118 found
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  1.  15
    A Theory of Semiotics.Umberto Eco - 1977 - Journal of Aesthetics and Art Criticism 35 (4):476-478.
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  2. A Theory of Semiotics.Umberto Eco - 1977 - Philosophy and Rhetoric 10 (3):214-216.
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  3.  20
    Semiotics and the Philosophy of Language.Umberto Eco - 1984
    "Eco wittily and enchantingly develops themes often touched on in his previous works, but he delves deeper into their complex nature... this collection can be read with pleasure by those unversed in semiotic theory." —Times Literary Supplement.
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  4.  10
    The Limits of Interpretation.Umberto Eco - 1994 - Noûs 28 (1):119-122.
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  5.  3
    Giorgio Prodi and the Lower Threshold of Semiotics.Umberto Eco - 2018 - Sign Systems Studies 46 (2/3):343.
    Publication of a translation of the text of Umberto Eco’s talk given in honour of Giorgio Prodi in 1988.
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  6.  9
    The Role of the Reader. Explorations in the Semiotics of Texts.Umberto Eco - 1979 - Journal of Aesthetics and Art Criticism 38 (3):336-337.
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  7.  12
    Semiotics and the Philosophy of Language.Jane A. Nicholson & Umberto Eco - 1985 - Substance 14 (2):105.
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  8.  48
    The Open Work.Umberto Eco - 1989 - Harvard University Press.
    Essays discuss poetry, communication, television, form, aesthetics, bad taste, and art.
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  9.  21
    Interpretation and Overinterpretation.Umberto Eco, Richard Rorty, Jonathan Culler, Christine Brooke-Rose & Stefan Collini - 1993 - Journal of Aesthetics and Art Criticism 51 (4):632-634.
  10. On the Ontology of Fictional Characters: A Semiotic Approach.Umberto Eco - 2009 - Sign Systems Studies 37 (1/2):82-97.
    Why are we deeply moved by the misfortune of Anna Karenina if we are fully aware that she is simply a fictional character who does not exist in our world?But what does it mean that fictional characters do not exist? The present article is concerned with the ontology of fictional characters. The author concludes thatsuccessful fictional characters become paramount examples of the ‘real’ human condition because they live in an incomplete world what we have cognitive access to but cannot influence (...)
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  11.  5
    Animal Language Before Sebeok.Umberto Eco - 2018 - Sign Systems Studies 46 (2/3):365.
    Publication of the text of Umberto Eco’s talk given at a symposium held in honour of Thomas A. Sebeok in San Marino in 2002.
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  12. The Sign of Three Dupin, Holmes, Peirce.Umberto Eco & Thomas Albert Sebeok - 1983
     
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  13. La metafora nel Medioevo latino.Umberto Eco - 2004 - Doctor Virtualis 3:35-75.
    La metafora nella tradizione retorica medievale. Filosofia, teologia e limiti del discorso metaforico. Metafora, allegoria e simbolismo. Tommaso, Dante e lo pseudo Dionigi.
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  14.  34
    Il Nome Della Cosa.Umberto Eco & Patrizia Violi - unknown
    Esperimento mentale: siete Immanuel Kant, vi trovate in Australia, e ve ne state andando a passeggio. A un tratto scorgete una strana bestiola in riva al lago. Ha gli occhi di una talpa, ma sarà grande dieci volte tanto. Ha il becco di un’anatra, ma non ha le ali; e non ha piume bensì una fitta pelliccia che la fa assomigliare semmai a una lontra. La coda poi sembra quella di un castoro; e le zampe hanno dita palmate, ma con (...)
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  15. Kant and the Platypus Essays on Language and Cognition.Umberto Eco - 2000
     
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  16. "Casablanca": Cult Movies and Intertextual Collage.Umberto Eco - 1985 - Substance 14 (2):3.
  17. Kant E L'Ornitorinco.Umberto Eco - 1997
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  18. La Struttura Assente.Umberto Eco - 1980 - T. Bompiani.
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  19. The Sign Revisited.Umberto Eco & Lucia Re - 1980 - Philosophy and Social Criticism 7 (3-4):262-297.
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  20.  70
    Reading Theory: The Role of the SemioticianA Theory of SemioticsThe Role of the Reader. [REVIEW]William Ray & Umberto Eco - 1980 - Diacritics 10 (1):49.
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  21. ‘Dreaming of the Middle Ages’: An Unpublished Fragment.Umberto Eco - 1987 - Semiotica 63 (1-2):239-239.
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  22. On the Medieval Theory of Signs.Umberto Eco & Costantino Marmo (eds.) - 1989 - Benjamins.
  23.  52
    Art and Beauty in the Middle Ages.Umberto Eco - 1986 - Yale University Press.
    In this book, the Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas.
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  24. On Ugliness.Umberto Eco (ed.) - 2007 - Rizzoli.
    In the mold of his acclaimed History of Beauty , renowned cultural critic Umberto Eco’s On Ugliness is an exploration of the monstrous and the repellant in visual culture and the arts. What is the voyeuristic impulse behind our attraction to the gruesome and the horrible? Where does the magnetic appeal of the sordid and the scandalous come from? Is ugliness also in the eye of the beholder? Eco’s encyclopedic knowledge and captivating storytelling skills combine in this ingenious study of (...)
     
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  25.  7
    Art and Beauty in the Middle Ages.Umberto Eco - 1987 - Journal of Aesthetics and Art Criticism 46 (2):311-312.
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  26.  63
    Meaning and Mental Representations.Umberto Eco, Marco Santambrogio & Patrizia Violi (eds.) - 1988 - Indiana University Press.
    "... an excellent collection... " —Journal of Language & Social Psychology An important collection of original essays by well-known scholars debating the questions of logical versus psychologically-based interpretations of language.
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  27.  4
    The Aesthetics of Thomas Aquinas.Umberto Eco & Hugh Bredin - 1988 - Journal of Aesthetics and Art Criticism 47 (1):100.
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  28. Semiotica E Filosofia Del Linguaggio.Umberto Eco - 1984
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  29.  50
    A Componential Analysis of the Architectural Sign /Column.Umberto Eco - 1972 - Semiotica 5 (2).
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  30.  66
    La Structure Absente Introduction À la Recherche Sémiotique.Umberto Eco - 1972 - Mercure de France.
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  31.  93
    The Aesthetics of Thomas Aquinas.Umberto ECO - 1988 - Harvard University Press.
    As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and ...
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  32. Arte E Bellezza Nell'estetica Medievale.Umberto Eco - 1997
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  33.  32
    1. Aspetti conoscitivi della metafora in Aristotele.Umberto Eco - 2004 - Doctor Virtualis 3:5-7.
    Per Aristotele la metafora non è un semplice ornamento del discorso ma possiede valore conoscitivo, perché consente di conoscere il simile e di cogliere concetti affini. Negli autori medievali la metafora mantiene la funzione di strumento di conoscenza?
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  34.  17
    Conventions of the Natural and the Naturalness of ConventionsA Theory of Semiotics. [REVIEW]Michael McCanles & Umberto Eco - 1977 - Diacritics 7 (3):54.
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  35. Opera Aperta Forma E Indeterminazione Nelle Poetiche Contemporanee.Umberto Eco - 1962 - Tascabili Bompiani.
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  36.  81
    Meaning and Denotation.Umberto Eco - 1987 - Synthese 73 (3):549 - 568.
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  37.  9
    Eco's Echoes: Ironizing the ModernFoucault's Pendulum. [REVIEW]Linda Hutcheon, Umberto Eco & William Weaver - 1992 - Diacritics 22 (1):2.
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  38. Einführung in Die Semiotik. Autorisierte Deutsche Ausgabe von Jürgen Trabant.Umberto Eco - 1972 - W. Fink.
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  39. Il Problema Estetico in Tommaso D'Aquino.Umberto Eco - 1970 - V. Bompiani.
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  40.  10
    The Myth of Superman. [REVIEW]Umberto Eco & Natalie Chilton - 1972 - Diacritics 2 (1):14.
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  41.  19
    Latratus Canis.Umberto Eco - 1985 - Tijdschrift Voor Filosofie 47 (1):3 - 14.
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  42. The Aesthetics of Chaosmos the Middle Ages of James Joyce.Umberto Eco - 1982 - University of Tulsa.
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  43.  11
    The Limits of SemioticsThe Limits of Interpretation. [REVIEW]Patrick Colm Hogan & Umberto Eco - 1993 - Diacritics 23 (4):82.
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  44. Serendipities: Language & Lunacy.Umberto Eco - 1999 - Harcourt Brace.
    Serendipities is a careful unraveling of the fabulous and the false, a brilliant exposition of how unanticipated truths often spring from false ideas. From Leibniz's belief that the I Ching illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Umberto Eco offers a dazzling tour of intellectual history, illuminating the ways in which we project the familiar onto the strange to make sense of the world. Uncovering layers of mistakes that have shaped human history, Eco (...)
     
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  45. The Story of Time.Kristen Lippincott, Umberto Eco & National Maritime Museum Britain) - 1999
     
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  46. Su alcune funzioni della letteratura.Umberto Eco - 2001 - Studi di Estetica 23:151-164.
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  47.  20
    Signification and Denotation From Boethius to Ockham.Umberto Eco - 1984 - Franciscan Studies 44 (1):1-29.
  48. Sugli Specchi E Altri Saggi Il Segno, la Rappresentazione, l'Illusione, L'Immagine.Umberto Eco - 1995
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  49. Weak Thought and the Limits of Interpretation.Umberto Eco - 2007 - In Santiago Zabala (ed.), Weakening Philosophy: Essays in Honour of Gianni Vattimo. Mcgill-Queen's University Press.
     
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  50. L'oeuvre Ouverte.Umberto Eco - 1965 - Éditions du Seuil.
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1 — 50 / 118