117 found
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  1.  49
    Semiotics and the Philosophy of Language.Umberto Eco - 1984 - Advances in Semiotics.
    "Eco wittily and enchantingly develops themes often touched on in his previous works, but he delves deeper into their complex nature... this collection can be read with pleasure by those unversed in semiotic theory." —Times Literary Supplement.
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  2. A Theory of Semiotics.Umberto Eco - 1977 - Philosophy and Rhetoric 10 (3):214-216.
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  3.  52
    The Open Work.Umberto Eco - 1989 - Cambridge: Harvard University Press.
    Essays discuss poetry, communication, television, form, aesthetics, bad taste, and art.
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  4.  25
    The Role of the Reader: Explorations in the Semiotics of Texts.Umberto Eco - 1979 - Journal of Aesthetics and Art Criticism 38 (3):336-337.
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  5.  11
    The Sign of Three: Dupin, Holmes, Peirce.Umberto Eco & Thomas Albert Sebeok - 1983
    "... fascinating throughout.... the book is recreative in the highest sense." —Arthur C. Danto, The New Republic "A gem for Holmes fans and armchair detectives with a penchant for logical reflection, and Peirce scholars." —Library Journal.
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  6.  23
    The Limits of Interpretation.Umberto Eco - 1994 - Noûs 28 (1):119-122.
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  7.  26
    Semiotics and the Philosophy of Language.Jane A. Nicholson & Umberto Eco - 1985 - Substance 14 (2):105.
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  8.  9
    La Struttura Assente. La Ricerca Semiotica E Il Metodo Strutturale.Umberto Eco - 1980 - T. Bompiani.
    La crisi dello strutturalismo e i confini della semiotica in un volume importante della produzione di Eco. Un libro che trova la sua continuazione ideale in 'Lector in fabula'.
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  9.  29
    Interpretation and Overinterpretation.Umberto Eco, Richard Rorty, Jonathan Culler, Christine Brooke-Rose & Stefan Collini - 1993 - Journal of Aesthetics and Art Criticism 51 (4):632-634.
  10.  4
    Kant E L'Ornitorinco.Umberto Eco - 1997
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  11.  74
    Art and Beauty in the Middle Ages.Umberto Eco - 1986 - Yale University Press.
    In this book, the Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas.
  12.  4
    Semiotica E Filosofia Del Linguaggio.Umberto Eco - 1984
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  13.  2
    On the Medieval Theory of Signs.Umberto Eco & Costantino Marmo (eds.) - 1989 - Benjamins.
    In the course of the long debate on the nature and the classification of signs, from Boethius to Ockham, there are at least three lines of thought: the Stoic heritage, that influences Augustine, Abelard, Francis Bacon; the Aristotelian tradition, stemming from the commentaries on De Interpretatione; the discussion of the grammarians, from Priscian to the Modistae. Modern interpreters are frequently misled by the fact that the various authors regularly used the same terms. Such a homogeneous terminology, however, covers profound theoretical (...)
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  14.  55
    Il Nome Della Cosa.Umberto Eco & Patrizia Violi - unknown
    Esperimento mentale: siete Immanuel Kant, vi trovate in Australia, e ve ne state andando a passeggio. A un tratto scorgete una strana bestiola in riva al lago. Ha gli occhi di una talpa, ma sarà grande dieci volte tanto. Ha il becco di un’anatra, ma non ha le ali; e non ha piume bensì una fitta pelliccia che la fa assomigliare semmai a una lontra. La coda poi sembra quella di un castoro; e le zampe hanno dita palmate, ma con (...)
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  15. On the Ontology of Fictional Characters: A Semiotic Approach.Umberto Eco - 2009 - Sign Systems Studies 37 (1/2):82-97.
    Why are we deeply moved by the misfortune of Anna Karenina if we are fully aware that she is simply a fictional character who does not exist in our world?But what does it mean that fictional characters do not exist? The present article is concerned with the ontology of fictional characters. The author concludes thatsuccessful fictional characters become paramount examples of the ‘real’ human condition because they live in an incomplete world what we have cognitive access to but cannot influence (...)
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  16.  2
    Opera Aperta. Forma E Indeterminazione Nelle Poetiche Contemporanee.Umberto Eco - 1962 - Tascabili Bompiani.
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  17. La Structure Absente: Introduction À la Recherche Sémiotique.Umberto Eco - 1972 - Mercure de France.
    A mesure qu'ils avancent dans leur œuvre de prospection, les sémioticiens s'aperçoivent que tout est communication, la langue bien sûr, mais aussi les images, les sons, les objets, les gestes, et que tous ces phénomènes constituent des systèmes de signes qui doivent être étudiés en ramenant chaque message aux codes qui en régissent l'émission et la compréhension. Comprendre les systèmes de signes impose toutefois d'envisager les codes comme des structures, puis de recouvrir à des structures toujours plus vastes, dans un (...)
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  18. Il Problema Estetico in Tommaso D'Aquino.Umberto Eco - 1970 - V. Bompiani.
     
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  19.  85
    Meaning and Mental Representations.Umberto Eco, Marco Santambrogio & Patrizia Violi (eds.) - 1988 - Indiana University Press.
    "... an excellent collection... " —Journal of Language & Social Psychology An important collection of original essays by well-known scholars debating the questions of logical versus psychologically-based interpretations of language.
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  20. The Aesthetics of Thomas Aquinas.Umberto Eco - 1988 - Harvard University Press.
    As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and ...
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  21.  18
    The Aesthetics of Thomas Aquinas.Umberto Eco & Hugh Bredin - 1988 - Journal of Aesthetics and Art Criticism 47 (1):100.
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  22.  28
    The Myth of Superman. [REVIEW]Umberto Eco & Natalie Chilton - 1972 - Diacritics 2 (1):14.
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  23. Arte E Bellezza Nell'estetica Medievale.Umberto Eco - 1997
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  24. Einführung in Die Semiotik. Autorisierte Deutsche Ausgabe von Jürgen Trabant.Umberto Eco - 1972 - W. Fink.
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  25. La Struttura Assente Introduzione Alla Ricerca Semiologica.Umberto Eco - 1968 - Bompiani.
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  26.  33
    On Ugliness.Umberto Eco (ed.) - 2007 - Rizzoli.
    In the mold of his acclaimed History of Beauty , renowned cultural critic Umberto Eco’s On Ugliness is an exploration of the monstrous and the repellant in visual culture and the arts. What is the voyeuristic impulse behind our attraction to the gruesome and the horrible? Where does the magnetic appeal of the sordid and the scandalous come from? Is ugliness also in the eye of the beholder? Eco’s encyclopedic knowledge and captivating storytelling skills combine in this ingenious study of (...)
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  27.  73
    A Componential Analysis of the Architectural Sign /Column.Umberto Eco - 1972 - Semiotica 5 (2).
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  28. "Casablanca": Cult Movies and Intertextual Collage.Umberto Eco - 1985 - Substance 14 (2):3.
  29.  94
    Meaning and Denotation.Umberto Eco - 1987 - Synthese 73 (3):549 - 568.
  30. Storia Della Bruttezza.Umberto Eco (ed.) - 2007 - Bompiani.
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  31. History of Beauty.Umberto Eco & Alastair McEwen (eds.) - 2005 - Rizzoli.
    What is beauty? What is art? What is taste and fashion? Is beauty something to be observed coolly and rationally or is it something dangerously involving? So begins Umberto Eco's intriguing journey into the aesthetics of beauty, in which he explores the ever-changing concept of the beautiful from the ancient Greeks to today. While closely examining the development of the visual arts and drawing on works of literature from each era, Eco broadens his enquiries to consider a range of concepts, (...)
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  32. Storia Della Bellezza.Umberto Eco (ed.) - 2004 - Bompiani.
  33. La metafora nel Medioevo latino.Umberto Eco - 2004 - Doctor Virtualis 3:35-75.
    La metafora nella tradizione retorica medievale. Filosofia, teologia e limiti del discorso metaforico. Metafora, allegoria e simbolismo. Tommaso, Dante e lo pseudo Dionigi.
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  34. ‘Dreaming of the Middle Ages’: An Unpublished Fragment.Umberto Eco - 1987 - Semiotica 63 (1-2):239-239.
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  35. Il Segno.Umberto Eco - 1973 - [Milano]Isedi.
  36.  3
    L'oeuvre Ouverte.Umberto Eco - 1965 - Éditions du Seuil.
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  37. L'œvre Ouverte.Umberto Eco - 1965
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  38.  1
    Sugli Specchi E Altri Saggi: Il Segno, la Rappresentazione, l'Illusione, L'Immagine.Umberto Eco - 1995
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  39.  12
    The Aesthetics of Chaosmos the Middle Ages of James Joyce.Umberto Eco - 1982 - University of Tulsa.
    In this short discussion of the Irish modernist writer, the author establishes a link between the mind of James Joyce and medieval theology. He shows how Joyce's fiction was suffused by his reading of St. Thomas Aquinas, Giordano Bruno and Nicola da Cusa and the book creates a dialogue between the saint, the novelist and the critic.
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  40. The Sign Revisited.Umberto Eco & Lucia Re - 1980 - Philosophy and Social Criticism 7 (3-4):262-297.
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  41.  71
    Reading Theory: The Role of the SemioticianA Theory of SemioticsThe Role of the Reader. [REVIEW]William Ray & Umberto Eco - 1980 - Diacritics 10 (1):49.
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  42.  15
    Eco's Echoes: Ironizing the ModernFoucault's Pendulum. [REVIEW]Linda Hutcheon, Umberto Eco & William Weaver - 1992 - Diacritics 22 (1):2.
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  43.  11
    The Dog Schema.Umberto Eco, Maurizio Ferraris & Diego Marconi - 2021 - Rivista di Estetica 76:10-39.
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  44.  22
    Latratus Canis.Umberto Eco - 1985 - Tijdschrift Voor Filosofie 47 (1):3 - 14.
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  45. Su alcune funzioni della letteratura.Umberto Eco - 2001 - Studi di Estetica 23:151-164.
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  46. Algunas Consideraciones Acerca de Las Lenguas Perfectas.Umberto Eco, Luis A. Yanes & José E. Burucúa - 1995 - Secretaría de Extensión Universitaria Facultad de Filosofía y Letras Oficina de Publicaciones, Ciclo Básico Común, Universidad de Buenas Aires.
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  47. A. Rigobello, Il contributo filosofico di Emmanuel Mounier. [REVIEW]Umberto Eco - 1956 - Filosofia 7 (2):381.
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  48. A. Rostagni, Scritti minori, I) Aesthetica. [REVIEW]Umberto Eco - 1956 - Filosofia 7 (4):785.
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  49. Belief or Nonbelief?: A Confrontation.Umberto Eco & Carlo Maria Martini - 2000 - Arcade.
    One is the beloved author of The Name of the Rose, a celebrated scholar, philosopher, and self-declared secularist; the other is a preeminent clergyman and a respected expert on the New Testament. In this intellectually stimulating dialogue, often adversarial but always amicable, these two great men, who stand on opposite sides of the church door, discuss some of the most controversial issues of our day, including the apocalypse, abortion, women in the clergy, and ethics. As we voyage onward into the (...)
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  50. Bellezza Storia di Un'idea Dell'occidente.Umberto Eco - 2002 - Motta Online.
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1 — 50 / 117