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Véronique M. Fóti [42]Véronique Marion Fóti [4]
  1.  7
    Vision's Invisibles: Philosophical Explorations.Veronique M. Foti - 2003 - State University of New York Press.
    Examines the construction of vision in the works of Heraclitus, Plato, Descartes, Heidegger, Merleau-Ponty, Foucault, Nancy, and Derrida.
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  2.  17
    The Role of Imagination in Descartes’s Thought.Véronique M. Fóti - 1988 - Philosophie Et Culture: Actes du XVIIe Congrès Mondial de Philosophie 4:29-32.
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  3.  62
    The Cartesian Imagination.Véronique M. Fóti - 1986 - Philosophy and Phenomenological Research 46 (4):631-642.
  4.  36
    The Dimension of Color.Véronique M. Fóti - 1990 - International Studies in Philosophy 22 (3):13-28.
  5.  19
    Résumé : Expression, altérité et philosophie de la nature dans le dialogue de Merleau-Ponty avec les rationalistes.Véronique M. Foti - 2009 - Chiasmi International 11:290-291.
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  6.  51
    Heidegger and 'the Way of Art:' The Empty Origin and Contemporary Abstraction. [REVIEW]Véronique M. Fóti - 1998 - Continental Philosophy Review 31 (4):337-351.
    With a focus on the question of visuality in Heidegger's sustained involvement with Daoist and Zen thought, this paper discusses the interchange between Heidegger and Hisamatsu at a 1958 colloquium. In light of the key concerns – visuality, art, and the empty origin of manifestation – it interrogates three texts,The Origin of the Work of Art,Parmenides, andArt and Space,concerning visuality, the play of the glance, writing, space and place, and the Graeco-Asian though of phainesthai. In conclusion, it addresses the opening (...)
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  7.  17
    Presence and Memory.Véronique M. Fóti - 1986 - Graduate Faculty Philosophy Journal 11 (1):67-81.
  8.  28
    Time's Agonal Spacing in Hölderlin's Philosophy of Tragedy.Véronique M. Fóti - 2007 - The Proceedings of the Twenty-First World Congress of Philosophy 12:39-42.
    This paper interrogates Hölderlin's effort to deconstruct the speculative matrix of tragedy, with a particular focus on his "Remarks on Antigone," which are appended to his translation of the Sophoclean tragedy. In focus are, firstly, the separative force of the caesura, which stems tragic transport and is here analyzed, in terms of Hölderlin's understanding of Greece in relation to "Hesperia," as an incipiently Hesperian poetic gesture. Secondly, Hölderlin's key thought of the mutual "unfaithfulness" of God and man is at issue: (...)
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  9.  7
    Heidegger and the Poets: Poiesis/Sophia/Techne.Krzysztof Ziarek & Veronique M. Foti - 1995 - Substance 24 (1/2):199.
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  10.  25
    Gottfried Wilhelm Leibniz: The Art of Controversies.Véronique M. Fóti - 2007 - Review of Metaphysics 61 (2):410-412.
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  11.  15
    Riassunto: Espressione, alterità e filosofia della natura nel dialogo di Merleau-Ponty con i razionalisti.Véronique M. Foti - 2009 - Chiasmi International 11:291-292.
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  12.  29
    Spinoza's Doctrine of Immortality and the Unity of Love.Véronique M. Fóti - 1979 - Southern Journal of Philosophy 17 (4):437-442.
  13.  36
    On Truth/Untruth in Heidegger and Merleau-Ponty.Véronique M. Fóti - 1983 - Research in Phenomenology 13 (1):185-198.
    Relate to Heidegger On the Essence of Truth Relate to Merleau-Ponty The Visible and the Invisible.
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  14.  19
    Expression, Alterity, and the Philosophy of Nature in Merleau-Ponty's Dialogue with the Rationalists.Véronique M. Foti - 2009 - Chiasmi International 11:279-290.
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  15.  4
    Adversity and Practices of Painting in Advance.Véronique M. Fóti - forthcoming - Philosophy Today.
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  16.  9
    Politics and the Limits of Metaphysics: Heidegger, Ferry and Renaut, and Lyotard.Veronique M. Foti - 1991 - Graduate Faculty Philosophy Journal 14 (2/1):323-334.
  17.  9
    Representation and the Image: Between Heidegger, Derrida, and Plato. [REVIEW]Veronique M. Foti - 1985 - Man and World 18 (1):65-78.
  18.  7
    Revisiting Greek Tragedy in Dialogue with Jacques Taminiaux.Véronique M. Fóti - 2014 - Epoché: A Journal for the History of Philosophy 19 (1):49-64.
    In Le théatre des philosophes, Taminiaux suggests that both German Idealism and Heidegger understand Greek tragedy as ontological in its import. So does Plato who, however, censures it for the inadequacy of its ontological vision, which he seeks to correct by means of the aesthetic education of the guardians of the ideal city. Taminiaux stresses that Aristotle understands tragedy as a mimēsis of action which is pluralistic, willing to engage with appearances, and oriented toward phronēsis. A key question concerns his (...)
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  19.  7
    Loneliness in Philosophy, Psychology and Literature.Véronique M. Fóti - 1981 - History of European Ideas 1 (3):281-284.
  20.  16
    Textuality, Totalization, and the Question of Origin in Heidegger's Elucidation of Andenken.Véronique M. Foti - 1989 - Research in Phenomenology 19 (1):43-58.
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  21.  4
    Painting and the Re-Orientation of Philosophical Thought in Merleau-Ponty.Véronique M. Fóti - 1980 - Philosophy Today 24 (2):114-120.
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  22.  7
    Rethinking Parmenides in Dialogue with Reiner Schürmann.Veronique M. Fóti - 2008 - Graduate Faculty Philosophy Journal 29 (2):115-127.
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  23.  2
    Adversity and Practices of Painting.Véronique M. Fóti - 2016 - Philosophy Today 60 (2):397-405.
    Merleau-Ponty’s abiding interest in the art and the enigmatic person of Paul Cézanne focuses importantly on both the pictorial expression of space, and on the freedom of artistic creation in the face of adversity. Examining these issues in relation to the art of Claude Monet, together with Monet’s status as a precursor of painterly abstraction, one can follow the Merleau-Pontyan “indirect logic of institution” to confront the work of Joan Mitchell, within the parameters of gestural abstraction, so as to consider (...)
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  24.  3
    The Responsiveness of Pictorial and Linguistic Figuration to Being’s Inner Fragility.Véronique M. Fóti - 2015 - Research in Phenomenology 45 (3):436-440.
  25.  4
    Sensuous Presencing and Artistic Creation.Véronique M. Fóti - 2014 - Comparative and Continental Philosophy 6 (2):203-210.
  26.  1
    Spinoza’s Doctrine of Immortality and the Unity of Love.Véronique M. Fóti - 1979 - Southern Journal of Philosophy 17 (4):437-442.
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  27.  2
    Neither Pure Nascency nor Mortality: Crossing-Out Absolutes in the Event of Presencing.Véronique M. Fóti - 2014 - Chiasmi International 16:315-322.
    Since both these readings of Tracing Expression converge on a number of focal issues, namely the diacriticity and creativity of expression, memory, temporality, and the trace, the relation of artistic creation to the proto-artistic creativity of nature, and the elemental or what Toadvine calls “the end of the world,” I enter into dialogue with both interlocutors on these issues.Given the differential character of expression and the silences that permeate the sedimentation that it draws upon, nothing is replicatively bodied forth by (...)
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  28.  3
    In the Shadow of the Immigrant's Dream.Véronique M. Fóti - 1985 - History of European Ideas 6 (3):341-347.
  29.  4
    Book Review: Holocaust Visions: Surrealism and Existentialism in the Poetry of Paul Celan. [REVIEW]Véronique Marion Fóti - 1995 - Philosophy and Literature 19 (2):382-384.
  30.  1
    Beyond hermeneutics: zur philosophie der literatur und geisteswissenschaften.Véronique M. Fóti - 1987 - History of European Ideas 8 (3):367-372.
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  31. Expression, Alterity, and the Philosophy of Nature in Merleau-Ponty’s Dialogue with the Rationalists.Véronique M. Foti - 2009 - Chiasmi International 11:279-290.
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  32. Epochal Discordance: Holderlin's Philosophy of Tragedy.Veronique M. Foti - 2006 - State University of New York Press.
    Examines the German poet Hölderlin’s philosophical insights into tragedy.
     
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  33. Epochal Discordance: Holderlin's Philosophy of Tragedy.Veronique M. Foti - 2007 - State University of New York Press.
    _Examines the German poet Hölderlin’s philosophical insights into tragedy._.
     
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  34. Mortals Within the Fourfold and the Holderlinian Figure of Man.Veronique M. Foti - 1993 - Philosophy Today 37 (4):392-401.
  35. Politics and the Limits of Metaphysics: Heidegger, Ferry and Renaut, and Lyotard.Veronique M. Foti - 1991 - Graduate Faculty Philosophy Journal 14 (2/1):323-334.
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  36. The Evidences of Paintings: Merleau-Ponty and Contemporary Abstraction.Véronique M. Foti - 1996 - In Véronique Fóti (ed.), Merleau-Ponty: Difference, Materiality, Painting. pp. 137--138.
     
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  37. Ladelle McWhorter, Ed., Heidegger and the Earth: Essays in Environmental Philosophy Reviewed By.Véronique M. Fóti - 1993 - Philosophy in Review 13 (4):171-172.
     
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  38. Merleau-Ponty: Difference, Materiality, Painting.Véronique Marion Fóti (ed.) - 1996 - Humanities Press.
  39. Mortals Within the Fourfold and the Hölderlinian Figure of Man.Véronique M. Fóti - 1993 - Philosophy Today 37 (4):392-401.
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  40. Presence and Memory: Derrida, Freud, Plato, Descartes.Véronique M. Fóti - 1986 - Graduate Faculty Philosophy Journal 11 (1):67-81.
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  41. Robert Bernasconi., Heidegger in Question: The Art of Existing.Véronique M. Fóti - 1996 - International Studies in Philosophy 28 (2):111-115.
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  42. The Child as a Natural Phenomenologist: Primal and Primary Experience in Merleau-Ponty’s Psychology by Talia Welsh.Véronique M. Fóti - 2015 - Journal of the History of Philosophy 53 (1):167-168.
  43. Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology.Veronique M. Foti - 2013 - Northwestern University Press.
    The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In _Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, _Véronique M. Fóti_ _addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of his lecture courses (...)
     
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  44. Painting, Perception, Affectivity.Michel Haar & Véronique M. Foti - 1996 - In Véronique Fóti (ed.), Merleau-Ponty: Difference, Materiality, Painting.
     
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