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Umberto Eco [112]U. Eco [8]
  1.  52
    The Open Work.Umberto Eco - 1989 - Harvard University Press.
    Essays discuss poetry, communication, television, form, aesthetics, bad taste, and art.
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  2.  24
    The Role of the Reader: Explorations in the Semiotics of Texts.Umberto Eco - 1979 - Journal of Aesthetics and Art Criticism 38 (3):336-337.
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  3.  22
    The Limits of Interpretation.Umberto Eco - 1994 - Noûs 28 (1):119-122.
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  4.  24
    Semiotics and the Philosophy of Language.Jane A. Nicholson & Umberto Eco - 1985 - Substance 14 (2):105.
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  5.  4
    La Struttura Assente. La Ricerca Semiotica E Il Metodo Strutturale.Umberto Eco - 1980 - T. Bompiani.
    La crisi dello strutturalismo e i confini della semiotica in un volume importante della produzione di Eco. Un libro che trova la sua continuazione ideale in 'Lector in fabula'.
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  6.  28
    Interpretation and Overinterpretation.Umberto Eco, Richard Rorty, Jonathan Culler, Christine Brooke-Rose & Stefan Collini - 1993 - Journal of Aesthetics and Art Criticism 51 (4):632-634.
  7.  68
    Art and Beauty in the Middle Ages.Umberto Eco - 1986 - Yale University Press.
    In this book, the Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas.
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  8.  2
    Semiotica E Filosofia Del Linguaggio.Umberto Eco - 1984
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  9. On the Medieval Theory of Signs.Umberto Eco & Costantino Marmo (eds.) - 1989 - Benjamins.
  10. On the Ontology of Fictional Characters: A Semiotic Approach.Umberto Eco - 2009 - Sign Systems Studies 37 (1/2):82-97.
    Why are we deeply moved by the misfortune of Anna Karenina if we are fully aware that she is simply a fictional character who does not exist in our world?But what does it mean that fictional characters do not exist? The present article is concerned with the ontology of fictional characters. The author concludes thatsuccessful fictional characters become paramount examples of the ‘real’ human condition because they live in an incomplete world what we have cognitive access to but cannot influence (...)
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  11.  16
    Giorgio Prodi and the Lower Threshold of Semiotics.Umberto Eco - 2018 - Sign Systems Studies 46 (2/3):343-351.
    Publication of a translation of the text of Umberto Eco’s talk given in honour of Giorgio Prodi in 1988.
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  12.  53
    Il Nome Della Cosa.Umberto Eco & Patrizia Violi - unknown
    Esperimento mentale: siete Immanuel Kant, vi trovate in Australia, e ve ne state andando a passeggio. A un tratto scorgete una strana bestiola in riva al lago. Ha gli occhi di una talpa, ma sarà grande dieci volte tanto. Ha il becco di un’anatra, ma non ha le ali; e non ha piume bensì una fitta pelliccia che la fa assomigliare semmai a una lontra. La coda poi sembra quella di un castoro; e le zampe hanno dita palmate, ma con (...)
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  13. La Structure Absente: Introduction À la Recherche Sémiotique.Umberto Eco - 1972 - Mercure de France.
    A mesure qu'ils avancent dans leur œuvre de prospection, les sémioticiens s'aperçoivent que tout est communication, la langue bien sûr, mais aussi les images, les sons, les objets, les gestes, et que tous ces phénomènes constituent des systèmes de signes qui doivent être étudiés en ramenant chaque message aux codes qui en régissent l'émission et la compréhension. Comprendre les systèmes de signes impose toutefois d'envisager les codes comme des structures, puis de recouvrir à des structures toujours plus vastes, dans un (...)
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  14.  81
    Meaning and Mental Representations.Umberto Eco, Marco Santambrogio & Patrizia Violi (eds.) - 1988 - Indiana University Press.
    "... an excellent collection... " —Journal of Language & Social Psychology An important collection of original essays by well-known scholars debating the questions of logical versus psychologically-based interpretations of language.
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  15. The Aesthetics of Thomas Aquinas.Umberto ECO - 1988 - Harvard University Press.
    As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and ...
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  16.  14
    On Ugliness.Umberto Eco (ed.) - 2007 - Rizzoli.
    In the mold of his acclaimed History of Beauty , renowned cultural critic Umberto Eco’s On Ugliness is an exploration of the monstrous and the repellant in visual culture and the arts. What is the voyeuristic impulse behind our attraction to the gruesome and the horrible? Where does the magnetic appeal of the sordid and the scandalous come from? Is ugliness also in the eye of the beholder? Eco’s encyclopedic knowledge and captivating storytelling skills combine in this ingenious study of (...)
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  17.  9
    Animal Language Before Sebeok.Umberto Eco - 2018 - Sign Systems Studies 46 (2/3):365-377.
    Publication of the text of Umberto Eco’s talk given at a symposium held in honour of Thomas A. Sebeok in San Marino in 2002.
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  18. Einführung in Die Semiotik. Autorisierte Deutsche Ausgabe von Jürgen Trabant.Umberto Eco - 1972 - W. Fink.
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  19.  21
    The Myth of Superman. [REVIEW]Umberto Eco & Natalie Chilton - 1972 - Diacritics 2 (1):14.
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  20.  15
    The Aesthetics of Thomas Aquinas.Umberto Eco & Hugh Bredin - 1988 - Journal of Aesthetics and Art Criticism 47 (1):100.
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  21.  71
    A Componential Analysis of the Architectural Sign /Column.Umberto Eco - 1972 - Semiotica 5 (2).
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  22. "Casablanca": Cult Movies and Intertextual Collage.Umberto Eco - 1985 - Substance 14 (2):3.
  23.  93
    Meaning and Denotation.Umberto Eco - 1987 - Synthese 73 (3):549 - 568.
  24.  72
    History of Beauty.Umberto Eco & Alastair McEwen (eds.) - 2005 - Rizzoli.
    What is beauty? What is art? What is taste and fashion? Is beauty something to be observed coolly and rationally or is it something dangerously involving? So begins Umberto Eco's intriguing journey into the aesthetics of beauty, in which he explores the ever-changing concept of the beautiful from the ancient Greeks to today. While closely examining the development of the visual arts and drawing on works of literature from each era, Eco broadens his enquiries to consider a range of concepts, (...)
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  25.  1
    L'oeuvre Ouverte.Umberto Eco - 1965 - Éditions du Seuil.
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  26.  1
    Sugli Specchi E Altri Saggi: Il Segno, la Rappresentazione, l'Illusione, L'Immagine.Umberto Eco - 1995
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  27.  5
    The Aesthetics of Chaosmos the Middle Ages of James Joyce.Umberto Eco - 1982 - University of Tulsa.
    In this short discussion of the Irish modernist writer, the author establishes a link between the mind of James Joyce and medieval theology. He shows how Joyce's fiction was suffused by his reading of St. Thomas Aquinas, Giordano Bruno and Nicola da Cusa and the book creates a dialogue between the saint, the novelist and the critic.
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  28.  14
    Eco's Echoes: Ironizing the ModernFoucault's Pendulum. [REVIEW]Linda Hutcheon, Umberto Eco & William Weaver - 1992 - Diacritics 22 (1):2.
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  29.  22
    Latratus Canis.Umberto Eco - 1985 - Tijdschrift Voor Filosofie 47 (1):3 - 14.
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  30. 1. Aspetti conoscitivi della metafora in Aristotele.Umberto Eco - 2004 - Doctor Virtualis 3:5-7.
    Per Aristotele la metafora non è un semplice ornamento del discorso ma possiede valore conoscitivo, perché consente di conoscere il simile e di cogliere concetti affini. Negli autori medievali la metafora mantiene la funzione di strumento di conoscenza?
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  31.  61
    Apocalypse Postponed: Essays by Umberto Eco.Umberto Eco - 2000 - Indiana University Press.
    An erudite and witty collection of Umberto Eco's essays on mass culture from the 1960s through the 1980s, including major pieces which have not been translated into English before. The discussion is framed by opposing characterizations of current intellectuals as apocalyptic and opposed to all mass culture, or as integrated intellectuals, so much a part of mass culture as to be unaware of serving it. Organized in four main parts, "Mass Culture: Apocalypse Postponed," "Mass Media and the Limits of Communication," (...)
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  32.  2
    Serendipities: Language & Lunacy.Umberto Eco - 1999 - Harcourt Brace.
    Serendipities is a careful unraveling of the fabulous and the false, a brilliant exposition of how unanticipated truths often spring from false ideas. From Leibniz's belief that the I Ching illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Umberto Eco offers a dazzling tour of intellectual history, illuminating the ways in which we project the familiar onto the strange to make sense of the world. Uncovering layers of mistakes that have shaped human history, Eco (...)
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  33.  24
    Signification and Denotation From Boethius to Ockham.Umberto Eco - 1984 - Franciscan Studies 44 (1):1-29.
  34.  9
    Il problema dell'opera aperta.Umberto Eco - 1961 - Atti Del XII Congresso Internazionale di Filosofia 7:139-145.
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  35.  19
    Hra S multiplicitou znaků podle U. eca.G. Deleuze & U. Eco - unknown - Filozofia 58 (8):523.
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  36.  23
    West on the East: Martin West's East Face of Helicon and Its ForerunnersThe East Face of Helicon: West Asiatic Elements in Greek Poetry and MythHellenosemitica: An Ethnic and Cultural Study in West Semitic Impact on Mycenaean GreeceBlack Athena: The Afroasiatic Roots of Greek Civilisation. Vol. 1: The Fabrication of Ancient Greece 1785-1985Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age Mythe Et epopeeThe Search for the Perfect LanguageBlack Athena RevisitedHesiod and the Near EastHesiod: Theogony. [REVIEW]Ken Dowden, M. L. West, M. Astour, Martin Bernal, W. Burkert, G. Dumezil, U. Eco, M. R. Lefkowitz, G. R. Rogers & P. Walcot - 2001 - Journal of Hellenic Studies 121:167-175.
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  37.  13
    Об онтологии литературных героев.Umberto Eco - 2009 - Sign Systems Studies 37 (1/2):97-97.
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  38. Algunas Consideraciones Acerca de Las Lenguas Perfectas.Umberto Eco, Luis A. Yanes & José E. Burucúa - 1995 - Secretaría de Extensión Universitaria Facultad de Filosofía y Letras Oficina de Publicaciones, Ciclo Básico Común, Universidad de Buenas Aires.
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  39. Arte E Bellezza Nell'estetica Medievale.Umberto Eco - 1997
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  40. A. Rigobello, Il contributo filosofico di Emmanuel Mounier. [REVIEW]Umberto Eco - 1956 - Filosofia 7 (2):381.
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  41. A. Rostagni, Scritti minori, I) Aesthetica. [REVIEW]Umberto Eco - 1956 - Filosofia 7 (4):785.
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  42. A Theory of Semiotics.Umberto Eco - 1977 - Philosophy and Rhetoric 10 (3):214-216.
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  43.  12
    At the Roots of the Modern Concept of Symbol.Umberto Eco - 1985 - Social Research: An International Quarterly 52.
  44. Belief or Nonbelief?: A Confrontation.Umberto Eco & Carlo Maria Martini - 2000 - Arcade.
    One is the beloved author of The Name of the Rose, a celebrated scholar, philosopher, and self-declared secularist; the other is a preeminent clergyman and a respected expert on the New Testament. In this intellectually stimulating dialogue, often adversarial but always amicable, these two great men, who stand on opposite sides of the church door, discuss some of the most controversial issues of our day, including the apocalypse, abortion, women in the clergy, and ethics. As we voyage onward into the (...)
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  45. Bellezza Storia di Un'idea Dell'occidente.Umberto Eco - 2002 - Motta Online.
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  46. 5. Conclusione.Umberto Eco - 2004 - Doctor Virtualis 3.
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  47. Conclusione.Umberto Eco - 2004 - Doctor Virtualis 3:111-117.
    L'albero di Porfirio e la difficoltà di costruire una teoria dell'invenzione metaforica. Mancanza di un modello agile delle proprietà e impossibilità di conservare valore conoscitivo alla metafora.
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  48. Conversations About the End of Time.Umberto Eco, Catherine David, Frédéric Lenoir & Jean-Philippe de Tonnac (eds.) - 2000 - Fromm International.
    Umberto Eco -- Stephen Jay Gould -- Jean-Claude Carrière -- Jean Delumeau.
     
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  49.  10
    Cinco miradas.Umberto Eco, George Steiner, Jean Clair, Daniel Innerarity Grau & Roberto Barbanti - 2007 - Contrastes: Revista Cultural 47:73-81.
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  50. ‘Dreaming of the Middle Ages’: An Unpublished Fragment.Umberto Eco - 1987 - Semiotica 63 (1-2):239-239.
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