics in the essays that make up _The Limits of Art_. In one essay, “Artists and Dictators,” Todorov traces the intimate relationship between avant-garde art and radical politics in pre-revolutionary Russia, pre-fascist Italy, and pre-Nazi Germany. Todorov sets forth the radical idea that the project of totalitarian dictators and avant-garde artists actually “emerged from the same womb”: both artists and dictators set out to make it (...)
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